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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sim\\\\
Non classifié
8 927
Piano & claviers
Piano seul
6 977
Piano Facile
5 466
Piano grosses notes
3 328
Piano, Voix
2 389
Piano, Voix et Guitare
2 321
Orgue
1 905
Instruments en Do
1 246
1 Piano, 4 mains
207
Accordéon
166
2 Pianos, 4 mains
159
Accompagnement Piano
109
Piano Trio: piano, violon, violoncelle
77
Clavier
64
Piano Quatuor: piano, violon, alto, violoncelle
28
Piano (partie séparée)
27
Piano Quatuor: piano, 2 violons, violoncelle
23
Clavecin
23
Orgue, Piano (duo)
11
Piano Quintette: piano, 2 violons, alto, violoncelle
10
1 Piano, 6 mains
6
Orgue, Trompette (duo)
5
2 Pianos, 8 mains
4
Accordéon, Voix
3
Accordéon et Orchestre
2
Ensemble d'Accordéons
1
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 166
Basse electrique
1 106
Guitare
864
Ukulele
490
Ligne De Mélodie, (Paroles) et Accords
456
Paroles et Accords
418
2 Guitares (duo)
127
Guitare (partie séparée)
50
Dulcimer
34
4 Guitares (Quatuor)
29
Mandoline
29
Banjo
25
Piano, Guitare (duo)
21
Ensemble de guitares
20
3 Guitares (trio)
17
Ukulele Baryton
8
2 Ukuleles
3
Guitare Pedal Steel
3
Guitare, Violon, Violoncelle (trio)
2
Orchestre à Plectres
2
Basse électrique (partie séparée)
2
2 Dulcimers (duo)
2
Mandoline, Guitare (duo)
2
2 Mandolines (duo)
1
Guitare, Orchestre
1
3 Dulcimers (trio)
1
Cithare
1
+ 22 instrumentations
Retracter
Voix
Chorale SATB
2 698
Chorale 3 parties
1 086
Chorale 2 parties
759
Chorale TTBB
540
Chorale SSAA
343
Chorale Unison
332
Voix seule
134
Voix Soprano, Piano
117
Pack Instrumental pour Chorale
113
Chorale
98
Voix Alto, Piano
97
Voix duo, Piano
85
Voix Tenor, Piano
84
Voix duo
62
Voix haute
52
Voix Baryton, Piano
34
Voix basse, Piano
13
Voix moyenne, Piano
12
Chorale SSAATTBB
12
Voix Tenor
7
Voix Soprano
5
Voix, Guitare
4
Chorale SSAB, Piano
4
Chorale SSATB
3
Voix basse
2
Chorale SSAATB
2
Chorale SSATTB
2
Voix et basse continue
2
Voix Soprano, Orchestre
1
Soli, choeur mixte et accompagnement
1
Chorale SAATB A Cappella
1
Chorale SATBB
1
Voix Mezzo-Soprano, Piano
1
+ 28 instrumentations
Retracter
Vents
Saxophone (partie séparée)
899
Flûte traversière
885
Clarinette
843
Saxophone Alto
709
2 Saxophones (duo)
677
Flûte traversière et Piano
623
Saxophone Tenor
580
Clarinette et Piano
533
Quatuor de Saxophones: 4 saxophones
518
Hautbois (partie séparée)
515
Hautbois, Piano (duo)
473
Saxophone
408
2 Flûtes traversières (duo)
390
Flûte, Hautbois, Clarinette, Basson
380
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
376
Saxophone Alto et Piano
373
2 Clarinettes (duo)
362
Flûte à bec Soprano
303
Ocarina
279
Saxophone Tenor et Piano
256
Quatuor de Clarinettes: 4 clarinettes
232
Flûte à bec Alto
210
Quintette de Saxophone: 5 saxophones
203
Saxophone Soprano et Piano
167
Saxophone, Clarinette (duo)
166
2 Hautbois (duo)
166
Flûte, Clarinette (duo)
164
Clarinette, Violon (duo)
163
3 Saxophones (trio)
143
Quatuor de Flûtes : 4 flûtes
135
Hautbois
124
Hautbois, Basson (duo)
123
Saxophone Baryton, Piano
119
Clarinette, Trompette (duo)
116
Hautbois, Clarinette (duo)
110
2 Flûte à bec (duo)
109
Clarinette et Alto
94
3 Clarinettes (trio)
91
Flûte, Alto (duo)
89
Ensemble de Clarinettes
87
Flûte et Guitare
87
Cor anglais, Piano
84
Flûte, Violon
82
Flûte à Bec
81
Trio de Flûtes: 3 flûtes
77
Cor Anglais
73
Ensemble de Flûtes
72
Ensemble de saxophones
67
Flûte, Saxophone (duo)
62
Clarinette Basse, Piano
62
Flûte, Violoncelle
60
Clarinette (partie séparée)
59
Hautbois, Flûte
57
