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FLUTE DE PA…
FORMATION M…
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LUTH, THEOR…
MANDOLINE
MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
FILM WALT DISNEY
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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METHODE : ETUDES
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POLKA
POP ROCK - POP MUSIC
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PUNK
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Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Virtualsheetmusic
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Ventes
Prix - au +
Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
5101
PIANO & CLAVIERS
Piano seul
2827
Piano, Voix
1123
Piano, Voix et Guitare
825
Piano Facile
658
Orgue
624
Accompagnement Piano
282
Instruments en Do
197
1 Piano, 4 mains
105
2 Pianos, 4 mains
69
Piano Trio: piano, violon, violoncelle
37
Piano (partie séparée)
31
Clavecin
16
Piano Quatuor: piano, 2 violons, violoncelle
15
Piano grosses notes
14
Orgue, Trompette (duo)
9
Orgue, Piano (duo)
9
Orgue, Voix
8
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 6 mains
4
Accordéon
3
3 Pianos
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ensemble de Pianos
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
96
Guitare notes et tablatures
76
Guitare
47
Ukulele
33
Paroles et Accords
12
Guitare (partie séparée)
7
2 Guitares (duo)
7
Piano, Guitare (duo)
5
4 Guitares (Quatuor)
3
Basse electrique
2
Dulcimer
2
Banjo
2
Guitare Pedal Steel
1
Mandoline
1
Basse électrique (partie séparée)
1
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VOIX
Chorale SATB
3792
Chorale Unison
988
Chorale 2 parties
938
Chorale 3 parties
870
Voix duo, Piano
312
Chorale
208
Chorale TTBB
206
Voix seule
125
Chorale SSAA
104
Voix duo
84
Voix Soprano, Piano
27
Voix, Guitare
19
Voix moyenne, Piano
14
Chorale, Orgue
14
Voix haute
13
Voix basse, Piano
9
Voix Tenor, Piano
6
Voix Alto, Piano
5
Chorale SSATTB
5
Chorale SSAATTBB
3
Chorale SSATB
3
Voix basse
2
Chorale SSAB a cappella
2
Voix Tenor
2
Voix Soprano, Orchestre
1
Voix duo, Orgue
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Voix Baryton, Piano
1
Chorale SSAATB A Cappella
1
Chorale SSAATB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
278
Saxophone Alto et Piano
184
Hautbois, Piano (duo)
158
Clarinette et Piano
152
Flûte, Hautbois, Clarinette, Basson
146
Quatuor de Saxophones: 4 saxophones
144
2 Flûtes traversières (duo)
131
Saxophone Tenor et Piano
98
2 Saxophones (duo)
92
2 Clarinettes (duo)
82
Clarinette
79
Flûte traversière
73
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Flûte, Clarinette (duo)
66
Saxophone (partie séparée)
59
Saxophone Soprano et Piano
59
Quatuor de Clarinettes: 4 clarinettes
55
Clarinette (partie séparée)
52
Hautbois (partie séparée)
50
Saxophone Baryton, Piano
48
Quatuor de Flûtes : 4 flûtes
42
Quintette de Saxophone: 5 saxophones
40
Flute (partie séparée)
39
Saxophone Alto
39
Trio de Flûtes: 3 flûtes
36
Cor anglais, Piano
29
Saxophone et Piano
24
Ensemble de Clarinettes
23
3 Clarinettes (trio)
22
3 Saxophones (trio)
22
Hautbois, Basson (duo)
19
Clarinette, Basson (duo)
17
Flûte et Guitare
16
Clarinette, Violon (duo)
14
Ensemble de Flûtes
14
Clarinette Basse, Piano
13
2 Hautbois (duo)
13
Saxophone, Clarinette (duo)
12
Hautbois, Clarinette (duo)
11
Flûte, Violon, Piano
11
Hautbois
11
Flûte, Clarinette, Piano (trio)
11
Flûte, Hautbois, Violon
11
Clarinette, Trompette (duo)
11
2 Flûtes traversières, Piano
10
Flûte, Trompette (duo)
9
Flûte, Violon
9
Hautbois, Flûte
9
Flûte à bec Soprano
8
Flûte, Violoncelle
8
Flûte à bec Soprano, Piano
8
Quintette de Flûte : 5 flûtes
8
Quintette de Clarinettes: 5 clarinettes
8
Piccolo
8
2 Saxophones, Piano
7
