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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TUBA
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Never Once
Non classifié
320
Piano & claviers
Piano seul
137
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73
Orgue
34
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33
Piano Facile
24
Instruments en Do
19
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accompagnement Piano
2
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
15
Ligne De Mélodie, (Paroles) et Accords
8
Guitare notes et tablatures
4
2 Guitares (duo)
2
Piano, Guitare (duo)
2
3 Guitares (trio)
2
Ukulele
1
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
+ 4 instrumentations
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Chorale SATB
117
Chorale 3 parties
46
Pack Instrumental pour Chorale
34
Chorale 2 parties
30
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9
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8
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Chorale
4
Voix seule
3
Voix haute
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Voix duo
2
Chorale SSAA
2
Voix moyenne, Piano
2
Voix basse, Piano
1
+ 9 instrumentations
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Clarinette (partie séparée)
27
Hautbois, Piano (duo)
25
Quatuor de Saxophones: 4 saxophones
24
Flûte, Hautbois, Clarinette, Basson
22
Saxophone (partie séparée)
20
Saxophone Soprano et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone Tenor et Piano
14
2 Saxophones (duo)
14
Saxophone Alto et Piano
13
Clarinette et Piano
11
Flûte traversière et Piano
10
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9
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8
Saxophone, Clarinette (duo)
7
2 Flûtes traversières (duo)
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Hautbois
6
Quatuor de Flûtes : 4 flûtes
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Hautbois (partie séparée)
5
Clarinette, Violon (duo)
5
Flûte traversière
5
Flûte, Clarinette (duo)
5
2 Clarinettes (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Ensemble de Clarinettes
4
Saxophone Baryton, Piano
4
2 Hautbois (duo)
3
Hautbois, Clarinette (duo)
3
Clarinette et Alto
3
Flûte, Saxophone (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Saxophone Alto
3
Clarinette
3
Flûte, Hautbois, Clarinette (trio)
3
3 Clarinettes (trio)
2
Hautbois, Flûte
2
Cor anglais, Piano
2
Saxophone Tenor
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Flûte, Violon
2
Flûte, Trompette (duo)
2
Flûte, Clarinette et Basson
2
Clarinette Basse, Piano
2
Hautbois, Basson (duo)
2
Clarinette Basse
2
Ensemble de Flûtes
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
3 Saxophones (trio)
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Flûte et Guitare
1
5 Flûtes à bec
1
Hautbois, Violon, Piano
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Violon (trio)
1
4 Hautbois
1
Saxophone et Orgue
1
2 Clarinettes, Basson
1
+ 54 instrumentations
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Cuivres
Trompette (partie séparée)
25
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15
Trompette, Piano
14
Trombone et Piano
14
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11
Cor et Piano
9
Tuba (partie séparée)
8
Euphonium, Piano (duo)
7
Tuba et Piano
7
2 Trompettes (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Saxophone (duo)
5
Trompette
5
Cor
5
Quatuor de Cuivres
4
Trompette, Trombone (duo)
4
Cor (partie séparée)
4
Trombone
3
2 Trombones (duo)
3
Ensemble de Trombones
2
Trompette, Cor (duo)
2
Cor anglais, Piano
2
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Euphoniums et 2 Tubas
1
Cor et Orgue
1
Quatuor de cuivres: 4 cors
1
Ensemble de Tubas
1
Ensemble de Cors
1
2 Tubas (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Quatuor de cuivres: 4 trombones
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon et Piano
21
Violoncelle, Piano
18
Violon, Violoncelle (duo)
10
Harpe
9
Alto, Piano
9
Violoncelle
8
Violon, Alto (duo)
6
Violon (partie séparée)
6
2 Violons (duo)
5
Piano Trio: Violon, Alto, Piano
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse (partie séparée)
4
Alto seul
4
2 Violoncelles (duo)
4
2 Altos (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon
3
Violoncelle (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
2
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Violon, Guitare (duo)
2
Alto (partie séparée)
2
Contre Basse
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orchestre
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Harpe et Piano
1
+ 26 instrumentations
Retracter
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Orchestre d'harmonie
575
Orchestre
33
Orchestre à Cordes
28
Percussion (partie séparée)
17
Ensemble de cuivres
17
Jazz combo
16
Orchestre de chambre
14
Ensemble Jazz
11
Cloches
6
Ensemble de Percussions
4
Fanfare
2
Percussion
2
Timbales (partie séparée)
2
Marimba
2
Timbales
1
Batterie
1
+ 11 instrumentations
Retracter
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Never Once
Euphonium, Piano (duo)
Partitions à imprimer
7 partitions trouvées
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1
Tales of an Old Grandmother, Op. 31 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sergei Prokofiev
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Sauer, Ralph
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others will never be erased
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Tales of an Old Grandmother, O
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.811047 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period,World. Scor...
