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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Out Of The East
Non classifié
810
Piano & claviers
Piano seul
534
Piano, Voix
190
Piano Facile
142
Piano, Voix et Guitare
106
Orgue
90
Piano grosses notes
49
Accompagnement Piano
47
Piano Trio: piano, violon, violoncelle
30
Instruments en Do
26
2 Pianos, 4 mains
9
1 Piano, 4 mains
6
Orgue, Trompette (duo)
6
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
1
Accordéon
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
+ 15 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
51
Guitare notes et tablatures
34
Guitare
13
Basse electrique
13
Ukulele
11
Ligne De Mélodie, (Paroles) et Accords
9
3 Guitares (trio)
2
Ensemble de guitares
2
Banjo
1
Dulcimer
1
Mandoline, Piano (duo)
1
4 Guitares (Quatuor)
1
Mandoline
1
Guitare (partie séparée)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
414
Chorale 3 parties
96
Chorale 2 parties
94
Chorale Unison
60
Voix duo, Piano
50
Chorale TTBB
27
Chorale SSAA
16
Voix Soprano, Piano
15
Voix duo
13
Voix haute
4
Voix moyenne, Piano
3
Voix Alto, Piano
3
Voix Tenor, Piano
2
Voix seule
2
Voix Baryton, Piano
2
Voix basse
1
Voix Tenor
1
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
197
Hautbois, Piano (duo)
168
Clarinette et Piano
117
Saxophone Alto et Piano
96
2 Saxophones (duo)
95
Saxophone Tenor et Piano
86
2 Clarinettes (duo)
55
Flûte, Hautbois, Clarinette, Basson
51
Saxophone, Clarinette (duo)
50
Quatuor de Saxophones: 4 saxophones
41
2 Flûtes traversières (duo)
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Clarinette, Violon (duo)
33
Clarinette, Trompette (duo)
32
Quatuor de Clarinettes: 4 clarinettes
26
2 Hautbois (duo)
22
Flûte, Clarinette (duo)
21
Flûte traversière
20
Hautbois, Clarinette (duo)
19
Saxophone Soprano et Piano
19
Hautbois, Basson (duo)
18
Clarinette et Alto
17
Flûte, Alto (duo)
17
Hautbois, Flûte
17
Flûte, Saxophone (duo)
17
Clarinette
16
Flûte, Violon
16
Flûte, Trompette (duo)
14
Quintette de Saxophone: 5 saxophones
12
Quatuor de Flûtes : 4 flûtes
11
Saxophone Baryton, Piano
10
Ensemble de Clarinettes
10
Flûte à bec Soprano
9
Saxophone Alto
9
Cor anglais, Piano
8
Saxophone (partie séparée)
8
Ensemble de Flûtes
8
Flûte, Violon, Piano
7
Hautbois (partie séparée)
7
3 Saxophones (trio)
5
Clarinette Basse, Piano
5
2 Flûte à bec (duo)
4
Saxophone Tenor
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois
4
Flûte, Violoncelle, Piano (trio)
4
Quatuor de Flûtes à bec
4
2 Clarinettes, Piano
4
Saxophone et Orgue
3
Flûte, trombone et piano
3
Ocarina
3
Flûte, Alto et Piano
3
3 Clarinettes (trio)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Basson et Piano
3
Clarinette, Guitare (duo)
2
Flûte, Violoncelle
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Trombone (duo)
2
Flûte, Clarinette et Basson
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble de saxophones
2
2 Flûtes traversières, Piano
1
Piccolo, Piano
1
Flûte à bec Soprano, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte et Guitare
1
Flûte traversière, Orgue (duo)
1
Flûte à Bec, Piano
1
Saxophone et Guitare
1
Clarinette, Saxophone, Piano
1
4 Hautbois
1
Cor anglais, Guitare (duo)
1
Flûte et Quatuor à Cordes
1
Flûte à bec Tenor
1
Ensemble De Flûte à bec
1
5 Flûtes à bec
1
Clarinette, Basson (duo)
1
Flûte, Harpe et Violoncelle
1
Clarinette, Basson, Piano (trio)
1
Flûte à Bec
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
+ 81 instrumentations
Retracter
Cuivres
Trombone et Piano
92
Trompette, Piano
65
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trompette
47
Trompette, Saxophone (duo)
33
2 Trombones (duo)
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
2 Trompettes (duo)
21
Cor et Piano
19
Trompette, Trombone (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Euphonium, Piano (duo)
12
Trombone
11
Cor
9
Cor anglais, Piano
8
Tuba et Piano
8
Trombone, Orgue
7
Tuba
7
Quatuor de Cuivres
6
Trompette (partie séparée)
5
Trombone (partie séparée)
4
Quatuor de cuivres: 4 trompettes
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 cors
3
2 Cors (duo)
3
Quatuor de cuivres: 4 trombones
3
3 Trombones (trio)
3
Trompette, Cor (duo)
2
Tuba et Orgue
2
Ensemble de Trompettes
2
Trio de Cuivres
2
Trombone basse
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle et Piano
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
4 Tubas
1
Trompette, Trombone, Piano
1
Cor anglais, Guitare (duo)
1
4 Euphoniums
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Orgue
1
Cor, Violoncelle et Piano
1
Trombone, Violon (duo)
1
+ 40 instrumentations
Retracter
Cordes
Violon et Piano
244
Quatuor à cordes: 2 violons, alto, violoncelle
116
Violoncelle, Piano
110
Alto, Piano
107
2 Violons (duo)
45
Violon, Violoncelle (duo)
34
Trio à Cordes: violon, alto, violoncelle
28
Violon
24
Harpe
22
Violoncelle
21
Trio à Cordes: 2 violons, violoncelle
20
2 Violoncelles (duo)
19
2 Altos (duo)
18
Violon, Alto (duo)
16
Alto seul
14
Contrebasse, Piano (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contre Basse
5
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
3
Violon (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
2 Harpes (duo)
3
4 Violoncelles
2
2 Violons, Piano
2
Contrebasse (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Violoncelle, Orgue
2
Quatuor à cordes: 4 violons
2
Flûte, Contrebasse (duo)
1
Violon, Trompette et Piano
1
Harpe, Flûte (duo)
1
Harpe, Violon, Violoncelle
1
2 Contrebasses (duo)
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Alto (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Violon, Violoncelle, Clarinette
1
4 Harpes
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
112
Cloches
66
Orchestre
42
Orchestre à Cordes
40
Orchestre de chambre
27
Ensemble de cuivres
24
Ensemble Jazz
22
Jazz combo
14
