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ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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SAXOPHONE
SYNTHETISEUR
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SheetMusicPlus
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débutant
facile
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expert
avec audio
avec vidéo
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Non classifié
11686
PIANO & CLAVIERS
Piano seul
7332
Piano, Voix
2589
Piano, Voix et Guitare
1488
Piano Facile
1062
Orgue
696
1 Piano, 4 mains
375
Accompagnement Piano
145
Piano Trio: piano, violon, violoncelle
118
Instruments en Do
103
Accordéon
83
2 Pianos, 4 mains
59
Piano Quatuor: piano, 2 violons, violoncelle
55
Piano grosses notes
45
Clavecin
33
Piano (partie séparée)
31
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Piano (duo)
17
Orgue, Trompette (duo)
12
1 Piano, 6 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
2 Pianos, 8 mains
8
Clavier
8
Orgue, Voix
5
Ensemble d'Accordéons
3
Ligne De Mélodie, Piano
2
2 Accordéons
2
2 Orgues (duo)
1
Accordéon et Orchestre
1
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GUITARES
Guitare
1374
Guitare notes et tablatures
525
Ligne De Mélodie, (Paroles) et Accords
156
Piano, Guitare (duo)
143
2 Guitares (duo)
139
Ukulele
133
Basse electrique
133
Paroles et Accords
53
Guitare (partie séparée)
43
4 Guitares (Quatuor)
31
3 Guitares (trio)
29
Basse électrique (partie séparée)
18
Mandoline
17
Banjo
12
Ensemble de guitares
11
Guitare, Flûte, Clarinette
4
Dulcimer
4
Partitions De Groupes
3
Mandoline, Piano (duo)
2
Guitare, Orchestre
2
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
3917
Chorale 3 parties
2170
Chorale 2 parties
1145
Chorale TTBB
1012
Chorale Unison
522
Chorale SSAA
385
Voix duo, Piano
313
Voix Soprano, Piano
193
Voix basse, Piano
141
Voix duo
130
Voix haute
114
Voix Tenor, Piano
108
Voix moyenne, Piano
99
Voix Baryton, Piano
97
Chorale SSAATTBB
93
Chorale SSATB
74
Voix Mezzo-Soprano, Piano
65
Chorale SSATTB
63
Chorale
58
Voix haute, Piano
55
Voix seule
42
Soli, choeur mixte et accompagnement
24
Chorale SSAB a cappella
21
Voix Alto, Piano
17
Voix, Guitare
9
Voix Tenor
6
Chorale SATBB
6
Chorale SSAATB
6
Voix Soprano
5
Voix duo, Orgue
4
Voix Soprano, Orchestre
3
Chorale SSAB, Piano
3
Voix basse
2
Chorale SAATB A Cappella
2
Chorale SATTBB, Clavier
1
Chorale SATTBB A Cappella
1
Voix Moyenne
1
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VENTS
Flûte traversière et Piano
873
Clarinette
566
Quatuor de Saxophones: 4 saxophones
541
Hautbois, Piano (duo)
439
Clarinette et Piano
410
Saxophone Alto et Piano
409
Flûte, Hautbois, Clarinette, Basson
403
Saxophone Tenor et Piano
400
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
353
Saxophone (partie séparée)
337
Quatuor de Clarinettes: 4 clarinettes
322
2 Saxophones (duo)
275
Flûte traversière
265
Saxophone Soprano et Piano
245
2 Flûtes traversières (duo)
225
Quintette de Saxophone: 5 saxophones
205
Ensemble de Clarinettes
161
2 Flûte à bec (duo)
159
2 Clarinettes (duo)
150
Clarinette (partie séparée)
146
Ensemble de saxophones
139
3 Saxophones (trio)
124
Flûte à bec Soprano, Piano
122
3 Clarinettes (trio)
117
Flûte à bec Alto, Piano
117
Trio de Flûtes: 3 flûtes
113
Saxophone Alto
105
Quatuor de Flûtes à bec
103
Flûte, Clarinette (duo)
96
Hautbois (partie séparée)
94
Flûte à bec Soprano
90
3 Flûtes à bec (trio)
82
Flute (partie séparée)
79
Quatuor de Flûtes : 4 flûtes
78
Flûte à bec Alto
69
Ensemble de Flûtes
67
Saxophone Baryton, Piano
57
Flûte à bec Alto, Basse continue
49
Flûte et Guitare
49
2 Hautbois (duo)
46