Quintette de Clarinettes: 5 clarinettes
56
Flute (partie séparée)
56
Clarinette, Basson (duo)
52
Flûte, Trompette (duo)
52
Saxophone Soprano
51
Saxophone Baryton
47
Flûte à bec Alto, Piano
41
Flûte, Hautbois (duo)
38
Clarinette, Violoncelle (duo)
37
Flûte, Hautbois, Clarinette (trio)
36
Quatuor de Flûtes à bec
35
Hautbois, Violoncelle
33
Quintette de Flûte : 5 flûtes
33
Flûte, Clarinette et Basson
32
Ensemble De Flûte à bec
29
Clarinette, Guitare (duo)
29
Hautbois, violon (duo)
25
Hautbois, Clarinette, Basson (trio d'anches)
24
Flûte, Hautbois, Basson
23
Hautbois et alto (duo)
23
Flûte, Violon, Piano
21
Harmonica
20
Saxophone et Guitare
17
Flûte à bec Tenor
17
Flûte, Trombone (duo)
16
Clarinette, Trombone (duo)
15
3 Flûtes à bec (trio)
14
Flûte à bec Soprano, Piano
13
Flûte, Tuba (duo)
13
Flûte, Clarinette, Violon (trio)
13
Hautbois, Guitare (duo)
12
Clarinette Basse
12
5 Flûtes à bec
12
Clarinette, Tuba
12
Piccolo
11
Piccolo, Piano
9
Flûte à Bec, Piano
9
Hautbois, trombone (duo)
9
Flûte, Violon, Violoncelle et Piano
9
Flûte, Hautbois, Piano (trio)
8
Flûte, Clarinette, Piano (trio)
8
Flûte, Violon et Violoncelle
7
Cor anglais, Guitare (duo)
7
2 Flûtes traversières, Piano
7
Instruments en Mib
7
4 Hautbois
6
Flûte, Basson et Piano
6
2 Clarinettes, Piano
6
2 Saxophones, Piano
5
Flûte, Alto et Piano
5
Ensemble de Hautbois
5
Flute, harpe et violon
5
3 Hautbois
5
Clarinette, Harpe (duo)
5
Saxophone et Piano
4
Flûte et Trio à cordes
4
Flûte, Hautbois, Violon
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Harpe
3
Flûte irlandaise
3
Flûte, Harpe et Violoncelle
3
Saxophone et Orgue
3
Saxophone et Harpe
2
Hautbois, Violon, Piano
2
Hautbois, Basson et Piano
2
Flûte traversière, Orgue (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Basson, Piano (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Contrebasse (duo)
2
Cornemuse
1
Ensemble à vent
1
Flûte de Pan
1
2 Clarinettes, Basson
1
Clarinette, Alto et Piano (trio)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Hautbois, Violoncelle et Piano
1
2 Flûtes traversières, Harpe
1
Flûte, trombone et piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Orgue
1
Flûte, Violoncelle, Guitare
1
2 Flûtes traversières, Guitare
1
2 Flûtes à bec, Piano
1
Cor anglais et Harpe (duo)
1
Clarinette, Orgue
1
Hautbois, Trompette (duo)
1
+ 138 instrumentations
Retracter
Cuivres
Trompette
761
Trombone
698
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
430
Trompette, Piano
401
Cor
397
Trombone et Piano
350
Cor et Piano
311
Tuba
300
Quatuor de Cuivres : 2 trompettes, trombone, tuba
231
2 Trompettes (duo)
206
Trompette (partie séparée)
197
2 Trombones (duo)
183
Tuba et Piano
163
Quatuor de Cuivres
150
Trombone (partie séparée)
141
Euphonium
136
Trompette, Trombone (duo)
134
Trompette, Saxophone (duo)
121
2 Cors (duo)
93
Quatuor de Cuivres: 2 trompettes, Cor, trombone
92
Cor anglais, Piano
84
Cor Anglais
73
Euphonium, Piano (duo)
62
Quatuor de cuivres: 4 trombones
62
2 Tubas (duo)
45
Trompette, Cor (duo)
44
Cor (partie séparée)
41
Tuba (partie séparée)
40
Quatuor de cuivres: 4 cors
38
Tuba et Orgue
32
Quatuor de cuivres: 4 trompettes
24
Trompette, Tuba (duo)
20
Trio de Cuivres
18
Ensemble de Trombones
18
3 Trombones (trio)
18
4 Tubas
17
Ensemble de Cors
13
3 Trompettes (trio)
13
Trombone, Violon (duo)
12
Ensemble de Trompettes
12
Trombone, Cor (duo)
12
Trombone basse et Piano
11
Trombone basse
11
Cor, Tuba (duo)
11
2 Euphoniums et 2 Tubas
11
2 Euphoniums (duo)
10
Instruments en Sib
9
Trompette, Violoncelle (duo)
7
Cor anglais, Guitare (duo)
7
