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PARTITIONS GRATUITES
Instruments
ACCORDEON
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AUTRES INST…
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CHANT - CHO…
CHARANGO
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SYNTHE
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Gratuites
1
Partitions
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277
Librairie
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26
Matériel
de Musique
18 188
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
53907
PIANO & CLAVIERS
Piano seul
37760
Piano, Voix et Guitare
10702
Piano, Voix
9955
Piano Facile
9342
Orgue
7859
Accompagnement Piano
3947
Instruments en Do
1727
Piano (partie séparée)
1275
1 Piano, 4 mains
1083
Piano grosses notes
780
Piano Trio: piano, violon, violoncelle
581
2 Pianos, 4 mains
378
Accordéon
255
Piano Quatuor: piano, 2 violons, violoncelle
185
Orgue, Trompette (duo)
155
Orgue, Piano (duo)
151
Piano Quatuor: piano, violon, alto, violoncelle
110
Piano Quintette: piano, 2 violons, alto, violoncelle
67
Clavecin
58
1 Piano, 6 mains
55
2 Pianos, 8 mains
32
Orgue, Voix
17
Ligne De Mélodie, Piano
16
Clavier
15
Instrument seul et Orgue
6
2 Orgues (duo)
4
Accordéon, Voix
4
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Tous Les Instruments
2
3 Pianos
2
Accordéon et Orchestre
1
Accordéon, Piano
1
Ensemble de Pianos
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
5637
Ligne De Mélodie, (Paroles) et Accords
3758
Guitare
2130
Guitare (partie séparée)
1789
Basse electrique
1245
Ukulele
1123
Paroles et Accords
771
Basse électrique (partie séparée)
392
Banjo
226
2 Guitares (duo)
173
Piano, Guitare (duo)
151
Dulcimer
134
Mandoline
90
4 Guitares (Quatuor)
68
Dobro
55
Guitare Pedal Steel
49
3 Guitares (trio)
30
Ensemble de guitares
24
2 Dulcimers (duo)
6
Ukulele Baryton
6
3 Dulcimers (trio)
6
Guitare, Orchestre
4
Guitare, Violon, Violoncelle (trio)
4
Mandoline, Guitare (duo)
3
Partitions De Groupes
3
Mandoline, Piano (duo)
3
Ensemble de Ukulélés
2
2 Mandolines (duo)
2
Guitare, Quatuor à cordes
1
2 Guitares et Orchestre
1
Cithare
1
2 Ukuleles
1
Guitare Tab, Voix, Basse, Batterie
1
Instrumentations suivantes
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VOIX
Chorale SATB
27014
Chorale 3 parties
7057
Chorale 2 parties
6735
Chorale Unison
3883
Chorale
2472
Voix duo, Piano
2414
Chorale TTBB
2140
Chorale SSAA
1036
Voix duo
897
Voix seule
790
Voix haute
414
Voix Soprano, Piano
399
Voix Moyenne
239
Voix basse, Piano
213
Voix moyenne, Piano
88
Voix Alto, Piano
85
Voix Tenor, Piano
73
Voix Tenor
62
Chorale, Orgue
59
Chorale SSATBB
57
Chorale SATTB
48
Chorale SSAATTBB
44
Voix Soprano
43
Chorale SSATB
40
Voix, Guitare
36
Voix d'Enfants
30
Voix basse
25
Voix Baryton, Piano
22
Voix Baryton
18
Chorale SAATB A Cappella
17
Voix Mezzo-Soprano, Piano
16
Chorale SSATTB
14
Soli, choeur mixte et accompagnement
10
Chorale SSAATB
9
Chorale SATTBB, Clavier
8
Chorale SSAB a cappella
7
Chorale SSAB, Piano
7
Voix duo, Orgue
6
Chorale SATBB
4
Paroles Seulement
3
Voix et basse continue
2
Male Voice
2
