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Instruments
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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4
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139
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27
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
19103
PIANO & CLAVIERS
Piano seul
11825
Piano, Voix
5441
Piano, Voix et Guitare
3830
Piano Facile
3555
Accompagnement Piano
2251
Instruments en Do
1048
Orgue
990
1 Piano, 4 mains
268
Piano Trio: piano, violon, violoncelle
169
Piano grosses notes
134
Piano (partie séparée)
127
2 Pianos, 4 mains
90
Accordéon
78
Piano Quatuor: piano, 2 violons, violoncelle
77
Piano Quatuor: piano, violon, alto, violoncelle
53
Orgue, Trompette (duo)
33
Piano Quintette: piano, 2 violons, alto, violoncelle
26
Orgue, Piano (duo)
22
Clavecin
15
Ligne De Mélodie, Piano
10
2 Pianos, 8 mains
8
1 Piano, 6 mains
7
Clavier
5
Accordéon, Voix
2
Ensemble d'Accordéons
1
Instrument seul et Orgue
1
Orgue et Orchestre
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
1515
Guitare
1125
Ligne De Mélodie, (Paroles) et Accords
1015
Ukulele
626
Paroles et Accords
321
Guitare (partie séparée)
235
Basse electrique
217
2 Guitares (duo)
81
Piano, Guitare (duo)
69
Mandoline
56
Banjo
47
4 Guitares (Quatuor)
47
Dulcimer
46
Basse électrique (partie séparée)
30
3 Guitares (trio)
24
Ensemble de guitares
20
Mandoline, Guitare (duo)
7
2 Dulcimers (duo)
5
Guitare, Violon, Violoncelle (trio)
4
Guitare Pedal Steel
2
Guitare, Flûte, Clarinette
2
Guitare, Orchestre
2
Mandoline, Piano (duo)
2
Dobro
1
Ukulele Baryton
1
Orchestre à Plectres
1
Cithare
1
Ensemble de Ukulélés
1
2 Ukuleles
1
Guitare Tab, Voix, Basse, Batterie
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
6569
Chorale 2 parties
2869
Chorale 3 parties
2473
Chorale Unison
2036
Voix duo, Piano
1138
Chorale TTBB
980
Chorale SSAA
577
Voix duo
362
Voix Soprano, Piano
230
Voix seule
115
Chorale
103
Voix haute
67
Voix Alto, Piano
63
Voix moyenne, Piano
51
Voix Tenor
43
Voix Tenor, Piano
42
Voix Soprano
36
Voix basse, Piano
22
Chorale SSAATTBB
19
Chorale SSATB
14
Voix Mezzo-Soprano, Piano
10
Voix Baryton, Piano
9
Voix basse
9
Chorale SSATTB
8
Voix, Guitare
6
Soli, choeur mixte et accompagnement
5
Chorale SATBB
3
Chorale SSAB, Piano
3
Chorale SSAB a cappella
3
Male Voice
2
Chorale, Orgue
2
Chorale SSAATB
1
Chorale SATTB
1
Voix haute, Piano
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
1309
Saxophone (partie séparée)
1274
Flûte traversière et Piano
1147
2 Saxophones (duo)
983
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
966
Flûte, Hautbois, Clarinette, Basson
947
Hautbois, Piano (duo)
813
Clarinette et Piano
803
Saxophone Alto et Piano
794
Clarinette
780
Flûte traversière
702
Saxophone Tenor et Piano
663
Quintette de Saxophone: 5 saxophones
597
Saxophone Soprano et Piano
564
Quatuor de Clarinettes: 4 clarinettes
516
2 Clarinettes (duo)
494
Saxophone Alto
