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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ost
Non classifié
12 831
Piano & claviers
Piano seul
11 783
Piano, Voix
5 599
Piano, Voix et Guitare
3 970
Piano grosses notes
3 395
Orgue
3 130
Piano Facile
2 727
Accompagnement Piano
1 316
Instruments en Do
623
Piano Trio: piano, violon, violoncelle
217
1 Piano, 4 mains
212
Accordéon
171
Ligne De Mélodie, Piano
93
2 Pianos, 4 mains
71
Piano Quatuor: piano, 2 violons, violoncelle
69
Clavier
62
Piano Quatuor: piano, violon, alto, violoncelle
52
Orgue, Piano (duo)
50
Piano (partie séparée)
31
Piano Quintette: piano, 2 violons, alto, violoncelle
31
Orgue, Trompette (duo)
30
Ensemble d'Accordéons
29
Clavecin
8
1 Piano, 6 mains
7
Fake Book
4
2 Pianos, 8 mains
4
Accordéon, Voix
3
Orgue, Voix
2
2 Accordéons
2
Tous Les Instruments
1
Accordéon et Orchestre
1
Instrument seul et Orgue
1
+ 26 instrumentations
Retracter
Guitares
Guitare notes et tablatures
2 461
Guitare
1 160
Ligne De Mélodie, (Paroles) et Accords
890
Basse electrique
580
Ukulele
430
Paroles et Accords
227
2 Guitares (duo)
113
Mandoline
68
4 Guitares (Quatuor)
63
Piano, Guitare (duo)
55
Dulcimer
41
Guitare (partie séparée)
34
Banjo
30
3 Guitares (trio)
18
Ensemble de guitares
15
Ukulele Baryton
8
Guitare Pedal Steel
6
Ensemble de Ukulélés
6
Partitions De Groupes
5
Guitare, Violon, Violoncelle (trio)
5
2 Mandolines (duo)
4
Mandoline, Guitare (duo)
4
Basse électrique (partie séparée)
4
2 Dulcimers (duo)
3
Guitare, Flûte, Clarinette
2
Guitare, Orchestre
1
Dobro
1
Orchestre à Plectres
1
+ 23 instrumentations
Retracter
Voix
Chorale SATB
3 979
Chorale 3 parties
1 321
Chorale 2 parties
1 179
Chorale TTBB
767
Chorale Unison
455
Voix seule
418
Voix duo, Piano
351
Chorale SSAA
348
Voix duo
217
Voix Soprano, Piano
150
Pack Instrumental pour Chorale
144
Voix Tenor, Piano
109
Voix Alto, Piano
99
Chorale
97
Voix haute
88
Voix Moyenne
67
Voix Baryton, Piano
65
Voix moyenne, Piano
26
Chorale SSAATTBB
23
Voix basse, Piano
14
Chorale SSATTB
14
Voix Tenor
14
Voix basse
9
Chorale SSATB
9
Voix Soprano
8
Voix, Guitare
7
Voix d'Enfants
6
Soli, choeur mixte et accompagnement
6
Voix Mezzo-Soprano, Piano
5
Chorale SSATBB
4
Chorale SATBB
3
Chorale SATTB
2
Chorale SSAB, Piano
1
Male Voice
1
Chorale SSAB a cappella
1
Chorale, Orchestre
1
Chorale SATTBB, Clavier
1
+ 32 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 239
Flûte traversière
1 094
Clarinette
1 034
Quatuor de Saxophones: 4 saxophones
1 024
Clarinette et Piano
970
Saxophone
958
Saxophone Alto et Piano
848
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
795
Hautbois, Piano (duo)
768
2 Saxophones (duo)
700
Flûte, Hautbois, Clarinette, Basson
692
Saxophone Tenor et Piano
669
Saxophone Alto
606
Saxophone (partie séparée)
573
Quatuor de Clarinettes: 4 clarinettes
566
Saxophone Soprano et Piano
504
2 Flûtes traversières (duo)
500
Quintette de Saxophone: 5 saxophones
414
2 Clarinettes (duo)
390
Saxophone Tenor
388
Flûte, Clarinette (duo)
284
Quatuor de Flûtes : 4 flûtes
267
Hautbois (partie séparée)
265
Saxophone Baryton, Piano
226
Clarinette (partie séparée)
223
Ensemble de Clarinettes
216
3 Saxophones (trio)
176
Ensemble de saxophones
176
Hautbois
174
Ensemble de Flûtes
144
Quintette de Clarinettes: 5 clarinettes
117
Harmonica
117
Cor anglais, Piano