Chorale SSAATB A Cappella
1
Voix haute, Piano
1
Chorale SATTBB A Cappella
1
Voix d'Enfants, Piano
1
Voix Soprano, Orchestre
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
13562
Clarinette (partie séparée)
9542
Flute (partie séparée)
4100
Flûte traversière et Piano
3357
Hautbois (partie séparée)
2720
Quatuor de Saxophones: 4 saxophones
2353
Hautbois, Piano (duo)
2073
Clarinette et Piano
1879
Flûte, Hautbois, Clarinette, Basson
1875
2 Saxophones (duo)
1846
Flûte traversière
1845
Saxophone Alto et Piano
1842
Clarinette
1817
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1663
Saxophone Tenor et Piano
1431
Quatuor de Clarinettes: 4 clarinettes
1397
2 Flûtes traversières (duo)
1354
2 Clarinettes (duo)
1053
Saxophone Alto
1009
Saxophone Soprano et Piano
985
Quintette de Saxophone: 5 saxophones
736
Quatuor de Flûtes : 4 flûtes
699
Flûte, Clarinette (duo)
663
Hautbois
571
Saxophone Baryton, Piano
472
Ensemble de Clarinettes
471
3 Saxophones (trio)
459
3 Clarinettes (trio)
382
Cor anglais, Piano
359
Ensemble de Flûtes
351
Quintette de Clarinettes: 5 clarinettes
295
Trio de Flûtes: 3 flûtes
293
Saxophone, Clarinette (duo)
281
Clarinette, Violon (duo)
269
2 Hautbois (duo)
268
Saxophone Tenor
251
Saxophone
236
Hautbois, Basson (duo)
226
Flûte et Guitare
223
Flûte, Violon
222
Quatuor de Flûtes à bec
217
Ensemble de saxophones
211
Piccolo
207
Clarinette, Trompette (duo)
176
Hautbois, Clarinette (duo)
174
Flûte à Bec
168
2 Flûte à bec (duo)
153
Quintette de Flûte : 5 flûtes
140
2 Saxophones, Piano
130
Clarinette et Alto
124
Clarinette, Basson (duo)
124
Clarinette Basse, Piano
119
Flûte, Alto (duo)
116
Flûte, Clarinette, Piano (trio)
112
Flûte, Saxophone (duo)
112
Hautbois, Flûte
106
Flûte, Hautbois, Clarinette (trio)
105
Flûte, Clarinette et Basson
104
2 Flûtes traversières, Piano
99
3 Flûtes à bec (trio)
98
Flûte, Violoncelle
97
Saxophone Soprano
95
Flûte, Trompette (duo)
95
Flûte, Violon, Piano
91
Clarinette Basse
85
Flûte, Violoncelle, Piano (trio)
82
Flûte à bec Soprano
81
Hautbois, Clarinette, Basson (trio d'anches)
81
Flûte, Hautbois (duo)
79
Cor Anglais
78
Saxophone et Piano
76
5 Flûtes à bec
74
Clarinette, Violoncelle (duo)
68
Saxophone Baryton
62
2 Clarinettes, Piano
62
Flûte, Hautbois, Basson
60
Flûte, Violon et Violoncelle
59
Ensemble à vent
59
Flûte, Basson et Piano
55
Flûte à bec Soprano, Piano
51
Clarinette, Guitare (duo)
51
Clarinette, Violoncelle, Piano (trio)
50
Flûte à bec Alto, Piano
49
Harmonica
46
Flûte à Bec, Piano
46
Ensemble De Flûte à bec
43
Clarinette, Harpe (duo)
43
Flûte à bec Alto
42
Saxophone et Orgue
41
Hautbois, Violoncelle
40
Instruments en Mib
36
3 Hautbois
36
Flûte à bec Tenor
35
Flûte, Trombone (duo)
35
Flûte, Hautbois, Piano (trio)
32
Flûte, Alto et Piano
32
4 Hautbois
32
Flûte traversière, Orgue (duo)
30
Flûte, Clarinette, Cor, Basson (Quartet)
30
Flûte, trombone et piano
26
Clarinette, Basson, Piano (trio)
26
Saxophone et Harpe
25
Flûte, Violon, Violoncelle et Piano
25
Flûte, Hautbois, Violon
25
Hautbois, violon (duo)
24
Hautbois et alto (duo)
24
Piccolo, Piano
23
Saxophone et Guitare
22
Flûte, Clarinette, Violon (trio)
21