465
2 Flûtes traversières (duo)
462
Hautbois (partie séparée)
308
Flûte, Clarinette (duo)
304
Clarinette (partie séparée)
267
Ensemble de Clarinettes
264
Quatuor de Flûtes : 4 flûtes
252
Saxophone Baryton, Piano
244
3 Saxophones (trio)
239
Clarinette, Violon (duo)
232
Ensemble de saxophones
228
Saxophone
204
Ensemble de Flûtes
193
2 Hautbois (duo)
191
Saxophone, Clarinette (duo)
177
Saxophone Tenor
149
Flûte, Violon
148
Flute (partie séparée)
138
2 Flûte à bec (duo)
130
3 Clarinettes (trio)
128
Hautbois, Basson (duo)
125
Quintette de Clarinettes: 5 clarinettes
122
Quintette de Flûte : 5 flûtes
120
Trio de Flûtes: 3 flûtes
116
Hautbois, Clarinette (duo)
108
Cor anglais, Piano
102
Clarinette, Trompette (duo)
98
Hautbois
95
Flûte irlandaise
85
Clarinette et Alto
84
Flûte et Guitare
79
Clarinette, Basson (duo)
76
2 Flûtes traversières, Piano
74
Saxophone Soprano
72
Flûte, Hautbois, Clarinette (trio)
71
Flûte, Saxophone (duo)
70
Flûte, Alto (duo)
69
Clarinette Basse, Piano
68
Quatuor de Flûtes à bec
67
Flûte à bec Soprano
66
Flûte, Violoncelle
66
Hautbois, Flûte
65
Clarinette, Violoncelle (duo)
56
Flûte, Trompette (duo)
53
Saxophone Baryton
52
Flûte, Clarinette et Basson
52
Flûte, Hautbois (duo)
50
2 Clarinettes, Piano
47
Hautbois, Clarinette, Basson (trio d'anches)
45
Hautbois, Violoncelle
44
Flûte, Clarinette, Piano (trio)
44
Flûte, Violon et Violoncelle
41
Flûte à Bec
38
Flûte à bec Alto
38
Clarinette, Guitare (duo)
35
Hautbois, violon (duo)
34
Harmonica
33
Clarinette, Violoncelle, Piano (trio)
32
5 Flûtes à bec
32
Flûte, Violon, Piano
31
Flûte, Violoncelle, Piano (trio)
31
Flûte, trombone et piano
30
Flûte, Basson et Piano
24
Flûte, Hautbois, Basson
22
Flûte, Alto et Piano
21
Flûte, Hautbois, Piano (trio)
19
3 Flûtes à bec (trio)
18
Flûte à bec Tenor
16
Piccolo, Piano
16
Flûte à bec Alto, Piano
16
Flûte à bec Soprano, Piano
15
Clarinette, Trombone (duo)
14
Instruments en Mib
14
Flûte, Trombone (duo)
14
Clarinette, trompette et piano
13
Ensemble De Flûte à bec
13
Flûte, Clarinette, Cor, Basson (Quartet)
12
Flûte, Violon, Violoncelle et Piano
12
Hautbois et alto (duo)
11
4 Hautbois
11
2 Saxophones, Piano
11
3 Hautbois
11
Cor Anglais
10
Saxophone, Violon (duo)
10
Hautbois, Guitare (duo)
10
Cor anglais, Guitare (duo)
9
Saxophone et Guitare
9
Flute, harpe et violon
8
Ensemble à vent
8
Clarinette, Harpe (duo)
6
Hautbois, Harpe
6
Flûte, Violoncelle, Guitare
6
Piccolo
6
Saxophone et Orgue
6
Flûte et Trio à cordes
5
Saxophone et Harpe
5
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
Flûte traversière, Orgue (duo)
4
Hautbois, trombone (duo)
4
Flûte à Bec, Piano
4
Clarinette, Tuba
4
Hautbois, Violon, Piano
3
2 Clarinettes, Basson
3
Flûte, Violon, Guitare
3
2 Cors Anglais Et Pianoforte
3
Cornemuse
3
Flute, Cor (duo)
3
Flûte, Tuba (duo)
3
Clarinette, Alto et Piano (trio)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à bec Alto, Basse continue
2
Ensemble de Hautbois
2
2 Hautbois, Piano
2
Ocarina
2
