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599
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229
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189
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34
Accompagnement Piano
34
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19
1 Piano, 4 mains
18
Clavecin
13
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9
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7
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2 Pianos, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
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5
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22
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10
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6
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47
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15
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11
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8
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7
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4
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3
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2
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2
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1
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1
Chorale
1
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Voix Baryton, Piano
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1
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Flûte traversière et Piano
242
Hautbois, Piano (duo)
238
Flûte, Hautbois, Clarinette, Basson
212
Clarinette
188
Saxophone Alto et Piano
187
Quatuor de Saxophones: 4 saxophones
181
Saxophone Tenor et Piano
178
Saxophone (partie séparée)
176
2 Saxophones (duo)
125
Quatuor de Clarinettes: 4 clarinettes
123
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
114
Clarinette et Piano
107
Quintette de Saxophone: 5 saxophones
84
Flûte traversière
80
Saxophone Soprano et Piano
63
Saxophone Alto
61
2 Flûtes traversières (duo)
50
Hautbois (partie séparée)
44
2 Clarinettes (duo)
41
Ensemble de Clarinettes
35
Saxophone Baryton, Piano
26
Flute (partie séparée)
18
2 Hautbois (duo)
17
Clarinette (partie séparée)
16
Flûte et Guitare
15
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14
Quatuor de Flûtes à bec
12
Clarinette, Harpe (duo)
11
Saxophone Tenor
9
Ensemble de Flûtes
9
3 Clarinettes (trio)
9
Quintette de Flûte : 5 flûtes
9
Cor anglais, Piano
8
Hautbois
8
Ensemble de saxophones
8
Saxophone Soprano
8
Trio de Flûtes: 3 flûtes
7
Clarinette Basse, Piano
7
Flûte, Clarinette (duo)
7
Flûte à bec Soprano
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Baryton
6
Cor Anglais
6
Clarinette, Violon (duo)
5
2 Flûte à bec (duo)
5
5 Flûtes à bec
5
Flûte, Hautbois, Clarinette (trio)
5
Clarinette, Trompette (duo)
5
3 Saxophones (trio)
5
Flûte, Alto (duo)
4
Ensemble De Flûte à bec
4
Saxophone, Clarinette (duo)
4
3 Flûtes à bec (trio)
3
Flûte, Violon
3
Flûte, Clarinette, Piano (trio)
3
Hautbois, Harpe
3
Flûte, Saxophone (duo)
2
Clarinette, Alto et Piano (trio)
2
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2
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2
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2
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2
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2
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2
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1
Clarinette Basse
1
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1
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1
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1
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1
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1
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1
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Piccolo, Piano
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1
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1
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1
Hautbois, Violon, Piano
1
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1
Hautbois, Violoncelle et Piano
1
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1
Clarinette et Alto
1
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1
Flûte, Violoncelle
1
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1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flûte, Basson et Piano
1
Clarinette, Orgue
1
Flûte, Clarinette et Basson
1
Clarinette, Trombone (duo)
1
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219
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132
Trompette (partie séparée)
110
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105
Trombone (partie séparée)