Flute, Cor (duo)
21
Hautbois, Harpe
20
Clarinette, Alto et Piano (trio)
15
Clarinette, trompette et piano
15
Clarinette, Orgue
12
Hautbois, Violoncelle et Piano
12
Hautbois, Basson et Piano
12
2 Hautbois, Piano
12
Flûte traversière, Orchestre
10
Cor anglais, Guitare (duo)
10
Hautbois, Guitare (duo)
10
Clarinette, Tuba
10
Flûte, Violoncelle, Guitare
9
Flûte, Tuba (duo)
9
2 Flûtes à bec, Piano
9
Flute, harpe et violon
9
Flûte et Trio à cordes
9
Flûte à bec, Guitare (duo)
8
2 Clarinettes, Basson
8
Ocarina
8
Hautbois, Clarinette et Piano (Trio)
7
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Flûte, Guitare, Piano
6
Flûte irlandaise
6
Clarinette, Trombone (duo)
6
Hautbois, trombone (duo)
5
Clarinette, Contrebasse (duo)
5
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
5
Hautbois, Violon, Piano
5
Ensemble de Hautbois
5
2 Flûtes, 2 Clarinettes (Quatuor)
4
Flûte, Violon, Guitare
4
2 Cors Anglais Et Pianoforte
4
Flûte, Harpe et Violoncelle
4
Cornemuse
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Flûte traversière, Basse continue
3
Clarinette, Orchestre
3
Hautbois et Orchestre
3
Flûte, alto et harpe
3
Flûte à bec, Harpe
2
Flûte et Quatuor à Cordes
2
Hautbois, Orgue
2
Saxophone, Tuba (duo)
2
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone et violoncelle
1
2 Flûtes traversières, Harpe
1
Cor anglais et Harpe (duo)
1
2 Hautbois et Cor anglais
1
Clarinette, Saxophone, Piano
1
Flûte, Alto et Violoncelle
1
Instrumentations suivantes
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CUIVRES
Trombone (partie séparée)
12199
Trompette (partie séparée)
8055
Cor (partie séparée)
5064
Tuba (partie séparée)
3862
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2099
Trompette, Piano
1851
Trombone et Piano
1753
Trompette
1486
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1328
Cor et Piano
1170
Cor
906
Trombone
887
2 Trompettes (duo)
700
2 Trombones (duo)
612
Quatuor de Cuivres: 2 trompettes, Cor, trombone
589
Tuba
582
Trompette, Trombone (duo)
510
Quatuor de Cuivres
449
Tuba et Piano
383
Cor anglais, Piano
359
Cornet A Pistons
346
Quatuor de cuivres: 4 trombones
327
2 Cors (duo)
277
Euphonium, Piano (duo)
277
Trompette, Cor (duo)
234
Quatuor de cuivres: 4 cors
206
Trompette, Saxophone (duo)
192
Ensemble de Trombones
174
3 Trompettes (trio)
95
Trio de Cuivres
93
Cor Anglais
78
Quatuor de cuivres: 4 trompettes
77
Quatuor de cuivres: 2 trompettes, 2 trombones
72
2 Tubas (duo)
70
Euphonium
69
Ensemble de Trompettes
64
3 Trombones (trio)
63
2 Trompettes, Clavier (piano ou orgue)
60
2 Euphoniums et 2 Tubas
57
4 Tubas
50
Bass Clef Instruments
44
Trompette, Tuba (duo)
39
Ensemble de Cors
38
Tuba ou Euphonium ou Saxhorn
36
Euphonium, Tuba (duo)
34
Trombone, Orgue
34
Instruments en Sib
33
Trompette, Trombone, Piano
28
Trombone, Tuba (duo)
27
Cor et Harpe
27
Tuba et Orgue
25
Clarinette, Cor (duo)
24
Trombone, Cor (duo)
23
Trombone basse et Piano
23
Trombone basse
18
3 Cors (trio)
17
Trombone, Violon (duo)
16
Trompette, Violoncelle et Piano
15
2 Trombones, Piano
14
Trompette, Harpe
14
Cor et Orgue
13
Cor anglais, Guitare (duo)
10
Cor, Tuba (duo)
10
