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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Scott S
Non classifié
628
Piano & claviers
Piano seul
428
Piano, Voix
201
Piano Facile
146
Piano, Voix et Guitare
122
Accordéon
63
1 Piano, 4 mains
46
Instruments en Do
45
Accompagnement Piano
31
Piano (partie séparée)
15
Piano Trio: piano, violon, violoncelle
11
Piano grosses notes
11
Orgue
8
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Accordéons
1
2 Pianos, 4 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
68
Guitare
53
Basse electrique
48
Guitare (partie séparée)
22
Ligne De Mélodie, (Paroles) et Accords
20
Mandoline
14
2 Guitares (duo)
11
Ukulele
6
Piano, Guitare (duo)
5
Paroles et Accords
5
4 Guitares (Quatuor)
4
Basse électrique (partie séparée)
3
Banjo
2
Ensemble de Ukulélés
1
Dulcimer
1
+ 10 instrumentations
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Voix
Chorale SATB
366
Chorale TTBB
100
Chorale 3 parties
96
Chorale SSAA
47
Voix Alto, Piano
26
Voix Soprano, Piano
25
Chorale 2 parties
24
Voix Tenor, Piano
19
Chorale Unison
12
Pack Instrumental pour Chorale
11
Voix duo
9
Voix duo, Piano
5
Voix haute
4
Voix Tenor
3
Voix Soprano
3
Chorale
3
Voix seule
1
Voix haute, Piano
1
+ 13 instrumentations
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Vents
Saxophone (partie séparée)
255
Clarinette (partie séparée)
163
Quatuor de Saxophones: 4 saxophones
68
Hautbois (partie séparée)
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
60
Flûte traversière et Piano
59
Flute (partie séparée)
55
Flûte, Hautbois, Clarinette, Basson
46
Hautbois, Piano (duo)
44
Quatuor de Clarinettes: 4 clarinettes
44
Clarinette et Piano
34
Saxophone Alto et Piano
33
2 Saxophones (duo)
27
Saxophone Tenor et Piano
24
Quatuor de Flûtes : 4 flûtes
23
Saxophone Soprano et Piano
22
Flûte traversière
21
2 Clarinettes (duo)
21
2 Flûtes traversières (duo)
20
Quintette de Saxophone: 5 saxophones
19
Clarinette
16
Saxophone Alto
15
Clarinette, Violon (duo)
13
3 Clarinettes (trio)
13
Saxophone, Clarinette (duo)
12
Ensemble de Clarinettes
12
Flûte, Clarinette (duo)
12
3 Saxophones (trio)
9
Clarinette, Trompette (duo)
9
Saxophone Tenor
8
Hautbois, Clarinette (duo)
7
Saxophone Baryton, Piano
6
Flûte, Clarinette, Piano (trio)
6
Flûte, Clarinette et Basson
6
Clarinette Basse, Piano
5
2 Flûtes traversières, Piano
5
2 Clarinettes, Piano
5
Flûte, Trompette (duo)
5
Flûte et Guitare
5
Flûte, trombone et piano
5
2 Hautbois (duo)
5
Flûte, Alto (duo)
5
Hautbois, Basson (duo)
5
Hautbois, Flûte
5
Cornemuse
5
Flûte, Violon
5
Flûte, Alto et Piano
4
Flûte à bec Soprano
4
Clarinette et Alto
4
Flûte à Bec
4
Saxophone et Piano
4
Flûte, Saxophone (duo)
4
Trio de Flûtes: 3 flûtes
4
3 Flûtes à bec (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Hautbois, Basson
3
Clarinette, Violoncelle, Piano (trio)
3
Cor anglais, Piano
3
Quatuor de Flûtes à bec
3
Ensemble de saxophones
2
Ensemble de Flûtes
2
Flûte, Hautbois, Piano (trio)
2
Flûte et Trio à cordes
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone et Harpe
2
Instruments en Mib
2
Clarinette, Guitare (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte irlandaise
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Guitare
1
2 Clarinettes, Basson
1
Flûte à bec, Guitare (duo)
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Guitare
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
Harmonica
1
Saxophone
1
Saxophone Soprano
1
Hautbois
1
Quintette de Flûte : 5 flûtes
1
Flûte, Basson et Piano
1
Flûte à bec Alto, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Violon, Piano
1
+ 82 instrumentations
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Cuivres
Trombone (partie séparée)
194
Trompette (partie séparée)
131
Cor (partie séparée)
72
Tuba (partie séparée)
68
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Trombone et Piano
37
Trompette, Piano
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette
23
Quatuor de Cuivres
13
Cor et Piano
12
2 Trompettes (duo)
10
Trompette, Saxophone (duo)
10
Trombone
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Quatuor de cuivres: 4 trombones
10
Trompette, Trombone (duo)
7
2 Trombones (duo)
6
Tuba
5
Cor
5
Euphonium, Piano (duo)
5
Tuba et Piano
4
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Cor anglais, Piano
3
3 Trompettes (trio)
2
Cor, Trompette, Trombone (trio)
2
Quatuor de cuivres: 4 trompettes
2
Bass Clef Instruments
2
Instruments en Sib
2
Trompette, Violoncelle et Piano
2
3 Trombones (trio)
1
Euphonium
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Cor et Harpe
1
Trompette, Trombone, Piano
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
Trompette, Harpe
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 39 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
120
Violon et Piano
73
Violon (partie séparée)
54
Alto, Piano
48
Violon
42
Harpe
41
Violoncelle, Piano
39
Contrebasse (partie séparée)
38
Violon, Violoncelle (duo)
33
Trio à Cordes: violon, alto, violoncelle
32
2 Violons (duo)
26
Violoncelle (partie séparée)
23
Violoncelle
19
Alto (partie séparée)
17
Trio à Cordes: 2 violons, violoncelle
17
Violon, Alto (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto seul
13
2 Altos (duo)
11
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
8
Contre Basse
7
Trio à cordes: 3 violins
6
4 Violoncelles
6
2 Harpes (duo)
6
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 2 violons, alto
4
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Harpe (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
277
Percussion (partie séparée)
96
Orchestre à Cordes
59
Orchestre
43
Fanfare
41
Ensemble de cuivres
31
Ensemble Jazz
29
Timbales (partie séparée)
26
Cloches
20
Batterie
19
Batterie (partie séparée)
18
Orchestre de chambre
16
Jazz combo
8
Ensemble de Percussions
6
Marimba
2
Xylophone
1
Percussion
1
+ 12 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
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METHODE : ETUDES
METHODE : TECHNIQUES
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Vous avez sélectionné:
Scott S
Euphonium, Piano (duo)
Partitions à imprimer
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Five Ragtime Solos by Scott Joplin for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. Da...
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Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719824. Published by David McKeown (A0.1118306). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Euphonium with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Easy Winners, for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709311. Published by David McKeown (A0.1106197). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
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