Flûte, Hautbois, Violon
2
Clarinette, Contrebasse (duo)
2
Flûte traversière, Basse continue
2
Flûte, Harpe et Violoncelle
2
Flûte, alto et harpe
2
Clarinette, Basson, Piano (trio)
2
Flûte à bec, Harpe
1
Saxophone, Tuba (duo)
1
Hautbois, Basson et Piano
1
Flûte, Clarinette, Violon (trio)
1
Harmonica, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone et violoncelle
1
Flûte à bec, Guitare (duo)
1
Clarinette, Orgue
1
Saxophone, Basson (duo)
1
Clarinette Basse
1
Cor anglais et Harpe (duo)
1
Clarinette, Saxophone, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1109
Trombone (partie séparée)
790
Trompette, Piano
787
Trombone et Piano
783
Quatuor de Cuivres : 2 trompettes, trombone, tuba
770
Trompette
733
Trompette (partie séparée)
686
Cor et Piano
543
Trombone
479
Quatuor de Cuivres: 2 trompettes, Cor, trombone
387
Cor
354
2 Trombones (duo)
317
Tuba et Piano
304
2 Trompettes (duo)
292
Tuba
270
Cor (partie séparée)
214
Quatuor de Cuivres
210
Trompette, Trombone (duo)
179
2 Cors (duo)
165
Tuba (partie séparée)
162
Quatuor de cuivres: 4 trombones
140
Euphonium, Piano (duo)
139
Trompette, Saxophone (duo)
137
Ensemble de Trombones
117
Ensemble de Trompettes
116
Trompette, Cor (duo)
115
Cor anglais, Piano
102
2 Tubas (duo)
79
Quatuor de cuivres: 4 cors
56
Trio de Cuivres
39
Quatuor de cuivres: 4 trompettes
34
2 Euphoniums et 2 Tubas
33
Euphonium
32
Ensemble de Cors
31
Quatuor de cuivres: 2 trompettes, 2 trombones
31
2 Euphoniums (duo)
28
Cor, Violoncelle (duo)
23
Bass Clef Instruments
23
4 Tubas
22
3 Trombones (trio)
21
Tuba et Orgue
17
Instruments en Sib
15
Trompette, Basson (duo)
15
Trompette, violon (duo)
13
Trompette, Violoncelle (duo)
13
3 Trompettes (trio)
11
Cor Anglais
10
Trombone, Orgue
10
Trombone basse et Piano
10
Trombone, Tuba (duo)
10
Cor anglais, Guitare (duo)
9
Cor et Basson (duo)
9
Trompette, Tuba (duo)
9
3 Cors (trio)
9
2 Trompettes, Clavier (piano ou orgue)
8
Trompette, Violoncelle et Piano
8
Trombone, Cor (duo)
8
Trombone basse
8
3 Tubas (trio)
7
Euphonium, Tuba (duo)
6
Trompette et Guitare
6
Instruments en Fa
5
Cor et Harpe
5
Trompette, Trombone, Piano
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Clarinette, Cor (duo)
4
2 Cors, Piano
3
2 Cors Anglais Et Pianoforte
3
Trombone, Violon (duo)
3
3 Euphoniums
3
Cor, Tuba (duo)
3
Cor et Orgue
2
Cor, Violoncelle et Piano
1
Cornet et orchestre
1
Trombone, Alto (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Orchestre
1
Cor, Trompette, Trombone (trio)
1
Cor anglais et Harpe (duo)
1
Trompette, Harpe
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2937
Violon et Piano
1342
Violon
1080
Violoncelle, Piano
903
Alto, Piano
849
Violon, Violoncelle (duo)
719
Trio à Cordes: violon, alto, violoncelle
572
Violoncelle (partie séparée)
518
Harpe
486
2 Violons (duo)
443
Alto seul
430
2 Violoncelles (duo)
347
Quintette à cordes: 2 violons, alto, violoncelle, basse
346
Violon, Alto (duo)
283
Violon (partie séparée)
261
Contrebasse (partie séparée)