94
Quatuor de Cuivres : 2 trompettes, trombone, tuba
91
Trombone
71
Cor et Piano
51
Cor
41
2 Trombones (duo)
40
2 Trompettes (duo)
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Tuba
24
Cor (partie séparée)
24
Quatuor de Cuivres
24
Tuba et Piano
23
2 Euphoniums et 2 Tubas
16
Trompette, Trombone (duo)
11
Cor et Harpe
10
Euphonium, Piano (duo)
10
Ensemble de Trombones
9
Tuba (partie séparée)
9
Trompette, Harpe
9
Cor anglais, Piano
8
2 Cors (duo)
8
2 Tubas (duo)
7
Trio de Cuivres
7
Ensemble de Trompettes
6
Cor Anglais
6
Quatuor de cuivres: 4 trombones
6
Euphonium
5
Trompette, Saxophone (duo)
4
Trompette, violon (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trombone, Orgue
2
Quatuor de cuivres: 4 cors
2
Tuba et Orgue
2
Trombone basse
2
Cor anglais et Harpe (duo)
1
Trompette, Violoncelle et Piano
1
Euphonium, Tuba (duo)
1
Trombone, Tuba (duo)
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Quatuor de cuivres: 4 trompettes
1
Trompette, Violoncelle (duo)
1
Ensemble de Cors
1
Trompette, Basson (duo)
1
Cor anglais, Guitare (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
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449
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231
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231
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210
2 Harpes (duo)
189
Violon
139
Harpe
134
Violoncelle (partie séparée)
90
Alto seul
53
Contrebasse (partie séparée)
52
Violon, Violoncelle (duo)
50
Alto (partie séparée)
47
2 Violons (duo)
46
Violon (partie séparée)
44
Trio à Cordes: violon, alto, violoncelle
40
2 Violoncelles (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Violoncelle
30
Contrebasse, Piano (duo)
25
Violon, Alto (duo)
25
Contre Basse
22
2 Altos (duo)
15
Harpe, Flûte (duo)
12
Piano Trio: Violon, Alto, Piano
12
Harpe, Violon (duo)
12
Violon, Guitare (duo)
9
Alto et Harpe
7
Ensemble de Violons
7
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: 3 violoncelles
7
Ensemble d'Altos
6
Harpe, Violoncelle (duo)
6
4 Violoncelles
5
Violoncelle, Contrebasse (duo)
4
2 Contrebasses (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
3
Harpe, Trombone (duo)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Alto, Guitare (duo)
2
Ensemble de Violoncelles
2
Violoncelle, Orgue
1
Harpe, Voix
1
2 Violons, Piano
1
4 Contrebasses
1
Violon, Trompette et Piano
1
Alto, Orgue
1
Harpe, Violon, Violoncelle
1
Trio à Cordes: 2 violons, alto
1
Harpe et Piano
1
2 Altos, Piano
1
5 Harpes
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
Violoncelle, Basse continue
1
Harpe (partie séparée)
1
Alto et Basson
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
793
Orchestre à Cordes
284
Ensemble Jazz
156
Orchestre
128
Ensemble de cuivres
70
Batterie (partie séparée)
50
Cloches
47
Orchestre de chambre
46
Batterie
38
Jazz combo
37
Percussion (partie séparée)
26
Ensemble de Percussions
15
Fanfare
12
Vibraphone
6
Marimba
5
Xylophone
4
Xylophone, Piano
2
Vibraphone (partie séparée)
1
Vibraphone et Marimba
1
Piano et Orchestre
1
Timbales (partie séparée)
1
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Euphonium, Piano (duo)
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.4 €
#
Euphonium, Piano (duo)
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.4 €
#
Euphonium, Piano (duo)
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Always On My Mind
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1332793 By Elvis Presley. By J…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1332793 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Kevin P Holdgate. 20th Century,Broadway,Country,Musical/Show,Pop,Standards. Score and part. 9 pages. Kevin P Holdgate #919221. Published by Kevin P Holdgate (A0.1332793). Always on My Mind is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee and first released by Gwen McCrae (as You Were Always on My Mind) in March 1972. Lee's version was released three months later in June 1972. The song has been a crossover hit, charting in both the country and western and pop categories. Elvis Presley's recording was the first commercially successful version of the song.AllMusic lists more than 300 recorded releases of the song in versions by dozens of performers.[1] While Lee's version reached no. 45 on the US country chart in 1972, other performers reached the Top 20 on the country and/or pop charts in the United States and elsewhere with their own versions: Elvis Presley (1972, US country; UK pop Top Ten); John Wesley Ryles (1979, US country) and Willie Nelson's Grammy Award-winning version (1982, US/Canada country number one; US/Canada pop Top Ten); and the Pet Shop Boys' 1987 hi-NRG/synth-pop interpretation (UK number one; US Top Ten).This arrangement of what is a beautiful song is suitable for players of around Grade 4 ABRSM or equivalent.