Flûte, Basson et Piano
7
Flûte, Violoncelle, Piano (trio)
7
Saxophone Tenor
7
Flûte à bec Alto
6
Flûte, Trombone (duo)
6
Flûte, Guitare, Piano
6
Ensemble de saxophones
6
Clarinette et Alto
5
2 Flûte à bec (duo)
5
Flûte, Hautbois (duo)
5
Flûte à Bec
5
Clarinette, Harpe (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Flûtes à bec
5
Flûte à bec Tenor
4
Flûte, Clarinette et Basson
4
Cor Anglais
4
Flûte, Alto (duo)
4
2 Clarinettes, Piano
4
Flûte, Saxophone (duo)
3
Saxophone et Orgue
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Hautbois, Piano (trio)
3
Hautbois, Violoncelle
3
Saxophone
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Basson, Piano (trio)
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flute, Cor (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Violon et Violoncelle
2
Clarinette, trompette et piano
2
Flûte à bec Alto, Piano
2
Clarinette, Violoncelle (duo)
2
Saxophone et Harpe
2
Ensemble De Flûte à bec
2
Flûte, trombone et piano
2
Flûte, Hautbois, Basson
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Alto et Piano
2
Hautbois, Harpe
1
Saxophone Soprano
1
4 Hautbois
1
Clarinette, Tuba
1
Hautbois et alto (duo)
1
Flûte, Violon, Guitare
1
Flute, harpe et violon
1
Clarinette, Alto et Piano (trio)
1
Hautbois, trombone (duo)
1
3 Flûtes à bec (trio)
1
Piccolo, Piano
1
3 Hautbois
1
Clarinette, Trombone (duo)
1
Saxophone Baryton
1
Flûte, Tuba (duo)
1
Instrumentations suivantes
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CUIVRES
Trompette, Piano
163
Trombone et Piano
139
Cor et Piano
123
Quatuor de Cuivres : 2 trompettes, trombone, tuba
117
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
90
Trompette (partie séparée)
83
Trompette
72
Trombone (partie séparée)
56
Quatuor de Cuivres
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
2 Trompettes (duo)
42
Tuba et Piano
37
2 Trombones (duo)
32
2 Cors (duo)
30
Trombone
29
Cor anglais, Piano
29
Cor (partie séparée)
26
Euphonium, Piano (duo)
24
Trompette, Trombone (duo)
20
Cor
19
Quatuor de cuivres: 4 cors
19
Trompette, Cor (duo)
13
Trio de Cuivres
11
Tuba (partie séparée)
10
Quatuor de cuivres: 4 trombones
10
Quatuor de cuivres: 2 trompettes, 2 trombones
9
Trompette, Saxophone (duo)
8
Ensemble de Trombones
8
Ensemble de Trompettes
8
3 Trompettes (trio)
7
Tuba
5
3 Trombones (trio)
5
Cor Anglais
4
Trompette, Tuba (duo)
3
Trombone, Orgue
3
Quatuor de cuivres: 4 trompettes
3
3 Cors (trio)
3
Trompette, Violoncelle et Piano
2
Trompette, Trombone, Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums (duo)
2
2 Tubas (duo)
2
Euphonium, Tuba (duo)
2
Cor et Harpe
2
Trompette, Harpe
1
2 Euphoniums et 2 Tubas
1
Trombone, Violon (duo)
1
Cor et Orgue
1
Trombone, Tuba (duo)
1
Clarinette, Cor (duo)
1
Instrumentations suivantes
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CORDES
Violon et Piano
352
Quatuor à cordes: 2 violons, alto, violoncelle
292
Violoncelle, Piano
175
Alto, Piano
150
Harpe
119
Violon (partie séparée)
76
Violon
70
2 Violons (duo)
68
Violoncelle (partie séparée)
67
Violon, Violoncelle (duo)
65
Trio à Cordes: violon, alto, violoncelle
54
2 Violoncelles (duo)
52
Contrebasse (partie séparée)
46
Violon, Alto (duo)
46
Alto seul
42
Alto (partie séparée)
34
Piano Trio: Violon, Alto, Piano
26
Trio à Cordes: 2 violons, violoncelle
26
2 Harpes (duo)
23
2 Altos (duo)
23
Alto, Violoncelle (duo)
20
Contrebasse, Piano (duo)
18
Contre Basse
15
Violoncelle
13
Harpe (partie séparée)
12
Harpe, Flûte (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Ensemble de Violons
8
Harpe, Voix
8
Ensemble d'Altos
7
4 Violoncelles
7
Quatuor à cordes: 4 violons
6
Trio à cordes: 3 violins
5
Trio à Cordes: 3 violoncelles
4
Harpe, Violon (duo)
4
2 Violoncelles, Piano
4
Violon, Clarinette, Piano (trio)
3
Quatuor à cordes : 4 altos
3
2 Violons, Piano
3
Trio à Cordes: 2 violons, alto