115
3 Clarinettes (trio)
112
Flûte et Guitare
99
Flûte, Violon, Piano
98
Flute (partie séparée)
97
Flûte à bec Soprano
94
Saxophone Soprano
92
2 Hautbois (duo)
92
Flûte à Bec
89
Hautbois, Basson (duo)
86
Flûte irlandaise
85
Saxophone, Clarinette (duo)
83
Clarinette, Violon (duo)
83
Trio de Flûtes: 3 flûtes
80
Clarinette Basse, Piano
66
Quintette de Flûte : 5 flûtes
65
2 Flûtes traversières, Piano
60
2 Saxophones, Piano
60
Ocarina
59
2 Flûte à bec (duo)
59
Quatuor de Flûtes à bec
52
Flûte, Clarinette, Piano (trio)
48
Flûte à bec Alto, Piano
45
Saxophone Baryton
45
Hautbois, Clarinette (duo)
44
Clarinette, Trompette (duo)
43
Clarinette, Guitare (duo)
42
Cor Anglais
39
2 Clarinettes, Piano
37
Flûte, Violon
37
Hautbois, Clarinette, Basson (trio d'anches)
36
Flûte à bec Alto
36
Flûte, Violoncelle, Piano (trio)
35
Hautbois, Flûte
34
Flûte, Clarinette et Basson
34
Clarinette et Alto
33
Clarinette, Basson (duo)
32
Flûte, Hautbois, Clarinette (trio)
31
Clarinette, Violoncelle, Piano (trio)
30
Flûte, Alto (duo)
28
Hautbois, Violoncelle
28
Flûte, Violoncelle
27
Flûte, Violon et Violoncelle
26
Flûte, Saxophone (duo)
25
Flûte, Alto et Piano
24
Flûte, Hautbois, Basson
24
Flûte, trombone et piano
24
Saxophone et Orgue
22
Clarinette, Violoncelle (duo)
21
Flûte, Trompette (duo)
21
Flûte, Hautbois, Piano (trio)
20
Flûte, Basson et Piano
19
Flûte, Hautbois (duo)
19
Flûte à bec Tenor
18
Instruments en Mib
16
5 Flûtes à bec
15
Clarinette, Harpe (duo)
15
Ensemble De Flûte à bec
14
Flûte, Violon, Violoncelle et Piano
14
Saxophone et Guitare
14
Piccolo, Piano
14
3 Flûtes à bec (trio)
13
Piccolo
12
Hautbois, Guitare (duo)
11
Flûte à Bec, Piano
11
Flûte à bec Soprano, Piano
9
Clarinette, trompette et piano
9
Flûte à bec, Guitare (duo)
8
Cor anglais, Guitare (duo)
8
Flute, Cor (duo)
7
Hautbois, Harpe
7
Clarinette Basse
7
Flûte, Trombone (duo)
7
Saxophone et Harpe
7
Flûte, Clarinette, Cor, Basson (Quartet)
6
Flûte traversière, Orgue (duo)
6
Flute, harpe et violon
6
Clarinette, Orgue
6
Flûte, Violoncelle, Guitare
5
Clarinette, Basson, Piano (trio)
5
Hautbois, violon (duo)
5
Flûte et Trio à cordes
5
Hautbois et alto (duo)
4
Ensemble à vent
4
3 Hautbois
4
Flûte, Harpe et Violoncelle
3
Clarinette, Tuba
3
Flûte et Quatuor à Cordes
3
Harmonica, Piano
3
Saxophone et Piano
3
Flûte, Hautbois, Violon
3
Clarinette, Trombone (duo)
3
Clarinette, Quatuor à cordes et Piano
3
Clarinette, Contrebasse (duo)
3
Flûte à bec Alto, Basse continue
3
Flûte de Pan
3
2 Cors Anglais Et Pianoforte
2
4 Hautbois
2
Clarinette, Alto et Piano (trio)
2
Flûte, Guitare, Piano
2
Hautbois, Violon, Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte, alto et harpe
2
Flûte, Clarinette, Violon (trio)
2
Clarinette, Orchestre
2
Flûte, Violon, Guitare
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone, Basson (duo)
1
Ensemble de Hautbois
1
2 Flûtes à bec, Guitare
1
Saxophone et violoncelle
1
Flûte traversière, Orchestre
1
2 Clarinettes, Basson
1
Cor anglais et Harpe (duo)
1
Hautbois, Basson et Piano
1
Clarinette, Saxophone, Piano
1
Flûte traversière, Basse continue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Tuba (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
+ 147 instrumentations
Retracter
Cuivres
Trompette
1 085
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
988
Trombone
