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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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PIANO & CLAVIERS
Piano, Voix
75
Piano seul
38
Orgue
24
Piano Trio: piano, violon, violoncelle
13
Piano, Voix et Guitare
13
Piano Facile
9
Instruments en Do
8
Piano (partie séparée)
6
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
17
4 Guitares (Quatuor)
3
Guitare
1
Mandoline
1
Guitare (partie séparée)
1
2 Guitares (duo)
1
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VOIX
Chorale SATB
164
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36
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26
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21
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20
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11
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5
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4
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3
Voix duo, Piano
3
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2
Voix moyenne, Piano
1
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VENTS
Clarinette et Piano
50
Saxophone Alto et Piano
47
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45
Quatuor de Saxophones: 4 saxophones
38
Saxophone Soprano et Piano
28
Clarinette (partie séparée)
27
Saxophone Tenor et Piano
21
Quatuor de Clarinettes: 4 clarinettes
20
Clarinette
18
Hautbois
16
3 Saxophones (trio)
15
Quintette de Saxophone: 5 saxophones
14
2 Saxophones (duo)
13
Saxophone Baryton, Piano
11
2 Flûte à bec (duo)
10
3 Clarinettes (trio)
10
Cor anglais, Piano
9
Ensemble De Flûte à bec
8
Saxophone Alto
7
Saxophone Baryton
6
Ensemble de Clarinettes
6
Saxophone Tenor
6
Hautbois (partie séparée)
5
Saxophone Soprano
5
2 Clarinettes (duo)
5
Saxophone (partie séparée)
3
Flûte à bec Soprano
3
3 Flûtes à bec (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois, Clarinette, Basson (trio d'anches)
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2 Hautbois (duo)
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Flûte à bec Tenor
2
2 Clarinettes, Piano
2
Flûte à bec Alto
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Alto, Piano
2
Ensemble de saxophones
2
Flûte à bec, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Flûte à Bec
1
Clarinette, Trompette (duo)
1
Clarinette Basse, Piano
1
Clarinette, Basson, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Basson
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
69
Trombone et Piano
35
Trompette, Piano
34
Cor et Piano
27
Quatuor de Cuivres
22
Tuba et Piano
21
Cor
12
Trompette
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Cor anglais, Piano
9
Euphonium, Piano (duo)
9
3 Trombones (trio)
7
Trompette (partie séparée)
6
Trombone
6
Tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
2 Trompettes (duo)
4
Trombone (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
4
2 Cors (duo)
4
Cor (partie séparée)
3
Trio de Cuivres
3
2 Tubas (duo)
3
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Trombone (duo)
1
Tuba et Orgue
1
Cor anglais et Harpe (duo)
1
Trombone, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 cors
1
Clarinette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
138
Violon et Piano
54
Violoncelle, Piano
54
Alto, Piano
47
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
Violon (partie séparée)
41
2 Violons (duo)
28
Trio à Cordes: violon, alto, violoncelle
26
Violoncelle (partie séparée)
24
Alto seul
23
Contre Basse
17
Contrebasse (partie séparée)
17
Violon
14
Contrebasse, Piano (duo)
14
Harpe
12
Violon, Violoncelle (duo)
12
Alto (partie séparée)
11
Violoncelle
10
Violon, Alto (duo)
8
Trio à Cordes: 3 violoncelles
7
2 Altos (duo)
6
Piano Trio: Violon, Alto, Piano
6
4 Violoncelles
5
Quatuor à cordes: 4 violons
4
2 Violoncelles (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 2 violons, alto
3
Harpe, Violon, Violoncelle
2
Violoncelle, Basse continue
2
2 Contrebasses (duo)
2
Alto, Violoncelle (duo)
2
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre de chambre
315
Orchestre
63
Orchestre à Cordes
37
Percussion (partie séparée)
28
Cloches
18
Ensemble de cuivres
18
Percussion
6
Orchestre d'harmonie
3
Instrumentation Flexible
3
Vibraphone
2
Marimba
1
Timbales
1
Jazz combo
1
Xylophone
1
Batterie (partie séparée)
1
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AUTRES
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Sacred Chamber - Flute
Euphonium, Piano (duo)
Partitions à imprimer
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Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
26.67 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Cor Dulce (Valenti arr. for Euphonium Solo)
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1317695 By Avelino Valenti. By…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1317695 By Avelino Valenti. By Avelino Valenti. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacred. Score and part. 31 pages. Andrew Lamb #906374. Published by Andrew Lamb (A0.1317695). 🎺 Elevate your musical experience with the enchanting melodies of Cor Dulce – Avelino Valenti's sacred hymn, now available in a stunning Brass Solo adaptation! 🎶 Immerse yourself in the timeless beauty of this traditional church hymn, originally composed as a tribute to the Sacred Heart. 🙠This arrangement is meticulously crafted for Euphonium (both Bass Clef and Treble Clef), with a bonus Trumpet transposition for added flexibility. 🎺✨ Whether you're a brass enthusiast or a devout musician, the medium difficulty level ensures a captivating performance. 🌟 The versatility extends to Trombone or Baritone players who can seamlessly embrace the euphonious parts. 🎼 Perfect for concerts or spiritual gatherings, this arrangement transcends musical boundaries. ✨ Experience the divine harmony of Cor Dulce – this arrangement is not just music; it's a spiritual journey. 🌈✨ Please like and subscribe for more videos and music arrangements. 🎉.