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba
2
Bongos
1
Fanfare
1
Ensemble de Percussions
1
Percussion
1
Piano et Orchestre
1
Batterie
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
+ 13 instrumentations
Retracter
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BASSE
BASSON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
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LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Out Of The East
Euphonium, Piano (duo)
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1
Vivaldi: The Four Seasons Complete for Euphonium & Piano
Euphonium, Piano (duo)
Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque …
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Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 188 pages. Published by jmsgu3
Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4<br> Contents:<br> SPRING<br> Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42<br> I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.<br> FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.<br> <br> THUNDER: The skies are dark; lightning flashes and thunder roars.<br> SONG OF THE BIRDS: After the storm, the birds return with their song.<br> II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs<br> III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.<br> <br> SUMMER<br> Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements<br> I. Allegro non molto<br> LANGUISHING IN THE HEAT<br> Man and beast wilt in the burning sun; even the evergreens feel the heat.<br> THE CUCKOO<br> The Cuckoo sings loudly.<br> THE DOVE<br> And the songs of the turtledove and goldfinch are ardent.<br> THE GOLDFINCH<br> The gentle breezes sigh.<br> CHANGING WINDS.<br> but the north wind suddenly appears and starts to quarrel.<br> THE NORTH WIND<br> A frightened shepherd weeps in fear and bemoans his fate.<br> II. Adagio<br> The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.<br> BLUE-BOTTLE FLIES<br> III. Presto<br> TEMPESTUOUS SUMMERTIME<br> The shepherd is right to be afraid. The sky flashes and the thunder is awesome.<br> Grain and fruit are destroyed by the storm.<br> <br> AUTUMN<br> Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.<br> I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.<br> The drunkard drinks deeply from the cup of Bacchus.<br> The Drunks. A Drunk.<br> The drunkards fall into a deep slumber.<br> II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.<br> III. Allegro. The Hunt.<br> As dawn breaks the hunter appears with his horn, hound, and gun.<br> The prey appears; the chase is on.<br> The prey is bewildered by the clamorous dogs and the noise of the guns.<br> Fatigued and wounded, the prey falls and dies.<br> <br> WINTER<br> Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.<br> I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.<br> We run and stamp our feet at every step.<br> Our teeth chatter with the cold.<br> II. Largo. We pass the day contented by the fireside; outside it is raining very hard.<br> III. Allegro. We carefully walk on the ice. We are afraid we may fall.<br> We Slip and fall. We get up and bravely try again.<br> The ice is breaking, the cracks are wide.<br> The shrieking winds are at war.<br> Such is winter, but it has its joys.Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4<br> Contents:<br> SPRING<br> Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42<br> I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.<br> FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.<br> <br> THUNDER: The skies are dark; lightning flashes and thunder roars.<br> SONG OF THE BIRDS: After the storm, the birds return with their song.<br> II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs<br> III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.<br> <br> SUMMER<br> Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements<br> I. Allegro non molto<br> LANGUISHING IN THE HEAT<br> Man and beast wilt in the burning sun; even the evergreens feel the heat.<br> THE CUCKOO<br> The Cuckoo sings loudly.<br> THE DOVE<br> And the songs of the turtledove and goldfinch are ardent.<br> THE GOLDFINCH<br> The gentle breezes sigh.<br> CHANGING WINDS.<br> but the north wind suddenly appears and starts to quarrel.<br> THE NORTH WIND<br> A frightened shepherd weeps in fear and bemoans his fate.<br> II. Adagio<br> The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.<br> BLUE-BOTTLE FLIES<br> III. Presto<br> TEMPESTUOUS SUMMERTIME<br> The shepherd is right to be afraid. The sky flashes and the thunder is awesome.<br> Grain and fruit are destroyed by the storm.<br> <br> AUTUMN<br> Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.<br> I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.<br> The drunkard drinks deeply from the cup of Bacchus.<br> The Drunks. A Drunk.<br> The drunkards fall into a deep slumber.<br> II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.<br> III. Allegro. The Hunt.<br> As dawn breaks the hunter appears with his horn, hound, and gun.<br> The prey appears; the chase is on.<br> The prey is bewildered by the clamorous dogs and the noise of the guns.<br> Fatigued and wounded, the prey falls and dies.<br> <br> WINTER<br> Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.<br> I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.<br> We run and stamp our feet at every step.<br> Our teeth chatter with the cold.<br> II. Largo. We pass the day contented by the fireside; outside it is raining very hard.<br> III. Allegro. We carefully walk on the ice. We are afraid we may fall.<br> We Slip and fall. We get up and bravely try again.<br> The ice is breaking, the cracks are wide.<br> The shrieking winds are at war.<br> Such is winter, but it has its joys.