806
Trombone et Piano
802
Trompette, Piano
746
Quatuor de Cuivres : 2 trompettes, trombone, tuba
577
Cor et Piano
520
Cor
365
Quatuor de Cuivres: 2 trompettes, Cor, trombone
322
Trompette (partie séparée)
284
Trombone (partie séparée)
261
2 Trompettes (duo)
261
2 Trombones (duo)
251
Trompette, Trombone (duo)
227
Tuba
211
Tuba et Piano
198
Quatuor de Cuivres
137
Quatuor de cuivres: 4 trombones
130
Euphonium, Piano (duo)
121
Cor anglais, Piano
115
Cor (partie séparée)
112
Trompette, Cor (duo)
94
Ensemble de Trombones
82
2 Cors (duo)
80
Quatuor de cuivres: 4 cors
75
Ensemble de Trompettes
74
Tuba (partie séparée)
68
Trompette, Saxophone (duo)
58
Euphonium
57
Quatuor de cuivres: 4 trompettes
45
Cor Anglais
39
2 Euphoniums et 2 Tubas
38
4 Tubas
29
Trio de Cuivres
25
Quatuor de cuivres: 2 trompettes, 2 trombones
23
3 Trompettes (trio)
23
2 Tubas (duo)
23
Ensemble de Cors
20
Bass Clef Instruments
20
Trompette, Violoncelle et Piano
19
3 Trombones (trio)
19
Trombone, Orgue
16
Instruments en Sib
15
Tuba et Orgue
11
Trombone basse et Piano
9
Trombone basse
8
Cor anglais, Guitare (duo)
8
2 Trompettes, Clavier (piano ou orgue)
8
Trompette, Tuba (duo)
8
Tuba ou Euphonium ou Saxhorn
7
Trombone, Cor (duo)
7
Trompette, Harpe
7
Cor, Violoncelle (duo)
6
Euphonium, Tuba (duo)
6
Trompette, Trombone, Piano
6
Cor et Harpe
6
Trombone, Tuba (duo)
5
2 Trombones, Piano
5
Cor, Tuba (duo)
5
Clarinette, Cor (duo)
5
Cor et Orgue
5
Instruments en Fa
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
3 Tubas (trio)
4
3 Cors (trio)
4
Trompette, Violoncelle (duo)
3
Trompette et Guitare
3
Cornet A Pistons
3
2 Euphoniums (duo)
3
2 Cors Anglais Et Pianoforte
2
Trombone, Violon (duo)
2
Trombone et orchestre
2
Euphonium (partie séparée)
2
Ensemble de Tubas
1
Euphonium Ou Saxhorn Et Piano
1
Trompette, Euphonium (duo)
1
Trompette, Basson (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
3 Euphoniums
1
Cor, Violoncelle et Piano
1
Cor, Trompette, Trombone (trio)
1
Cor anglais et Harpe (duo)
1
4 Euphoniums
1
2 Cors, Piano
1
Trombone, violoncelle (duo)
1
+ 80 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 336
Violon et Piano
1 492
Violon
1 332
Violoncelle, Piano
1 023
Violoncelle
1 023
Alto, Piano
871
Alto seul
686
Violon, Violoncelle (duo)
644
Harpe
457
Trio à Cordes: violon, alto, violoncelle
427
2 Violons (duo)
384
2 Violoncelles (duo)
346
Violon, Alto (duo)
264
2 Altos (duo)
236
Contre Basse
219
Violon (partie séparée)
191
Quintette à cordes: 2 violons, alto, violoncelle, basse
185
2 Harpes (duo)
171
Trio à Cordes: 2 violons, violoncelle
169
Contrebasse, Piano (duo)
168
Piano Trio: Violon, Alto, Piano
144
Alto (partie séparée)
138
Contrebasse (partie séparée)
114
4 Violoncelles
98
Alto, Violoncelle (duo)
87
Violon, Guitare (duo)
62
Harpe, Flûte (duo)
61
Trio à cordes: 3 violins
59
Violoncelle (partie séparée)
46
Quatuor à cordes: 4 violons
44
Trio à Cordes: 3 violoncelles
42
Violoncelle , Guitare (duo)
41
Harpe, Violon (duo)
38
Quatuor à cordes : 4 altos
29
Alto, Guitare (duo)
25
Alto et Harpe
23
Trio à cordes: 3 altos
22
Violoncelle, Contrebasse (duo)
21
Harpe, Violoncelle (duo)
21
Ensemble de Violons
20
Trio à Cordes: 2 violons, alto
19
2 Contrebasses (duo)
18
Violon, Basson (duo)
17
Ensemble d'Altos
15
Trio à cordes
15
Violon, Clarinette, Piano (trio)
14