2 Euphoniums (duo)
10
3 Tubas (trio)
8
Instruments en Fa
8
Cor, Violoncelle (duo)
7
2 Cors, Piano
7
Trompette, Violoncelle (duo)
7
Trompette et Guitare
6
Trompette, Orchestre
5
Trompette, Basson (duo)
5
Trompette, violon (duo)
4
4 Euphoniums
4
2 Cors Anglais Et Pianoforte
4
Cor et Basson (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor, Violoncelle et Piano
2
Cor, Orchestre
2
Ensemble de Tubas
2
Trompette, Euphonium (duo)
2
Bugle
1
3 Euphoniums
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium Ou Saxhorn Et Piano
1
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
Trombone, Alto (duo)
1
Instrumentations suivantes
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CORDES
Violon (partie séparée)
6361
Quatuor à cordes: 2 violons, alto, violoncelle
5352
Violon et Piano
4507
Contrebasse (partie séparée)
3727
Violoncelle (partie séparée)
3284
Violoncelle, Piano
2526
Violon
2102
Alto, Piano
1985
Alto seul
1970
Harpe
1396
Alto (partie séparée)
1371
2 Violons (duo)
1120
Violon, Violoncelle (duo)
1093
2 Violoncelles (duo)
799
Trio à Cordes: violon, alto, violoncelle
661
Violon, Alto (duo)
565
Violoncelle
556
2 Altos (duo)
485
Piano Trio: Violon, Alto, Piano
405
Contre Basse
393
Quintette à cordes: 2 violons, alto, violoncelle, basse
389
Trio à Cordes: 2 violons, violoncelle
309
Harpe (partie séparée)
308
Contrebasse, Piano (duo)
269
Alto, Violoncelle (duo)
206
Trio à cordes
198
2 Harpes (duo)
195
4 Violoncelles
181
Harpe, Flûte (duo)
124
Trio à Cordes: 3 violoncelles
104
Trio à cordes: 3 violins
96
Quatuor à cordes: 4 violons
82
Harpe, Violon (duo)
71
Violon, Guitare (duo)
70
2 Violons, Piano
66
Harpe, Violoncelle (duo)
54
Trio à Cordes: 2 violons, alto
53
Quatuor à cordes : 4 altos
51
2 Contrebasses (duo)
49
Violon, Clarinette, Piano (trio)
38
Violon, Basson (duo)
38
Violoncelle , Guitare (duo)
37
Alto et Harpe
37
Violoncelle, Contrebasse (duo)
36
Violoncelle, Orgue
35
Harpe, Voix
35
Trio à cordes: 3 altos
32
2 Violoncelles, Piano
31
Violon, Orgue
30
Alto, Guitare (duo)
30
Ensemble de Violons
23
Quintette à cordes: 2 violons, 2 altos, violoncelle
21
Quintette à cordes : 2 violons, alto et 2 violoncelles
16
Ensemble d'Altos
15
Violoncelle, Orchestre
13
Harpe et Piano
12
Alto et Basson
12
Flûte, Contrebasse (duo)
11
Violon, Tuba (duo)
9
Alto, Orgue
9
Harpe, Violon, Violoncelle
9
2 Altos, Piano
8
Ensemble de Violoncelles
8
Violon, Trompette et Piano
7
Alto et orchestre
7
4 Contrebasses
5
Harpe, Trombone (duo)
4
Autoharp
4
Violon, Violoncelle, Clarinette
3
Harpe et Orgue
3
Ensemble de Contre basses
3
2 Violons et Basse continue
3
3 Harpes
3
Harpe et mandoline
2
Violoncelle, Basse continue
2
5 Harpes
2
Violon, Basse continue
2
4 Harpes
1
Harpe, Orchestre
1
3 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
41585
Orchestre à Cordes
6731
Percussion (partie séparée)
5513
Orchestre
5269
Batterie (partie séparée)
2968
Cloches
2685
Fanfare
2541
Ensemble Jazz
2079
Timbales (partie séparée)
1603
Ensemble de cuivres
1457
Percussion
1204
Orchestre de chambre
804
Batterie
634
Jazz combo
506
Ensemble de Percussions
283
Marimba
110
Xylophone
99
Vibraphone
66
Timbales
