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Piano seul
35676
Piano, Voix
34781
Piano, Voix et Guitare
12071
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10297
1 Piano, 4 mains
1195
Accompagnement Piano
796
Piano grosses notes
603
Piano Trio: piano, violon, violoncelle
544
2 Pianos, 4 mains
326
Orgue
270
Piano Quatuor: piano, violon, alto, violoncelle
241
Piano (partie séparée)
236
Instruments en Do
171
Piano Quintette: piano, 2 violons, alto, violoncelle
159
Piano Quatuor: piano, 2 violons, violoncelle
124
Orgue, Piano (duo)
56
1 Piano, 6 mains
31
Accordéon
23
2 Pianos, 8 mains
16
Clavier
15
Clavecin
10
Orgue, Trompette (duo)
3
Ligne De Mélodie, Piano
2
Accordéon, Voix
2
Accordéon, Corde(s)
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
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Ligne De Mélodie, (Paroles) et Accords
276
Guitare
153
Piano, Guitare (duo)
122
Guitare notes et tablatures
121
Mandoline, Piano (duo)
79
2 Guitares (duo)
40
Ukulele
32
Paroles et Accords
23
Basse electrique
15
Guitare (partie séparée)
12
4 Guitares (Quatuor)
9
Guitare, Violon, Violoncelle (trio)
5
Mandoline
4
2 Mandolines (duo)
2
Dulcimer
2
3 Guitares (trio)
2
Guitare Pedal Steel
1
Banjo
1
2 Guitares et Orchestre
1
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Chorale SATB
2890
Chorale 2 parties
1888
Chorale 3 parties
1689
Voix duo, Piano
932
Chorale Unison
770
Voix seule
502
Chorale TTBB
379
Voix duo
313
Voix Soprano, Piano
298
Voix haute
283
Voix basse, Piano
193
Chorale SSAA
142
Voix moyenne, Piano
127
Voix Tenor, Piano
97
Chorale
87
Voix Alto, Piano
60
Voix Baryton, Piano
56
Voix Mezzo-Soprano, Piano
45
Voix Tenor
15
Voix Soprano
9
Chorale SSATTB
7
Soli, choeur mixte et accompagnement
6
Chorale SSATB
5
Chorale SSAB, Piano
5
Voix basse
5
Chorale SSAATTBB
4
Voix haute, Piano
4
Chorale SSAATB
3
Voix d'Enfants
3
Chorale SATTBB A Cappella
1
Voix, Guitare
1
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VENTS
Flûte traversière et Piano
3979
Clarinette et Piano
2186
Hautbois, Piano (duo)
1877
Saxophone Alto et Piano
1809
Saxophone Tenor et Piano
1295
Saxophone Soprano et Piano
991
Clarinette
817
Saxophone Baryton, Piano
430
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
424
Quatuor de Saxophones: 4 saxophones
365
2 Saxophones (duo)
351
Flûte, Hautbois, Clarinette, Basson
348
Cor anglais, Piano
340
Flûte traversière
269
2 Flûtes traversières (duo)
235
2 Clarinettes (duo)
174
Quintette de Saxophone: 5 saxophones
172
Clarinette Basse, Piano
169
Quatuor de Clarinettes: 4 clarinettes
154
Flûte, Clarinette (duo)
127
Saxophone Alto
122
Saxophone (partie séparée)
103
3 Saxophones (trio)
102
2 Flûtes traversières, Piano
100
Flûte, Violon, Piano
80
Flûte à bec Soprano, Piano
76
Flûte à bec Alto, Piano
75
Quatuor de Flûtes : 4 flûtes
73
Flûte à bec Soprano
71
Flûte, Violoncelle, Piano (trio)
71
2 Hautbois (duo)
68
Flûte à Bec
67
Saxophone
65
Flûte, Clarinette, Piano (trio)
60
3 Clarinettes (trio)
59
2 Clarinettes, Piano
58
Saxophone Tenor
58
Flûte et Guitare
57
Flûte, Basson et Piano
56
Ensemble de Clarinettes
56
2 Saxophones, Piano
53
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Saxophone et Piano
49
Clarinette, Violon (duo)
48
Saxophone, Clarinette (duo)
44
2 Flûte à bec (duo)
42
Flûte à Bec, Piano
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Flûte, Violon
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Flûte à bec Alto
37
Clarinette, Guitare (duo)
35
Hautbois
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Piccolo, Piano
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Clarinette, Violoncelle, Piano (trio)
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Trio de Flûtes: 3 flûtes
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Hautbois, Clarinette, Basson (trio d'anches)
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Quatuor de Flûtes à bec
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Ensemble de Flûtes
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Hautbois, Clarinette (duo)
29
Flûte, Hautbois, Clarinette (trio)
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Flûte à bec Tenor
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Flûte, Hautbois, Piano (trio)
25
Hautbois, Basson (duo)
23
Ensemble de saxophones
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Clarinette, Basson, Piano (trio)
23
Flûte, Trompette (duo)
22
Clarinette, Trompette (duo)
20
Quintette de Clarinettes: 5 clarinettes
20
Flûte, Hautbois (duo)
19
5 Flûtes à bec
19
3 Flûtes à bec (trio)
19
Piccolo
17
Clarinette, Basson (duo)
16
Clarinette, Alto et Piano (trio)
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Clarinette et Alto
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Cor Anglais