Quintette à cordes: 2 violons, 2 altos, violoncelle
14
Quintette à cordes : 2 violons, alto et 2 violoncelles
11
Harpe, Voix
11
Violoncelle, Orgue
10
Alto et Basson
9
Ensemble de Violoncelles
7
Flûte, Contrebasse (duo)
7
Violon, Orgue
6
Harpe et Piano
5
2 Violoncelles, Piano
5
Violoncelle, Orchestre
5
2 Violons, Piano
4
3 Harpes
4
4 Contrebasses
3
Violon, Trompette et Piano
3
Harpe, Trombone (duo)
3
Harpe, Violon, Violoncelle
3
2 Altos, Piano
3
Violon, Violoncelle, Clarinette
2
Autoharp
2
Alto, Orgue
2
Alto et orchestre
2
Violon, Tuba (duo)
2
Harpe, Quatuor à cordes
1
Harpe et Orgue
1
Harpe (partie séparée)
1
Violoncelle, Basse continue
1
Harpe et mandoline
1
+ 69 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
4 081
Orchestre à Cordes
1 234
Orchestre
931
Ensemble de cuivres
609
Fanfare
471
Ensemble Jazz
470
Batterie
429
Orchestre de chambre
348
Cloches
307
Percussion (partie séparée)
155
Jazz combo
116
Ensemble de Percussions
89
Marimba
33
Percussion
31
Batterie (partie séparée)
29
Timbales (partie séparée)
23
Xylophone
14
Xylophone, Piano
13
Vibraphone
13
Ensemble d'École
8
Timbales
6
Piano et Orchestre
6
Instrumentation Flexible
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Quatuor à Vent : 4 instruments à vents
4
Quintette à Vent
4
Vibraphone et Marimba
4
Vibraphone (partie séparée)
3
3 Marimbas
2
Bongos
2
Quintette de Cuivres: autres combinaisons
2
2 Marimbas
2
Cajon
2
2 Xylophones
1
Conga
1
Marimba et Orgue
1
Orchestre, Violon
1
Marimba, Piano (duo)
1
Caisse Claire
1
+ 34 instrumentations
Retracter
Autres
Théorie de la musique
2
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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style (tous)
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ASIE
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Ost
Euphonium, Piano (duo)
Partitions à imprimer
121 partitions trouvées
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101
Sullivan: The Lost Chord for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for E
#
jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Adagio Sostenuto from "Piano Concerto No. 2" for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Pi
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1228546 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Roma...
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Euphonium,Piano - Level 3 - SKU: A0.1228546 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #824622. Published by Diego Marani (A0.1228546). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for euphonium (C bass clef and Bb treble clef) with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
Ghost of John
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Euphonium, Piano (duo)
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FACILE
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Halloween
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Traditional
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Wesley S
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Ghost of John
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Wesley S. Silva
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1506311 Composed by Traditional. Arranged by Wesley S. SIlva. Halloween. Score and part. 2 pages. Wesley S. Silva #1...
