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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music to Hear
Sheetmusicplus
Non classifié
4 734
Piano & claviers
Piano seul
1 803
Piano, Voix
1 023
Piano, Voix et Guitare
877
Piano Facile
458
Instruments en Do
218
Orgue
167
Accompagnement Piano
123
Piano grosses notes
72
1 Piano, 4 mains
45
Piano Trio: piano, violon, violoncelle
41
Piano (partie séparée)
32
2 Pianos, 4 mains
12
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Accordéon
6
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavier
4
Orgue, Trompette (duo)
3
Clavecin
3
1 Piano, 6 mains
2
Orgue, Piano (duo)
2
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
181
Guitare
148
Guitare (partie séparée)
60
Ukulele
47
Ligne De Mélodie, (Paroles) et Accords
45
Piano, Guitare (duo)
20
Basse electrique
12
Banjo
10
Paroles et Accords
10
Ensemble de guitares
9
Mandoline
8
2 Guitares (duo)
8
Dulcimer
7
4 Guitares (Quatuor)
6
Mandoline, Guitare (duo)
5
Guitare, Orchestre
1
Guitare Tab, Voix, Basse, Batterie
1
Guitare, Violon, Violoncelle (trio)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 303
Chorale 3 parties
426
Chorale 2 parties
304
Chorale TTBB
177
Chorale Unison
155
Chorale SSAA
100
Voix duo, Piano
88
Voix Alto, Piano
70
Voix Soprano, Piano
61
Voix Baryton, Piano
57
Voix Tenor, Piano
51
Voix duo
31
Voix Tenor
30
Voix Soprano
26
Voix haute
19
Voix seule
13
Voix moyenne, Piano
6
Chorale
6
Voix Mezzo-Soprano, Piano
4
Chorale SSATB
3
Chorale SSATTB
3
Voix basse
3
Voix basse, Piano
2
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
+ 22 instrumentations
Retracter
Vents
2 Saxophones (duo)
373
Quatuor de Saxophones: 4 saxophones
313
Flûte traversière et Piano
284
Flûte, Hautbois, Clarinette, Basson
260
Clarinette et Piano
259
Hautbois, Piano (duo)
250
Saxophone (partie séparée)
223
2 Flûtes traversières (duo)
209
Saxophone Alto et Piano
193
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
183
2 Clarinettes (duo)
175
Quatuor de Clarinettes: 4 clarinettes
158
Flûte traversière
145
Saxophone Tenor et Piano
139
Clarinette
128
Saxophone, Clarinette (duo)
105
Saxophone Alto
100
Saxophone Soprano et Piano
98
Clarinette, Violon (duo)
97
Quintette de Saxophone: 5 saxophones
92
Hautbois (partie séparée)
92
2 Hautbois (duo)
90
Saxophone Tenor
80
Clarinette, Trompette (duo)
76
Flûte, Clarinette (duo)
70
2 Flûte à bec (duo)
65
Hautbois, Clarinette (duo)
60
Saxophone Baryton, Piano
59
Hautbois, Basson (duo)
58
Quatuor de Flûtes : 4 flûtes
52
Flûte, Violon
51
Hautbois
47
Clarinette et Alto
46
Flûte, Alto (duo)
45
Flûte, Saxophone (duo)
43
Flûte, Violon, Piano
43
3 Saxophones (trio)
39
Flute (partie séparée)
38
Ensemble de saxophones
36
Flûte, Trompette (duo)
36
Clarinette (partie séparée)
34
Ensemble de Flûtes
32
Ensemble de Clarinettes
31
Hautbois, Flûte
29
Cor anglais, Piano
28
3 Clarinettes (trio)
28
Flûte, Hautbois (duo)
25
Clarinette, Basson (duo)
23
Trio de Flûtes: 3 flûtes
21
Clarinette Basse, Piano
21
Quintette de Clarinettes: 5 clarinettes
19
Hautbois, violon (duo)
19
Flûte, Hautbois, Clarinette (trio)
19
Flûte, Violoncelle
18
Saxophone Soprano
15
Hautbois, Violoncelle
14
Clarinette, Violoncelle (duo)
14
Clarinette, Trombone (duo)
13
Flûte à bec Soprano
12
Quintette de Flûte : 5 flûtes
12
Saxophone Baryton
11
2 Flûtes traversières, Piano
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Cor Anglais
8
Flûte à Bec
8
Flûte et Guitare
7
Flûte, Clarinette et Basson
7
Quatuor de Flûtes à bec
6
Hautbois et alto (duo)
6
Flûte, Violoncelle, Piano (trio)
6
2 Clarinettes, Piano
6
Flûte, Clarinette, Piano (trio)
6
2 Saxophones, Piano
6
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Trombone (duo)
5
Flûte, Hautbois, Basson
5
Flûte à bec Alto
4
Flûte, Violon et Violoncelle
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte à bec Alto, Piano
4
Harmonica
4
Flûte, Basson et Piano
4
Hautbois, Clarinette et Piano (Trio)
3
Ensemble De Flûte à bec
3
Saxophone et Harpe
3
Hautbois, Violoncelle et Piano
3
Clarinette, Harpe (duo)
3
Ocarina
3
Flûte à bec Tenor
3
Clarinette, Guitare (duo)
3
Clarinette, Alto et Piano (trio)
3
Flûte à bec Soprano, Piano
3
2 Hautbois, Piano
3
Flûte, Tuba (duo)
3
Clarinette, Basson, Piano (trio)
3
Piccolo, Piano
3
Clarinette, Contrebasse (duo)
2
Hautbois, Basson et Piano
2
Instruments en Mib
2
3 Flûtes à bec (trio)
2
Flûte, Alto et Piano
2
5 Flûtes à bec
2
Flûte irlandaise
2
Ensemble à vent
2
Hautbois, Harpe
2
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violoncelle, Guitare
1
Clarinette, trompette et piano
1
Piccolo
1
Clarinette, Tuba
1
Hautbois, Trompette (duo)
1
Flûte, trombone et piano
1
Hautbois, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Orgue
1
Hautbois, trombone (duo)
1
4 Hautbois
1
Saxophone
1
Clarinette Basse
1
+ 116 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
220
Trompette, Piano
185
Trombone et Piano
173
Cor et Piano
147
Trompette
143
Trombone (partie séparée)
141
2 Trompettes (duo)
122
2 Trombones (duo)
110
Quatuor de Cuivres : 2 trompettes, trombone, tuba