247
Violoncelle
243
2 Altos (duo)
237
Contre Basse
225
Contrebasse, Piano (duo)
203
Alto (partie séparée)
199
Trio à Cordes: 2 violons, violoncelle
169
2 Harpes (duo)
142
Piano Trio: Violon, Alto, Piano
129
Alto, Violoncelle (duo)
99
4 Violoncelles
82
2 Contrebasses (duo)
57
Trio à cordes: 3 violins
50
Quatuor à cordes: 4 violons
45
Trio à Cordes: 3 violoncelles
44
Violon, Guitare (duo)
36
Violon, Basson (duo)
34
Violoncelle, Contrebasse (duo)
34
Ensemble de Violons
32
Ensemble d'Altos
28
Alto et Basson
26
Violoncelle , Guitare (duo)
26
Harpe, Flûte (duo)
23
Harpe, Violon (duo)
22
Quintette à cordes: 2 violons, 2 altos, violoncelle
21
Harpe, Voix
18
Trio à cordes: 3 altos
17
Violon, Clarinette, Piano (trio)
17
Harpe, Violoncelle (duo)
15
Quatuor à cordes : 4 altos
15
Trio à Cordes: 2 violons, alto
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
11
Alto, Guitare (duo)
11
Alto et Harpe
11
2 Violons, Piano
8
Violoncelle, Orgue
8
Flûte, Contrebasse (duo)
8
Harpe, Violon, Violoncelle
5
4 Contrebasses
5
Ensemble de Violoncelles
5
3 Harpes
4
Violon, Tuba (duo)
3
Violoncelle, Basse continue
3
4 Harpes
3
Harpe et Piano
3
Violoncelle, Orchestre
3
Harpe et mandoline
2
Violon, Orgue
2
Harpe, Trombone (duo)
2
Autoharp
2
2 Violoncelles, Piano
2
Trio à cordes
2
5 Harpes
2
Alto et orchestre
1
Violon, Trompette et Piano
1
Harpe et Orgue
1
Violon, Violoncelle, Clarinette
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
7082
Orchestre à Cordes
1657
Orchestre
1240
Ensemble Jazz
966
Ensemble de cuivres
669
Cloches
515
Fanfare
433
Orchestre de chambre
387
Batterie (partie séparée)
262
Batterie
254
Jazz combo
229
Percussion (partie séparée)
202
Ensemble de Percussions
192
Marimba
27
Vibraphone
24
Xylophone, Piano
17
Xylophone
14
Percussion
10
Big band
8
2 Xylophones
8
Timbales (partie séparée)
7
Orchestre, Violon
6
Ensemble d'École
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Quintette de Cuivres: autres combinaisons
4
Piano et Orchestre
4
Quintette à Vent
3
Vibraphone et Marimba
3
Instrumentation Flexible
3
Cajon
2
Caisse Claire
2
Conga
1
Marimba, Piano (duo)
1
Bodhran
1
Timbales
1
Bongos
1
Marimba et Orgue
1
Orchestre Symphonique
1
2 Percussions
1
Xylophone ou Marimba ou Vibraphone
1
Vibraphone (partie séparée)
1
2 Marimbas
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
9
Théorie de la musique
6
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Euphonium, Piano (duo)
Partitions à imprimer
139 partitions trouvées
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That's A Plenty
Euphonium, Piano (duo)
Euphonium & Piano - Grade 3 - Digital Download SKU: R0.44631 Composed by Lew Pollac…
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Euphonium & Piano - Grade 3 - Digital Download SKU: R0.44631 Composed by Lew Pollack. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 11 pages. Duration 2'44. Editions Marc Reift - Digital #44631. Published by Editions Marc Reift - Digital (R0.44631).