63
Piano et Orchestre
58
Quintette à Vent
44
Quatuor à Vent : 4 instruments à vents
31
Xylophone, Piano
31
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
13
2 Xylophones
10
Instrumentation Flexible
10
Quintette de Cuivres: autres combinaisons
6
Orchestre, Violon
5
Caisse Claire
5
Vibraphone (partie séparée)
4
Ensemble d'École
4
Marimba et Orgue
3
Marimba, Piano (duo)
3
Trio à Vent: 3 instruments à vents
3
Vibraphone et Marimba
3
Voix Mezzo-Soprano, Orchestre
1
Marimba ou Xylophone et Piano
1
2 Percussions
1
Bongos
1
3 Percussions
1
2 Caisses Claires (duo)
1
Big band
1
Xylophone ou Marimba ou Vibraphone
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
4
Formation musicale - Solfège
3
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The Search (from "Red Dog") Euphonium Solo with Piano accompaniment
Euphonium, Piano (duo)
Arranged by Daryl McKenzie. Individual Part, Piano Reduction, Set of Parts, Solo Par…
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Arranged by Daryl McKenzie. Individual Part, Piano Reduction, Set of Parts, Solo Part. 15 pages. Published by Daryl McKenzie
$19.99
18.36 €
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Euphonium, Piano (duo)
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Daryl McKenzie
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The Search
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Daryl McKenzie
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SheetMusicPlus
Five Sacred Songs - Euphonium with piano accompaniment
Euphonium, Piano (duo)
By Traditional. By Traditional. Arranged by Bragi Thor Valsson. 19th Century, Praise…
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By Traditional. By Traditional. Arranged by Bragi Thor Valsson. 19th Century, Praise & Worship, Religious, Sacred, Spiritual. Score and part. 24 pages. Bragi Thor Valsson #803370. Published by Bragi Thor Valsson
Arrangements for euphonium and piano of the following songs:<br> <br> Amazing Grace<br> Down To The River To Pray<br> Go Down Moses<br> Nearer My God To Thee<br> Nobody Knows The Trouble I've Seen<br>
$16.99
15.6 €
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Euphonium, Piano (duo)
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Traditional
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Bragi Thor Valsson
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Five Sacred Songs - Euphonium with piano accompaniment
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Bragi Thor Valsson
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SheetMusicPlus
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
26.58 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
The Red Sarafan
Euphonium, Piano (duo)
Euphonium & Piano - Grade 2 - Digital Download SKU: R0.47714 Russian Traditional…
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Euphonium & Piano - Grade 2 - Digital Download SKU: R0.47714 Russian Traditional. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 7 pages. Duration 3'27. Editions Marc Reift - Digital #47714. Published by Editions Marc Reift - Digital (R0.47714).