107
Trombone
102
Trompette (partie séparée)
93
Cor
91
Tuba et Piano
90
Tuba
83
Trompette, Saxophone (duo)
77
Trompette, Trombone (duo)
71
2 Cors (duo)
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
52
Euphonium, Piano (duo)
40
Quatuor de Cuivres
34
Cor (partie séparée)
33
Quatuor de cuivres: 4 trombones
31
Tuba (partie séparée)
30
Cor anglais, Piano
28
2 Tubas (duo)
27
Ensemble de Trombones
22
3 Trompettes (trio)
17
Quatuor de cuivres: 4 cors
15
2 Euphoniums (duo)
13
Trompette, Cor (duo)
12
Ensemble de Trompettes
11
3 Trombones (trio)
9
Cor Anglais
8
Trompette, Tuba (duo)
6
Cor, Violoncelle (duo)
6
Quatuor de cuivres: 4 trompettes
6
Trio de Cuivres
6
2 Euphoniums et 2 Tubas
6
Ensemble de Cors
6
4 Tubas
4
Trompette, violon (duo)
4
2 Cors, Piano
4
Euphonium
4
Trombone, Tuba (duo)
4
Bass Clef Instruments
3
Trompette, Trombone, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor et Harpe
2
Trombone, Violon (duo)
2
Trompette, Harpe
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Instruments en Sib
2
Trombone, Orgue
2
Tuba et Orgue
2
Trompette, Basson (duo)
2
Instruments en Fa
2
2 Cors Anglais Et Pianoforte
1
4 Euphoniums
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
Trompette, Violoncelle (duo)
1
Trombone et orchestre
1
Trompette, Violoncelle et Piano
1
+ 58 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
829
Violon et Piano
417
Violon, Violoncelle (duo)
320
Violon
318
Violoncelle, Piano
252
Trio à Cordes: violon, alto, violoncelle
221
Alto, Piano
219
Violoncelle
154
2 Violons (duo)
148
Harpe
118
2 Violoncelles (duo)
114
Violon, Alto (duo)
110
2 Altos (duo)
107
Quintette à cordes: 2 violons, alto, violoncelle, basse
107
Alto seul
102
Contrebasse, Piano (duo)
72
Contre Basse
64
Contrebasse (partie séparée)
59
Trio à Cordes: 2 violons, violoncelle
55
Violon (partie séparée)
54
Alto (partie séparée)
38
Trio à cordes: 3 violins
22
2 Contrebasses (duo)
22
Alto, Violoncelle (duo)
21
4 Violoncelles
18
2 Harpes (duo)
16
Violon, Basson (duo)
15
Violoncelle, Contrebasse (duo)
12
Piano Trio: Violon, Alto, Piano
11
Violoncelle (partie séparée)
11
Harpe, Flûte (duo)
9
Harpe, Voix
8
Violon, Guitare (duo)
8
Alto et Basson
8
Trio à Cordes: 3 violoncelles
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Ensemble de Violons
5
2 Violons, Piano
4
Trio à Cordes: 2 violons, alto
4
Violon, Clarinette, Piano (trio)
4
Harpe, Violon (duo)
3
Ensemble d'Altos
3
Trio à cordes: 3 altos
3
4 Harpes
3
Harpe, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
3
2 Altos, Piano
2
2 Violoncelles, Piano
2
4 Contrebasses
2
Harpe, Trombone (duo)
2
Violoncelle , Guitare (duo)
2
Flûte, Contrebasse (duo)
2
Violon, Tuba (duo)
2
Violon, Trompette et Piano
1
Autoharp
1
Alto et Harpe
1
Quatuor à cordes : 4 altos
1
Alto et orchestre
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 198
Orchestre à Cordes
391
Ensemble Jazz
339
Orchestre
235
Cloches
134
Ensemble de cuivres
126
Orchestre de chambre
71
Fanfare
44
Ensemble de Percussions
43
Jazz combo
38
Batterie (partie séparée)
29
Percussion (partie séparée)
23
Batterie
23
Marimba
10
Xylophone, Piano
10
Instrumentation Flexible
5
3 Marimbas
4
Xylophone
4
Vibraphone
3
Orchestre, Violon
2
Percussion
1
Piano et Orchestre
1
2 Marimbas
1
+ 18 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BASSE
BASSON
BATTERIE
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CLARINETTE
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Partitions à imprimer
40 partitions trouvées
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1
26
With a Full Heart
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Lawrence H Underwood
#
With a Full Heart
#
Lawrence H Underwood
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1373672 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival,Jazz. Score and part....
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Euphonium,Piano - Level 3 - SKU: A0.1373672 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival,Jazz. Score and part. 10 pages. Lawrence H Underwood #958062. Published by Lawrence H Underwood (A0.1373672). This original composition by veteran performer and music educator, Lawrence Underwood, is the third installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â With a Full Heart is a jazz-touched exploration of simple joys, tender emotion, and cherished memories. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!
$6.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Easy Winners, for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709311. Published by David McKeown (A0.1106197). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Favorite for solo Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1092660 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages...
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Euphonium,Piano - Level 3 - SKU: A0.1092660 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696762. Published by David McKeown (A0.1092660). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Feelin' It
