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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Orchestra
Non classifié
10 805
Piano & claviers
Piano seul
8 567
Accordéon
1 089
Piano, Voix et Guitare
661
Accompagnement Piano
586
Piano (partie séparée)
366
Piano, Voix
287
Piano Facile
135
Instruments en Do
134
Orgue
59
2 Pianos, 4 mains
56
1 Piano, 4 mains
45
Piano grosses notes
31
Ensemble d'Accordéons
30
Piano Trio: piano, violon, violoncelle
24
Piano Quatuor: piano, violon, alto, violoncelle
11
Accordéon et Orchestre
7
Orgue, Piano (duo)
6
Orgue, Trompette (duo)
5
Orgue et Orchestre
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
4
Ligne De Mélodie, Piano
3
2 Accordéons
2
Clavier
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon, Corde(s)
1
2 Pianos, 8 mains
1
+ 23 instrumentations
Retracter
Guitares
Guitare
733
Guitare notes et tablatures
528
Ligne De Mélodie, (Paroles) et Accords
151
Guitare (partie séparée)
38
Ukulele
33
Basse electrique
24
Piano, Guitare (duo)
19
4 Guitares (Quatuor)
17
2 Guitares (duo)
16
Paroles et Accords
15
Orchestre à Plectres
14
Guitare, Orchestre
12
Ensemble de guitares
10
Mandoline
9
Ensemble de Ukulélés
6
Basse électrique (partie séparée)
6
Dulcimer
5
2 Guitares et Orchestre
4
Guitare, Violon, Violoncelle (trio)
3
Mandoline, Guitare (duo)
3
3 Guitares (trio)
3
Guitare, Quatuor à cordes
2
Banjo
2
Luth
1
Partitions De Groupes
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
1 696
Pack Instrumental pour Chorale
693
Chorale 3 parties
264
Chorale TTBB
150
Voix seule
115
Chorale 2 parties
71
Chorale SSAA
70
Chorale Unison
61
Soli, choeur mixte et accompagnement
32
Chorale
24
Voix duo, Piano
20
Chorale SSATB
15
Voix haute
14
Voix duo
13
Voix Baryton, Piano
9
Voix Soprano, Orchestre
9
Voix Soprano, Piano
9
Chorale SSAATTBB
6
Voix moyenne, Piano
4
Chorale SSATTB
4
Voix basse, Piano
3
Voix Tenor, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Soprano
2
Chorale SSAATB
2
Chorale SATTBB A Cappella
1
Voix Tenor
1
Voix Alto, Piano
1
Chorale SSAB, Piano
1
+ 24 instrumentations
Retracter
Vents
Clarinette (partie séparée)
1 799
Flute (partie séparée)
1 019
Hautbois (partie séparée)
598
Saxophone (partie séparée)
506
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
204
Hautbois
191
Flûte traversière
190
Flûte traversière et Piano
130
Clarinette
110
Quintette de Saxophone: 5 saxophones
108
Quatuor de Saxophones: 4 saxophones
94
Clarinette et Piano
85
Saxophone Alto et Piano
81
Hautbois, Piano (duo)
77
Ensemble de saxophones
69
Quatuor de Clarinettes: 4 clarinettes
68
Ensemble de Clarinettes
64
Saxophone Tenor
64
Flûte, Hautbois, Clarinette, Basson
63
2 Saxophones (duo)
53
Saxophone
48
2 Flûtes traversières (duo)
46
Saxophone Alto
44
Saxophone Soprano et Piano
40
Saxophone Tenor et Piano
37
2 Clarinettes (duo)
35
Quatuor de Flûtes : 4 flûtes
34
Piccolo
32
Flûte traversière, Orchestre
31
Quatuor de Flûtes à bec
30
5 Flûtes à bec
29
Clarinette, Orchestre
24
Ensemble De Flûte à bec
24
Ensemble de Flûtes
23
Quintette de Clarinettes: 5 clarinettes
23
Quintette de Flûte : 5 flûtes
16
Saxophone Baryton, Piano
16
Saxophone et Orchestre
15
Quintette de Clarinette: Clarinette, Quatuor à Cordes
14
2 Flûte à bec (duo)
14
Saxophone, Clarinette (duo)
14
3 Saxophones (trio)
14
3 Clarinettes (trio)
13
2 Hautbois (duo)
13
Clarinette Basse
12
Cor Anglais
12
Trio de Flûtes: 3 flûtes
11
Clarinette Basse, Piano
11
Cor anglais, Piano
11
Flûte, Clarinette (duo)
11
Flûte et Guitare
10
Hautbois, Basson (duo)
10
Flûte à Bec
10
Flûte, Violon
10
Ensemble à vent
10
Flûte, Hautbois, Clarinette (trio)
9
Clarinette, Trompette (duo)
9
Saxophone Soprano
8
Clarinette, Violon (duo)
8
Flûte, Violon, Piano
7
Hautbois et Orchestre
7
2 Cors Anglais Et Pianoforte
6
Instruments en Mib
6
Hautbois, Flûte
6
Clarinette, Guitare (duo)
5
Flûte, Saxophone (duo)
5
Clarinette, Basson (duo)
5
Hautbois, Clarinette (duo)
5
Flûte, Trompette (duo)
4
Flûte à bec Soprano
4
Clarinette et Alto
4
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Alto (duo)
3
Flûte, Clarinette et Basson
3
Flûte, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Flute, harpe et violon
2
Flûte à bec Soprano, Piano
2
2 Saxophones, Piano
2
Harmonica, Piano
2
4 Hautbois
2
Flûte et Trio à cordes
2
3 Hautbois
2
3 Flûtes à bec (trio)
1
Flûte à bec Alto, Piano
1
Cor anglais et Harpe (duo)
1
Flûte à bec Tenor
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble de Hautbois