$11.95
10.97 €
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Euphonium, Piano (duo)
#
Lew Pollack
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Jirka Kadlec
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That's A Plenty
#
Editions Marc Reift - Digital
#
SheetMusicPlus
The Harp That Once Thro' Tara's Halls
Euphonium, Piano (duo)
Euphonium & Piano - Grade 5 - Digital Download SKU: R0.34023 Composed by Herbert L.…
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Euphonium & Piano - Grade 5 - Digital Download SKU: R0.34023 Composed by Herbert L. Clarke. Arranged by Bertrand Moren. Euphonium & Piano. Score and parts. 18 pages. Duration 7'44. Editions Marc Reift - Digital #34023. Published by Editions Marc Reift - Digital (R0.34023).
$8.95
8.22 €
#
Euphonium, Piano (duo)
#
Herbert L
#
Bertrand Moren
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The Harp That Once Thro' Tara's Halls
#
Editions Marc Reift - Digital
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SheetMusicPlus
I Write The Songs
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549340 By Barry Manilow. By Br…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486687. Published by jmsgu3 (A0.549340). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.69 €
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Euphonium, Piano (duo)
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Wichita Lineman
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078421 By Glen Campbell. By J…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078421 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682631. Published by jmsgu3 (A0.1078421). BARITONE HORN TREBLE CLEF! Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
137.7 €
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Euphonium, Piano (duo)
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Wichita Lineman
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078419 By Glen Campbell. By J…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078419 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682583. Published by jmsgu3 (A0.1078419). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
137.7 €
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Euphonium, Piano (duo)
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Jingle Bells for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierp…
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.91 €
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Euphonium, Piano (duo)
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Vinte, vinte e um - Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.946693 Composed by Thiago Osor…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.946693 Composed by Thiago Osorio. Concert,Contemporary,Graduation,Standards,World. Score and part. 39 pages. Thiago Osorio Music #6417355. Published by Thiago Osorio Music (A0.946693). ''Vinte, vinte e um'' (in english: ''Twenty, tweets-one'') is a 6 and a half minute composition that aims to portray the challenging moment that the planet is going through in the face of the pandemic. With its variations in andamento, measures changes and texture it becomes a piece that explores the possibiliteis of euphonium and piano.Having moments of challenge and moments of beauty, like this year that we are living.
$14.95
13.73 €
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Euphonium, Piano (duo)
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Thiago Osorio
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Vinte, vinte e um - Euphonium and Piano
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Thiago Osorio Music
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SheetMusicPlus
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
26.58 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Dear Tomorrow
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.1375164 Composed by Todd Goodm…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.1375164 Composed by Todd Goodman. 21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 44 pages. Wrong Note Media, Inc. #959776. Published by Wrong Note Media, Inc. (A0.1375164). Dear Tomorrow is an advanced recital piece for euphonium and piano that combines the beauty of intriguing rhythms with soaring and singable melodies. Written for German euphonium virtuoso Klemens Vetter in 2021, this work is a musical reflection on the global health event that rocked the world in 2020—shutting down musical performances around the globe overnight. Coupled with this shutdown came depression, anxiety, and despair for many. Composer Todd Goodman wrote this piece as a letter to his future self—sending comfort, love, and hope that everything will turn out ok.For physical copies of this piece and more information about composer Todd Goodman, please visit WrongNoteMedia.com.
$30.00
27.55 €
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Euphonium, Piano (duo)
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Todd Goodman
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Dear Tomorrow
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Wrong Note Media, Inc.
