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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata C Minor
Non classifié
139
Piano & claviers
Piano seul
298
Piano Facile
25
Orgue
6
Piano, Voix
5
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
Instruments en Do
1
+ 4 instrumentations
Retracter
Guitares
Guitare
20
Guitare notes et tablatures
9
2 Guitares (duo)
3
Banjo
2
Ensemble de guitares
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline, Piano (duo)
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
1
Vents
Flûte traversière et Piano
22
Clarinette et Piano
22
Saxophone Alto et Piano
17
Hautbois, Piano (duo)
16
Flûte traversière
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Saxophone Tenor et Piano
10
2 Saxophones (duo)
10
Saxophone Soprano et Piano
9
Clarinette
9
Flûte, Hautbois, Clarinette, Basson
8
Quatuor de Saxophones: 4 saxophones
8
2 Flûtes traversières (duo)
8
Quintette de Saxophone: 5 saxophones
7
2 Clarinettes (duo)
7
Flûte et Guitare
7
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
3 Saxophones (trio)
6
Clarinette Basse, Piano
6
Flûte, Clarinette et Basson
5
2 Flûte à bec (duo)
5
Saxophone Alto
5
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
Ensemble de Clarinettes
4
Flûte, Violon et Violoncelle
4
Flûte, Alto et Violoncelle
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Clarinette (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois
2
3 Flûtes à bec (trio)
2
Clarinette, Guitare (duo)
2
Ensemble à vent
1
Flûte irlandaise
1
Flûte à bec Alto, Basse continue
1
Flûte, Violon
1
Flûte à Bec
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois, Flûte
1
Trio de Flûtes: 3 flûtes
1
Saxophone Tenor
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Basson (duo)
1
3 Clarinettes (trio)
1
Flûte à bec Soprano
1
Piccolo, Piano
1
Flûte, Hautbois, Piano (trio)
1
2 Hautbois (duo)
1
Quintette de Flûte : 5 flûtes
1
Quatuor de Flûtes à bec
1
5 Flûtes à bec
1
Ensemble de Flûtes
1
Flûte à Bec, Piano
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone et Piano
10
Cor et Piano
9
Trompette, Piano
8
Euphonium, Piano (duo)
7
Cor anglais, Piano
5
Trompette
4
Trompette (partie séparée)
4
Tuba et Piano
3
2 Trombones (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trompettes (duo)
3
Trompette, Trombone (duo)
3
Quatuor de Cuivres
2
Ensemble de Cors
2
Quatuor de cuivres: 4 trombones
2
Euphonium
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
3 Cors (trio)
1
Trombone basse et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trio de Cuivres
1
Euphonium, Tuba (duo)
1
Trombone
1
3 Tubas (trio)
1
Ensemble de Trompettes
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
2 Cors (duo)
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon et Piano
33
Violon
31
Alto, Piano
29
Violoncelle, Piano
27
Violoncelle
12
2 Violons (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à Cordes: violon, alto, violoncelle
5
2 Violoncelles (duo)
5
Alto, Violoncelle (duo)
3
Violon (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
Violon, Violoncelle (duo)
3
Violoncelle, Basse continue
3
Alto seul
3
Violon, Alto (duo)
3
2 Altos (duo)
3
4 Violoncelles
2
Harpe
2
Trio à Cordes: 3 violoncelles
2
Contrebasse, Piano (duo)
2
2 Violons et Basse continue
2
Trio à cordes: 3 violins
1
Contre Basse
1
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
18
Orchestre à Cordes
7
Orchestre
5
Ensemble Jazz
5
Orchestre d'harmonie
1
Batterie
1
+ 1 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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Vous avez sélectionné:
Sonata C Minor
Euphonium, Piano (duo)
Partitions à imprimer
7 partitions trouvées
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1
Telemann: Four Sonatas for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Eup
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.551676 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.551676 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330415. Published by jmsgu3 (A0.551676). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Telemann: Sonata in C Minor for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James M
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Telemann: Sonata in C Minor fo
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550759 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedd...
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Euphonium,Piano - Level 3 - SKU: A0.550759 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 39 pages. Jmsgu3 #4803759. Published by jmsgu3 (A0.550759). Sonata in five movements. Duration: 11:47, Score: 22 pages. 209 measures. 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. Allegro
$32.95
Telemann: Sonata in C Minor for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Georg Philipp Telemann
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James M
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Telemann: Sonata in C Minor fo
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Level 3 - SKU: A0.550760 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroqu...
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Instrumental Duet Euphonium,Instrumental Duet - Level 3 - SKU: A0.550760 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and parts. 39 pages. Jmsgu3 #4803861. Published by jmsgu3 (A0.550760). Sonata in five movements. Duration: 11:47, Score: 22 pages. 209 measures. 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. Allegro
$32.95
CPE BACH: Sonata in E Minor WQ124 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551533 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,...
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Euphonium,Piano - Level 4 - SKU: A0.551533 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5309595. Published by jmsgu3 (A0.551533). Sonata in E Minor. Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95
Largo
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Euphonium, Piano (duo)
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Classique
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Johann Sebastian Bach
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Jirka Kadlec
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Largo
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 3 - SKU: R0.41237 From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach. Arranged by Jirka Ka...
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Euphonium & Piano - Grade 3 - SKU: R0.41237 From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 10 pages. Duration 4'08. Editions Marc Reift - Digital #41237. Published by Editions Marc Reift - Digital (R0.41237).
$6.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Sonata C Minor
