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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sou Gan
Non classifié
1 420
Piano & claviers
Orgue
615
Piano, Voix et Guitare
398
Piano seul
326
Piano Facile
96
Piano, Voix
75
Piano grosses notes
53
Instruments en Do
36
Orgue, Trompette (duo)
18
Orgue, Piano (duo)
17
Clavier
14
Piano Trio: piano, violon, violoncelle
12
1 Piano, 4 mains
12
Piano Quatuor: piano, violon, alto, violoncelle
6
Accompagnement Piano
3
2 Pianos, 4 mains
3
Accordéon
3
Ligne De Mélodie, Piano
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
2 Orgues (duo)
1
+ 15 instrumentations
Retracter
Guitares
Ukulele
178
Guitare
65
Guitare notes et tablatures
44
Ligne De Mélodie, (Paroles) et Accords
12
Basse electrique
9
Mandoline
8
Piano, Guitare (duo)
6
Banjo
4
2 Guitares (duo)
4
Dulcimer
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Guitare (partie séparée)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
404
Chorale 2 parties
92
Chorale 3 parties
68
Chorale Unison
31
Chorale TTBB
29
Chorale SSAA
15
Pack Instrumental pour Chorale
11
Voix duo, Piano
10
Voix Alto, Piano
7
Voix duo
3
Chorale SSAATTBB
3
Voix Soprano, Piano
3
Voix moyenne, Piano
3
Chorale
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
Chorale, Orgue
1
Chorale SATBB
1
Voix Tenor, Piano
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Quatuor de Saxophones: 4 saxophones
56
Flûte, Hautbois, Clarinette, Basson
49
Flûte traversière et Piano
48
Saxophone Alto et Piano
46
Clarinette et Piano
45
Quintette de Saxophone: 5 saxophones
39
Hautbois, Piano (duo)
37
2 Saxophones (duo)
33
2 Flûtes traversières (duo)
32
Clarinette
30
Flûte traversière
29
Saxophone Tenor et Piano
27
2 Flûtes traversières, Piano
25
Quatuor de Clarinettes: 4 clarinettes
24
Quatuor de Flûtes : 4 flûtes
23
Saxophone Soprano et Piano
23
Saxophone Alto
22
3 Saxophones (trio)
20
2 Clarinettes (duo)
18
Saxophone (partie séparée)
18
Saxophone Tenor
17
Hautbois (partie séparée)
17
Flûte à bec Soprano
16
Ocarina
16
Quintette de Clarinettes: 5 clarinettes
14
3 Clarinettes (trio)
12
Trio de Flûtes: 3 flûtes
12
Harmonica
11
Ensemble de Clarinettes
11
Flûte à bec Alto
10
Saxophone Baryton, Piano
10
2 Flûte à bec (duo)
10
Flûte, Clarinette (duo)
10
Quintette de Flûte : 5 flûtes
10
Flûte, Hautbois, Basson
9
Flûte, Clarinette et Basson
9
2 Hautbois (duo)
9
Flûte à Bec
8
Flûte, Hautbois (duo)
7
Cor anglais, Piano
7
Flûte et Guitare
7
Clarinette, Basson (duo)
6
Saxophone et Orgue
6
Flûte, Hautbois, Clarinette (trio)
6
Saxophone, Clarinette (duo)
6
Ensemble de Flûtes
6
Hautbois, Basson (duo)
5
Clarinette Basse, Piano
4
Flûte traversière, Orgue (duo)
4
Piccolo
4
Saxophone Soprano
4
Ensemble de saxophones
4
Clarinette, Violon (duo)
4
Clarinette (partie séparée)
4
Hautbois
4
Flûte, Hautbois, Piano (trio)
3
Cor Anglais
3
Saxophone Baryton
3
Clarinette, Orgue
3
Clarinette, Trompette (duo)
3
Flûte, Alto (duo)
3
Clarinette et Alto
3
Hautbois, Violoncelle
3
Flûte, Violon
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violoncelle
2
Hautbois, Flûte
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Flute, harpe et violon
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois et alto (duo)
1
Cornemuse
1
Flûte à bec Soprano, Piano
1
Flûte à bec Tenor
1
Instruments en Mib
1
Cor anglais et Harpe (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Alto et Piano
1
Flûte irlandaise
1
Flute (partie séparée)
1
Piccolo, Piano
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
77
Trompette, Piano
37
Trombone et Piano
35
Trompette
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trombone
19
Cor et Piano
18
Cor
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Tuba et Orgue
15
2 Trompettes (duo)
14
Tuba et Piano
14
2 Trombones (duo)
14
Tuba
10
Trombone (partie séparée)
10
Euphonium, Piano (duo)
10
Trompette (partie séparée)
7
Cor anglais, Piano
7
2 Cors (duo)
7
Quatuor de Cuivres
6
Trompette, Trombone (duo)
6
Ensemble de Trompettes
5
Trombone, Orgue
5
Quatuor de cuivres: 4 trombones
4
Ensemble de Cors
4
Ensemble de Trombones
4
Trompette, Saxophone (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Cor (duo)
3
Cor Anglais
3
Trombone basse
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 cors
3
2 Tubas (duo)
2
Trio de Cuivres
2
Cor et Orgue
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Instruments en Sib
1
Euphonium
1
Trompette, Violoncelle (duo)
1
Tuba (partie séparée)
1
Cor anglais et Harpe (duo)
1
2 Cors, Piano
1
Bass Clef Instruments
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
146
Violon et Piano
57
Violoncelle, Piano
51
Violon
37
Alto, Piano
35
Trio à Cordes: violon, alto, violoncelle
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Violon, Violoncelle (duo)
28
Violoncelle
27
2 Violons (duo)
22
Violon, Alto (duo)
19
Alto seul
17
2 Violoncelles (duo)
17
2 Altos (duo)
12
Harpe
10
Trio à Cordes: 3 violoncelles
7
Trio à cordes: 3 violins
7
Contre Basse
6
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle, Orgue
5
Trio à cordes: 3 altos
4
Alto (partie séparée)
4
Piano Trio: Violon, Alto, Piano
4
2 Harpes (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
3
Violoncelle (partie séparée)
3
4 Violoncelles
3
Quatuor à cordes : 4 altos
2
Violon, Orgue
2
Trio à Cordes: 2 violons, alto
2
Violon (partie séparée)
2
Alto et Basson
2
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
2
Ensemble d'Altos
2
Quatuor à cordes: 4 violons
2
Ensemble de Violons
2
Alto, Guitare (duo)
1
Harpe et Orgue
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
Harpe et Piano
1
Harpe, Violon (duo)
1
Harpe, Violon, Violoncelle
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
144
Orchestre
72
Ensemble Jazz
57
Orchestre à Cordes
40
Orchestre de chambre
37
Cloches
33
Ensemble de cuivres
29
Batterie
7
Fanfare
7
Jazz combo
6
Marimba
4
Percussion (partie séparée)
2
Piano et Orchestre
2
Xylophone, Piano
2
Batterie (partie séparée)
2
Ensemble de Percussions