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Flûte, Saxophone (duo)
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Flûte, Violon, Violoncelle et Piano
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Harmonica, Piano
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Flûte, trombone et piano
10
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9
Flûte, Hautbois, Basson
9
Clarinette, trompette et piano
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Flûte, Clarinette, Cor, Basson (Quartet)
9
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Hautbois, Violon, Piano
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Flûte irlandaise
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Hautbois, Basson et Piano
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Flute (partie séparée)
6
Clarinette, Violoncelle (duo)
6
2 Flûtes à bec, Piano
5
2 Clarinettes, Basson
4
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Hautbois, Violoncelle et Piano
4
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3
Clarinette, Harpe (duo)
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Cor anglais, Guitare (duo)
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Hautbois, Clarinette et Piano (Trio)
3
2 Cors Anglais Et Pianoforte
3
Harmonica
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Hautbois, Violoncelle
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Flûte traversière, Orgue (duo)
2
Flûte de Pan
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Clarinette, Orgue
2
2 Hautbois, Piano
2
Flûte, Guitare, Piano
2
Flûte, Violoncelle, Guitare
2
Clarinette Basse
2
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Saxophone et Guitare
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Flûte traversière, Basse continue
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Flûte traversière, Orchestre
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Flûte, Clarinette, Violon (trio)
1
Flûte à bec, Guitare (duo)
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Clarinette, Tuba
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Hautbois et Orchestre
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Ocarina
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Flûte à bec Alto, Basse continue
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357
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252
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141
Trombone
118
2 Trompettes (duo)
114
2 Trombones (duo)
112
Quatuor de Cuivres : 2 trompettes, trombone, tuba
101
Quatuor de Cuivres
89
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67
2 Cors (duo)
66
Trompette, Trombone (duo)
58
Cor
57
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56
Trombone basse et Piano
39
Tuba et Orgue
37
Trompette (partie séparée)
37
Trompette, Saxophone (duo)
32
Trombone (partie séparée)
30
Euphonium
24
2 Trompettes, Clavier (piano ou orgue)
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Trompette, Trombone, Piano
20
Quatuor de cuivres: 4 trombones
16
3 Trombones (trio)
15
Quatuor de cuivres: 4 cors
14
Cor Anglais
13
Trio de Cuivres
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Trompette, violon (duo)
11
2 Tubas (duo)
10
Quatuor de cuivres: 2 trompettes, 2 trombones
10
Cor (partie séparée)
9
2 Trombones, Piano
9
Trompette, Violoncelle et Piano
8
Ensemble de Trombones
7
3 Trompettes (trio)
7
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trompettes
6
Trombone, Cor (duo)
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4 Tubas
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2 Euphoniums (duo)
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2 Cors, Piano
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Cor anglais, Guitare (duo)
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Cor, Violoncelle et Piano
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Cor, Violoncelle (duo)
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Trompette, Basson (duo)
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Violon et Piano
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Quatuor à cordes: 2 violons, alto, violoncelle
798
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434
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192
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191
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188
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142
Alto seul
139
Violoncelle
136
Harpe
124
2 Altos (duo)
111
Violon, Violoncelle (duo)
107
Trio à Cordes: violon, alto, violoncelle
103
Violoncelle (partie séparée)
95
2 Violons, Piano
80
Violon, Alto (duo)
65
Contre Basse
51
Violon, Guitare (duo)
37
Trio à Cordes: 2 violons, violoncelle
34
Alto, Violoncelle (duo)
33
Violon (partie séparée)
31
