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XYLOPHONE
Midsummer Night\'s Dream
Non classifié
96
Piano & claviers
Piano seul
60
Piano Facile
24
Piano, Voix
9
Piano Trio: piano, violon, violoncelle
6
Orgue
3
1 Piano, 4 mains
3
Instruments en Do
2
Piano, Voix et Guitare
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
7
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
2
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
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5
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5
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2
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1
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20
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16
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15
Hautbois, Piano (duo)
13
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12
Clarinette et Piano
11
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Soprano et Piano
10
Saxophone Alto et Piano
10
Flûte traversière
9
Clarinette
9
2 Clarinettes (duo)
7
Quatuor de Flûtes à bec
7
Clarinette (partie séparée)
6
2 Flûtes traversières (duo)
6
Quintette de Saxophone: 5 saxophones
5
2 Saxophones (duo)
5
Saxophone Alto
5
Saxophone Tenor
4
Saxophone Tenor et Piano
4
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3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
3
Ensemble de Clarinettes
3
Hautbois (partie séparée)
3
Saxophone (partie séparée)
3
Flûte, Violon
2
Ensemble de saxophones
2
Cor anglais, Piano
2
Flute (partie séparée)
2
Saxophone
2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
2
5 Flûtes à bec
1
Clarinette, Violon (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Trompette (duo)
1
Saxophone et violoncelle
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone, Clarinette (duo)
1
Ensemble de Flûtes
1
Flûte, Violoncelle
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
+ 46 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone et Piano
12
Trompette, Piano
12
Trompette
10
Cor et Piano
8
2 Trompettes (duo)
6
Trombone (partie séparée)
5
Trompette (partie séparée)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor (partie séparée)
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 cors
3
Trombone
3
Cor anglais, Piano
2
Tuba (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Ensemble de Cors
2
Trompette, Trombone (duo)
2
Tuba et Piano
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trombones
1
Trompette, violon (duo)
1
2 Cors (duo)
1
Ensemble de Trombones
1
Cor, Tuba (duo)
1
2 Trombones (duo)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon et Piano
13
Violon (partie séparée)
12
Violoncelle, Piano
10
Violon
10
2 Violons (duo)
8
Violoncelle
7
Violon, Violoncelle (duo)
6
Alto, Piano
6
Alto seul
4
Violoncelle (partie séparée)
4
Contrebasse (partie séparée)
4
Violon, Alto (duo)
3
2 Violoncelles (duo)
3
2 Altos (duo)
3
Alto (partie séparée)
2
Harpe
2
Alto, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Contrebasse, Piano (duo)
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Alto et Basson
1
+ 23 instrumentations
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Orchestre d'harmonie
25
Orchestre
13
Orchestre à Cordes
11
Ensemble de cuivres
8
Percussion (partie séparée)
3
Ensemble Jazz
1
Timbales (partie séparée)
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
Midsummer Night\'s Dream
Euphonium, Piano (duo)
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
The Elephant
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1265066 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. S...
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Euphonium,Piano - Level 3 - SKU: A0.1265066 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 10 pages. Matthew Nunes Music #857906. Published by Matthew Nunes Music (A0.1265066). Http://www.matthewnunesmusic.com/arrangements.htmlIncludes Treble Clef (TC) and Bass Clef (BC) parts. The Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
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Midsummer Night\'s Dream