1
Hautbois, violon (duo)
1
Saxophone Baryton
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cornemuse
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Basson et Piano
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Harpe
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orgue (duo)
1
Saxophone et Orgue
1
2 Flûtes, Basse continue
1
Hautbois et alto (duo)
1
Flûte à bec Alto
1
Saxophone et Guitare
1
Piccolo, Piano
1
Flûte à bec, Guitare (duo)
1
+ 107 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
1 913
Trompette (partie séparée)
1 387
Cor (partie séparée)
1 159
Tuba (partie séparée)
481
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
158
Cor
152
Quatuor de Cuivres : 2 trompettes, trombone, tuba
136
Trompette
98
Trombone
72
Trombone et Piano
70
Trompette, Piano
55
Tuba
44
Cor et Piano
40
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Ensemble de Trombones
26
Ensemble de Trompettes
23
Trompette, Orchestre
18
Euphonium, Piano (duo)
17
Quatuor de Cuivres
17
Tuba et Piano
15
2 Trompettes (duo)
14
2 Trombones (duo)
13
Cor Anglais
12
Cor anglais, Piano
11
Quatuor de cuivres: 4 trombones
11
Cor, Orchestre
10
Trompette, Saxophone (duo)
9
Trompette, Trombone (duo)
8
Trombone et orchestre
8
Ensemble de Cors
8
Bass Clef Instruments
8
2 Euphoniums et 2 Tubas
7
2 Cors Anglais Et Pianoforte
6
Quatuor de cuivres: 4 cors
6
Instruments en Sib
6
3 Euphoniums
5
Euphonium
5
Trombone basse et Piano
4
Trompette, violon (duo)
3
2 Tubas (duo)
3
3 Trompettes (trio)
3
Cornet et orchestre
2
2 Cors (duo)
2
Trombone basse
2
3 Cors (trio)
2
4 Tubas
2
3 Trombones (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
Instruments en Fa
2
Cor anglais et Harpe (duo)
1
Trompette, Cor (duo)
1
Trombone, Orgue
1
Tuba ou Euphonium ou Saxhorn
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trio de Cuivres
1
3 Tubas (trio)
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
Cor et Harpe
1
+ 55 instrumentations
Retracter
Cordes
Violon (partie séparée)
7 328
Violoncelle (partie séparée)
2 398
Contrebasse (partie séparée)
2 199
Alto seul
1 379
Quatuor à cordes: 2 violons, alto, violoncelle
1 270
Alto (partie séparée)
1 216
Violon
304
Violon et Piano
295
Violoncelle
294
Quintette à cordes: 2 violons, alto, violoncelle, basse
277
Contre Basse
204
Harpe
203
Violon, Violoncelle (duo)
145
Violoncelle, Piano
135
Trio à Cordes: violon, alto, violoncelle
114
Alto, Piano
87
Trio à Cordes: 2 violons, violoncelle
81
Harpe (partie séparée)
72
Violoncelle, Orchestre
68
Violon, Alto (duo)
46
2 Violons (duo)
39
2 Violoncelles (duo)
35
Violon, Guitare (duo)
28
4 Violoncelles
24
Contrebasse, Piano (duo)
24
2 Altos (duo)
22
Trio à cordes: 3 violins
21
Alto et orchestre
19
2 Harpes (duo)
18
Ensemble de Violons
13
Ensemble d'Altos
13
Alto, Violoncelle (duo)
10
Harpe, Orchestre
9
Harpe, Violon (duo)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Violoncelle, Contrebasse (duo)
6
Trio à cordes: 3 altos
6
Violoncelle , Guitare (duo)
6
Flûte, Contrebasse (duo)
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes
5
Alto, Guitare (duo)
4
Violoncelle, Orgue
4
Harpe, Flûte (duo)
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Quatuor à cordes
4
Quatuor à cordes: 4 violons
3
Trio à Cordes: 2 violons, alto
3
Violoncelle, Basse continue
3
Violon, Basse continue
3
Quatuor à cordes : 4 altos
2
Harpe, Violoncelle (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Violons, Piano
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
2 Violons et Basse continue
1
4 Contrebasses
1
3 Harpes
1
4 Harpes
1
Violon, Orgue
1
Alto, Orgue
1
Ensemble de Violoncelles
1
Violon, Basson (duo)
1
+ 59 instrumentations
Retracter
Orchestre & Percussions
Orchestre
19 804
Orchestre à Cordes
19 242
Orchestre de chambre
3 610
Percussion (partie séparée)
1 651
Orchestre d'harmonie
1 620
Ensemble Jazz
447
Timbales (partie séparée)
343
Percussion
260
Batterie (partie séparée)
165
Ensemble de cuivres
125
Piano et Orchestre
105
Timbales
97
Ensemble de Percussions
72
Orchestre, Violon
71
Jazz combo
58
Fanfare
52
Cloches
36
Batterie
32
Instrumentation Flexible
9
Big band
8
Ensemble d'École
7
Voix et Orchestre
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Vibraphone
5
Marimba
3
Xylophone, Piano
3
Orchestre Symphonique
2
Vibraphone (partie séparée)
2
Voix Mezzo-Soprano, Orchestre
2
Vibraphone et Marimba
1
2 Xylophones
1
Xylophone
1
+ 27 instrumentations
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--INSTRUMENTS--