Flûte, Clarinette et Basson
41
Hautbois
41
Quintette de Clarinettes: 5 clarinettes
40
Flûte traversière, Basse continue
36
Saxophone
32
Cor anglais, Piano
30
Flûte, Hautbois, Basson
29
3 Hautbois
28
Quintette de Flûte : 5 flûtes
28
4 Hautbois
25
Flûte à Bec
24
Clarinette Basse, Piano
24
Saxophone Tenor
23
Hautbois, Basson (duo)
21
Hautbois, Clarinette (duo)
18
Flûte à Bec, Piano
18
Flûte à bec Tenor
18
Ensemble De Flûte à bec
17
Clarinette, Violon (duo)
14
Saxophone, Clarinette (duo)
13
Flûte, Violoncelle
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Clarinette, Basson (duo)
13
2 Flûtes à bec, Piano
12
Flûte, Violon
12
Ensemble à vent
11
Harmonica
11
Hautbois, Flûte
11
5 Flûtes à bec
10
Flûte traversière, Orchestre
9
Flûte, Violoncelle, Piano (trio)
9
Clarinette, Trompette (duo)
9
Clarinette, Orchestre
8
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Saxophone et Guitare
7
Hautbois, Guitare (duo)
7
Clarinette et Alto
7
Flûte traversière, Orgue (duo)
7
Flûte, Hautbois (duo)
7
Clarinette, Violoncelle (duo)
7
Flûte, Clarinette, Piano (trio)
7
Clarinette, Guitare (duo)
7
Flûte à bec Soprano, Basse continue
6
Flûte, Violon et Violoncelle
6
2 Flûtes traversières, Piano
6
Piccolo
5
Cor Anglais
5
Saxophone Soprano
5
Flûte, Saxophone (duo)
5
Flûte, Hautbois, Piano (trio)
5
Clarinette Basse
5
Flûte, Alto (duo)
5
Flûte, Basson et Piano
5
Piccolo, Piano
5
2 Flûtes, Basse continue
4
Flûte, Trompette (duo)
4
Hautbois, violon (duo)
4
Saxophone Baryton
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Alto et Piano (trio)
3
Hautbois, trombone (duo)
3
Clarinette, Contrebasse (duo)
3
Flûte, Violoncelle, Guitare
3
Hautbois, Violoncelle
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Orgue
3
Hautbois et Orchestre
3
Hautbois et alto (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Basson, Piano (trio)
2
Flute, Cor (duo)
2
2 Saxophones, Piano
2
2 Clarinettes, Piano
2
Flûte, Alto et Violoncelle
2
Clarinette, Tuba
2
Instruments en Mib
2
Flûte à bec, Guitare (duo)
2
Flûte, Violon, Violoncelle et Piano
2
3 Flûtes à bec, Piano
2
Flûte et Quatuor à Cordes
2
Hautbois, Basson et Piano
2
Flûte, Trombone (duo)
2
Flute, harpe et violon
1
Cornemuse
1
Clarinette, Trombone (duo)
1
Saxophone et Piano
1
Flûte et Trio à cordes
1
Hautbois, Harpe
1
Flûte, alto et harpe
1
Saxophone et violoncelle
1
Flûte, Tuba (duo)
1
Saxophone, Basson (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
2 Hautbois et Cor anglais
1
Saxophone et Orgue
1
Melodica
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
2 Cors Anglais Et Pianoforte
1
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CUIVRES
Trombone et Piano
394
Trompette, Piano
374
Trompette
324
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
256
Trompette (partie séparée)
247
Cor et Piano
245
Quatuor de Cuivres : 2 trompettes, trombone, tuba
216
Trombone (partie séparée)
201
Quatuor de Cuivres: 2 trompettes, Cor, trombone
197
2 Trompettes (duo)
108
Cor (partie séparée)
103
Trombone
100
Ensemble de Trompettes
88
Cor
79
2 Trombones (duo)
79
Quatuor de cuivres: 4 trombones
55
Ensemble de Trombones
52
Trompette, Trombone (duo)
50
Quatuor de Cuivres
44
Tuba (partie séparée)
41
Trompette, Cor (duo)
36
Tuba et Piano
35
Euphonium, Piano (duo)
35
Cor anglais, Piano
30
2 Cors (duo)
27
Tuba
27
Quatuor de cuivres: 4 cors
26
3 Trombones (trio)
13
2 Trompettes, Clavier (piano ou orgue)
12
Quatuor de cuivres: 4 trompettes
12
Quatuor de cuivres: 2 trompettes, 2 trombones
12
2 Tubas (duo)
12
Trompette, Saxophone (duo)
11
2 Euphoniums et 2 Tubas
10
Tuba ou Euphonium ou Saxhorn
10
Trio de Cuivres
8
Ensemble de Cors
8
Euphonium, Tuba (duo)
7
Trompette, Orchestre
