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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Organ part
Non classifié
5 976
Piano & claviers
Orgue
3 528
Orgue, Trompette (duo)
307
Piano seul
267
Orgue, Piano (duo)
207
Piano, Voix
101
Piano Facile
69
Piano, Voix et Guitare
45
2 Pianos, 4 mains
29
Piano Trio: piano, violon, violoncelle
22
Accompagnement Piano
14
Piano grosses notes
13
Fake Book
13
Piano Quatuor: piano, violon, alto, violoncelle
12
1 Piano, 4 mains
11
Instruments en Do
11
Piano (partie séparée)
8
Clavier
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
2 Orgues (duo)
3
Orgue et Orchestre
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
1
Orgue, Voix
1
2 Pianos, 8 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare
75
Guitare notes et tablatures
28
4 Guitares (Quatuor)
10
2 Guitares (duo)
10
Piano, Guitare (duo)
8
Guitare (partie séparée)
6
Basse electrique
5
Ukulele
5
3 Guitares (trio)
3
Mandoline
3
Ukulele Baryton
2
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
2
Dulcimer
1
Paroles et Accords
1
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 129
Chorale 2 parties
580
Chorale 3 parties
494
Chorale Unison
143
Chorale TTBB
65
Chorale SSAA
25
Voix haute
11
Voix duo
11
Voix duo, Piano
8
Voix seule
7
Chorale SSAATTBB
6
Chorale SSATTB
4
Voix Soprano, Piano
4
Voix moyenne, Piano
3
Voix Alto, Piano
3
Voix basse, Piano
2
Soli, choeur mixte et accompagnement
2
Voix duo, Orgue
1
Chorale SSAB, Piano
1
Voix Baryton, Piano
1
Voix Soprano
1
Chorale
1
Voix Tenor, Piano
1
Chorale SSATB
1
Chorale SSATBB
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
158
Clarinette et Piano
130
Flûte traversière
119
Saxophone Alto et Piano
114
Clarinette
84
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
78
Saxophone (partie séparée)
77
Hautbois, Piano (duo)
75
Saxophone Tenor
71
Saxophone et Orgue
63
Saxophone Tenor et Piano
60
Quatuor de Saxophones: 4 saxophones
54
Quintette de Saxophone: 5 saxophones
54
2 Saxophones (duo)
52
Quatuor de Clarinettes: 4 clarinettes
52
Flûte, Hautbois, Clarinette, Basson
50
Saxophone Soprano et Piano
47
Flûte traversière, Orgue (duo)
41
Saxophone Alto
41
Flûte à Bec
32
Hautbois (partie séparée)
31
Ensemble de Clarinettes
26
Saxophone Baryton, Piano
25
2 Flûtes traversières (duo)
25
2 Clarinettes (duo)
23
Flûte, Clarinette (duo)
23
Clarinette (partie séparée)
22
Clarinette, Orgue
21
3 Clarinettes (trio)
20
3 Saxophones (trio)
18
Flute (partie séparée)
17
Cor anglais, Piano
17
Quatuor de Flûtes : 4 flûtes
16
Quintette de Flûte : 5 flûtes
16
3 Flûtes à bec (trio)
14
Flûte à bec Soprano
13
Quatuor de Flûtes à bec
13
Saxophone
12
Flûte à bec Alto
12
Quintette de Clarinettes: 5 clarinettes
12
Saxophone, Clarinette (duo)
11
Ensemble de Flûtes
11
Ensemble de saxophones
10
Clarinette Basse, Piano
9
Flûte, Violon
9
Trio de Flûtes: 3 flûtes
8
Clarinette, Alto et Piano (trio)
7
2 Flûte à bec (duo)
7
Clarinette, Violon (duo)
7
Flûte, Violon, Piano
7
Flûte et Guitare
6
Piccolo
6
Clarinette, Trompette (duo)
6
Hautbois, Basson (duo)
6
Hautbois, Violon, Piano
5
Hautbois, Violoncelle et Piano
5
Flûte, Saxophone (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Violoncelle
5
Cor Anglais
5
Saxophone Soprano
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Alto (duo)
4
Hautbois et alto (duo)
4
Saxophone et Harpe
4
Flûte, Hautbois, Basson
4
Hautbois, Flûte
4
Clarinette et Alto
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, Orgue
4
2 Hautbois (duo)
4
Hautbois, Harpe
4
Hautbois, Clarinette (duo)
4
Clarinette, Harpe (duo)
4
Clarinette, Guitare (duo)
3
Flûte, Alto et Piano
3
Clarinette, Violoncelle (duo)
3
Flûte, Trompette (duo)
3
Ocarina
3
Clarinette, Basson (duo)
3
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Tenor
2
Flûte à bec Soprano, Piano
2
2 Clarinettes, Piano
2
Clarinette, Orchestre
1
Flute, harpe et violon
1
2 Cors Anglais Et Pianoforte
1
Saxophone et Piano
1
Clarinette Basse
1
Flûte, Hautbois (duo)
1
Flûte, Basson et Piano
1
Hautbois, Violoncelle
1
Clarinette, trompette et piano
1