2 Violoncelles, Piano
30
4 Violoncelles
26
Alto (partie séparée)
26
Violoncelle , Guitare (duo)
23
Violon, Clarinette, Piano (trio)
22
2 Altos, Piano
19
Contrebasse (partie séparée)
16
Trio à cordes: 3 violins
15
Harpe et Piano
15
Quatuor à cordes : 4 altos
13
2 Contrebasses (duo)
13
Quatuor à cordes: 4 violons
12
Alto et Basson
12
Trio à Cordes: 3 violoncelles
11
Alto, Guitare (duo)
11
Harpe, Flûte (duo)
10
Trio à Cordes: 2 violons, alto
10
Harpe, Violon (duo)
9
4 Contrebasses
8
Trio à cordes: 3 altos
8
2 Harpes (duo)
6
Violoncelle, Orgue
5
Violoncelle, Contrebasse (duo)
5
Violon, Basse continue
4
Harpe et mandoline
4
Violoncelle, Orchestre
4
Violon, Basson (duo)
3
Harpe, Voix
3
Flûte, Contrebasse (duo)
3
Alto et Harpe
2
Ensemble de Violoncelles
2
Alto, Orgue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violoncelle (duo)
1
Violon, Trompette et Piano
1
Alto et orchestre
1
Violon, Orgue
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PERCUSSIONS & ORCHESTRES
Orchestre
663
Orchestre à Cordes
454
Orchestre d'harmonie
343
Ensemble Jazz
340
Orchestre de chambre
265
Cloches
201
Ensemble de cuivres
150
Jazz combo
96
Xylophone, Piano
47
Piano et Orchestre
27
Vibraphone
26
Marimba
25
Vibraphone (partie séparée)
24
Ensemble de Percussions
15
Percussion (partie séparée)
12
Marimba, Piano (duo)
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Batterie (partie séparée)
7
Batterie
7
Ensemble d'École
7
Xylophone
7
Fanfare
6
Orchestre, Violon
3
Percussion
2
Quintette de Cuivres: autres combinaisons
2
2 Xylophones
1
Big band
1
2 Marimbas
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Quintette à Vent
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AUTRES
Formation musicale - Solfège
45
Papeterie
1
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Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.43 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.43 €
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Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Fantasy Pieces for Euphonium and Piano
Euphonium, Piano (duo)
Piano Accompaniment, Euphonium - Advanced - Digital Download Composed by Robert Schum…
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Piano Accompaniment, Euphonium - Advanced - Digital Download Composed by Robert Schumann. Arranged by Sauer, Ralph. Romantic Period. 36 pages. Published by Cherry Classics Music
Item Number: S0.164771<br> <br> There are three movements in Fantasy Pieces that make up Robert Schumann’s Opus 73. Completed in 1849, he linked each piece harmonically. Schumann directs the performers to follow on to the next section, indicating that these movements were intended as a whole.<br> <br> <br> <br> From a mood of delicate expression, through eloquent and lively to fiery and urgent, this is a compelling and intriguing work. The Fantasy Pieces are full of Romanticism and thoughtfulness to make it an important and entertaining work.<br> <br> <br> <br> This version has been skillfully arranged for Euphonium and Piano by Ralph Sauer, formerly Principal Trombonist of the Los Angeles Philharmonic.
$17.50
16.16 €
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Euphonium, Piano (duo)
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Robert Schumann
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Sauer, Ralph
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Fantasy Pieces for Euphonium and Piano
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Cherry Classics Music
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SheetMusicPlus
Alexandre Guilmant | Romance Sans Paroles, Op. 85 | for Euphonium Solo
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.1409989 By Felix Alexandre Gui…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.1409989 By Felix Alexandre Guilmant. By Felix Alexandre Guilmant. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and part. 19 pages. Andrew Lamb #992474. Published by Andrew Lamb (A0.1409989). 🎶 Dive into the enchanting world of classical music with this captivating Euphonium Solo adaptation of Romance Sans Paroles by Alexandre Guilmant!🎵 This arrangement, crafted for both Euphonium/Baritone/Trombone (Treble Clef and Bass Clef) and Piano, promises to mesmerize audiences with its intricate melodies and harmonies. 🎹🎺 With a difficulty level set to hard, this piece will challenge seasoned musicians and provide a rewarding experience for performers and listeners alike.🌟 Perfect for concerts, recitals, or any occasion where musical excellence is celebrated, this arrangement is a must-have addition to your repertoire!🎼 Get ready to showcase your talent and leave a lasting impression with this captivating musical masterpiece.🎶 Please like and subscribe for more videos and music arrangements.