6
Cor Anglais
5
Euphonium
5
3 Trompettes (trio)
5
Trombone, Orgue
4
Trompette, violon (duo)
4
Cor, Violoncelle (duo)
4
4 Tubas
3
Trombone, Cor (duo)
3
3 Cors (trio)
3
Trombone basse et Piano
3
Cor et Basson (duo)
3
Tuba et Orgue
3
Trompette, Violoncelle (duo)
2
Trombone basse
2
4 Euphoniums
2
Trompette, Basson (duo)
2
Trompette, Tuba (duo)
2
Cor et Orgue
1
Instruments en Sib
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Trompette, Euphonium (duo)
1
2 Euphoniums (duo)
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2 Trombones, Piano
1
Trombone, Violon (duo)
1
2 Cors, Piano
1
Trompette et Guitare
1
Cor, Orchestre
1
Cor anglais et Harpe (duo)
1
Trombone, Alto (duo)
1
2 Cors Anglais Et Pianoforte
1
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CORDES
Violon et Piano
1569
Quatuor à cordes: 2 violons, alto, violoncelle
1331
Violoncelle, Piano
1046
Violon (partie séparée)
718
Violon
613
Alto, Piano
591
Alto (partie séparée)
269
Violon, Violoncelle (duo)
265
Violoncelle (partie séparée)
262
Violoncelle
245
Trio à Cordes: violon, alto, violoncelle
214
2 Violons (duo)
182
2 Violoncelles (duo)
151
Alto seul
142
Violon, Alto (duo)
108
Harpe
98
Piano Trio: Violon, Alto, Piano
91
Trio à Cordes: 2 violons, violoncelle
86
Quintette à cordes: 2 violons, alto, violoncelle, basse
83
Contrebasse (partie séparée)
73
2 Altos (duo)
71
Contrebasse, Piano (duo)
58
Contre Basse
56
Violon, Basse continue
55
Trio à cordes: 3 violins
47
Trio à Cordes: 3 violoncelles
41
Violoncelle, Basse continue
40
2 Violons et Basse continue
39
4 Violoncelles
37
Ensemble de Violons
28
Violon, Guitare (duo)
27
Ensemble d'Altos
26
Alto, Violoncelle (duo)
24
Violoncelle, Orchestre
22
Quintette à cordes: 2 violons, 2 altos, violoncelle
19
Violoncelle , Guitare (duo)
16
Violoncelle, Contrebasse (duo)
15
Quatuor à cordes : 4 altos
14
Violon, Orgue
13
Quatuor à cordes: 4 violons
12
2 Violons, Piano
12
Alto et orchestre
12
Trio à Cordes: 2 violons, alto
11
Ensemble de Violoncelles
9
Violoncelle, Orgue
8
2 Contrebasses (duo)
7
Harpe, Flûte (duo)
7
2 Harpes (duo)
6
Trio à cordes: 3 altos
4
Alto et Basson
4
Trio à cordes
4
Alto, Guitare (duo)
4
4 Harpes
2
Violon, Basson (duo)
2
Violon, Clarinette, Piano (trio)
2
4 Contrebasses
2
Flûte, Contrebasse (duo)
1
Alto, Orgue
1
Harpe, Violon (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Voix
1
Harpe (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2093
Orchestre à Cordes
869
Orchestre
606
Ensemble Jazz
407
Ensemble de cuivres
379
Orchestre de chambre
212
Cloches
174
Fanfare
166
Jazz combo
150
Percussion (partie séparée)
96
Ensemble de Percussions
90
Batterie
81
Batterie (partie séparée)
56
Caisse Claire
53
Timbales
48
Percussion
31
Marimba
30
2 Xylophones
25
Xylophone
20
Orchestre, Violon
18
Ensemble d'École
18
Piano et Orchestre
12
Vibraphone
10
Timbales (partie séparée)
4
Xylophone, Piano
2
Voix Mezzo-Soprano, Orchestre
2
3 Marimbas
2
Marimba et Orgue
2
Xylophone ou Marimba ou Vibraphone
1
Vibraphone et Marimba
1
Cajon
1
Instrumentation Flexible
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
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Euphonium, Piano (duo)
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Schonfeld Marsch
Euphonium, Piano (duo)
Euphonium & Piano - Grade 3 - Digital Download SKU: R0.53892 Composed by Carl Micha…
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Euphonium & Piano - Grade 3 - Digital Download SKU: R0.53892 Composed by Carl Michael Ziehrer. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 11 pages. Duration 2'59. Editions Marc Reift - Digital #53892. Published by Editions Marc Reift - Digital (R0.53892).