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ALTO
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BASSE
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
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CORNET
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Euphonium, Piano (duo)
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1
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Eine Kleine Nachtmusik (1st Mov.) for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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Eine Kleine Nachtmusik
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.528331 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedd...
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Euphonium,Piano - Level 3 - SKU: A0.528331 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 13 pages. Diego Marani #5758651. Published by Diego Marani (A0.528331). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Euphonium (C and Bb parts) faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.
$8.99
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Air Varie for Euphonium or Ophicleide
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Euphonium, Piano (duo)
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AVANCÉ
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Narcisse Bousquet
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Sean Brennan
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Air Varie for Euphonium or Oph
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bl_music
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standar...
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Euphonium,Piano - Level 5 - SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standards. Score and part. 14 pages. Bl_music #6644623. Published by bl_music (A0.842573). Narcisse Bousquet (ca. 1800 – 1869) was a French composer, flageolet player and the conductor of the Elysée-Monmartre orchestra. He appears to have been active in both England and France in the first half of the Century. The dates given are the conventional ones, though there is a lack of evidence to support them. In about 1855, Bousquet worked with Jules Prudence Rivière at the Casino Paganini. There is a reference to him working in Paris at the Bal Barthélémy between about 1860 and 1865. One book Le Polycorde ou Nouveau Traite Théorique et Pratique de Musique, published in 1872 by J. Frédéric Giraud, describes a six-key French flageolet as the Systéme Bousquet so he may have been involved in the development of this type of instrument. Beyond this, very little is known about Bousquet and he does not appear in any of the usual sources for information about 19th Century French musicians. Solo part in bass clef suitable for euphonium or ophicleide.
$19.99
Gospel Celebration - Solo Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Contemporain
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Peter Boris Koval
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Peter Boris Koval
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Gospel Celebration - Solo Euph
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Peter Boris Koval
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.1312358 Composed by Peter Boris Koval. Arranged by Peter Boris Koval. 20th Century. Score and part. 21 pages. Peter ...
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Euphonium,Piano - Level 5 - SKU: A0.1312358 Composed by Peter Boris Koval. Arranged by Peter Boris Koval. 20th Century. Score and part. 21 pages. Peter Boris Koval #901212. Published by Peter Boris Koval (A0.1312358). Four Gospel Songs in the public domain have been arranged for solo Euphonium and Piano. The solo part is complex and difficult, requiring an advanced player and providing an exciting, rhythmic piece. Other arrangements are available for Euphonium and Brass Band, Euphonium and Concert Band and Euphonium with Orchestra (with optional saxophones).
$20.00
O Come, All Ye Faithful for Euphonium or Baritone
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Attr
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Lawrence H
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O Come, All Ye Faithful for Eu
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.967717 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,S...
