Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sacred Chamber - Bassoon
Non classifié
710
Piano & claviers
Piano, Voix
79
Piano seul
40
Orgue
25
Piano, Voix et Guitare
14
Piano Trio: piano, violon, violoncelle
13
Piano Facile
10
Instruments en Do
8
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
17
4 Guitares (Quatuor)
3
Guitare (partie séparée)
1
Guitare
1
Mandoline
1
2 Guitares (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
182
Pack Instrumental pour Chorale
74
Chorale 3 parties
43
Chorale TTBB
28
Voix Alto, Piano
27
Voix Soprano, Piano
26
Voix Tenor, Piano
26
Voix basse, Piano
26
Chorale 2 parties
23
Chorale SSAA
13
Voix duo, Piano
4
Chorale Unison
4
Voix moyenne, Piano
1
Voix duo
1
Voix haute
1
+ 10 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
74
Flûte traversière et Piano
66
Saxophone Alto et Piano
59
Clarinette et Piano
53
Hautbois, Piano (duo)
49
Quatuor de Saxophones: 4 saxophones
39
Flûte traversière
33
Flute (partie séparée)
31
Saxophone Soprano et Piano
29
3 Clarinettes (trio)
29
Quatuor de Flûtes : 4 flûtes
26
Clarinette (partie séparée)
23
Saxophone Tenor et Piano
22
Trio de Flûtes: 3 flûtes
20
Quatuor de Clarinettes: 4 clarinettes
20
Clarinette
16
Hautbois
16
3 Saxophones (trio)
15
Quintette de Saxophone: 5 saxophones
14
2 Saxophones (duo)
13
Saxophone Baryton, Piano
11
2 Flûte à bec (duo)
11
Cor anglais, Piano
10
Ensemble de Flûtes
8
Ensemble De Flûte à bec
8
Saxophone Alto
7
Saxophone Baryton
6
Saxophone Tenor
6
Ensemble de Clarinettes
6
2 Clarinettes (duo)
6
2 Hautbois (duo)
5
Saxophone Soprano
5
Flûte, Clarinette (duo)
4
3 Flûtes à bec (trio)
4
Hautbois (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte à bec Soprano
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone (partie séparée)
3
2 Flûtes traversières, Piano
2
Ensemble de saxophones
2
Flûte à bec Alto
2
Flûte, Hautbois (duo)
2
Flûte à bec Tenor
2
Flûte, Violon, Piano
2
Quatuor de Flûtes à bec
2
2 Clarinettes, Piano
2
Flûte à bec Alto, Piano
2
Hautbois, Flûte
2
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à Bec
1
Cor anglais et Harpe (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette Basse, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte traversière, Basse continue
1
Saxophone, Clarinette (duo)
1
Clarinette, Trompette (duo)
1
Flûte à bec, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon
1
Flûte, Clarinette, Violon (trio)
1
Flûte et Guitare
1
Flute, harpe et violon
1
+ 65 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
72
Trombone et Piano
36
Trompette, Piano
34
Cor et Piano
27
Quatuor de Cuivres
23
Tuba et Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Cor
12
Trompette
11
Cor anglais, Piano
10
Euphonium, Piano (duo)
9
3 Trombones (trio)
7
Tuba
6
2 Cors (duo)
6
2 Trompettes (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone
6
2 Trombones (duo)
6
Trompette (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
Trio de Cuivres
3
2 Tubas (duo)
3
Cor (partie séparée)
3
Trombone (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
3 Trompettes (trio)
2
Cor anglais et Harpe (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Trombone (duo)
1
Clarinette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
144
Violoncelle, Piano
57
Violon et Piano
55
Alto, Piano
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
45
Violon (partie séparée)
36
2 Violons (duo)
28
Trio à Cordes: violon, alto, violoncelle
26
Alto seul
23
Violoncelle (partie séparée)
20
Contrebasse, Piano (duo)
18
Contre Basse
17
Violon
14
Violon, Violoncelle (duo)
13
Violoncelle
12
Harpe
12
Contrebasse (partie séparée)
11
Violon, Alto (duo)
8
Alto (partie séparée)
7
Trio à Cordes: 3 violoncelles
7
Piano Trio: Violon, Alto, Piano
6
2 Altos (duo)
6
4 Violoncelles
5
2 Violoncelles (duo)
4
Quatuor à cordes: 4 violons
4
Harpe, Flûte (duo)
4
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 altos
3
Harpe, Violon, Violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Violoncelle (duo)
2
Violoncelle, Basse continue
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
345
Orchestre
65
Orchestre à Cordes
38
Percussion (partie séparée)
20
Cloches
19
Ensemble de cuivres
18
Percussion
6
Orchestre d'harmonie
4
Instrumentation Flexible
3
Vibraphone
2
Marimba
2
Jazz combo
1
Timbales
1
Xylophone
1
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
9
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Sacred Chamber - Bassoon
Euphonium, Piano (duo)
Partitions à imprimer
9 partitions trouvées
<
1
Pachelbel: Canon for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
(+)
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Cor Dulce (Valenti arr. for Euphonium Solo)
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Avelino Valenti
#
Andrew Lamb
#
it's a spiritual journey
#
Cor Dulce
#
Andrew Lamb
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1317695 By Avelino Valenti. By Avelino Valenti. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacre...
