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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Singin
Non classifié
2 536
Piano & claviers
Piano, Voix
1 159
Piano, Voix et Guitare
769
Piano seul
587
Piano Facile
294
Orgue
196
Instruments en Do
134
Accompagnement Piano
87
1 Piano, 4 mains
18
Piano (partie séparée)
7
2 Pianos, 4 mains
6
Piano grosses notes
6
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
4
Accordéon
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Ligne De Mélodie, Piano
1
Accordéon, Voix
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
105
Guitare notes et tablatures
81
Ukulele
57
Guitare
31
Paroles et Accords
26
Mandoline
6
Guitare (partie séparée)
5
Dulcimer
5
Banjo
3
Basse electrique
3
3 Guitares (trio)
2
Ukulele Baryton
1
Piano, Guitare (duo)
1
Partitions De Groupes
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
1 498
Chorale 3 parties
804
Chorale Unison
689
Chorale 2 parties
565
Chorale TTBB
474
Chorale SSAA
244
Voix duo, Piano
121
Pack Instrumental pour Chorale
113
Chorale
52
Voix duo
42
Voix seule
35
Voix Soprano, Piano
19
Voix haute
16
Voix moyenne, Piano
11
Voix basse, Piano
8
Voix Alto, Piano
6
Voix Baryton, Piano
5
Chorale SSAATTBB
5
Chorale SSATTB
3
Chorale SSAB a cappella
2
Chorale SSATB
2
Voix basse
2
Voix duo, Orgue
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Chorale SATBB
1
Voix Moyenne
1
Voix, Guitare
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
52
Flûte traversière
50
Saxophone Alto et Piano
48
Clarinette et Piano
47
Flûte, Hautbois, Clarinette, Basson
39
Saxophone (partie séparée)
39
Hautbois, Piano (duo)
37
Quatuor de Saxophones: 4 saxophones
35
Saxophone Tenor et Piano
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Hautbois (partie séparée)
31
2 Saxophones (duo)
29
Saxophone Soprano et Piano
24
Clarinette
23
Saxophone Alto
21
Quatuor de Clarinettes: 4 clarinettes
20
Clarinette (partie séparée)
20
2 Flûtes traversières (duo)
17
2 Clarinettes (duo)
16
Flûte et Guitare
16
Saxophone Tenor
16
Saxophone Baryton, Piano
15
Ensemble de Flûtes
13
Cor anglais, Piano
12
Saxophone
12
Quintette de Saxophone: 5 saxophones
11
Quintette de Clarinettes: 5 clarinettes
11
Ensemble de Clarinettes
10
Saxophone, Clarinette (duo)
10
Flûte, Violon, Piano
9
Flute (partie séparée)
9
Clarinette, Violon (duo)
8
Clarinette, Guitare (duo)
8
Flûte, Clarinette (duo)
7
Clarinette Basse, Piano
7
Ensemble de saxophones
6
Clarinette, Trompette (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte à bec Soprano
6
Quintette de Flûte : 5 flûtes
5
Flûte à bec Alto
5
2 Hautbois (duo)
5
Quatuor de Flûtes : 4 flûtes
5
3 Clarinettes (trio)
5
Clarinette et Alto
4
Flûte, Violon
4
Flûte, Saxophone (duo)
4
Hautbois, Basson (duo)
4
Hautbois, Clarinette (duo)
4
3 Saxophones (trio)
3
Saxophone Soprano
3
Flûte à bec Tenor
3
Flûte à Bec
3
Flûte, Alto (duo)
3
Hautbois, Flûte
3
Cor anglais, Guitare (duo)
3
Flûte, Clarinette et Basson
3
2 Clarinettes, Piano
2
Piccolo, Piano
2
Flûte, Trompette (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Saxophone et Orgue
2
Harmonica
2
Ensemble De Flûte à bec
2
Ocarina
2
Hautbois, Guitare (duo)
1
Flûte traversière, Orgue (duo)
1
Piccolo
1
Quatuor de Flûtes à bec
1
Flûte irlandaise
1
Saxophone et Guitare
1
Clarinette, Basson, Piano (trio)
1
Hautbois
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
Hautbois, violon (duo)
1
4 Hautbois
1
Clarinette Basse
1
Clarinette, Orgue
1
Clarinette, Alto et Piano (trio)
1
Cor Anglais
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois (duo)
1
+ 80 instrumentations
Retracter
Cuivres
Trombone et Piano
44
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Trompette (partie séparée)
41
Trompette
37
Trombone (partie séparée)
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette, Piano
25
Cor et Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone
18
2 Trompettes (duo)
14
Cor anglais, Piano
12
Quatuor de Cuivres
12
Euphonium, Piano (duo)
10
Cor (partie séparée)
10
Quatuor de cuivres: 4 cors
9
2 Trombones (duo)
9
Trompette, Saxophone (duo)
7
Tuba et Piano
7
2 Euphoniums et 2 Tubas
6
Tuba (partie séparée)
6
Cor
4
Trompette, Trombone (duo)
4
Tuba
4
Trompette, Cor (duo)
3
Cor anglais, Guitare (duo)
3
2 Cors (duo)
3
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
Cor, Violoncelle (duo)
1
Trombone, Orgue
1
2 Cors, Piano
1
Bass Clef Instruments
1
2 Trompettes, Clavier (piano ou orgue)
1
Euphonium
1
Cor Anglais
1
Trombone basse
1
3 Trompettes (trio)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
189
Violon et Piano
61
Violon
58
Violoncelle
49
Violon, Violoncelle (duo)
44
Violoncelle, Piano
37
Alto seul
34
Alto, Piano
34
Harpe
31
Trio à Cordes: 2 violons, violoncelle
26
Violon (partie séparée)
23
Contrebasse (partie séparée)
19
2 Violons (duo)
18
Contre Basse
16
2 Violoncelles (duo)
15
Trio à Cordes: violon, alto, violoncelle
14
Violon, Alto (duo)
11
2 Harpes (duo)
9
2 Altos (duo)
9
Contrebasse, Piano (duo)
7
Harpe, Voix
6
Alto (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Harpe, Flûte (duo)
4
Violoncelle (partie séparée)
4
Autoharp
3
Violoncelle , Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
3
Alto, Guitare (duo)
2
4 Violoncelles
2
Harpe, Violon (duo)
2
Violon, Guitare (duo)
2
Alto, Orgue
1
Ensemble de Violons
1
Violoncelle, Orgue
1
Violon, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe et mandoline
1
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Cloches
415
Orchestre d'harmonie
269
Orchestre
99
Ensemble de cuivres
67
Orchestre à Cordes
62
Ensemble Jazz
41
Fanfare
28
Orchestre de chambre
26
Percussion (partie séparée)
17
Batterie
9
Jazz combo
7
Batterie (partie séparée)
4
Ensemble de Percussions
4
Percussion
2
Vibraphone
2
Xylophone, Piano
1
3 Percussions
1
Timbales (partie séparée)
1
Timbales
1
Marimba
1
Piano et Orchestre
1
+ 16 instrumentations
Retracter
Autres
Formation musicale - Solfège
8
Théorie de la musique
3
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Singin
Euphonium, Piano (duo)
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A Whole New World
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1458243 Composed by Alan Menke…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1458243 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037220. Published by SCORE EDITIONS (A0.1458243). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for Euphonium B.C: and Piano by Harry Walker.