Bass Clef Instruments
7
3 Cors (trio)
7
3 Tubas (trio)
6
Trombone, Tuba (duo)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Cor, Violoncelle (duo)
5
Trompette, Basson (duo)
5
Trompette et Guitare
5
Cor et Basson (duo)
4
Trompette, violon (duo)
4
Instruments en Fa
3
Euphonium, Tuba (duo)
3
Cor et Harpe
3
Ensemble de Tubas
2
Cornet A Pistons
2
2 Cors Anglais Et Pianoforte
2
Trompette, Violoncelle et Piano
2
Trombone, Orgue
2
Cornet et Piano
2
Trompette, Euphonium (duo)
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
2 Cors, Piano
1
Cor, Orchestre
1
Trompette, Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
Cornet et orchestre
1
Cor anglais et Harpe (duo)
1
Trombone, Alto (duo)
1
+ 73 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 293
Violon
1 045
Violon et Piano
850
Violoncelle
834
Alto seul
525
Violoncelle, Piano
511
Alto, Piano
471
Harpe
380
Violon, Violoncelle (duo)
362
2 Violons (duo)
325
2 Violoncelles (duo)
264
Violon, Alto (duo)
241
2 Altos (duo)
204
Quintette à cordes: 2 violons, alto, violoncelle, basse
202
Trio à Cordes: violon, alto, violoncelle
199
Alto (partie séparée)
188
Contrebasse, Piano (duo)
177
Contre Basse
172
Trio à Cordes: 2 violons, violoncelle
104
Violon (partie séparée)
91
2 Harpes (duo)
64
Alto, Violoncelle (duo)
63
Violon, Guitare (duo)
54
Contrebasse (partie séparée)
54
Trio à cordes: 3 violins
47
Trio à Cordes: 3 violoncelles
45
Violon, Basson (duo)
44
2 Contrebasses (duo)
41
Trio à cordes
36
4 Violoncelles
35
Violoncelle (partie séparée)
28
Trio à cordes: 3 altos
27
Quatuor à cordes: 4 violons
24
Piano Trio: Violon, Alto, Piano
19
Quatuor à cordes : 4 altos
17
Harpe, Flûte (duo)
17
Violoncelle, Contrebasse (duo)
16
Violoncelle , Guitare (duo)
16
Violon, Tuba (duo)
13
Harpe, Violon (duo)
12
Alto, Guitare (duo)
12
Alto et Basson
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Trio à Cordes: 2 violons, alto
8
Flûte, Contrebasse (duo)
8
Harpe, Violoncelle (duo)
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Harpe, Voix
7
Ensemble de Violoncelles
4
Ensemble de Violons
4
Harpe, Violon, Violoncelle
4
Autoharp
3
2 Violons, Piano
3
Alto et Harpe
3
2 Violoncelles, Piano
3
Harpe et Piano
3
5 Harpes
2
Violoncelle, Basse continue
2
3 Harpes
2
Violoncelle, Orgue
2
Violon, Orgue
2
4 Contrebasses
2
Alto, Orgue
2
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Basse continue
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 631
Batterie
806
Orchestre à Cordes
633
Orchestre
399
Ensemble Jazz
375
Ensemble de cuivres
355
Cloches
341
Fanfare
213
Orchestre de chambre
117
Ensemble de Percussions
93
Jazz combo
83
Percussion (partie séparée)
56
Batterie (partie séparée)
42
Marimba
35
Xylophone, Piano
24
Xylophone
21
Percussion
17
2 Xylophones
12
Vibraphone
10
Timbales (partie séparée)
6
Ensemble d'École
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Quintette à Vent
3
Piano et Orchestre
2
Timbales
2
3 Marimbas
2
Bongos
1
2 Marimbas
1
Marimba ou Xylophone et Piano
1
Caisse Claire
1
Orchestre, Violon
1
Conga
1
2 Caisses Claires (duo)
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
8
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Euphonium, Piano (duo)
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Similarities
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Euphonium, Piano (duo)
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Ifor James
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Similarities
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 3 - SKU: R0.49620 Composed by Ifor James. Euphonium & Piano. Score and parts. 10 pages. Duration 4'00. Editions Marc Reift - D...