2
Vibraphone
1
Timbales
1
Quintette de Cuivres: autres combinaisons
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Sou Gan
Euphonium, Piano (duo)
Partitions à imprimer
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Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Noël
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium &am
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #...
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Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Mozart: Eine Kleine Nachtmusik (K.525) - Euphonium Solo w/ Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Wolfgang Amadeus Mozart
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Ygor Nunes
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Mozart: Eine Kleine Nachtmusik
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Ygor Nunes
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1494180 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Film/TV,M...
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Euphonium,Piano - Level 3 - SKU: A0.1494180 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Film/TV,Multicultural,Wedding,World. Score and part. 6 pages. Ygor Nunes #1070790. Published by Ygor Nunes (A0.1494180). **Experience the Elegance of Eine Kleine Nachtmusik by Mozart**Have you heard Mozart's Eine Kleine Nachtmusik? This masterpiece of classical music, brimming with elegance and charm, has delighted listeners for centuries.Each note, each phrase, takes on a fresh brilliance and energy. Rediscover the beauty of Eine Kleine Nachtmusik through the unique sound of the euphonium solo.Don't miss out on this timeless musical experience. Let the elegance of Eine Kleine Nachtmusik enchant you all over again.
$5.99
Air Varie for Euphonium or Ophicleide
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Euphonium, Piano (duo)
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AVANCÉ
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Narcisse Bousquet
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Sean Brennan
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Air Varie for Euphonium or Oph
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bl_music
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standar...
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Euphonium,Piano - Level 5 - SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standards. Score and part. 14 pages. Bl_music #6644623. Published by bl_music (A0.842573). Narcisse Bousquet (ca. 1800 – 1869) was a French composer, flageolet player and the conductor of the Elysée-Monmartre orchestra. He appears to have been active in both England and France in the first half of the Century. The dates given are the conventional ones, though there is a lack of evidence to support them. In about 1855, Bousquet worked with Jules Prudence Rivière at the Casino Paganini. There is a reference to him working in Paris at the Bal Barthélémy between about 1860 and 1865. One book Le Polycorde ou Nouveau Traite Théorique et Pratique de Musique, published in 1872 by J. Frédéric Giraud, describes a six-key French flageolet as the Systéme Bousquet so he may have been involved in the development of this type of instrument. Beyond this, very little is known about Bousquet and he does not appear in any of the usual sources for information about 19th Century French musicians. Solo part in bass clef suitable for euphonium or ophicleide.
$19.99
I'll Be Home For Christmas
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Euphonium, Piano (duo)
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FACILE
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Rascal Flatts
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Christopher Kalstad
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I'll Be Home For Christmas
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Christopher Kalstad
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.793177 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Christopher Kalstad. Christmas,Holiday,Jazz,Stan...
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Euphonium,Piano - Level 2 - SKU: A0.793177 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Christopher Kalstad. Christmas,Holiday,Jazz,Standards. Score and part. 6 pages. Christopher Kalstad #4847841. Published by Christopher Kalstad (A0.793177). A simple, yet sophisticated-sounding rendition of the beloved Christmas classic arranged for euphonium and piano.
$4.99
Gymnopedie No. 1
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Euphonium, Piano (duo)
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FACILE
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Classique
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Contemporain
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel...
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Euphonium,Piano - Level 2 - SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840169. Published by Samuel Sequeira (A0.1245299). Gymnopedie No. 1 - Erik Satie - Euphonium/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Euphonium and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the euphonium takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the euphonium enters, it carries the iconic melody, infusing it with its rich and velvety tones. The euphonium's warm and expressive qualities add an extra layer of depth to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the euphonium and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the euphonium's melodic lines and adding depth to the arrangement. The euphonium, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the euphonium and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for euphonium and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
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