$13.95
12.85 €
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Euphonium, Piano (duo)
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Carl Michael Ziehrer
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Jirka Kadlec
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Schonfeld Marsch
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Editions Marc Reift - Digital
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.34 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.34 €
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Euphonium, Piano (duo)
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.34 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.82 €
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Euphonium, Piano (duo)
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.97 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.34 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.97 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bob's Lament (Second Theme of Bob Hada)
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 4 - Digital Download …
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.796204 By Bob Hada (Schoolspianist246). By Bob Hada (Schoolspianist246). Classical,Contemporary,Romantic Period,Wedding. Score and parts. 25 pages. Bob Hada (Schoolspianist246) #402654. Published by Bob Hada (Schoolspianist246) (A0.796204).
$49.99
46.03 €
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Euphonium, Piano (duo)
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Bob Hada
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Bob's Lament
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Bob Hada
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SheetMusicPlus
A Musical Journey
Euphonium, Piano (duo)
Euphonium & Piano - Grade 2 - Digital Download SKU: R0.34872 Voyage Musical / Mu…
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Euphonium & Piano - Grade 2 - Digital Download SKU: R0.34872 Voyage Musical / Musikalische Reise (10 Solos). Varsovie / Chambord / Bonn / Salzburg / Schonbrunn / Asakusa / Chicago / Memphis / Fort de France / La Habana. Composed by Jerome Naulais. Euphonium & Piano. Score and parts. 32 pages. Duration 17'08. Editions Marc Reift - Digital #34872. Published by Editions Marc Reift - Digital (R0.34872).
$18.95
17.45 €
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Euphonium, Piano (duo)
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Jerome Naulais
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A Musical Journey
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Editions Marc Reift - Digital
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SheetMusicPlus
Two Album Leaves for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792403 Composed by Richard Wag…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792403 Composed by Richard Wagner. Arranged by Sauer, Ralph. 20th Century,Classical,Opera,Romantic Period. Score and part. 12 pages. Gordon Cherry #4820393. Published by Gordon Cherry (A0.792403). Album Leaves are minor compositions, often for Piano that composers originally used to dedicate to friends or admirers to be inserted into music albums or autograph books, not necessarily intended for publication. They tend to be short and not too demanding technically. Ralph Sauer has arranged Wagner's two Leaves for Euphonum and Piano in bass clef. Number 1 is a piano work from 1875 dedicated to Frau Betty Schott the wife of music publisher Franz Schott. Number 2, also a piano work, is an early opus from 1840 and is dedicated to the Paris based German painter Ernst Benedikt Kietz, a big fan of Wagner, who helped support the young composer during his lean years in Paris. Both leaves are lyrical, giving the performer a true taste of the master.