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Euphonium & Piano - Grade 3 - SKU: R0.49620 Composed by Ifor James. Euphonium & Piano. Score and parts. 10 pages. Duration 4'00. Editions Marc Reift - Digital #49620. Published by Editions Marc Reift - Digital (R0.49620).
$11.95
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Chants du Rhin for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Georges Bizet
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Ralph Sauer
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Chants du Rhin for Euphonium a
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792530 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 5...
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Euphonium,Piano - Level 5 - SKU: A0.792530 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 52 pages. Gordon Cherry #5008345. Published by Gordon Cherry (A0.792530). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor. This version includes parts in B-flat treble clef as well as bass clef.
$22.50
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Eup
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bohm: Calm as the Night for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Ba
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549416 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.549416 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493731. Published by jmsgu3 (A0.549416). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular. His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be! Contact www.jamesguthrie.com to register for free lifetime upgrades and revisions of this product.
$26.95
Bohm: Calm as the Night for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Eu
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549414 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.549414 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493723. Published by jmsgu3 (A0.549414). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
Finera
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Jazz
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Nigel Simmons
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Finera
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Hepplewhite Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1398733 Composed by Nigel Simmons. Jazz. Score and part. 8 pages. Hepplewhite Music #982009. Published by Hepplewhit...
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Euphonium,Piano - Level 3 - SKU: A0.1398733 Composed by Nigel Simmons. Jazz. Score and part. 8 pages. Hepplewhite Music #982009. Published by Hepplewhite Music (A0.1398733). An original slow and atmospheric solo for Euphonium & Pianoby Nigel SimmonsFull Score & Set of Parts (Euphonium parts in concert pitch (Bass Clef) & Bb pitch (Treble Clef) are included)Brass Band and Concert Band accompaniments are also availablewww,hepplewhitemusic.co.uk.
$15.00
Handel: Largo from Xerxes for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Three Romances Without Words for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod
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Sauer, Ralph
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Three Romances Without Words f
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.792377 Composed by Charles Francois Gounod. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score ...