$5.99
5.53 €
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Euphonium, Piano (duo)
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Elvis Presley
#
Kevin P Holdgate
#
UK pop Top Ten)
#
Always On My Mind
#
Kevin P Holdgate
#
SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1112417 Composed by Scott Jopl…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.68 €
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Euphonium, Piano (duo)
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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David McKeown
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SheetMusicPlus
Handel: Largo from Xerxes for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frid…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.4 €
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Euphonium, Piano (duo)
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Dying and Dancing for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Sca…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
25.37 €
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Euphonium, Piano (duo)
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Russell Scarbrough
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Dying and Dancing for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Rose-Noskowski-Euphonium/Baritone Horn-Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.845336 Composed by Z Noskowski…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.845336 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #6786389. Published by Phil Beaman (A0.845336). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This duet between an Instrumental Solo and piano is my arrangement of Rose from Fleurs du Printemps, Op 48 (Rose, from Flowers of Spring).It is expressive, portraying the beauty of the Rose. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. I have also changed the tempos to create more emotional variety between the thematic sections and I wrote a new ending with an Instrumental cadenza. The solo instrument plays the various melodic themes while I created a new piano part based on the original chords. The melody contains many accidentals as is typical in the Romantic period. Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert or audition piece to show musicianship. Also well suited for Wedding music.Solo range - nearly 2 octaves (14th)5 page score, 2 page part provided in both clefs2:35 minutes
$5.99
5.53 €
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Euphonium, Piano (duo)
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Z Noskowski
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Phil Beaman
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Rose-Noskowski-Euphonium/Baritone Horn-Piano
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Phil Beaman
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SheetMusicPlus
Shake It Off
Euphonium, Piano (duo)
Euphonium,Piano - Digital Download SKU: A0.793758 By Taylor Swift. By Johan Schuste…
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Euphonium,Piano - Digital Download SKU: A0.793758 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by DIXON mus-IC. Pop. Score and part. 6 pages. Rammy Music #4312083. Published by Rammy Music (A0.793758). This arrangement is for solo euphonium (bass clef) with piano accompaniment. Suitable for beginner or intermediate students, the piece is in G major. The parts are very clearly laid out with rehearsal marks and written indications of the form - verse / chorus etc. There is some information on the page such as staccato notes and phrase marks but it is ultimately a fun piece which can be played freely with a good strong feeling of pulse. The piano accompaniment is written out with the euphonium line indicated above on a smaller stave for reference. There are also large font chord symbols to facilitate variation or improvisation of the accompaniment. The part could also be used as a rhythm section lead sheet for even more fun.
$4.99
4.6 €
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Euphonium, Piano (duo)
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Taylor Swift
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DIXON mus-IC
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Shake It Off
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Rammy Music
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SheetMusicPlus
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
26.71 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Sugar Plum Fairy theme
Euphonium, Piano (duo)
Euphonium,Piano - Level 1 - Digital Download SKU: A0.1280693 Composed by Peter Ilyi…
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.1280693 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #871737. Published by Rodrigo Faleiros (A0.1280693). Immerse yourself in the enchanting world of Tchaikovsky's The Nutcracker with this delightful easy euphonium arrangement tailored for beginners. This easy euphonium piano sheet music focuses on the iconic main theme of the Sugar Plum Fairy, allowing novice players to effortlessly bring the magical melody to life. Even those new to the euphonium can evoke the whimsy and elegance of this timeless ballet classic in a charming and accessible rendition. This easy euphonium sheet music contains a piano accompaniment with chords markings.
$2.99
2.76 €
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Euphonium, Piano (duo)
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Peter Ilyich Tchaikovsky
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Rodrigo Faleiros
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Sugar Plum Fairy theme
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Rodrigo Faleiros
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SheetMusicPlus
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