Hautbois, Basson et Piano
1
Flûte à bec, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Hautbois et Orchestre
1
Hautbois, Clarinette et Piano (Trio)
1
Cor anglais et Harpe (duo)
1
Piccolo, Piano
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec Alto, Piano
1
Instruments en Mib
1
Ensemble de Hautbois
1
Clarinette, Trombone (duo)
1
5 Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Flûte irlandaise
1
Harmonica
1
Hautbois
1
+ 108 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
223
Quatuor de Cuivres : 2 trompettes, trombone, tuba
174
Trompette, Piano
156
Tuba et Orgue
143
Trompette
97
2 Trompettes, Clavier (piano ou orgue)
93
Cor et Piano
88
Trombone
87
Trombone et Piano
81
Trombone, Orgue
60
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
Trompette (partie séparée)
37
Ensemble de Trombones
31
Trombone (partie séparée)
30
Cor
28
Tuba et Piano
27
2 Trompettes (duo)
27
Cor et Orgue
22
Quatuor de cuivres: 4 trombones
22
Euphonium, Piano (duo)
22
Tuba
20
Quatuor de Cuivres
19
2 Trombones (duo)
18
Cor anglais, Piano
17
Cor (partie séparée)
15
Trompette, Cor (duo)
13
Ensemble de Trompettes
13
3 Trombones (trio)
13
Quatuor de cuivres: 4 cors
11
Trompette, Trombone (duo)
10
2 Cors (duo)
9
3 Trompettes (trio)
8
Trompette, Saxophone (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor Anglais
5
2 Euphoniums et 2 Tubas
4
Trompette, Violoncelle et Piano
4
Trombone, Tuba (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums (duo)
3
Euphonium
3
Cor et Harpe
3
2 Tubas (duo)
3
Tuba (partie séparée)
3
Trio de Cuivres
2
Trompette, Harpe
2
Trombone basse
2
Ensemble de Cors
2
Trombone basse et Piano
2
Trombone, Violon (duo)
2
2 Cors Anglais Et Pianoforte
1
Instruments en Sib
1
Cor anglais et Harpe (duo)
1
4 Tubas
1
Trompette, Trombone, Piano
1
Trombone, violoncelle (duo)
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Clarinette, Cor (duo)
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
255
Violon et Piano
163
Violoncelle, Piano
152
Alto, Piano
134
Violoncelle
75
Violon
67
Violon, Orgue
58
Trio à Cordes: violon, alto, violoncelle
54
Contrebasse, Piano (duo)
51
Violoncelle, Orgue
51
Violon, Violoncelle (duo)
41
Alto seul
38
Violon, Alto (duo)
29
Alto (partie séparée)
26
Violon (partie séparée)
25
2 Violons (duo)
21
Contrebasse (partie séparée)
16
Harpe
16
Alto, Orgue
15
2 Harpes (duo)
12
Violoncelle (partie séparée)
12
Piano Trio: Violon, Alto, Piano
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Ensemble d'Altos
11
Ensemble de Violons
10
2 Violoncelles (duo)
10
Contre Basse
9
Harpe, Flûte (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
Alto, Violoncelle (duo)
7
Harpe, Violon (duo)
6
4 Violoncelles
6
Violon, Clarinette, Piano (trio)
6
Violon, Guitare (duo)
5
Harpe (partie séparée)
5
2 Violons, Piano
5
2 Altos (duo)
5
2 Violoncelles, Piano
4
2 Altos, Piano
4
Violon, Trompette et Piano
4
Violoncelle , Guitare (duo)
4
Trio à cordes: 3 violins
4
Alto, Guitare (duo)
4
Harpe, Trombone (duo)
4
Harpe, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
2
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Voix
2
Alto et Basson
2
Alto et Harpe
2
Quatuor à cordes: 4 violons
1
Harpe et Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Flûte, Contrebasse (duo)
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
281
Cloches
239
Orchestre
186
Orchestre à Cordes
176
Ensemble de cuivres
176
Orchestre de chambre
133
Ensemble Jazz
87
Jazz combo
28
Batterie
21
Fanfare
11
Percussion (partie séparée)
9
Ensemble de Percussions
5
Vibraphone
5
Marimba
4
Batterie (partie séparée)
3
Timbales (partie séparée)
3
Xylophone
2
Piano et Orchestre
1
Big band
1
Timbales
1
+ 15 instrumentations
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▽ INSTRUMENTS
ACCORDEON
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AUTRES INSTRU…
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BUGLE
CHANT - CHORA…
CHARANGO
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NOUVEAUTÉS
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GENRES
|
20eme siecle