$6.00
5.54 €
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Euphonium, Piano (duo)
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Felix Alexandre Guilmant
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Andrew Lamb
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Alexandre Guilmant | Romance Sans Paroles, Op. 85 | for Euphonium Solo
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Andrew Lamb
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SheetMusicPlus
Euphonistic Dance - Piano and Euphonium
Euphonium, Piano (duo)
Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. …
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Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. Piano Reduction, Solo Part. 22 pages. Published by Musica Nova USA
Euphonistic Dance is a short feature piece for euphonium with piano – about 5 minutes. It is for recitals and includes some opportunities for improvisation. There is a written out option for those not wanting to improvise. It is at early intermediate level of difficulty for euphonium and piano with range up to Gb for the euphonium. It is often played by tubists who double on euphonium (I call them Bydlo level). Euphonistic Dance was premiered by myself (euphonium) with Michael Dewart (piano) at Mansfield State College in Pennsylvania March 19, 1983. It has been played by many times by high school and college players since.<br> <br> There are two recordings - on Mark Records performed by Mary Ann Craig (youtube https://www.youtube.com/watch?v=Xit7xBP9szM) and on Albany records by Ed Morse (youtube https://www.youtube.com/watch?v=yMF0MayUgAo)
$15.00
13.85 €
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Euphonium, Piano (duo)
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Gregory Fritze
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Euphonistic Dance - Piano and Euphonium
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Musica Nova USA
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SheetMusicPlus
Three Romances for Euphonium and Piano, Opus 94
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.810756 Composed by Robert Schu…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.810756 Composed by Robert Schumann. Arranged by Sauer, Ralph. Romantic Period. Score and part. 32 pages. Gordon Cherry #2869113. Published by Gordon Cherry (A0.810756). Schumann's Three Romances for Euphonium & Piano, Opus 94, are an example of the highest level of poetic lyricism in the Romantic style. Originally for Oboe, Ralph Sauer has done a superb job in transcribing these three movements of about 12 minutes in length total. For moderately advanced performers, this work can be a major piece on your recital or concert. Parts are supplied for bass and treble clef readers.
$17.50
16.16 €
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Euphonium, Piano (duo)
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Robert Schumann
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Sauer, Ralph
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Three Romances for Euphonium and Piano, Opus 94
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Gordon Cherry
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SheetMusicPlus
Wellerman (Euphonium & Piano) - treble and bass clef euphonium parts included
Euphonium, Piano (duo)
Piano Accompaniment, Euphonium - Intermediate - Digital Download Composed by Unknown,…
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Piano Accompaniment, Euphonium - Intermediate - Digital Download Composed by Unknown, New Zealand Sea Shanty c.1860. Arranged by Robert Steadman. Folk. Set of Parts. 6 pages. Published by Robert Steadman
The New Zealand Sea Shanty, written between 1860 and 1870, that became a TikTok sensation and went to No. 1 in the charts!
$4.50
4.16 €
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Euphonium, Piano (duo)
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Unknown, New Zealand Sea Shanty c
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Robert Steadman
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Wellerman
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Robert Steadman
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SheetMusicPlus
None but the Lonely Heart for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1238839 Composed by P. I. Tcha…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1238839 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Diego Marani #834256. Published by Diego Marani (A0.1238839). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy None but the Lonely Heart, a setting of Lev Mei's poem The Harpist's Song which in turn was a translation of Nur wer die Sehnsucht kennt from Goethe's Wilhelm Meister's Apprenticeship.This beautiful composition was recorded by Frank Sinatra, Placido Domingo, Itzhak Perlman and many others.This arrangement for euphonium (C and Bb) with piano accompaniment is suitable for classroom, repertoire and recital.