3
Alto et Harpe
2
2 Contrebasses (duo)
2
Harpe, Violoncelle (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
3 Harpes
1
Violon, Orgue
1
Harpe et Piano
1
Violoncelle, Orgue
1
Autoharp
1
Harpe, Trombone (duo)
1
Violon, Tuba (duo)
1
Violon, Guitare (duo)
1
Violon, Basson (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Cloches
635
Orchestre
118
Orchestre d'harmonie
107
Orchestre à Cordes
91
Ensemble de cuivres
76
Ensemble Jazz
59
Orchestre de chambre
52
Percussion (partie séparée)
42
Piano et Orchestre
18
Jazz combo
15
Batterie (partie séparée)
8
Quintette à Vent
4
Ensemble de Percussions
3
Timbales
3
Xylophone, Piano
2
Percussion
2
Quintette de Cuivres: autres combinaisons
2
Batterie
2
Timbales (partie séparée)
2
Fanfare
2
Marimba
1
Instrumentation Flexible
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Sing Sacred
SheetMusicPlus
Partitions à imprimer
24 partitions trouvées
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1
Hark, The Herald Angels Sing - Euphonium with Piano accompaniment
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1391360 Composed by Felix Bart…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1391360 Composed by Felix Bartholdy Mendelssohn. Arranged by Bragi Thor Valsson. 19th Century,Christian,Christmas,Religious,Sacred. Score and part. 8 pages. Bragi Thor Valsson #974897. Published by Bragi Thor Valsson (A0.1391360). An arrangement of the Christmas song Hark, The Herald Angels Sing for Euphonium with Piano accompaniment.Two scores are provided - one version is in bass clef, concert pitch, and the other one is in treble clef for Bb euphonium.
$4.99
4.61 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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Bragi Thor Valsson
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Hark, The Herald Angels Sing - Euphonium with Piano accompaniment
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Bragi Thor Valsson
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SheetMusicPlus
Hark, the Herald Angels Sing (Solo Trombone and Piano)
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.723371 Composed by Charles Wes…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.723371 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 8 pages. Lagom Music #6132665. Published by Lagom Music (A0.723371). This instrumental solo arrangement by composer Garrett Breeze features simple harmonies accompanied by a challenging piano part written in a classical, quasi-operatic style, giving the piece a majestic feeling. Listeners will also hear references to the carol Angels We Have Heard on High which accompany the first two verses as a new refrain.
$5.99
5.53 €
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Euphonium, Piano (duo)
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Charles Wesley, Felix Mendelssohn
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Garrett Breeze
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Hark, the Herald Angels Sing
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Lagom Music
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SheetMusicPlus
Hark, the Herald Angels Sing (Solo Euphonium and Piano)
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.723372 Composed by Charles Wes…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.723372 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 8 pages. Lagom Music #6132669. Published by Lagom Music (A0.723372). This instrumental solo arrangement by composer Garrett Breeze features simple harmonies accompanied by a challenging piano part written in a classical, quasi-operatic style, giving the piece a majestic feeling. Listeners will also hear references to the carol Angels We Have Heard on High which accompany the first two verses as a new refrain.
