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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sam Christmas
Non classifié
1 085
Piano & claviers
Piano Facile
372
Piano seul
309
Piano, Voix et Guitare
95
Piano, Voix
80
Orgue
25
1 Piano, 4 mains
21
Instruments en Do
19
Piano grosses notes
14
Accompagnement Piano
11
Piano Trio: piano, violon, violoncelle
5
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
3
2 Pianos, 4 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
82
Ukulele
58
Guitare
31
Ligne De Mélodie, (Paroles) et Accords
14
Paroles et Accords
8
Piano, Guitare (duo)
5
2 Guitares (duo)
3
Mandoline
3
3 Guitares (trio)
3
Basse electrique
2
Guitare (partie séparée)
1
4 Guitares (Quatuor)
1
Dulcimer
1
Ensemble de guitares
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
269
Chorale 3 parties
100
Chorale 2 parties
63
Chorale Unison
33
Chorale TTBB
31
Pack Instrumental pour Chorale
23
Chorale SSAA
22
Voix duo, Piano
10
Voix seule
8
Chorale
8
Voix Soprano, Piano
6
Voix duo
3
Voix haute
2
Chorale SSATB
1
Voix basse
1
Voix Mezzo-Soprano, Piano
1
+ 11 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
70
2 Saxophones (duo)
70
Quatuor de Saxophones: 4 saxophones
65
Flûte, Hautbois, Clarinette, Basson
55
2 Clarinettes (duo)
53
Flûte traversière et Piano
51
2 Flûtes traversières (duo)
50
3 Saxophones (trio)
40
3 Clarinettes (trio)
36
Flûte à bec Soprano
35
Ocarina
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Flûte traversière
33
Saxophone Alto et Piano
32
Quatuor de Flûtes : 4 flûtes
30
Clarinette et Piano
30
Clarinette
29
Saxophone (partie séparée)
28
Saxophone Tenor et Piano
27
Trio de Flûtes: 3 flûtes
23
Flûte, Clarinette (duo)
23
Quintette de Saxophone: 5 saxophones
23
Saxophone Alto
22
Flûte irlandaise
22
Clarinette, Violon (duo)
20
Quintette de Clarinettes: 5 clarinettes
19
Hautbois, Piano (duo)
18
Clarinette (partie séparée)
16
Saxophone, Clarinette (duo)
16
Hautbois (partie séparée)
13
Quintette de Flûte : 5 flûtes
13
Flûte, Violon
12
Saxophone Tenor
11
Saxophone Soprano et Piano
11
Hautbois, Basson (duo)
10
2 Flûte à bec (duo)
10
Ensemble de Flûtes
10
Hautbois, Clarinette (duo)
8
Ensemble de saxophones
8
Clarinette, Trompette (duo)
8
Hautbois, Flûte
7
Clarinette, Guitare (duo)
7
Clarinette et Alto
7
Flûte à Bec
7
Flute (partie séparée)
5
2 Hautbois (duo)
5
Flûte et Guitare
4
Clarinette, Harpe (duo)
4
Saxophone Baryton, Piano
4
Hautbois
4
Clarinette Basse, Piano
4
Flûte, Hautbois (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Alto
3
Flûte, Trompette (duo)
3
Flûte, Alto (duo)
3
Cor anglais, Piano
3
Ensemble de Clarinettes
3
Flûte, Hautbois, Violon
2
2 Clarinettes, Piano
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon, Piano
2
Saxophone et Guitare
2
Harmonica
2
5 Flûtes à bec
2
Flûte, Clarinette et Basson
2
Instruments en Mib
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse
1
2 Flûtes traversières, Piano
1
Flûte et Trio à cordes
1
Cor Anglais
1
Saxophone Baryton
1
Flute, harpe et violon
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violoncelle
1
3 Flûtes à bec (trio)
1
Clarinette, Basson (duo)
1
Saxophone et Harpe
1
Piccolo
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violon et Violoncelle
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone et Piano
29
Trompette
29
Trompette, Piano
28
Cor et Piano
25
Trombone
20
Trompette (partie séparée)
19
2 Trompettes (duo)
19
Cor
19
Trompette, Trombone (duo)
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
2 Trombones (duo)
16
Trombone (partie séparée)
15
Quatuor de cuivres: 4 cors
13
Trompette, Saxophone (duo)
12
Quatuor de Cuivres
10
Cor (partie séparée)
9
Ensemble de Trombones
9
Tuba et Piano
8
Quatuor de cuivres: 4 trombones
7
Tuba
7
2 Cors (duo)
7
3 Trombones (trio)
6
Ensemble de Trompettes
5
Trio de Cuivres
5
3 Trompettes (trio)
4
Euphonium
4
Ensemble de Cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trompettes
4
Tuba (partie séparée)
4
Trompette, Cor (duo)
3
Bass Clef Instruments
3
Cor anglais, Piano
3
Trombone basse
3
4 Tubas
2
Euphonium, Tuba (duo)
2
3 Tubas (trio)
2
Instruments en Fa
2
2 Tubas (duo)
2
Euphonium, Piano (duo)
2
3 Cors (trio)
2
Instruments en Sib
2
Cor anglais, Guitare (duo)
1
Cor Anglais
1
Tuba ou Euphonium ou Saxhorn
1
Tuba et Orgue
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
2 Euphoniums et 2 Tubas
1
Cor et Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
122
Violon, Violoncelle (duo)
59
Harpe
58
Trio à Cordes: violon, alto, violoncelle
56
Violon et Piano
54
2 Violons (duo)
47
Violon
47
Violoncelle
40
Alto, Piano
34
Violon, Alto (duo)
33
Violoncelle, Piano
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
2 Violoncelles (duo)
17
2 Harpes (duo)
16
Contrebasse, Piano (duo)
16
Alto seul
14
Trio à cordes: 3 violins
14
2 Altos (duo)
11
Trio à Cordes: 2 violons, violoncelle
11
Violon (partie séparée)
9
Contre Basse
8
Alto, Violoncelle (duo)
7
Contrebasse (partie séparée)
6
Harpe, Flûte (duo)
5
Trio à Cordes: 2 violons, alto
5
Piano Trio: Violon, Alto, Piano
4
Alto (partie séparée)
4
Quatuor à cordes: 4 violons
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 altos
3
Harpe, Violon (duo)
3
Violoncelle (partie séparée)
3
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Harpe, Voix
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Trombone (duo)
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Cloches
220
Orchestre
98
Orchestre à Cordes
78
Orchestre d'harmonie
61
Ensemble Jazz
46
Ensemble de cuivres
40
Orchestre de chambre
30
Marimba
14
Vibraphone
11
Percussion (partie séparée)
9
Fanfare
5
Ensemble de Percussions
5
Xylophone
4
Piano et Orchestre
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Jazz combo
3
Batterie
3
Batterie (partie séparée)
2
Percussion
2
Timbales (partie séparée)
2
2 Xylophones
1
Xylophone, Piano
1
Timbales
1
Marimba ou Xylophone et Piano
1
Ensemble d'École
1
+ 20 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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Vous avez sélectionné:
Sam Christmas
Euphonium, Piano (duo)
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Bach: Wachet auf for Euphonium & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
(+)
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
(+)
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
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