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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music and Dancing
Non classifié
310
Piano & claviers
Piano seul
525
Piano, Voix et Guitare
273
Piano, Voix
95
Piano Facile
40
Instruments en Do
18
Orgue
11
Piano grosses notes
10
1 Piano, 4 mains
9
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
4
Accordéon et Orchestre
2
2 Accordéons
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Ligne De Mélodie, Piano
1
Accordéon
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
87
Guitare notes et tablatures
68
Basse electrique
30
Paroles et Accords
28
Guitare
20
Mandoline
4
Ukulele
3
Basse électrique (partie séparée)
2
Dulcimer
2
4 Guitares (Quatuor)
1
Banjo
1
Ensemble de guitares
1
+ 7 instrumentations
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Voix
Chorale SATB
76
Chorale 3 parties
47
Chorale 2 parties
21
Chorale TTBB
19
Chorale SSAA
16
Voix seule
10
Chorale Unison
6
Chorale
5
Voix duo, Piano
3
Chorale SSATTB
2
Voix Alto, Piano
1
+ 6 instrumentations
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Vents
Saxophone
113
Clarinette
50
Flûte traversière
49
Quatuor de Saxophones: 4 saxophones
32
2 Saxophones (duo)
22
Flûte, Hautbois, Clarinette, Basson
21
Flûte traversière et Piano
18
Saxophone (partie séparée)
17
Saxophone Alto et Piano
15
Saxophone Tenor
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone, Clarinette (duo)
13
Saxophone Alto
12
Clarinette (partie séparée)
12
2 Flûtes traversières (duo)
12
Clarinette et Piano
11
2 Clarinettes (duo)
11
Quatuor de Clarinettes: 4 clarinettes
10
Flute (partie séparée)
9
Saxophone Tenor et Piano
8
Quintette de Saxophone: 5 saxophones
8
Hautbois, Piano (duo)
7
Clarinette, Trompette (duo)
7
Clarinette, Violon (duo)
6
Flûte, Clarinette (duo)
5
2 Hautbois (duo)
5
Flûte, Violon
5
Saxophone Soprano
5
Hautbois, Flûte
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Soprano et Piano
5
Ensemble de Flûtes
4
Hautbois, Basson (duo)
4
Flûte, Trompette (duo)
4
Saxophone Baryton, Piano
4
Clarinette et Alto
4
Ensemble de Clarinettes
4
2 Flûte à bec (duo)
4
Flûte, Alto (duo)
4
Quatuor de Flûtes : 4 flûtes
3
Flûte, Saxophone (duo)
3
Hautbois, Clarinette (duo)
3
Hautbois (partie séparée)
3
Instruments en Mib
2
Ensemble de saxophones
2
3 Clarinettes (trio)
2
Quatuor de Flûtes à bec
2
Flûte, Violon, Piano
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Saxophones (trio)
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
5 Flûtes à bec
1
Flûte à bec Soprano, Piano
1
Ocarina
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette et Basson
1
Flûte et Guitare
1
+ 55 instrumentations
Retracter
Cuivres
Trompette
44
Trombone
44
Trompette (partie séparée)
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trombone (partie séparée)
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette, Piano
9
Cor et Piano
8
Trompette, Saxophone (duo)
8
Trombone et Piano
7
Cor
6
Tuba et Piano
5
Cor (partie séparée)
5
2 Trombones (duo)
5
Tuba (partie séparée)
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Bass Clef Instruments
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Tuba ou Euphonium ou Saxhorn
2
Instruments en Sib
2
Ensemble de Trompettes
1
2 Cors (duo)
1
Tuba
1
Euphonium
1
Trio de Cuivres
1
Cor anglais, Piano
1
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
82
Violon (partie séparée)
29
Violon et Piano
27
Violon
23
Violon, Violoncelle (duo)
17
Violoncelle
16
Alto seul
13
Trio à Cordes: violon, alto, violoncelle
12
Contrebasse (partie séparée)
12
Alto (partie séparée)
11
Harpe
11
Trio à Cordes: 2 violons, violoncelle
10
2 Altos (duo)
9
Violoncelle, Piano
9
Alto, Piano
8
Violoncelle (partie séparée)
8
2 Violons (duo)
7
2 Violoncelles (duo)
6
Violon, Alto (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
3
2 Contrebasses (duo)
2
Piano Trio: Violon, Alto, Piano
1
2 Harpes (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes
1
Violoncelle, Orgue
1
Violon, Guitare (duo)
1
+ 23 instrumentations
Retracter
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Orchestre d'harmonie
376
Fanfare
119
Orchestre à Cordes
75
Orchestre
45
Ensemble Jazz
34
Batterie
25
Ensemble de cuivres
12
Cloches
9
Percussion (partie séparée)
9
Percussion
8
Jazz combo
5
Orchestre de chambre
3
Ensemble de Percussions
3
Xylophone
2
Marimba
2
Caisse Claire
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
SYNTHETISEUR
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Vous avez sélectionné:
Music and Dancing
Euphonium, Piano (duo)
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Dying and Dancing for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
#
Russell Scarbrough
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Dying and Dancing for Euphoniu
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Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. ...
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Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
Jubilee for euphonium and piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Gaines
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Yamaha Performing Artist
#
Jubilee for euphonium and pian
#
David Gaines
#
SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. ...
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Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. 8 pages. David Gaines #2113311. Published by David Gaines (A0.918776). A very short and fun work for euphonium and piano....very lighthearted and rhythmic. Adam Frey, euphonium soloist; Yamaha Performing Artist; euphonium instructor, Georgia State University.......This short, highly rhythmic prelude was inspired by the unique dancing movements of ferrets and was a semifinal round selection for the student division of the 25th Annual Leonard Falcone International Euphonium Competition in 2010.......A recording featuring euphoniumist Robert Kozanek (principal trombone, Czech Philharmonic Orchestra) is available on the Navona Records album Conversations: Keyboard and Chamber Music by John Bilotta and David Gaines (Catalogue #NV5829).
$3.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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