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Lawrence H Underwood
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Feelin' It
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1373991 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 10 page...
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Euphonium,Piano - Level 3 - SKU: A0.1373991 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 10 pages. Lawrence H Underwood #958558. Published by Lawrence H Underwood (A0.1373991). This original composition by veteran performer and music educator, Lawrence Underwood, is the eighth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Feelin' It brings the funk from its very first notes! From sassy strut of its opening section, to the jazzy bridge, and classical-tinged counterpoint that leads us home to the opening melody, this piece is a joy to play and to hear. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!
$6.99
Gymnopedie No. 1
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Euphonium, Piano (duo)
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FACILE
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Classique
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Contemporain
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel...
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Euphonium,Piano - Level 2 - SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840169. Published by Samuel Sequeira (A0.1245299). Gymnopedie No. 1 - Erik Satie - Euphonium/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Euphonium and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the euphonium takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the euphonium enters, it carries the iconic melody, infusing it with its rich and velvety tones. The euphonium's warm and expressive qualities add an extra layer of depth to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the euphonium and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the euphonium's melodic lines and adding depth to the arrangement. The euphonium, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the euphonium and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for euphonium and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Eup
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Five Ragtime Solos by Scott Joplin for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. Da...
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Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719824. Published by David McKeown (A0.1118306). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Euphonium with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Wichita Lineman
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Euphonium, Piano (duo)
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FACILE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1078421 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and...
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Euphonium,Piano - Level 2 - SKU: A0.1078421 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682631. Published by jmsgu3 (A0.1078421). BARITONE HORN TREBLE CLEF! Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
Wichita Lineman
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Euphonium, Piano (duo)
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FACILE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1078419 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and...
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Euphonium,Piano - Level 2 - SKU: A0.1078419 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682583. Published by jmsgu3 (A0.1078419). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
Hark, the Herald Angels Sing (Solo Trombone and Piano)
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Euphonium, Piano (duo)
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FACILE
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Musique Sacrée
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Charles Wesley, Felix Mendelss
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Garrett Breeze
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Hark, the Herald Angels Sing
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Lagom Music
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.723371 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worsh...
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Euphonium,Piano - Level 2 - SKU: A0.723371 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 8 pages. Lagom Music #6132665. Published by Lagom Music (A0.723371). This instrumental solo arrangement by composer Garrett Breeze features simple harmonies accompanied by a challenging piano part written in a classical, quasi-operatic style, giving the piece a majestic feeling. Listeners will also hear references to the carol Angels We Have Heard on High which accompany the first two verses as a new refrain.