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Euphonium,Piano - Level 2 - SKU: A0.1506311 Composed by Traditional. Arranged by Wesley S. SIlva. Halloween. Score and part. 2 pages. Wesley S. Silva #1081690. Published by Wesley S. Silva (A0.1506311).
$5.99
Die Taubenpost
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Euphonium, Piano (duo)
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Franz Schubert
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Ian Frenkel
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Die Taubenpost
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Cimarron Music Press
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SheetMusicPlus
By Franz Schubert (1797-1828). Arranged by Ian Frenkel. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press ...
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By Franz Schubert (1797-1828). Arranged by Ian Frenkel. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$15.00
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Nocturne and Rondo - Euphonium/Baritone Horn and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Phil Beaman
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Nocturne and Rondo - Euphonium
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Phil Beaman
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1378885 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 13 pages. Phil Beaman #9636...
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Euphonium,Piano - Level 4 - SKU: A0.1378885 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 13 pages. Phil Beaman #963601. Published by Phil Beaman (A0.1378885). An original 21st Century piece which fuses influences from nearly every genre and period.  The Nocturne showcases the performer's tone quality, particularly in the upper register. The melody has hints of Contemporary Classical, Post-Romantic, and New Age, but overall is Minimalist. The Piano Accompaniment in this section is entirely a 2 chord ostinato in the Right Hand only.  The Rondo has continuity from the Nocturne in that the Piano Accompaniment continues with Right Hand only chords. This section is heavily rhythmic with West Indian/Caribbean rhythms and some pulsing Rock influence, yet still with characteristics of Contemporary Classical.  This Nocturne and Rondo makes a great Audition piece to show your musicianship. Or a formal Recital performance piece. Nocturne - 64 mm, Andante, 4:30-5 min.Rondo - 61 mm, Allegro, 1:45-2 min. 7 page score, 3 page solo part.
$7.99
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306299. Published by jmsgu3 (A0.551497). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,St...
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Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508187. Published by jmsgu3 (A0.549568). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Peer Gynt Suite Complete for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306329. Published by jmsgu3 (A0.551502). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Six Songs Without Words for Euphonium & Piano, Volume II
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Ralph Sauer
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Six Songs Without Words for Eu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.811180 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. ...
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Euphonium,Piano - Level 5 - SKU: A0.811180 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #5888501. Published by Gordon Cherry (A0.811180). Ralph Sauer has transcribed six of Mendelssohn’s many Songs Without Words for Euphonium and Piano, Volume Two. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and accessibility. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously un-mined resource and added immeasurably to the Euphonium repertoire. For advanced performers with about 14 minutes of exquisite music in bass clef.
$22.50
Six Songs Without Words for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Sauer, Ralph
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Six Songs Without Words for Eu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792388 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Sc...
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Euphonium,Piano - Level 5 - SKU: A0.792388 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #4820293. Published by Gordon Cherry (A0.792388). Ralph Sauer has transcribed six of Mendelssohn’s many Songs Without Words for Euphonium. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and accessibility technically. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously unmined resource and added immeasurably to the Euphonium repertoire. For advanced performers in Bass Clef.
$22.50
Hungarian Dance No. 5 for Euphonium (or Trombone) and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Diego Marani
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Hungarian Dance No. 5 for Euph
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.528433 Composed by Johannes Brahms. Arranged by Diego Marani. Cla...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.528433 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 11 pages. Diego Marani #6014033. Published by Diego Marani (A0.528433). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for Euphonium or Trombone (C and Bb) with piano accompaniment reflects faithfully the original.
$8.90
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
El Choclo-Euphonium/Bass Clef Baritone Solo
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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John May
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John May
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El Choclo-Euphonium/Bass Clef
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Lost Key Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1425681 By John May. By Angel Villoldo. Arranged by John May. Chamber,Contest,Festival,Latin,Multicultural,World. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.1425681 By John May. By Angel Villoldo. Arranged by John May. Chamber,Contest,Festival,Latin,Multicultural,World. Score and part. 7 pages. Lost Key Music #1006445. Published by Lost Key Music (A0.1425681). El Choclo (The Corn Cob) is one of the most popular tangos in Argentina. It is arranged here for euphonium/bass clef baritone solo with optional piano accompaniment. Includes separate euphonium part.
