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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
She Said
Sheetmusicplus
Non classifié
421
Piano & claviers
Piano seul
288
Piano, Voix et Guitare
164
Piano, Voix
140
Piano Facile
65
Instruments en Do
26
Orgue
12
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
Piano grosses notes
5
Clavecin
4
2 Pianos, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
2
Accordéon
2
Accompagnement Piano
2
Accordéon, Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Ligne De Mélodie, (Paroles) et Accords
30
Guitare
25
Paroles et Accords
19
Ukulele
10
2 Guitares (duo)
8
Basse electrique
8
Banjo
4
3 Guitares (trio)
2
Mandoline
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
182
Chorale 3 parties
30
Chorale 2 parties
28
Chorale TTBB
28
Chorale Unison
20
Chorale SSAA
12
Pack Instrumental pour Chorale
10
Voix duo, Piano
9
Voix Alto, Piano
4
Voix seule
3
Voix Baryton, Piano
3
Voix haute
3
Voix duo
2
Voix Soprano, Piano
2
Voix Tenor, Piano
2
Voix moyenne, Piano
1
Voix, Guitare
1
Chorale SSAATTBB
1
Chorale SSATB
1
Voix basse, Piano
1
Voix Soprano
1
Chorale SSATTB
1
+ 17 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
46
Flûte traversière
31
Flûte traversière et Piano
29
Flûte, Hautbois, Clarinette, Basson
27
Quatuor de Clarinettes: 4 clarinettes
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Clarinette
21
Saxophone Alto et Piano
20
Clarinette et Piano
19
2 Flûtes traversières (duo)
15
Hautbois (partie séparée)
14
Ensemble de Flûtes
14
Quatuor de Flûtes : 4 flûtes
14
Saxophone Soprano et Piano
13
Hautbois, Piano (duo)
13
Saxophone Alto
13
Ensemble de Clarinettes
12
Quintette de Saxophone: 5 saxophones
11
Saxophone Tenor et Piano
10
Saxophone Tenor
10
Saxophone (partie séparée)
8
Cor anglais, Piano
6
2 Saxophones (duo)
6
Ensemble de saxophones
6
Saxophone Baryton, Piano
6
3 Clarinettes (trio)
5
5 Flûtes à bec
4
Quatuor de Flûtes à bec
4
2 Clarinettes (duo)
3
Flûte et Guitare
3
Trio de Flûtes: 3 flûtes
3
Clarinette Basse, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Flute (partie séparée)
3
Clarinette, Guitare (duo)
2
3 Saxophones (trio)
2
Flûte, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Cor anglais, Guitare (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Basson
1
Clarinette (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Guitare (duo)
1
Cor Anglais
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone
1
Hautbois, Violoncelle
1
2 Flûte à bec (duo)
1
Flûte à bec Alto, Piano
1
+ 48 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trompette
16
Trombone et Piano
15
Trompette, Piano
11
Trombone
11
Cor
7
Cor et Piano
7
Euphonium, Piano (duo)
6
Cor anglais, Piano
6
Tuba et Piano
4
Ensemble de Trombones
3
2 Trompettes (duo)
3
Ensemble de Trompettes
3
Tuba
2
Quatuor de cuivres: 4 trombones
2
Trompette, Cor (duo)
2
Trompette (partie séparée)
2
4 Tubas
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Trombone (duo)
2
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
Trombone et orchestre
1
Quatuor de Cuivres
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
2 Trombones (duo)
1
3 Trompettes (trio)
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
74
Violon et Piano
35
Violon
23
Violoncelle, Piano
19
Alto, Piano
16
Trio à Cordes: violon, alto, violoncelle
14
Violon, Violoncelle (duo)
13
Alto seul
12
2 Violons (duo)
11
Violoncelle
11
Trio à Cordes: 2 violons, violoncelle
10
Harpe
9
4 Violoncelles
5
Trio à Cordes: 3 violoncelles
3
Contre Basse
3
2 Violoncelles (duo)
3
Violon (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
Alto (partie séparée)
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble de Violons
2
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
2 Contrebasses (duo)
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Violoncelle (partie séparée)
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Alto (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
74
Orchestre
44
Ensemble de cuivres
28
Ensemble Jazz
23
Orchestre à Cordes
23
Cloches
16
Jazz combo
12
Orchestre de chambre
9
Batterie
4
Ensemble de Percussions
3
Vibraphone
3
Marimba
2
Fanfare
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Marimba et Orgue
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
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VIELLE A RO…
VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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FLAMENCO
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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She Said
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Partitions à imprimer
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1
Wade in the Water, Gospel Song for Euphonium and Piano
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Euphonium, Piano (duo)
#
FACILE
#
Musique Sacrée
#
Gospel Spirituel
#
Traditional
#
David McKeown
#
Wade in the Water, Gospel Song
#
David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.593390 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score...
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Euphonium,Piano - Level 2 - SKU: A0.593390 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418733. Published by David McKeown (A0.593390). Wade in the Water is a beautiful spiritual arranged here for Solo Euphonium and Piano.Wade in the Water was first published in 1901 but its origins stretch back into the nineteenth century. It is often associated with the Underground Railway. It is said that the song made a coded reference to the advice escaped slaves received to wade in the water, thereby putting the slavers’ dogs off their scent.
$2.49
I Write The Songs
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Barry Manilow
#
James M
#
I Write The Songs
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. ...
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Euphonium,Piano - Level 3 - SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486687. Published by jmsgu3 (A0.549340). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Romance No. 2 in F, Op. 50 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Cherry, Gordon
#
Romance No. 2 in F, Op. 50 for
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.810882 Composed by Ludwig van Beethoven. Arranged by Cherry, Gordon. Romantic Period. Score and part. 13 pages. Gord...
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Euphonium,Piano - Level 5 - SKU: A0.810882 Composed by Ludwig van Beethoven. Arranged by Cherry, Gordon. Romantic Period. Score and part. 13 pages. Gordon Cherry #3667959. Published by Gordon Cherry (A0.810882). Beethoven's Romance in F Opus 50 has been a staple of Violinists for over 210 years, having been written in 1798. The F-major Romance is a tender, adagio cantabile movement full of beauty, requiring grace, poise and elegance to perform properly. It has been said that it could have been titled Song Without Words, the music being so lyrical of character. 'Romance' may have been written as a slow movement to a Violin Concerto that was never completed. This arrangement by Gordon Cherry is a wonderful addition to the Euphonium repertoire.Almost 10 minutes in length, this work for advanced performers will be a great addition to any recital.
$15.00
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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She Said 