Bluegrass
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Enfant
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Fingerpicking
Flamenco
Folk Rock
Funk
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Halloween
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Jazz Manouche
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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style (tous)
AFRICAIN
AMERICANA
ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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Crtitères actifs :
Organ part
Euphonium, Piano (duo)
Partitions à imprimer
22 partitions trouvées
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Oh happy day - Key: F - Gospel - Organ and Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Rimbault
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Thomas Graf
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Oh happy day - Key: F - Gospel
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.569445 Composed by Rimbault. Arranged by Thomas Graf. Praise & Worship,Sacred,Spiritual,Wedding. Score and part. 10 ...
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Euphonium,Piano - Level 3 - SKU: A0.569445 Composed by Rimbault. Arranged by Thomas Graf. Praise & Worship,Sacred,Spiritual,Wedding. Score and part. 10 pages. Thomas Graf - the-hit-factory.com #6352257. Published by Thomas Graf - the-hit-factory.com (A0.569445). The famous gospel classic – here it comes in a fresh and festive arrangement. The best choice for any church service,wedding, birthdays, parties … - so it really is best choice for any happy days! Available in many keys for any instrument.  Instrumentation: Organ and Euphonium C / Bb (T.C. / B.C.)      Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       .
$6.00
Oh happy day - Key: F - Gospel - Organ and Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Rimbault
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Thomas Graf
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Oh happy day - Key: F - Gospel
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.569443 Composed by Rimbault. Arranged by Thomas Graf. Contemporary,Holiday,Wedding. Score and part. 10 pages. Thomas...
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Euphonium,Piano - Level 3 - SKU: A0.569443 Composed by Rimbault. Arranged by Thomas Graf. Contemporary,Holiday,Wedding. Score and part. 10 pages. Thomas Graf - the-hit-factory.com #6352253. Published by Thomas Graf - the-hit-factory.com (A0.569443). The famous gospel classic – here it comes in a fresh and festive arrangement. The best choice for any church service,wedding, birthdays, parties … - so it really is best choice for any happy days! Available in many keys for any instrument. Organ and Euphonium C / Bb (T.C. / B.C.)     Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       .
$6.00
Song and Prayer (from Hansel and Gretel) for Euphonium and Organ
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Euphonium, Piano (duo)
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FACILE
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David Brown
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David Brown
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Song and Prayer
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David P. Brown
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1368913 By David Brown. By Englebert Humperdinck. Arranged by David Brown. Chamber,Classical,Opera,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1368913 By David Brown. By Englebert Humperdinck. Arranged by David Brown. Chamber,Classical,Opera,Wedding. Score and part. 5 pages. David P. Brown #953255. Published by David P. Brown (A0.1368913). This is the beautiful Evening Blessing melody from Humperdinck's Opera Hansel and Gretel, arranged here for Euphonium and Organ. This would be perfect for any event where a contemplative song is needed  - religious ceremony, wedding, or prelude music for any service.