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Euphonium,Piano - Level 4 - SKU: A0.811047 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period,World. Score and part. 15 pages. Gordon Cherry #4803973. Published by Gordon Cherry (A0.811047). • Also known as Four Grandmother Songs and Old Granny Tales, this work was composed in New York in 1918 at the beginning of the composer’s self- imposed exile from Russia after its Revolution. • These short pieces were immediately successful and were performed worldwide. • In the epigraph to this work Prokofiev wrote, Some recollections had become half erased from her memory; others will never be erased. • Mr. Sauer once again, has produced a magnificent new work for Euphonium & Piano. • This work with its great character is a joy to perform, about 8 - 9 minutes in length for moderately advanced performers.
$20.00
Handel: Largo from Xerxes for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Romance No. 2 in F, Op. 50 for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Cherry, Gordon
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Romance No. 2 in F, Op. 50 for
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.810882 Composed by Ludwig van Beethoven. Arranged by Cherry, Gordon. Romantic Period. Score and part. 13 pages. Gord...
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Euphonium,Piano - Level 5 - SKU: A0.810882 Composed by Ludwig van Beethoven. Arranged by Cherry, Gordon. Romantic Period. Score and part. 13 pages. Gordon Cherry #3667959. Published by Gordon Cherry (A0.810882). Beethoven's Romance in F Opus 50 has been a staple of Violinists for over 210 years, having been written in 1798. The F-major Romance is a tender, adagio cantabile movement full of beauty, requiring grace, poise and elegance to perform properly. It has been said that it could have been titled Song Without Words, the music being so lyrical of character. 'Romance' may have been written as a slow movement to a Violin Concerto that was never completed. This arrangement by Gordon Cherry is a wonderful addition to the Euphonium repertoire.Almost 10 minutes in length, this work for advanced performers will be a great addition to any recital.
$15.00
Wolfgang Amadeus Mozart | Oh What Wondrous Beauty, Past Compare | for Euphonium Solo + Piano Accom.
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Andrew Lamb
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Wolfgang Amadeus Mozart | Oh W
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Andrew Lamb
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.1408027 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Andrew Lamb. Classical,Opera. Score and ...
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Euphonium,Piano - Level 5 - SKU: A0.1408027 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Andrew Lamb. Classical,Opera. Score and part. 17 pages. Andrew Lamb #990593. Published by Andrew Lamb (A0.1408027). 🎶 Dive into the enchanting world of Mozart's Oh What Wondrous Beauty, Past Compare with this euphonium solo adaptation! 🎵 Accompanied by a piano, this arrangement will transport you to the mesmerizing realm of Prince Tamino's love at first sight. 🌟 Perfect for advanced players seeking a challenge, this arrangement is scored for euphonium/baritone/trombone and piano. 🎹 Ideal for concerts or recitals, this piece will captivate audiences with its emotive melodies and intricate harmonies. 🎶 Experience the magic of Mozart like never before with this enchanting arrangement! ✨.
$7.00
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
O Sole Mio - 2 Euphoniums and Piano
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Euphonium, Piano (duo)
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FACILE
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Eduardo Di Capua
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Raymond Fenech
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O Sole Mio - 2 Euphoniums and
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 2 - SKU: A0.760182 Composed by Eduardo Di Capua. Arranged by Raymond Fenech. Holiday,I...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 2 - SKU: A0.760182 Composed by Eduardo Di Capua. Arranged by Raymond Fenech. Holiday,Instructional,Standards,Wedding. Score and parts. 10 pages. Raymond Fenech #3514457. Published by Raymond Fenech (A0.760182). ’O sole mio is a globally known Neapolitan song written in 1898. The music was composed by Eduardo di Capua.There are other versions of ’O sole mio but it is usually sung in the original Neapolitan language. ’O sole mio is the Neapolitan equivalent of standard Italian Il mio sole and translates literally as my sunshine. It's Now or Never is a ballad recorded by Elvis Presley in 1960. It is one of two popular songs based on the Italian song, the other being There's No Tomorrow The Level is Early Intermediate and the duration is approximately 2.49 minutes. It could be played in any type of recital/concert. Please note that this piece could be played either as a duet or as a Solo Piece with piano accompaniment.
$4.99
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Never Once