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Euphonium,Piano - Level 3 - SKU: A0.967717 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189419. Published by Lawrence H Underwood (A0.967717). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
Two Pieces for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Lalo, Edouard
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Sauer, Ralph
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Two Pieces for Euphonium &
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and par...
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Euphonium,Piano - Level 5 - SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820069. Published by Gordon Cherry (A0.792382). Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy François Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
$20.00
It's Been A Long, Long Time
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366...
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Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366335. Published by David McKeown (A0.592533). It’s Been a Long Long Time is arranged as a solo for one Euphonium with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Vier Lieder aus Des Knaben Wunderhorn (Four Songs from the Youth's Magical Horn) Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gustav Mahler
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Ralph Sauer
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Vier Lieder aus Des Knaben Wun
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry...
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Euphonium,Piano - Level 4 - SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #639768. Published by Gordon Cherry (A0.1034421). The songs of Des Knaben Wunderhorn (The Youth's Magic Horn) by Gustav Mahler are set for voice and piano and voice and orchestra taken from German folk poems assembled and published by editors Arnim and Brentano around 1805-08. The Vier Lieder, beautifully edited for Euphonium and Piano by Ralph Sauer are taken from Mahler's fourth set of these poems published in 1899. The four songs are: I. Wer hat dies Liedlein erdacht? (Who has created this song?) II. Lob des hohen Verstandes (In praise of lofty intellect) III. Verlor’ne Müh’ (Labor lost) IV. Lied des Verfolgten im Turm (Song of the persecuted in the tower) Mr. Sauer also includes German lyrics with English translations. Altogether the songs are about 12 minutes in length. The range is suitable for moderately advanced performers.
$27.50
Sospiri (Sighs) for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Edward Elgar
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Ralph Sauer
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Sospiri
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gor...
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Euphonium,Piano - Level 5 - SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gordon Cherry #6425321. Published by Gordon Cherry (A0.811242). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Euphonium and Piano (part is in bass clef) as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.
$15.00
Three Pieces for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Euphonium &am
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry ...
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Euphonium,Piano - Level 5 - SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820413. Published by Gordon Cherry (A0.792165). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite for Euphonium of about 12 minutes in length for advanced performers.
$15.00
Jubilee for euphonium and piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Gaines
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Yamaha Performing Artist
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Jubilee for euphonium and pian
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David Gaines
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. ...
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Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. 8 pages. David Gaines #2113311. Published by David Gaines (A0.918776). A very short and fun work for euphonium and piano....very lighthearted and rhythmic. Adam Frey, euphonium soloist; Yamaha Performing Artist; euphonium instructor, Georgia State University.......This short, highly rhythmic prelude was inspired by the unique dancing movements of ferrets and was a semifinal round selection for the student division of the 25th Annual Leonard Falcone International Euphonium Competition in 2010.......A recording featuring euphoniumist Robert Kozanek (principal trombone, Czech Philharmonic Orchestra) is available on the Navona Records album Conversations: Keyboard and Chamber Music by John Bilotta and David Gaines (Catalogue #NV5829).
$3.99
Mundi Mundi
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Cezary Skubiszewski
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Daryl McKenzie
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Mundi Mundi
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Daryl McKenzie
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.718480 Composed by Cezary Skubiszewski. Arranged by Daryl McKenzie. Contemporary,Film/TV. Score and part. 16 pages. ...
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Euphonium,Piano - Level 3 - SKU: A0.718480 Composed by Cezary Skubiszewski. Arranged by Daryl McKenzie. Contemporary,Film/TV. Score and part. 16 pages. Daryl McKenzie #6252429. Published by Daryl McKenzie (A0.718480). The classic theme (Closing Credits music) from the Australian film Lillian's Story arranged for Solo Euphonium and Piano accompaniment by the film's Orchestrator Daryl McKenzie. Comes with Concert Pitch Bass Clef and Bb Treble Clef parts.Full audio demo here: https://tinyurl.com/yx9s72acAlso available for Solo Piano or numerous other solo instruments with Piano Accompaniment. Also Solo Piano with String Orchestra. Search here: http://bit.ly/39MilvtMore arrangements by Daryl McKenzie: https://tinyurl.com/y4tjxfenwww.mckenziemusicproductions.comYoutube Playlist: https://www.youtube.com/playlist?list=PLgP3xAGju1BJ-n99W8ow5xCGRfwTzfwT0
$19.99
Adagio Sostenuto from "Piano Concerto No. 2" for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Pi
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1228546 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Roma...
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Euphonium,Piano - Level 3 - SKU: A0.1228546 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #824622. Published by Diego Marani (A0.1228546). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for euphonium (C bass clef and Bb treble clef) with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
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