$3.00
Lacrimosa - Mozart (for Euphonium T.C. and Piano/Organ)
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Euphonium, Piano (duo)
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FACILE
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Classique
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Musique Sacrée
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Wolfgang Amadeus Mozart
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Lacrimosa - Mozart
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SCORE EDITIONS
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SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Harry Walker. Classical, Easter, Religious, Sacred. Score and part. 6 pages. SCORE EDITIO...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Harry Walker. Classical, Easter, Religious, Sacred. Score and part. 6 pages. SCORE EDITIONS #774168. Published by SCORE EDITIONS
$5.99
Lacrimosa - Mozart (for Euphonium B.C. and Piano/Organ)
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Euphonium, Piano (duo)
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FACILE
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Classique
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Musique Sacrée
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Wolfgang Amadeus Mozart
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Lacrimosa - Mozart
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SCORE EDITIONS
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SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Harry Walker. Classical, Easter, Religious, Sacred. Score and part. 6 pages. SCORE EDITIO...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Harry Walker. Classical, Easter, Religious, Sacred. Score and part. 6 pages. SCORE EDITIONS #774167. Published by SCORE EDITIONS
$5.99
Elgar – Nimrod (for Euphonium and Organ)
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Euphonium, Piano (duo)
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Classique
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Edward Elgar
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Harry Walker
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Elgar – Nimrod
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SCORE EDITIONS
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SheetMusicPlus
Composed by Edward Elgar (1857-1934). Arranged by Harry Walker. Classical Period. Individual Part, Score. 6 pages. Published by SCORE EDITIONS ...
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Composed by Edward Elgar (1857-1934). Arranged by Harry Walker. Classical Period. Individual Part, Score. 6 pages. Published by SCORE EDITIONS
$4.99
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Eup
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Handel: Largo from Xerxes for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
Sospiri (Sighs) for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Edward Elgar
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Ralph Sauer
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Sospiri
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gor...
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Euphonium,Piano - Level 5 - SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gordon Cherry #6425321. Published by Gordon Cherry (A0.811242). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Euphonium and Piano (part is in bass clef) as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.
$15.00
Adagio
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Euphonium, Piano (duo)
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AVANCÉ
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Tomaso Giovanni Albinoni
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Adrian Horvath
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Adagio
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Horváth Adrián
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.1206994 Composed by Tomaso Giovanni Albinoni. Arranged by Adrian Horvath. Baroque,Classical,Religious. Score and par...
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Euphonium,Piano - Level 5 - SKU: A0.1206994 Composed by Tomaso Giovanni Albinoni. Arranged by Adrian Horvath. Baroque,Classical,Religious. Score and part. 6 pages. Horváth Adrián #805178. Published by Horváth Adrián (A0.1206994). Visit my website: https://www.hadrian.huAdagio for Euphonium in Bb (T.C.) and Organ.
$4.99
Albinoni's Adagio for Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Tomaso Giovanni Albinoni
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Diego Marani
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Albinoni's Adagio for Euphoniu
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1177431 Composed by Tomaso Giovanni Albinoni. Arranged by Diego Marani. Baroque,Classical,Film/TV,Instructional,Wedd...
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Euphonium,Piano - Level 2 - SKU: A0.1177431 Composed by Tomaso Giovanni Albinoni. Arranged by Diego Marani. Baroque,Classical,Film/TV,Instructional,Wedding. Score and part. 6 pages. Diego Marani #777442. Published by Diego Marani (A0.1177431). Adagio in G minor for strings and organ is a Baroque composition commonly attributed to the 18th-century Venetian master Tomaso Albinoni. It is considered the most famous and most played slow movement in the history of music. The Adagio has been used in many films, television programmes, advertisements, recordings, and books.This easy arrangement for euphonium (C and Bb treble clef) with piano accompaniment is suitable for any occasion: from concerts to weddings.
$8.99
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Noël
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James Pierpont
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James M
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Jingle Bells for Euphonium &am
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #...
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Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Scherzo for Euphonium and Piano Op.34
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Euphonium, Piano (duo)
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Contemporain
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Asaad Hamzy
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Scherzo for Euphonium and Pian
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Asaad Hamzy
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SheetMusicPlus
Euphonium,Piano - SKU: A0.984943 Composed by Asaad Hamzy. Contemporary. Score and part. 36 pages. Asaad Hamzy #5722393. Published by Asaad Hamzy (A0.984...
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Euphonium,Piano - SKU: A0.984943 Composed by Asaad Hamzy. Contemporary. Score and part. 36 pages. Asaad Hamzy #5722393. Published by Asaad Hamzy (A0.984943). Scherzo for Euphonium and Piano Op.34 by Asaad Hamzy, written in 2017, duration:4:30 minutes.Score and part. Part is in Bass clef in C, and also Treble clef in B-flat.© 2017 AsaadhamzyPerformance right organization: STIMhttps://www.asaadhamzy.com/https://www.facebook.com/composer.guitarist.educator/?eid=ARBQvK1Z4P0-NIH0FnnPtQQFMcx5zh49AP0Fy3ybG1..........
$7.99
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