$7.99
7.38 €
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Euphonium, Piano (duo)
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P
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Diego Marani
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None but the Lonely Heart for Euphonium and Piano
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Diego Marani
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SheetMusicPlus
18 Gospel Hymns Vol.1 for Solo Euphonium and Piano
Euphonium, Piano (duo)
Piano Accompaniment, Euphonium - Early Intermediate - Digital Download Composed by …
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Piano Accompaniment, Euphonium - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 50 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.1 for Solo Euphonium and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows<br> <br> · Abide with Me, <br> <br> · Amazing Grace, <br> <br> · Blessed Assurance, <br> <br> · Deep River, <br> <br> · Down by the Riverside, <br> <br> · Go Down Moses, <br> <br> · Go Tell It on the Mountain, <br> <br> · He’s Got the Whole World in HIs Hands, <br> <br> · Higher Ground, <br> <br> · Jesus on the Mainline, <br> <br> · Joshua Fought the Battle of Jericho, <br> <br> · Just a Closer Walk with Thee, <br> <br> · Just as I Am, <br> <br> · Just Over in the Glory Land, <br> <br> · Kumbaya My Lord, <br> <br> · Love Lifted Me, <br> <br> · Nobody Knows the Trouble I’ve Seen, <br> <br> · Nothing but the Blood of Jesus. <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Euphonioum and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
7.84 €
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Euphonium, Piano (duo)
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Various
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Worship
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18 Gospel Hymns Vol.1 for Solo Euphonium and Piano
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David McKeown
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SheetMusicPlus
18 Gospel Hymns Vol.2 for Solo Euphonium and Piano
Euphonium, Piano (duo)
Piano Accompaniment, Euphonium - Early Intermediate - Digital Download Composed by …
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Piano Accompaniment, Euphonium - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 49 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.2 for Solo Euphonium and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> <br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.<br> <br> <br> <br> The hymns are in alphabetical order and are as follows<br> <br> <br> <br> · O Mary Don’t You Weep, <br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus, <br> <br> · Standing in the Need of Prayer, <br> <br> · Swing Low Sweet Chariot, <br> <br> · Steal Away, <br> <br> · There is a Fountain Filled with Blood, <br> <br> · There is Power in the Blood, <br> <br> · This Little Light of Mine, <br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven. <br> <br> <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Euphonium and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> <br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> <br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203<br> <br>
$8.49
7.84 €
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Euphonium, Piano (duo)
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Various
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Worship
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18 Gospel Hymns Vol.2 for Solo Euphonium and Piano
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David McKeown
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SheetMusicPlus
Wichita Lineman
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078421 By Glen Campbell. By J…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078421 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682631. Published by jmsgu3 (A0.1078421). BARITONE HORN TREBLE CLEF! Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
138.48 €
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Euphonium, Piano (duo)
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Wichita Lineman
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078419 By Glen Campbell. By J…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078419 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682583. Published by jmsgu3 (A0.1078419). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
138.48 €
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Euphonium, Piano (duo)
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Rose-Noskowski-Euphonium/Baritone Horn-Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.845336 Composed by Z Noskowski…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.845336 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #6786389. Published by Phil Beaman (A0.845336). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This duet between an Instrumental Solo and piano is my arrangement of Rose from Fleurs du Printemps, Op 48 (Rose, from Flowers of Spring).It is expressive, portraying the beauty of the Rose. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. I have also changed the tempos to create more emotional variety between the thematic sections and I wrote a new ending with an Instrumental cadenza. The solo instrument plays the various melodic themes while I created a new piano part based on the original chords. The melody contains many accidentals as is typical in the Romantic period. Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert or audition piece to show musicianship. Also well suited for Wedding music.Solo range - nearly 2 octaves (14th)5 page score, 2 page part provided in both clefs2:35 minutes
$5.99
5.53 €
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Euphonium, Piano (duo)
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Z Noskowski
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Phil Beaman
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Rose-Noskowski-Euphonium/Baritone Horn-Piano
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Phil Beaman
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SheetMusicPlus
Euphomania!
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1472089 Composed by Samantha H…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1472089 Composed by Samantha Hogan. 21st Century,Classical,Instructional. Score and part. 16 pages. Coffee Seal Music #1049790. Published by Coffee Seal Music (A0.1472089). Timing 5:00Difficulty: IntermediateEuphomania is a piece from the heart with all the humor you could ask for. It’s….something else. Just give it a listen and look at the perusal score. In this solo, you will find many quotes to guide you on your performance journey, or at least give you or your accompanist a chuckle or two.Maybe the audience can’t read the sarcasm, but you sure can! Disclaimer: IF you choose to perform this on a Brass Jury, I bear no responsibility for the outcome of your performance! However, you may win some points or sympathy if you show them the sheet music afterward.The same goes for if you have a non-academic audience. Good Luck!
$18.00
16.62 €
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Euphonium, Piano (duo)
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Samantha Hogan
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Euphomania!