$6.95
6.38 €
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Euphonium, Piano (duo)
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Jirka Kadlec
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The Red Sarafan
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonistic Dance - Piano and Euphonium
Euphonium, Piano (duo)
Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. …
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Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. Piano Reduction, Solo Part. 22 pages. Published by Musica Nova USA
Euphonistic Dance is a short feature piece for euphonium with piano – about 5 minutes. It is for recitals and includes some opportunities for improvisation. There is a written out option for those not wanting to improvise. It is at early intermediate level of difficulty for euphonium and piano with range up to Gb for the euphonium. It is often played by tubists who double on euphonium (I call them Bydlo level). Euphonistic Dance was premiered by myself (euphonium) with Michael Dewart (piano) at Mansfield State College in Pennsylvania March 19, 1983. It has been played by many times by high school and college players since.<br> <br> There are two recordings - on Mark Records performed by Mary Ann Craig (youtube https://www.youtube.com/watch?v=Xit7xBP9szM) and on Albany records by Ed Morse (youtube https://www.youtube.com/watch?v=yMF0MayUgAo)
$15.00
13.77 €
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Euphonium, Piano (duo)
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Gregory Fritze
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Euphonistic Dance - Piano and Euphonium
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Musica Nova USA
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
The Lads in Their Hundreds
Euphonium, Piano (duo)
By Arthur Somervell (1863-1937). Arranged by David Werden. For Euphonium Solo with Piano. …
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By Arthur Somervell (1863-1937). Arranged by David Werden. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$17.00
15.61 €
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Euphonium, Piano (duo)
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Arthur Somervell
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David Werden
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The Lads in Their Hundreds
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Cimarron Music Press
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-G…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.3 €
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Euphonium, Piano (duo)
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Baritone
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Colin Kirkpatrick Publications
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SheetMusicPlus
Handel: Largo from Xerxes for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frid…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.26 €
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Euphonium, Piano (duo)
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Fall of a Titan - Euphonium Solo - EUPHONIUM
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 2 pages. Adam Lawrence #6016571. Published by Adam Lawrence (A0.1017037). Please note that this is the EUPHONIUM part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99
1.83 €
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Euphonium, Piano (duo)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo - EUPHONIUM
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Adam Lawrence
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SheetMusicPlus
Fall of a Titan - Euphonium Solo
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 16 pages. Adam Lawrence #6016541. Published by Adam Lawrence (A0.1017036). This is the whole bundle of score and parts, with individual parts to follow. One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored. Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance. Any feedback is more than welcome. Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below. Patreon: https://www.patreon.com/Fireyshadows YouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lg Soundcloud: https://soundcloud.com/fireyshadows-music/ Twitter: https://twitter.com/FireyMusic
$9.99
9.17 €
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Euphonium, Piano (duo)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo
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Adam Lawrence
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SheetMusicPlus
Fall of a Titan - Euphonium Solo - PIANO
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 5 pages. Adam Lawrence #6016579. Published by Adam Lawrence (A0.1017039). Please note that this is the PIANO part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99
1.83 €
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Euphonium, Piano (duo)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo - PIANO
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Adam Lawrence
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SheetMusicPlus
How Did It End?
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1436390 By Taylor Swift. By Aa…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1436390 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by MAJOR SCORE PUBLISHING TM. Jazz,Pop,Rock,Singer/Songwriter. Score and part. 19 pages. Major Score Publishing #1016500. Published by Major Score Publishing (A0.1436390). How Did It End? Taylor Swift Euphonium with piano (Premium duet) Euphonium players! Look no further! How Did It End? from the brand new Taylor Swift hit featured on The Tortured Poets Department is now available! Play along with the original recording, solo, with our included piano accompaniment or with our FREE piano play along on our YouTube channel! Our arrangement is designed to deliver the authentic and enjoyable performance experience you are looking for! We have even included the background vocal lines in the piano accompaniment giving you that extra level of enjoyment to enhance your performance experience! This arrangement is a fantastic resource for smaller performances, recitals and gigs to being a great tool for music teachers and students! Enjoy!Included in your premium sheet musicEuphonium: 2 pagesPiano: 7 pagesFull Score: 10 pages (with cover)FREE PIANO PLAY ALONGComing ASAP!Other Euphonium sheet music on Hal Leonard Platforms:Let it Go (Frozen) Leave the Door Open (Silk Sonic)I Will Survive (Gloria Gaynor)Treasure (Bruno Mars)New Rules (Dua Lipa)Can't Stop the Feeling!777 (Silk Sonic)You're a Mean One, Mr GrinchFollow us today!Instagram@majorscorepublishingYouTube@majorscorepublishingWebsitehttps://www.majorscorepublishing.com/
$7.99
7.34 €
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Euphonium, Piano (duo)
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Taylor Swift
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MAJOR SCORE PUBLISHING TM
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How Did It End?
