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Nocturne no. 2 - Searching
Non classifié
75
Piano & claviers
Piano seul
286
Piano Facile
44
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accompagnement Piano
3
Piano, Voix
3
1 Piano, 4 mains
2
Instruments en Do
2
Piano, Voix et Guitare
1
2 Pianos, 4 mains
1
Piano grosses notes
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
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Guitares
Guitare notes et tablatures
19
2 Guitares (duo)
14
Guitare
11
Ukulele
10
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Voix seule
4
Vents
Flûte traversière et Piano
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Flûte traversière
15
Clarinette et Piano
11
Clarinette
8
Hautbois (partie séparée)
8
3 Saxophones (trio)
7
2 Clarinettes (duo)
6
Quatuor de Saxophones: 4 saxophones
6
2 Saxophones (duo)
6
2 Flûtes traversières (duo)
5
Saxophone Alto et Piano
5
Saxophone (partie séparée)
5
Saxophone Alto
4
Saxophone Tenor
4
Quintette de Saxophone: 5 saxophones
4
Flûte, Hautbois, Clarinette, Basson
4
Hautbois, Piano (duo)
4
Quatuor de Flûtes à bec
4
3 Clarinettes (trio)
3
5 Flûtes à bec
3
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Tenor et Piano
2
Clarinette (partie séparée)
2
Clarinette, Violoncelle (duo)
2
Flûte et Guitare
2
Saxophone Soprano et Piano
2
Saxophone Baryton, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Flûte
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Guitare
1
Clarinette, Violon (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette (duo)
1
2 Hautbois (duo)
1
Hautbois, violon (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
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1
Flûte, Hautbois, Basson
1
Clarinette, Guitare (duo)
1
3 Hautbois
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Cor anglais, Piano
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle
1
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1
Quatuor de Flûtes : 4 flûtes
1
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1
Flûte, Hautbois (duo)
1
Clarinette Basse, Piano
1
Flute (partie séparée)
1
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7
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7
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7
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5
Tuba
4
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4
Euphonium, Piano (duo)
3
Tuba (partie séparée)
3
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2
Cor et Piano
2
2 Cors (duo)
1
Cor (partie séparée)
1
2 Trombones (duo)
1
Euphonium
1
2 Trompettes (duo)
1
Trombone et Piano
1
Trompette, Cor (duo)
1
Trompette (partie séparée)
1
Trombone (partie séparée)
1
Cor anglais, Piano
1
3 Trompettes (trio)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon
20
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18
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16
Alto, Piano
14
Violoncelle
10
Violon, Violoncelle (duo)
7
Alto seul
7
Contre Basse
5
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: violon, alto, violoncelle
3
Alto (partie séparée)
3
2 Violons (duo)
3
Harpe
2
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
2 Violoncelles (duo)
2
Violon, Basson (duo)
1
Alto et Basson
1
2 Harpes (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
2 Altos (duo)
1
Violoncelle, Orchestre
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
+ 28 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
14
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13
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3
Ensemble Jazz
2
Cloches
1
Ensemble de cuivres
1
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1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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MANDOLINE
MARIMBA
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Nocturne no. 2 - Searching
Euphonium, Piano (duo)
Partitions à imprimer
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Nocturne No. 2: Streetlight
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Nathaniel Hontz
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Nocturne No. 2: Streetlight
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TigerSong LLC
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1095158 Composed by Nathaniel Hontz. Chamber,Classical,Contemporary. Score and part. 10 pages. TigerSong LLC #699217...
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Euphonium,Piano - Level 3 - SKU: A0.1095158 Composed by Nathaniel Hontz. Chamber,Classical,Contemporary. Score and part. 10 pages. TigerSong LLC #699217. Published by TigerSong LLC (A0.1095158). A quiet, contemplative nocturne for solo euphonium (or other bass clef c instrument) with piano accompaniment. Evocative of empty streets, lit by streetlights' soft glow.
$12.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Nocturne no. 2 - Searching