$5.99
5.51 €
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Euphonium, Piano (duo)
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Alan Menken and Tim Rice
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Harry Walker
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A Whole New World
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SCORE EDITIONS
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.96 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
I Write The Songs
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549340 By Barry Manilow. By Br…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486687. Published by jmsgu3 (A0.549340). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.77 €
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Euphonium, Piano (duo)
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Debussy: Claire de Lune for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550121 Composed by Claude Debu…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550121 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4596301. Published by jmsgu3 (A0.550121). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›sÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
30.32 €
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Euphonium, Piano (duo)
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Claude Debussy
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James M
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Debussy: Claire de Lune for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Queen of the Night - From the Magic Flute - 2 Euphoniums/ Trombones and Piano
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download …
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760218 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and parts. 23 pages. Raymond Fenech #3520115. Published by Raymond Fenech (A0.760218). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.Can send you backing Mp3 with proof of buying. email: rfenech58@gmail.com
$4.99
4.59 €
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Euphonium, Piano (duo)
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Queen of the Night - From the Magic Flute - 2 Euphoniums/ Trombones and Piano
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Raymond Fenech
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.96 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Four Songs for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.811048 Composed by Charles Ive…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.811048 Composed by Charles Ives. Arranged by Sauer, Ralph. 20th Century,Contemporary,Folk. Score and part. 22 pages. Gordon Cherry #4803933. Published by Gordon Cherry (A0.811048). Charles Ives was one of the first American composers to gain international recognition, although most of his music was unperformed during his lifetime. Ives wrote 114 songs including these four: 1. Memories, 2. The Side Show, 3. Dreams and 4. War Song No. 2. The songs include quotes of American folk songs, with whistling, singing and more making for a lively experience for performers and listeners. Mr. Sauer once again has edited a brilliant new transcription, bringing Ive's music to life for the Euphonium world. For moderately advanced performers, all in bass clef.
$20.00
18.41 €
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Euphonium, Piano (duo)
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Charles Ives
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Sauer, Ralph
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Four Songs for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.8 €
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Euphonium, Piano (duo)
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Pop Goes the Weasel - Theme and Variations For Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.759925 Composed by Traditional…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.759925 Composed by Traditional. Arranged by Raymond Fenech. 20th Century,Children,Instructional,Multicultural,Traditional,World. Score and part. 17 pages. Raymond Fenech #3457047. Published by Raymond Fenech (A0.759925). Pop! Goes the Weasel is an English nursery rhyme and singing game. It has a Roud Folk Song Index number of 5249. The jack-in-the-box children’s toy often plays the melody. In this nursery rhyme two variations have been added to compliment the theme. Pop Goes the Weasel is arranged for Euphonium and Piano. The level is Advanced Intermediate and the duration is 1.36 minutes.
$3.99
3.67 €
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Euphonium, Piano (duo)
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Traditional
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Raymond Fenech
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Pop Goes the Weasel - Theme and Variations For Euphonium and Piano
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Raymond Fenech
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SheetMusicPlus
Six Album Leaves from Op. 51 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.810831 Composed by Gliere, Rei…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.810831 Composed by Gliere, Reinhold. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 28 pages. Gordon Cherry #3421025. Published by Gordon Cherry (A0.810831). Gliere's beautiful character pieces, Six Album Leaves from Op. 51 are from a larger collection of twelve originally written for Cello and Piano in 1911 while the composer was living in Berlin. The composer most likely was inspired by Schumann’s versions which were unknown in Russia. The pieces are full of eastern sounding melodies and exploit the singing nature of the Euphonium. Mr. Sauer has brilliantly arranged six of these for advanced performers in bass clef.
$20.00
18.41 €
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Euphonium, Piano (duo)
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Gliere, Reinhold
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Sauer, Ralph
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Six Album Leaves from Op. 51 for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
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