$5.99
5.53 €
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Euphonium, Piano (duo)
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Charles Wesley, Felix Mendelssohn
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Garrett Breeze
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Hark, the Herald Angels Sing
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Lagom Music
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SheetMusicPlus
Come, Thou Fount of Every Blessing (Jupiter) - Solo Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.723280 Composed by Gustav Hols…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.723280 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083269. Published by Lagom Music (A0.723280). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
$5.99
5.53 €
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Euphonium, Piano (duo)
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Gustav Holst / John Wyeth
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Garrett Breeze
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Come, Thou Fount of Every Blessing
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Lagom Music
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SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.89 €
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Euphonium, Piano (duo)
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frid…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.43 €
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Euphonium, Piano (duo)
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23.04 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23.04 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.594416 Composed by G F Handel.…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.25 €
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Euphonium, Piano (duo)
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Five Christmas Songs - Euphonium with Piano accompaniment
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1432298 Composed by Traditiona…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1432298 Composed by Traditional. Arranged by Bragi Thor Valsson. 19th Century,Christian,Christmas,Religious,Sacred. Score and part. 30 pages. Arctic Dragon #1012787. Published by Arctic Dragon (A0.1432298). Arrangements of the following five Christmas songs for Euphonium with Piano Accompaniment:God Rest You, Merry GentlemenHark, The Herald Angels SingIn The Bleak MidwinterIt Came Upon The Midnight ClearWe Three KingsTwo scores are provided for each song - one version is in bass clef, concert pitch, and the other one is in treble clef for Bb euphonium.
$19.99
18.46 €
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Euphonium, Piano (duo)
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Traditional
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Bragi Thor Valsson
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Five Christmas Songs - Euphonium with Piano accompaniment
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Arctic Dragon
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SheetMusicPlus
When the Roll is Called Up Yonder, Gospel Hymn for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.593465 Composed by James Milto…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.593465 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421157. Published by David McKeown (A0.593465). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo Euphonium and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
$2.49
2.3 €
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Euphonium, Piano (duo)
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James Milton Black
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David McKeown
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When the Roll is Called Up Yonder, Gospel Hymn for Euphonium and Piano
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David McKeown
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SheetMusicPlus
Blessed Assurance for Baritone/Euphonium
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.968329 Composed by Phoebe P. K…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.968329 Composed by Phoebe P. Knapp. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6519831. Published by Lawrence H Underwood (A0.968329). Arranged by veteran performer and music educator, Lawrence Underwood, as the second installment in his 2021 Hymn Song Collection series, this brand new setting of Blessed Assurance is sure to be a hit! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to make your performance a rousing success!
$5.99
5.53 €
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Euphonium, Piano (duo)
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Phoebe P
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Lawrence H
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Blessed Assurance for Baritone/Euphonium
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Lawrence H Underwood
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SheetMusicPlus
This Is My Father's World for Baritone/Euphonium
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.968433 Composed by Traditional…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.968433 Composed by Traditional English Melody. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6566649. Published by Lawrence H Underwood (A0.968433). Arranged by veteran performer and music educator, Lawrence Underwood, as the eighth installment in his 2021 Hymn Song Collection series, this brand-new setting of the traditional English melody This Is My Father's World begins as a wistful ballad, moving into a lilting waltz feel, before its rousing march finale. Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite for listener and performer alike!
$5.99
5.53 €
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Euphonium, Piano (duo)
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Traditional English Melody
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Lawrence H
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This Is My Father's World for Baritone/Euphonium
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Lawrence H Underwood
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SheetMusicPlus
A Mighty Fortress for Baritone/Euphonium
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.968311 Composed by Martin Luth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.968311 Composed by Martin Luther. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6515885. Published by Lawrence H Underwood (A0.968311). Arranged by veteran performer and music educator, Lawrence Underwood, as the first installment in his 2021 Hymn Song Collection series, this brand new setting of A Mighty Fortress is sure to be a hit! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to make your performance a rousing success!
$5.99
5.53 €
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Euphonium, Piano (duo)
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Martin Luther
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Lawrence H
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A Mighty Fortress for Baritone/Euphonium
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Lawrence H Underwood
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-G…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.34 €
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Euphonium, Piano (duo)
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Baritone
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Colin Kirkpatrick Publications
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SheetMusicPlus
Just As I Am, Gospel Hymn for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.592915 Composed by Charlotte E…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.592915 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413415. Published by David McKeown (A0.592915). Just as I Am is a beautiful hymn arranged here for Solo Euphonium and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.3 €
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Euphonium, Piano (duo)
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Charlotte Elliott
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David McKeown
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Just As I Am, Gospel Hymn for Euphonium and Piano
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.587890 Composed by Various. Ar…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.587890 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037731. Published by David McKeown (A0.587890). 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Euphonium part are included in the single PDF file.16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$7.60
7.02 €
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Euphonium, Piano (duo)
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Various
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David McKeown
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16 Favourite Easter Hymns for Solo Euphonium and Piano
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David McKeown
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SheetMusicPlus
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