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Euphonium,Piano - Level 3 - SKU: A0.792377 Composed by Charles Francois Gounod. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820051. Published by Gordon Cherry (A0.792377). Gounod's Three Romances Without Words arranged by Ralph Sauer are taken from a group of five similarly named Romances Without Words originally composed for Piano solo between 1861 and 1866. Four of them were later arranged for Violin and Piano. The three movements are titled: 1. The Periwinkle (La Pervenche) 2. The Brook (Le Ruisseau) 3. The Evening (Le Soir) The three movements (all in bass clef) are very lyrical, about 8 minutes in length, and are perfect for intermediate and higher level performers to begin to learn the finer points of phrasing. The highest note is G above middle C.
$15.00
Bridge Over Troubled Water
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Rock
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Simon And Garfunkel
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James M
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Bridge Over Troubled Water
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.547997 By Simon And Garfunkel. By Paul Simon. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 15 page...
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Euphonium,Piano - Level 3 - SKU: A0.547997 By Simon And Garfunkel. By Paul Simon. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 15 pages. Jmsgu3 #3124421. Published by jmsgu3 (A0.547997). Simon & Garfunkel: Bridge Over Troubled Water arranged for euphonium & piano. Download includes full score (9 pages) solo part (2 pages) and piano part (4 pages). Duration: 4'54 Simon & Garfunkel's biggest hit single, this song was no. 1 on Billboard's Hot 100 for six weeks and won 5 awards at the 13th Annual Grammy Awards in 1971 - including the Grammy Award for Record of the Year and Song of the Year. Suitable for church, nightclub or recital hall.
$59.95
I Wish I Knew How It Would Feel To Be Free
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Billy Taylor
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Kevin P Holdgate
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I Wish I Knew How It Would Fee
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Kevin P Holdgate
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.791266 By Billy Taylor. By Billy Taylor. Arranged by Kevin P Holdgate. Contemporary. Score and part. 8 pages. Kevin ...
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Euphonium,Piano - Level 3 - SKU: A0.791266 By Billy Taylor. By Billy Taylor. Arranged by Kevin P Holdgate. Contemporary. Score and part. 8 pages. Kevin P Holdgate #5795727. Published by Kevin P Holdgate (A0.791266). KPHMS Solo CollectionThis is a solo arrangement of the famous theme of the long-running UK TV program Film ... hosted by the celebrated film critic Barry Norman between 1972 and 1998.This is a great song in its own right and was famously sung by amongst others the great Nina Simone at the Montreux Jazz Festival.This arrangement is aimed at around Grade 5 (ABRSM/Trinity) standard and makes for some light relief from the grade pieces.
$4.99
I Wish I Knew How It Would Feel To Be Free
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Billy Taylor
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Kevin P Holdgate
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I Wish I Knew How It Would Fee
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Kevin P Holdgate
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.791196 By Billy Taylor. By Billy Taylor. Arranged by Kevin P Holdgate. Contemporary. Score and part. 8 pages. Kevin ...
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Euphonium,Piano - Level 3 - SKU: A0.791196 By Billy Taylor. By Billy Taylor. Arranged by Kevin P Holdgate. Contemporary. Score and part. 8 pages. Kevin P Holdgate #5371119. Published by Kevin P Holdgate (A0.791196). KPHMS Solo CollectionThis is a solo arrangement of the famous theme of the long-running UK TV program Film ... hosted by the celebrated film critic Barry Norman between 1972 and 1998.This is a great song in its own right and was famously sung by amongst others the great Nina Simone at the Montreux Jazz Festival.This arrangement is aimed at around Grade 5 (ABRSM/Trinity) standard and makes for some light relief from the grade pieces.
$4.99
All Those Endearing Young Charms
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Euphonium, Piano (duo)
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Classique
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Simone Mantia
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Harold Brasch
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All Those Endearing Young Char
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Tuba- Euphonium Press
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SheetMusicPlus
Composed by Simone Mantia. Arranged by Harold Brasch. 19 pages. Published by Tuba- Euphonium Press...