$49.95
46.05 €
#
Euphonium, Piano (duo)
#
Antonio Vivaldi (1678-1741)
#
James M
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Vivaldi: The Four Seasons Complete for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Down by the Riverside - Traditional - 2 Euphoniums; Piano and Drum Set - Intermediate level
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download …
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760368 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 18 pages. Raymond Fenech #3591487. Published by Raymond Fenech (A0.760368). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This arrangement is very ideal for school concerts. The level is Intermediate and the duration is 2.39minutes.
$4.50
4.15 €
#
Euphonium, Piano (duo)
#
Traditional
#
Raymond Fenech
#
Down by the Riverside - Traditional - 2 Euphoniums; Piano and Drum Set - Intermediate level
#
Raymond Fenech
#
SheetMusicPlus
Chorus and Dance of the Polovetsian Maidens for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792457 Composed by Alexander B…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792457 Composed by Alexander Borodin. Arranged by Ralph Sauer. 20th Century,Opera,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4988117. Published by Gordon Cherry (A0.792457). Alexander Borodin was actually trained as a chemist and physician and spent a good deal of his time promoting womens’ issues, much to the consternation of his fellow composers who wound up finishing up much of his work after his sudden death at the age of 53. The opera Prince Igor is possibly his greatest and boldest work with many beautiful melodies coming forth, especially the Chorus and Dance of the Polovetsain Maidens from Act II. The music has an mysterious Eastern sound which is very captivating.There is nothing like this written for the Euphonium and Mr. Sauer’s arrangement is wonderful.This work is about 7 minutes in length for advanced performers.
$17.50
16.13 €
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Euphonium, Piano (duo)
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Alexander Borodin
#
Ralph Sauer
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Chorus and Dance of the Polovetsian Maidens for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.594416 Composed by G F Handel.…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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Euphonium, Piano (duo)
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.38 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Euphonium, Piano (duo)
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Euphomania!
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1472089 Composed by Samantha H…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1472089 Composed by Samantha Hogan. 21st Century,Classical,Instructional. Score and part. 16 pages. Coffee Seal Music #1049790. Published by Coffee Seal Music (A0.1472089). Timing 5:00Difficulty: IntermediateEuphomania is a piece from the heart with all the humor you could ask for. It’s….something else. Just give it a listen and look at the perusal score. In this solo, you will find many quotes to guide you on your performance journey, or at least give you or your accompanist a chuckle or two.Maybe the audience can’t read the sarcasm, but you sure can! Disclaimer: IF you choose to perform this on a Brass Jury, I bear no responsibility for the outcome of your performance! However, you may win some points or sympathy if you show them the sheet music afterward.The same goes for if you have a non-academic audience. Good Luck!
$18.00
16.59 €
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Euphonium, Piano (duo)
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Samantha Hogan
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Euphomania!
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Coffee Seal Music
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SheetMusicPlus
Dying and Dancing for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Sca…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
25.35 €
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Euphonium, Piano (duo)
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Russell Scarbrough
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Dying and Dancing for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Intermezzo and Tarantella for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792508 Composed by Reinhold Mo…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792508 Composed by Reinhold Moritzovich Gliere. Arranged by Ralph Sauer. 20th Century,Multicultural,Romantic Period,World. Score and part. 36 pages. Gordon Cherry #4988439. Published by Gordon Cherry (A0.792508). Gliere's Two Pieces, Op. 9 is an early work, originally written for double bass with the two movements having been beautifully arranged for Euphonium and Piano by Ralph Sauer. The Intermezzo is lyrical, sensual and Eastern sounding. The Tarantella is a sprightly folk dance of southern Italy. The curious name comes from the wolf spider or Tarantula whose bite is highly poisonous and in earlier times was believed to cause the victims to engage in a frenzied dance. The two movements are about 9.5 minutes in length and are appropriate for advanced performers.
$22.50
20.74 €
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Euphonium, Piano (duo)
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Reinhold Moritzovich Gliere
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Ralph Sauer
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Intermezzo and Tarantella for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
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Out Of The East
