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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rob Major
Non classifié
708
Piano & claviers
Piano, Voix
3 041
Piano seul
394
Piano, Voix et Guitare
120
Piano Facile
109
Orgue
25
Instruments en Do
20
Piano Trio: piano, violon, violoncelle
11
1 Piano, 4 mains
9
Accordéon
6
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
91
Guitare
38
Basse electrique
26
Ligne De Mélodie, (Paroles) et Accords
15
Ukulele
15
2 Guitares (duo)
14
Paroles et Accords
4
Mandoline
4
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
2
+ 5 instrumentations
Retracter
Voix
Chorale SATB
91
Voix seule
41
Voix Alto, Piano
25
Voix Baryton, Piano
23
Chorale 3 parties
22
Voix Tenor, Piano
21
Voix Soprano, Piano
21
Chorale TTBB
21
Chorale Unison
15
Chorale SSAA
12
Chorale 2 parties
10
Voix duo, Piano
10
Voix basse, Piano
4
Voix Tenor
3
Voix Mezzo-Soprano, Piano
3
Voix haute
2
Voix moyenne, Piano
2
Voix duo
2
Voix haute, Piano
1
Chorale SSAATTBB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
40
Clarinette et Piano
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Hautbois, Piano (duo)
31
Clarinette
28
Saxophone Alto et Piano
23
Ensemble de saxophones
22
Quintette de Saxophone: 5 saxophones
21
Quatuor de Saxophones: 4 saxophones
20
Flûte et Guitare
20
Saxophone Tenor et Piano
19
3 Saxophones (trio)
17
2 Flûtes traversières (duo)
14
2 Saxophones (duo)
13
Saxophone Soprano et Piano
12
Ensemble de Clarinettes
9
Quatuor de Clarinettes: 4 clarinettes
9
Cor anglais, Piano
9
Flûte traversière
8
Saxophone Baryton, Piano
8
Flûte, Hautbois, Clarinette, Basson
8
Trio de Flûtes: 3 flûtes
7
Saxophone (partie séparée)
6
2 Clarinettes (duo)
5
Saxophone Alto
5
Quintette de Clarinettes: 5 clarinettes
5
2 Flûte à bec (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble de Flûtes
5
Quintette de Flûte : 5 flûtes
5
3 Clarinettes (trio)
4
Clarinette Basse, Piano
4
Quatuor de Flûtes à bec
3
2 Clarinettes, Piano
3
Flûte à bec Soprano
3
Saxophone et Guitare
2
Hautbois
2
2 Flûtes traversières, Piano
2
Hautbois (partie séparée)
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone Tenor
2
3 Flûtes à bec (trio)
2
2 Hautbois (duo)
2
Hautbois, Guitare (duo)
2
Clarinette, Basson (duo)
2
Flûte à bec Alto
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violon et Violoncelle
1
Hautbois, Basson (duo)
1
Clarinette, Guitare (duo)
1
Ensemble De Flûte à bec
1
Flûte à Bec
1
Clarinette, trompette et piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone
1
5 Flûtes à bec
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Piano (trio)
1
Piccolo
1
Flûte, Alto et Piano
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette (duo)
1
Flûte à bec Soprano, Piano
1
Ensemble de Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Piccolo, Piano
1
+ 64 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette, Piano
22
Trombone et Piano
18
Trombone
14
Cor et Piano
12
Euphonium, Piano (duo)
9
Trompette
9
Cor anglais, Piano
9
Ensemble de Trombones
7
Tuba et Piano
6
2 Trombones (duo)
6
Quatuor de cuivres: 4 trombones
5
Tuba
5
Quatuor de Cuivres
4
2 Trompettes (duo)
4
Ensemble de Trompettes
4
Quatuor de cuivres: 4 trompettes
3
Ensemble de Cors
3
2 Tubas (duo)
3
Quatuor de cuivres: 4 cors
3
4 Tubas
3
Cor
3
2 Cors (duo)
3
Trombone, Tuba (duo)
2
Trompette, Violoncelle et Piano
1
Trombone basse et Piano
1
3 Trombones (trio)
1
Cor, Tuba (duo)
1
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
3 Cors (trio)
1
Trompette, Tuba (duo)
1
Trompette, Trombone (duo)
1
Cor anglais et Harpe (duo)
1
3 Tubas (trio)
1
Tuba et Orgue
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
75
Violon et Piano
63
Violon
48
Alto, Piano
37
Violoncelle, Piano
37
Violon, Violoncelle (duo)
26
Violoncelle
22
Trio à Cordes: violon, alto, violoncelle
19
Alto seul
15
Contre Basse
14
2 Violons (duo)
13
Harpe
13
2 Violoncelles (duo)
12
Violon (partie séparée)
7
Alto (partie séparée)
7
Alto, Violoncelle (duo)
7
Contrebasse, Piano (duo)
6
Violon, Alto (duo)
4
2 Altos (duo)
4
4 Violoncelles
4
Alto, Guitare (duo)
4
Trio à cordes: 3 violins
3
Violon, Guitare (duo)
3
Ensemble de Violons
3
Ensemble d'Altos
3
Violoncelle , Guitare (duo)
3
Quatuor à cordes: 4 violons
3
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
1
Contrebasse (partie séparée)
1
2 Contrebasses (duo)
1
2 Harpes (duo)
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
117
Orchestre à Cordes
51
Orchestre
41
Ensemble Jazz
17
Jazz combo
15
Orchestre de chambre
10