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SheetMusicPlus
Fall of a Titan - Euphonium Solo - EUPHONIUM
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 2 pages. Adam Lawrence #6016571. Published by Adam Lawrence (A0.1017037). Please note that this is the EUPHONIUM part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99
1.83 €
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Euphonium, Piano (duo)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo - EUPHONIUM
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Adam Lawrence
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SheetMusicPlus
The Nightingale (Le Rossignol) for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792311 Composed by Saint-SaeÌ…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804505. Published by Gordon Cherry (A0.792311). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood. For this arrangement, Mr. Sauer transposes into the key of C, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
$10.00
9.18 €
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Euphonium, Piano (duo)
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Saint-Saëns, Camille
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Sauer, Ralph
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The Nightingale
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Gordon Cherry
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SheetMusicPlus
Fall of a Titan - Euphonium Solo - PIANO
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 5 pages. Adam Lawrence #6016579. Published by Adam Lawrence (A0.1017039). Please note that this is the PIANO part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99
1.83 €
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Euphonium, Piano (duo)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo - PIANO
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Adam Lawrence
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.26 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Sunshine After Rain
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1373707 Composed by Lawrence H…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1373707 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 8 pages. Lawrence H Underwood #958097. Published by Lawrence H Underwood (A0.1373707). This original composition by veteran performer and music educator, Lawrence Underwood, is the fourth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Sunshine After Rain is a musical exploration of the joy that comes after sadness; the new hope that springs when sunshine breaks through the clouds. The piece takes the soloist through different meters, modes, and a cadenza before drawing to its gentle close. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!
$6.99
6.42 €
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Euphonium, Piano (duo)
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Lawrence H Underwood
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Sunshine After Rain
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Lawrence H Underwood
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1112417 Composed by Scott Jopl…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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Euphonium, Piano (duo)
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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David McKeown
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SheetMusicPlus
Bach-Gounod: Ave Maria for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.26 €
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Euphonium, Piano (duo)
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.26 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Romance No. 2 in F, Op. 50 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.810882 Composed by Ludwig van …
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.810882 Composed by Ludwig van Beethoven. Arranged by Cherry, Gordon. Romantic Period. Score and part. 13 pages. Gordon Cherry #3667959. Published by Gordon Cherry (A0.810882). Beethoven's Romance in F Opus 50 has been a staple of Violinists for over 210 years, having been written in 1798. The F-major Romance is a tender, adagio cantabile movement full of beauty, requiring grace, poise and elegance to perform properly. It has been said that it could have been titled Song Without Words, the music being so lyrical of character. 'Romance' may have been written as a slow movement to a Violin Concerto that was never completed. This arrangement by Gordon Cherry is a wonderful addition to the Euphonium repertoire.Almost 10 minutes in length, this work for advanced performers will be a great addition to any recital.
$15.00
13.77 €
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Euphonium, Piano (duo)
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Ludwig van Beethoven
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Cherry, Gordon
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Romance No. 2 in F, Op. 50 for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Fall of a Titan - Euphonium Solo
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 16 pages. Adam Lawrence #6016541. Published by Adam Lawrence (A0.1017036). This is the whole bundle of score and parts, with individual parts to follow. One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored. Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance. Any feedback is more than welcome. Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below. Patreon: https://www.patreon.com/Fireyshadows YouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lg Soundcloud: https://soundcloud.com/fireyshadows-music/ Twitter: https://twitter.com/FireyMusic
$9.99
9.17 €
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Euphonium, Piano (duo)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo
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Adam Lawrence
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Gymnopedie No. 1
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1245299 Composed by Erik Satie…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840169. Published by Samuel Sequeira (A0.1245299). Gymnopedie No. 1 - Erik Satie - Euphonium/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Euphonium and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the euphonium takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the euphonium enters, it carries the iconic melody, infusing it with its rich and velvety tones. The euphonium's warm and expressive qualities add an extra layer of depth to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the euphonium and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the euphonium's melodic lines and adding depth to the arrangement. The euphonium, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the euphonium and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for euphonium and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
5.5 €
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Euphonium, Piano (duo)
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Handel: Largo from Xerxes for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frid…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.26 €
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Euphonium, Piano (duo)
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
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