$20.00
18.42 €
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Euphonium, Piano (duo)
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Richard Wagner
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Sauer, Ralph
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Two Album Leaves for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Fall of a Titan - Euphonium Solo - EUPHONIUM
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 2 pages. Adam Lawrence #6016571. Published by Adam Lawrence (A0.1017037). Please note that this is the EUPHONIUM part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99
1.83 €
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Euphonium, Piano (duo)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo - EUPHONIUM
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Adam Lawrence
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SheetMusicPlus
Fall of a Titan - Euphonium Solo
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 16 pages. Adam Lawrence #6016541. Published by Adam Lawrence (A0.1017036). This is the whole bundle of score and parts, with individual parts to follow. One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored. Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance. Any feedback is more than welcome. Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below. Patreon: https://www.patreon.com/Fireyshadows YouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lg Soundcloud: https://soundcloud.com/fireyshadows-music/ Twitter: https://twitter.com/FireyMusic
$9.99
9.2 €
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Euphonium, Piano (duo)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo
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Adam Lawrence
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SheetMusicPlus
Fall of a Titan - Euphonium Solo - PIANO
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 5 pages. Adam Lawrence #6016579. Published by Adam Lawrence (A0.1017039). Please note that this is the PIANO part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99
1.83 €
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Euphonium, Piano (duo)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo - PIANO
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Adam Lawrence
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SheetMusicPlus
Jingle Bells for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierp…
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.97 €
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Euphonium, Piano (duo)
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Rachmaninoff: Vocalise for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549279 Composed by Sergei Rach…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549279 Composed by Sergei Rachmaninoff (1873 –1943). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #3480109. Published by jmsgu3 (A0.549279). Sergei Rachmaninoff: Vocalise Op. 34 No. 14. Score: 7 pages, 41 measures. Duration: ca. 6:33. Solo part: 2 pages, Piano part: 4 pages. Very famous composition with a distinctly melancholy flavor. Suitable for Lent or Easter meditations, receptions, weddings, recitals, school performances, and concert encores.
$32.95
30.34 €
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Euphonium, Piano (duo)
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Sergei Rachmaninoff
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James M
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Rachmaninoff: Vocalise for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
26.66 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Down by the Riverside - Traditional - 2 Euphoniums; Piano and Drum Set - Intermediate level
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download …
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760368 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 18 pages. Raymond Fenech #3591487. Published by Raymond Fenech (A0.760368). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This arrangement is very ideal for school concerts. The level is Intermediate and the duration is 2.39minutes.
$4.50
4.14 €
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Euphonium, Piano (duo)
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Traditional
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Raymond Fenech
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Down by the Riverside - Traditional - 2 Euphoniums; Piano and Drum Set - Intermediate level
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Raymond Fenech
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.34 €
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Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.34 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Scene de Ballet for Euphonium
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.842572 Composed by Charles Aug…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.842572 Composed by Charles Auguste de Beriot. Arranged by Sean Brennan. Concert,Graduation,Romantic Period,Standards. Score and part. 30 pages. Bl_music #6644121. Published by bl_music (A0.842572). Charles-Auguste de Bériot, (born Feb. 20, 1802, Leuven, Belg.-died April 8, 1870, Brussels), Belgian violinist and composer known for establishing a particular performance style (the Franco-Belgian school) that combined classical elegance with technical virtuosity. Scene de Ballet, arrangement for euphonium and piano by Sean Brennan, first performed 1993 on ophicleide, then published in 1994 Solo part in bass and treble clef
$19.99
18.41 €
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Euphonium, Piano (duo)
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Charles Auguste de Beriot
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Sean Brennan
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Scene de Ballet for Euphonium
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bl_music
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SheetMusicPlus
Dying and Dancing for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Sca…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
25.32 €
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Euphonium, Piano (duo)
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Russell Scarbrough
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Dying and Dancing for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Popsicle Stick
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.1012180 Composed by Duncan Kru…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.1012180 Composed by Duncan Krummel. Concert,Contemporary. Score and part. 9 pages. Krummel Music Publishing #3629855. Published by Krummel Music Publishing (A0.1012180). Popsicle Stick is an upbeat, rhythmically adventurous chamber work perfect for advanced high school students and beyond. Both instruments are equal partners in this fast-paced work that would be at home in recitals and chamber concerts. Duration: 4-5 minutes Duncan Krummel is a member of ASCAP. Additional music can be found through his website at www.duncankrummel.com, with recordings hosted on SoundCloud, Bandcamp, and YouTube.
$10.00
9.21 €
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Euphonium, Piano (duo)
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Duncan Krummel
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Popsicle Stick
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Krummel Music Publishing
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.551497 Composed by Edvard Grie…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306299. Published by jmsgu3 (A0.551497). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.2 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.34 €
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Euphonium, Piano (duo)
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
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