Ensemble de cuivres
10
Orchestre, Violon
2
Cloches
2
Fanfare
2
Batterie
2
Ensemble de Percussions
1
Vibraphone
1
+ 8 instrumentations
Retracter
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Rob Major
Euphonium, Piano (duo)
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Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.38 €
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Euphonium, Piano (duo)
#
J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
#
Euphonium, Piano (duo)
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach …
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
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Euphonium, Piano (duo)
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J
#
James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
26.69 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Eine Kleine Nachtmusik (1st Mov.) for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.528331 Composed by Wolfgang Am…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.528331 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 13 pages. Diego Marani #5758651. Published by Diego Marani (A0.528331). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Euphonium (C and Bb parts) faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.
$8.99
8.29 €
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Euphonium, Piano (duo)
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Wolfgang Amadeus Mozart
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Diego Marani
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Eine Kleine Nachtmusik
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Diego Marani
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SheetMusicPlus
Let It Go
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.834715 By Idina Menzel. By Kri…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.834715 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by MAJOR SCORE PUBLISHING TM. Broadway,Contemporary,Film/TV,Musical/Show,Pop,Singer/Songwriter. Score and part. 23 pages. Major Score Publishing #6599315. Published by Major Score Publishing (A0.834715). Look no further! Are you looking for highly detailed and authentic sheet music that will deliver a fantastic performance of Let it go for you and your audience? Perfect for concerts, recitals, auditions, cabaret, holiday events or just playing along to the original recording! we've got you covered! This highly detailed arrangement includes full piano accompaniment (also doubling as the score) and instrumental part. Be sure to take a look at the preview PDF's and listen to the 30 second sample! This arrangement is in the original key as performed by Idina Menzel in concert F minor. Enjoy!
$8.99
8.29 €
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Euphonium, Piano (duo)
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Idina Menzel
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MAJOR SCORE PUBLISHING TM
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Let It Go
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Major Score Publishing
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SheetMusicPlus
Three Romances for Euphonium and Piano, Opus 94
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.810756 Composed by Robert Schu…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.810756 Composed by Robert Schumann. Arranged by Sauer, Ralph. Romantic Period. Score and part. 32 pages. Gordon Cherry #2869113. Published by Gordon Cherry (A0.810756). Schumann's Three Romances for Euphonium & Piano, Opus 94, are an example of the highest level of poetic lyricism in the Romantic style. Originally for Oboe, Ralph Sauer has done a superb job in transcribing these three movements of about 12 minutes in length total. For moderately advanced performers, this work can be a major piece on your recital or concert. Parts are supplied for bass and treble clef readers.
$17.50
16.13 €
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Euphonium, Piano (duo)
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Robert Schumann
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Sauer, Ralph
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Three Romances for Euphonium and Piano, Opus 94
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Gordon Cherry
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SheetMusicPlus
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