$5.00
4.61 €
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Euphonium, Piano (duo)
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Avelino Valenti
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Andrew Lamb
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it's a spiritual journey
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Cor Dulce
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Andrew Lamb
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SheetMusicPlus
Ave Maria (Palma, arr. for Euphonium Solo)
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1317632 By A. S. Palma. By A. …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1317632 By A. S. Palma. By A. S. Palma. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacred. Score and part. 25 pages. Andrew Lamb #906305. Published by Andrew Lamb (A0.1317632). 🎺 Introducing the Brass Solo adaptation of A. S. Palma's sacred hymn Ave Maria 🎺Elevate your musical repertoire with this soul-stirring rendition of the timeless Christian prayer. Originally composed for sacred worship, A. S. Palma's Ave Maria captures the essence of devotion and reverence. ðŸ™ðŸŒŸ Immerse yourself in the harmonious blend of Euphonium (Bass Clef and Treble Clef) and Trumpet transposition, offering a symphony of possibilities. 🎼 This arrangement, with its easy-medium difficulty level, welcomes both seasoned musicians and those eager to embark on a melodious journey.🎺 For added versatility, the Euphonium parts can seamlessly be embraced by Trombone or Baritone players. 🎶Whether performed in a concert setting or as a serene backdrop to a religious service, this adaptation brings the Ave Maria prayer to life, connecting the spiritual and musical realms. 🌈.
$5.00
4.61 €
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Euphonium, Piano (duo)
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A
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Andrew Lamb
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Ave Maria
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Andrew Lamb
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SheetMusicPlus
O Salutaris (Pessard arr. for Euphonium Solo)
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1317702 By Emile Pessard. By E…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1317702 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Romantic Period,Sacred. Score and part. 26 pages. Andrew Lamb #906382. Published by Andrew Lamb (A0.1317702). 🎺 Immerse yourself in the divine sounds of Émile Pessard's sacred hymn O Salutaris with our exquisite Brass Solo adaptation! 🎶 Crafted for Euphonium (both Bass Clef and Treble Clef), this arrangement resonates with the soulful essence of the original composition. 🇫🇷✨🌈 Experience versatility as the Euphonium part effortlessly transitions to Trombone or Baritone. 🎺 The inclusion of a Trumpet transposition and a Soprano Cornet substitution adds a harmonious twist, providing you with unmatched flexibility. 🎼🤔 Curious about the difficulty level? This arrangement sits comfortably at a Medium level, making it accessible for intermediate musicians seeking a captivating challenge. 🎵👠Whether you're planning a concert that leaves a lasting impression or aiming to elevate a religious service, this arrangement is your key to a harmonious experience. ðŸ™ðŸ”¥ Unleash the power of Pessard's hymn with this arrangement, designed to captivate audiences and create an unforgettable musical journey. 🌟👉 This arrangement, your way to blend tradition and innovation! 🎺✨🌟 Level of Difficulty: Medium🎠Potential Uses: Ideal for concerts and religious services📌 Please like and subscribe for more videos and music arrangements. 🎶✨.
$5.00
4.61 €
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Euphonium, Piano (duo)
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Emile Pessard
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Andrew Lamb
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O Salutaris
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Andrew Lamb
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SheetMusicPlus
Serenade | Ständchen |
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1454508 By Classical. By Franz…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1454508 By Classical. By Franz Schubert. Arranged by Jhonatan Lucio Viana. 19th Century,Chamber,Classical,Romantic Period,Sacred. Score and part. 4 pages. JLVPartitura #1033612. Published by JLVPartitura (A0.1454508). Ständchen - Serenade by Schubert for Euphonium + Piano:Key Features:- Melodies and harmonies that capture the essence of the work;- Suitable for Easy Intermediate levels;- Professionally arranged sheet music in PDF format;- Genre: Classical;I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
2.75 €
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Euphonium, Piano (duo)
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Classical
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Jhonatan Lucio Viana
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Serenade | Ständchen |
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JLVPartitura
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.98 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.35 €
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Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.98 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.35 €
#
Euphonium, Piano (duo)
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
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