$9.00
Slavonic Dance Op. 72 No. 2 for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 72 No. 2 fo
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1268287 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic...
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Euphonium,Piano - Level 3 - SKU: A0.1268287 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #860850. Published by Diego Marani (A0.1268287). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for Bb or C Euphonium with piano accompaniment of the marvelous and nostalgic dance no. 2 is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
Sospiri (Sighs) for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Edward Elgar
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Ralph Sauer
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Sospiri
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gor...
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Euphonium,Piano - Level 5 - SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gordon Cherry #6425321. Published by Gordon Cherry (A0.811242). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Euphonium and Piano (part is in bass clef) as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.
$15.00
Heaven Is A Place On Earth
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Belinda Carlisle
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Kevin P Holdgate
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Heaven Is A Place On Earth
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Kevin P Holdgate
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1378350 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,F...
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Euphonium,Piano - Level 3 - SKU: A0.1378350 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #962974. Published by Kevin P Holdgate (A0.1378350). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99
Two Pieces for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Lalo, Edouard
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Sauer, Ralph
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Two Pieces for Euphonium &
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and par...
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Euphonium,Piano - Level 5 - SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820069. Published by Gordon Cherry (A0.792382). Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy François Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
$20.00
Someone To Watch Over Me
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Jerome Kern
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Kevin P Holdgate
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Someone To Watch Over Me
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Kevin P Holdgate
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.791274 Composed by Jerome Kern. Arranged by Kevin P Holdgate. Contemporary. Score and part. 7 pages. Kevin P Holdgat...
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Euphonium,Piano - Level 3 - SKU: A0.791274 Composed by Jerome Kern. Arranged by Kevin P Holdgate. Contemporary. Score and part. 7 pages. Kevin P Holdgate #5884517. Published by Kevin P Holdgate (A0.791274). KPHMS 'Solo CollectionThis is a lovely relaxed arrangement of the George & Ira Gershwin classic song famously sung by Ella Fitzgerald amongst a host of other stars. It is undoubtedly one of the Gershwin's best loved ballads, although it started out life as an 'upbeat' number, marked Scherzando in the original score.The solo part is around Grade 4/5 ABRSM/Trinity in terms of standard.
$4.99
Someone To Watch Over Me
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Jerome Kern
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Kevin P Holdgate
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Someone To Watch Over Me
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Kevin P Holdgate
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.791273 Composed by Jerome Kern. Arranged by Kevin P Holdgate. Contemporary...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.791273 Composed by Jerome Kern. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 6 pages. Kevin P Holdgate #5884527. Published by Kevin P Holdgate (A0.791273). KPHMS 'Solo CollectionThis is a lovely relaxed arrangement of the George & Ira Gershwin classic song famously sung by Ella Fitzgerald amongst a host of other stars. It is undoubtedly one of the Gershwin's best loved ballads, although it started out life as an 'upbeat' number, marked Scherzando in the original score.The solo part is around Grade 4/5 ABRSM/Trinity in terms of standard.
$4.99
Two Pieces from Opus 11 for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Massenet, Jules
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Sauer, Ralph
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Two Pieces from Opus 11 for Eu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.810809 Composed by Massenet, Jules. Arranged by Sauer, Ralph. Romantic Period. Score and part. 12 pages. Gordon Cher...
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Euphonium,Piano - Level 5 - SKU: A0.810809 Composed by Massenet, Jules. Arranged by Sauer, Ralph. Romantic Period. Score and part. 12 pages. Gordon Cherry #3241315. Published by Gordon Cherry (A0.810809). Massenet's Three Pieces for Piano, Four Hands Opus 11 was published in 1867. Two of the pieces were adapted for Cello in 1877. Mr. Sauer has arranged these two pieces for Euphonium bass clef and Piano: 1. Andante sostenuto 2. Allegretto vivo scherzando The Andante is flowing and lyrical with the Allegretto being a lively 6/8 dance in A-B-A form. The two movements total about 5 minutes and are appropriate for advanced performers.
$17.50
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