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Composed by Simone Mantia. Arranged by Harold Brasch. 19 pages. Published by Tuba- Euphonium Press
$15.00
A Sky Full Of Stars
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Rock
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Coldplay
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James M
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A Sky Full Of Stars
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.548050 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M. Gut...
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Euphonium,Piano - Level 3 - SKU: A0.548050 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 16 pages. Jmsgu3 #3126035. Published by jmsgu3 (A0.548050). Score: 9 pages, solo part: 2 pages, piano part: 5 pages. Duration: 4:35A Sky Full of Stars is a song recorded by British alternative rock band Coldplay, it was released on 2 May 2014 as the third single from their sixth studio album, Ghost Stories (2014). The band co-wrote and co-produced the song with Avicii, and received production assistance from Paul Epworth, Daniel Green, and Rik Simpson. It was recorded at The Bakery and The Beehive in North London, England.
$47.95
Sonata for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Contemporain
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Luis Cardoso
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Sonata for Euphonium and Piano
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Luis Cardoso
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.934383 Composed by Luis Cardoso. Contemporary. Score and parts. 48 pages. Luis C...
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Instrumental Duet Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.934383 Composed by Luis Cardoso. Contemporary. Score and parts. 48 pages. Luis Cardoso #6168235. Published by Luis Cardoso (A0.934383). Sonata for Euphonium and Piano, Op. 53 (2017) 1. Lento - Allegro Moderato 2. Andante - Poco più mosso agitato - Tempo primo 3. Allegro giusto. Rondo World Premiere: Mauro Martins, euphonium (Adams artist) Bernardo Pinhal, piano Live at GravÃssimo! 2017 / August 30.2017 Alcobaça Monastery, Cluster D. Afonso V .
$35.00
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Festival Piece in Classical Style for Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Kenneth Baird
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Festival Piece in Classical St
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Kenneth Baird Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185...
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Euphonium,Piano - Level 3 - SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185. Published by Kenneth Baird Music (A0.1311839). The beloved classical trumpet concertos of Haydn and Hummel, and the horn concertos of Mozart, are performed more often than any other concertos for brass instruments. Young euphonium and baritone students may hear these works and aspire to perform them or something in a similar style, but may have difficulty finding something suitable. Festive Piece in Classical Style may be just what they're looking for. While composed in 2023, every effort has been made to compose this in a true classical style. Memorable lyrical melodies, legato, staccato, and marcato passages, dynamic variety, and traditional harmonies, while requiring only limited range demands, make this an outstanding choice for someone seeking to perform an intermediate-level classical-style solo. The top note is a concert G that occurs only once and an optional lower note is provided for any who might need it. While composed originally for trumpet, the composer feels this works equally well on euphonium. The piano accompaniment is accessible to advanced intermediate pianists. Bass Clef and Treble Clef solo parts are provided. This solo would likely be classified on the easier side of a 4.
$10.99
Goethe Lieder for Euphonium solo and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Mendelssohn-Hansel, Fanny
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Darling, Steven
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Goethe Lieder for Euphonium so
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.810857 Composed by Mendelssohn-Hansel, Fanny. Arranged by Darling, Steven. Classical,Romantic Period. Score and part...
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Euphonium,Piano - Level 3 - SKU: A0.810857 Composed by Mendelssohn-Hansel, Fanny. Arranged by Darling, Steven. Classical,Romantic Period. Score and part. 13 pages. Gordon Cherry #3585409. Published by Gordon Cherry (A0.810857). Fanny Mendelssohn-Hensel wrote over 460 works, mostly for solo piano and voice (lieder). She set over 34 songs to poems by Goethe, who was her favorite poet. Her songs are very expressive and are in a similar style as Schubert.The Goethe Lieder is a collection of four songs and is just right for a young performer at the intermediate level, however even a mature artist will enjoy the beautiful music of this talented composer.
$15.00
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