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Major Score Publishing
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SheetMusicPlus
BACH: Sonata BWV 1035 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.551838 Composed by Johann Seba…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.551838 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 35 pages. Jmsgu3 #5747317. Published by jmsgu3 (A0.551838). J. S. BACH: Sonata BWV 1035Duration: ca. 13:00, Score: 21 PagesI. Adagio ma non tantoII. AllegroIII. SicilianoIV. Allegro assaiOriginally scored for transverse flute & cembaloArrangement and figured bass realization by James M. Guthrie.
$26.95
24.75 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata BWV 1035 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
BACH: Sonata BWV 1035 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.551839 Composed by Johann Seba…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.551839 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 35 pages. Jmsgu3 #5747331. Published by jmsgu3 (A0.551839). J. S. BACH: Sonata BWV 1035Duration: ca. 13:00, Score: 21 PagesI. Adagio ma non tantoII. AllegroIII. SicilianoIV. Allegro assaiOriginally scored for transverse flute & cembaloArrangement and figured bass realization by James M. Guthrie.
$26.95
24.75 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata BWV 1035 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bohemian Rhapsody
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.957131 By Queen. By Freddie Me…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.957131 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Ander. Film/TV. Score and part. 13 pages. Woods Only, Arrangements #6706905. Published by Woods Only, Arrangements (A0.957131). Iconic song by the band Queen, and eternalized in the voice of the late Freddie Mercury in a version for solo instrument and piano, being faithful to the original version, this arrangement brings to the performer and spectator a musical and nostalgic tone in relation to the hit of the 70s. Indicated for musicians who already have a good practice in the instrument, and can be played in public events, recitals or concerts.
$6.99
6.42 €
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Euphonium, Piano (duo)
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Queen
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Ander
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Bohemian Rhapsody
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Woods Only, Arrangements
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SheetMusicPlus
Ladybird Romp - Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.722217 Composed by Anne Christ…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.722217 Composed by Anne Christopherson GRSM ARCM. Concert,Holiday,Jazz,Wedding. Score and part. 3 pages. Music-Scores.com #6087715. Published by Music-Scores.com (A0.722217). There are a lot of ladybugs around here in July: Black with red spots, red with black spots, young yellow ones and the black and yellow larvae. They seem to be having a good time and are doing a great job eating blackflies, so this song is dedicated to these cheerful little beetles.A jazzy swing piece for Euphonium and Piano.Duration: 1 minute.By Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.46 €
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Euphonium, Piano (duo)
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Anne Christopherson GRSM ARCM at
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Anne Christopherson GRSM ARCM
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Ladybird Romp - Euphonium & Piano
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Music-Scores.com
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1112417 Composed by Scott Jopl…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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Euphonium, Piano (duo)
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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David McKeown
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SheetMusicPlus
Can't Help Falling In Love
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1468061 By Elvis Presley. By G…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1468061 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Harry Walker. Contest,Festival,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 8 pages. SCORE EDITIONS #1046371. Published by SCORE EDITIONS (A0.1468061). Can't Help Falling in Love is one of Elvis Presley's most beloved and enduring songs. Featured in his 1961 film Blue Hawaii, the song was composed by George David Weiss, Hugo Peretti, and Luigi Creatore. It has since become a timeless classic, covered by numerous artists across various genres. The song's gentle, romantic melody and heartfelt lyrics have made it a popular choice for weddings and romantic occasions. In this version, the composition was arranged for Euphonium B.C. and Piano by Harry Walker.
$5.99
5.5 €
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Euphonium, Piano (duo)
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Elvis Presley
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Harry Walker
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Can't Help Falling In Love
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SCORE EDITIONS
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SheetMusicPlus
Wichita Lineman
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078421 By Glen Campbell. By J…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078421 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682631. Published by jmsgu3 (A0.1078421). BARITONE HORN TREBLE CLEF! Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
137.7 €
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Euphonium, Piano (duo)
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Wichita Lineman
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078419 By Glen Campbell. By J…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078419 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682583. Published by jmsgu3 (A0.1078419). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
137.7 €
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Euphonium, Piano (duo)
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.26 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
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