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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Matthew S
Non classifié
495
Piano & claviers
Piano seul
98
Piano, Voix
59
Piano, Voix et Guitare
54
Piano Facile
51
Instruments en Do
21
Orgue
16
2 Pianos, 4 mains
5
Piano (partie séparée)
4
1 Piano, 4 mains
2
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
16
Guitare
12
Basse électrique (partie séparée)
8
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
5
Guitare (partie séparée)
4
Ukulele
3
2 Mandolines (duo)
2
Paroles et Accords
2
+ 4 instrumentations
Retracter
Voix
Chorale SATB
300
Chorale 3 parties
69
Chorale TTBB
35
Chorale 2 parties
32
Chorale Unison
32
Chorale SSAA
22
Voix duo
11
Voix duo, Piano
7
Voix moyenne, Piano
3
Chorale SSATTB
2
Voix Soprano, Piano
1
Voix haute
1
Chorale SSATB
1
Chorale SSAATTBB
1
Chorale SATBB
1
Chorale
1
Voix seule
1
+ 12 instrumentations
Retracter
Vents
Saxophone (partie séparée)
91
Clarinette (partie séparée)
44
Flute (partie séparée)
24
Flûte, Hautbois, Clarinette, Basson
22
Flûte traversière et Piano
20
Hautbois (partie séparée)
20
Quatuor de Saxophones: 4 saxophones
17
Clarinette et Piano
14
Saxophone Alto et Piano
13
Flûte traversière
13
Clarinette
13
Hautbois, Piano (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Alto
9
2 Flûtes traversières (duo)
9
Saxophone Tenor et Piano
8
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
8
Saxophone Tenor
7
Ensemble de Clarinettes
5
Quatuor de Clarinettes: 4 clarinettes
4
2 Clarinettes (duo)
4
Saxophone
3
2 Saxophones (duo)
3
Flûte, Clarinette (duo)
3
Flûte et Guitare
2
3 Clarinettes (trio)
2
Cor anglais, Piano
2
Flûte à Bec
2
Hautbois
2
Trio de Flûtes: 3 flûtes
2
Clarinette Basse, Piano
2
Flûte, Violon
2
Ensemble de Flûtes
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Harpe et Violoncelle
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de saxophones
1
+ 33 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
131
Trompette (partie séparée)
69
Trombone (partie séparée)
51
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Cor (partie séparée)
19
Tuba (partie séparée)
15
Trompette
13
Trombone et Piano
13
Trompette, Piano
10
Cor et Piano
10
Trombone
9
Tuba
6
Cor
6
Quatuor de Cuivres
5
2 Trompettes (duo)
3
Euphonium, Piano (duo)
3
Cor anglais, Piano
2
2 Cors (duo)
2
Trio de Cuivres
2
Euphonium
1
2 Euphoniums et 2 Tubas
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 trombones
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Tuba (duo)
1
Euphonium, Tuba (duo)
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
77
Violon et Piano
25
Violon (partie séparée)
21
Alto, Piano
19
Alto (partie séparée)
18
Violoncelle, Piano
18
Violon
14
Contrebasse (partie séparée)
11
Violoncelle
10
Violon, Violoncelle (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto seul
6
2 Violoncelles (duo)
6
Harpe
6
Violoncelle (partie séparée)
5
2 Violons (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
4
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse, Piano (duo)
3
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe (partie séparée)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
71
Fanfare
38
Orchestre
32
Ensemble de cuivres
30
Cloches
27
Percussion (partie séparée)
24
Ensemble Jazz
19
Batterie
19
Orchestre de chambre
18
Orchestre à Cordes
14
Batterie (partie séparée)
6
Timbales (partie séparée)
5
Percussion
3
Jazz combo
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Big band
1
Quintette à Vent
1
Xylophone
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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BUGLE
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CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
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COR ANGLAIS
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DULCIMER
EUPHONIUM
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FLUTE
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METAL - HARD
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
Matthew S
Euphonium, Piano (duo)
Partitions à imprimer
3 partitions trouvées
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1
The Elephant
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
Matthew Nunes
#
The Elephant
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Matthew Nunes Music
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1265066 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. S...
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Euphonium,Piano - Level 3 - SKU: A0.1265066 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 10 pages. Matthew Nunes Music #857906. Published by Matthew Nunes Music (A0.1265066). Http://www.matthewnunesmusic.com/arrangements.htmlIncludes Treble Clef (TC) and Bass Clef (BC) parts. The Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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1
Matthew S