$5.99
Hark, the Herald Angels Sing (Solo Euphonium and Piano)
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Euphonium, Piano (duo)
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FACILE
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Musique Sacrée
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Charles Wesley, Felix Mendelss
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Garrett Breeze
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Hark, the Herald Angels Sing
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Lagom Music
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.723372 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worsh...
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Euphonium,Piano - Level 2 - SKU: A0.723372 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 8 pages. Lagom Music #6132669. Published by Lagom Music (A0.723372). This instrumental solo arrangement by composer Garrett Breeze features simple harmonies accompanied by a challenging piano part written in a classical, quasi-operatic style, giving the piece a majestic feeling. Listeners will also hear references to the carol Angels We Have Heard on High which accompany the first two verses as a new refrain.
$5.99
Cor Dulce (Valenti arr. for Euphonium Solo)
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Avelino Valenti
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Andrew Lamb
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Cor Dulce
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Andrew Lamb
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1317695 By Avelino Valenti. By Avelino Valenti. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacre...
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Euphonium,Piano - Level 3 - SKU: A0.1317695 By Avelino Valenti. By Avelino Valenti. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacred. Score and part. 31 pages. Andrew Lamb #906374. Published by Andrew Lamb (A0.1317695). 🎺 Elevate your musical experience with the enchanting melodies of Cor Dulce – Avelino Valenti's sacred hymn, now available in a stunning Brass Solo adaptation! 🎶 Immerse yourself in the timeless beauty of this traditional church hymn, originally composed as a tribute to the Sacred Heart. 🙠This arrangement is meticulously crafted for Euphonium (both Bass Clef and Treble Clef), with a bonus Trumpet transposition for added flexibility. 🎺✨ Whether you're a brass enthusiast or a devout musician, the medium difficulty level ensures a captivating performance. 🌟 The versatility extends to Trombone or Baritone players who can seamlessly embrace the euphonious parts. 🎼 Perfect for concerts or spiritual gatherings, this arrangement transcends musical boundaries. ✨ Experience the divine harmony of Cor Dulce – this arrangement is not just music; it's a spiritual journey. 🌈✨ Please like and subscribe for more videos and music arrangements. 🎉.
$5.00
Dying and Dancing for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Russell Scarbrough
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Dying and Dancing for Euphoniu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. ...
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Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
Festival Piece in Classical Style for Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Kenneth Baird
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Festival Piece in Classical St
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Kenneth Baird Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185...
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Euphonium,Piano - Level 3 - SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185. Published by Kenneth Baird Music (A0.1311839). The beloved classical trumpet concertos of Haydn and Hummel, and the horn concertos of Mozart, are performed more often than any other concertos for brass instruments. Young euphonium and baritone students may hear these works and aspire to perform them or something in a similar style, but may have difficulty finding something suitable. Festive Piece in Classical Style may be just what they're looking for. While composed in 2023, every effort has been made to compose this in a true classical style. Memorable lyrical melodies, legato, staccato, and marcato passages, dynamic variety, and traditional harmonies, while requiring only limited range demands, make this an outstanding choice for someone seeking to perform an intermediate-level classical-style solo. The top note is a concert G that occurs only once and an optional lower note is provided for any who might need it. While composed originally for trumpet, the composer feels this works equally well on euphonium. The piano accompaniment is accessible to advanced intermediate pianists. Bass Clef and Treble Clef solo parts are provided. This solo would likely be classified on the easier side of a 4.
$10.99
It's Been A Long, Long Time
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366...
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Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366335. Published by David McKeown (A0.592533). It’s Been a Long Long Time is arranged as a solo for one Euphonium with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
A Thousand Years
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Euphonium, Piano (duo)
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DÉBUTANT
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Christina Perri
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Jps Arrangements
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A Thousand Years
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Jps Arrangements
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.1440455 By Christina Perri. By Christina Perri and David Hodges. Arranged by Jps Arrangements. Film/TV,Pop,Wedding. ...
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Euphonium,Piano - Level 1 - SKU: A0.1440455 By Christina Perri. By Christina Perri and David Hodges. Arranged by Jps Arrangements. Film/TV,Pop,Wedding. Score and part. 3 pages. Jps Arrangements #1020420. Published by Jps Arrangements (A0.1440455). “A Thousand Years for euphonium” Sheet Music for Sale! Deep Emotion: “A Thousand Years” is an emotional ballad that touches theeveryone's heart. With its soft melody and touching lyrics, this song is perfect for express deep feelings.Versatile Adaptation: Available for instrument solo with piano accompanimentEasy to Play: Adapted to different skill levels, from beginners to advanced.Instantly Accessible: Download sheet music in PDF format and start playing immediately.Musical Versatility: “A Thousand Years” fits into different genres, from pop to soundtracks.The arrangement is without the figures.
$5.99
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