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Coffee Seal Music
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23.04 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23.04 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
My Faith Looks Up to Thee (euphonium/piano), arr. Brenda Portman
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.753078 Composed by Lowell Maso…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.753078 Composed by Lowell Mason. Arranged by Brenda Portman. Christian,Classical,Praise & Worship,Religious,Sacred. Score and part. 9 pages. Brenda Portman #3388765. Published by Brenda Portman (A0.753078). Originally a vocal solo, this creative hymn setting works very nicely for euphonium and piano accompaniment. (Recording is of the vocal version.) Appropriate for worship services or funerals.Hymn tune: OLIVET (Lowell Mason)For more vocal and instrumental arrangements by Brenda Portman, visit: brendaportman.com
$4.25
3.93 €
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Euphonium, Piano (duo)
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Lowell Mason
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Brenda Portman
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My Faith Looks Up to Thee
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Brenda Portman
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SheetMusicPlus
Twas in the Moon of Wintertime/The Huron Carol (euphonium/piano), arr. Brenda Portman
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.753119 Composed by Traditional…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.753119 Composed by Traditional. Arranged by Brenda Portman. Christian,Christmas,Classical,Religious,Sacred. Score and part. 10 pages. Brenda Portman #3885065. Published by Brenda Portman (A0.753119). This setting of the Huron Carol (Twas in the Moon of Wintertime), for euphonium and piano, was originally a vocal solo but works very nicely as an instrumental solo. Recording is of the vocal version. A beautiful arrangement of a lesser-known Christmas carol, which is a French Canadian melody and is the earliest Christmas carol from North America.Composer website: http://brendaportman.com
$4.25
3.93 €
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Euphonium, Piano (duo)
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Traditional
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Brenda Portman
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Twas in the Moon of Wintertime/The Huron Carol
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Brenda Portman
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SheetMusicPlus
In the Bleak Midwinter (euphonium/piano), arr. Brenda Portman
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.753149 Composed by Gustav Hols…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.753149 Composed by Gustav Holst. Arranged by Brenda Portman. Christian,Christmas,Classical,Religious,Sacred. Score and part. 10 pages. Brenda Portman #5200813. Published by Brenda Portman (A0.753149). A warm, flowing, lyrical setting of the carol In the Bleak Midwinter (tune by Gustav Holst, words by Christina Rossetti) for euphonium and piano. Recording is of the vocal version. Composer website http://brendaportman.com.
$4.25
3.93 €
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Euphonium, Piano (duo)
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Gustav Holst
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Brenda Portman
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Composer website
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In the Bleak Midwinter
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Brenda Portman
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SheetMusicPlus
Infant Holy, Infant Lowly (euphonium/piano), arr. Brenda Portman
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.753085 Composed by Traditional…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.753085 Composed by Traditional. Arranged by Brenda Portman. Christian,Christmas,Classical,Religious,Sacred. Score and part. 5 pages. Brenda Portman #3395941. Published by Brenda Portman (A0.753085). A lovely new setting of a beloved Christmas carol, for euphonium and piano. Recording is of the vocal version. Composer website: http://brendaportman.com
$4.25
3.93 €
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Euphonium, Piano (duo)
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Traditional
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Brenda Portman
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Infant Holy, Infant Lowly
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Brenda Portman
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SheetMusicPlus
Two Album Leaves for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792403 Composed by Richard Wag…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792403 Composed by Richard Wagner. Arranged by Sauer, Ralph. 20th Century,Classical,Opera,Romantic Period. Score and part. 12 pages. Gordon Cherry #4820393. Published by Gordon Cherry (A0.792403). Album Leaves are minor compositions, often for Piano that composers originally used to dedicate to friends or admirers to be inserted into music albums or autograph books, not necessarily intended for publication. They tend to be short and not too demanding technically. Ralph Sauer has arranged Wagner's two Leaves for Euphonum and Piano in bass clef. Number 1 is a piano work from 1875 dedicated to Frau Betty Schott the wife of music publisher Franz Schott. Number 2, also a piano work, is an early opus from 1840 and is dedicated to the Paris based German painter Ernst Benedikt Kietz, a big fan of Wagner, who helped support the young composer during his lean years in Paris. Both leaves are lyrical, giving the performer a true taste of the master.
$20.00
18.47 €
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Euphonium, Piano (duo)
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Richard Wagner
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Sauer, Ralph
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Two Album Leaves for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.43 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549547 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.04 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
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