(+)
Euphonium,Piano - Level 3 - SKU: A0.1317695 By Avelino Valenti. By Avelino Valenti. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacred. Score and part. 31 pages. Andrew Lamb #906374. Published by Andrew Lamb (A0.1317695). 🎺 Elevate your musical experience with the enchanting melodies of Cor Dulce – Avelino Valenti's sacred hymn, now available in a stunning Brass Solo adaptation! 🎶 Immerse yourself in the timeless beauty of this traditional church hymn, originally composed as a tribute to the Sacred Heart. 🙠This arrangement is meticulously crafted for Euphonium (both Bass Clef and Treble Clef), with a bonus Trumpet transposition for added flexibility. 🎺✨ Whether you're a brass enthusiast or a devout musician, the medium difficulty level ensures a captivating performance. 🌟 The versatility extends to Trombone or Baritone players who can seamlessly embrace the euphonious parts. 🎼 Perfect for concerts or spiritual gatherings, this arrangement transcends musical boundaries. ✨ Experience the divine harmony of Cor Dulce – this arrangement is not just music; it's a spiritual journey. 🌈✨ Please like and subscribe for more videos and music arrangements. 🎉.
$5.00
Ave Maria (Palma, arr. for Euphonium Solo)
#
Euphonium, Piano (duo)
#
FACILE
#
Musique Sacrée
#
A
#
Andrew Lamb
#
Ave Maria
#
Andrew Lamb
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1317632 By A. S. Palma. By A. S. Palma. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacred. Score...
(+)
Euphonium,Piano - Level 2 - SKU: A0.1317632 By A. S. Palma. By A. S. Palma. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacred. Score and part. 25 pages. Andrew Lamb #906305. Published by Andrew Lamb (A0.1317632). 🎺 Introducing the Brass Solo adaptation of A. S. Palma's sacred hymn Ave Maria 🎺Elevate your musical repertoire with this soul-stirring rendition of the timeless Christian prayer. Originally composed for sacred worship, A. S. Palma's Ave Maria captures the essence of devotion and reverence. ðŸ™ðŸŒŸ Immerse yourself in the harmonious blend of Euphonium (Bass Clef and Treble Clef) and Trumpet transposition, offering a symphony of possibilities. 🎼 This arrangement, with its easy-medium difficulty level, welcomes both seasoned musicians and those eager to embark on a melodious journey.🎺 For added versatility, the Euphonium parts can seamlessly be embraced by Trombone or Baritone players. 🎶Whether performed in a concert setting or as a serene backdrop to a religious service, this adaptation brings the Ave Maria prayer to life, connecting the spiritual and musical realms. 🌈.
$5.00
O Salutaris (Pessard arr. for Euphonium Solo)
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Emile Pessard
#
Andrew Lamb
#
O Salutaris
#
Andrew Lamb
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1317702 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Romantic ...
(+)
Euphonium,Piano - Level 3 - SKU: A0.1317702 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Romantic Period,Sacred. Score and part. 26 pages. Andrew Lamb #906382. Published by Andrew Lamb (A0.1317702). 🎺 Immerse yourself in the divine sounds of Émile Pessard's sacred hymn O Salutaris with our exquisite Brass Solo adaptation! 🎶 Crafted for Euphonium (both Bass Clef and Treble Clef), this arrangement resonates with the soulful essence of the original composition. 🇫🇷✨🌈 Experience versatility as the Euphonium part effortlessly transitions to Trombone or Baritone. 🎺 The inclusion of a Trumpet transposition and a Soprano Cornet substitution adds a harmonious twist, providing you with unmatched flexibility. 🎼🤔 Curious about the difficulty level? This arrangement sits comfortably at a Medium level, making it accessible for intermediate musicians seeking a captivating challenge. 🎵👠Whether you're planning a concert that leaves a lasting impression or aiming to elevate a religious service, this arrangement is your key to a harmonious experience. ðŸ™ðŸ”¥ Unleash the power of Pessard's hymn with this arrangement, designed to captivate audiences and create an unforgettable musical journey. 🌟👉 This arrangement, your way to blend tradition and innovation! 🎺✨🌟 Level of Difficulty: Medium🎠Potential Uses: Ideal for concerts and religious services📌 Please like and subscribe for more videos and music arrangements. 🎶✨.
$5.00
Serenade | Ständchen |
#
Euphonium, Piano (duo)
#
FACILE
#
Classical
#
Jhonatan Lucio Viana
#
Serenade | Ständchen |
#
JLVPartitura
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1454508 By Classical. By Franz Schubert. Arranged by Jhonatan Lucio Viana. 19th Century,Chamber,Classical,Romantic P...
(+)
Euphonium,Piano - Level 2 - SKU: A0.1454508 By Classical. By Franz Schubert. Arranged by Jhonatan Lucio Viana. 19th Century,Chamber,Classical,Romantic Period,Sacred. Score and part. 4 pages. JLVPartitura #1033612. Published by JLVPartitura (A0.1454508). Ständchen - Serenade by Schubert for Euphonium + Piano:Key Features:- Melodies and harmonies that capture the essence of the work;- Suitable for Easy Intermediate levels;- Professionally arranged sheet music in PDF format;- Genre: Classical;I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Bach: Wachet auf for Euphonium & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
(+)
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Bach: Wachet auf for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
(+)
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Sacred Chamber - Bassoon 
