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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There
Non classifié
7 030
Piano & claviers
Piano seul
4 188
Piano grosses notes
3 370
Orgue
1 831
Piano, Voix et Guitare
1 676
Piano, Voix
1 657
Piano Facile
1 028
Instruments en Do
300
Accompagnement Piano
162
1 Piano, 4 mains
132
Piano Trio: piano, violon, violoncelle
83
Clavier
65
2 Pianos, 4 mains
60
Piano (partie séparée)
47
Accordéon
30
Orgue, Piano (duo)
16
Piano Quatuor: piano, violon, alto, violoncelle
15
Orgue, Trompette (duo)
10
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Ligne De Mélodie, Piano
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavecin
6
1 Piano, 6 mains
5
2 Pianos, 8 mains
4
Orgue, Voix
2
Instrument seul et Orgue
2
2 Accordéons
2
Accordéon, Voix
2
Ensemble d'Accordéons
1
Fake Book
1
+ 24 instrumentations
Retracter
Guitares
Guitare notes et tablatures
692
Ligne De Mélodie, (Paroles) et Accords
514
Guitare
498
Basse electrique
366
Ukulele
208
Paroles et Accords
174
Guitare (partie séparée)
91
2 Guitares (duo)
61
Mandoline
32
4 Guitares (Quatuor)
29
Dulcimer
22
Banjo
20
Ensemble de guitares
12
Piano, Guitare (duo)
11
3 Guitares (trio)
11
2 Dulcimers (duo)
3
Ensemble de Ukulélés
3
2 Mandolines (duo)
2
Guitare, Orchestre
2
Mandoline, Guitare (duo)
2
Ukulele Baryton
2
Basse électrique (partie séparée)
2
Partitions De Groupes
1
Guitare, Violon, Violoncelle (trio)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
2 287
Chorale 3 parties
759
Chorale 2 parties
502
Chorale Unison
484
Pack Instrumental pour Chorale
469
Chorale TTBB
367
Chorale SSAA
235
Voix duo, Piano
133
Voix Alto, Piano
113
Chorale
104
Voix Soprano, Piano
103
Voix Tenor, Piano
79
Voix seule
60
Voix duo
51
Voix Baryton, Piano
51
Voix haute
32
Voix Tenor
30
Voix Soprano
26
Voix moyenne, Piano
18
Voix basse, Piano
8
Chorale SSAATTBB
8
Chorale SSATB
4
Chorale SSATTB
3
Chorale SSAB, Piano
2
Chorale SAATB A Cappella
2
Soli, choeur mixte et accompagnement
2
Voix basse
2
Voix Mezzo-Soprano, Piano
2
Voix, Guitare
1
Chorale SSATBB
1
Chorale SSAB a cappella
1
Voix haute, Piano
1
+ 27 instrumentations
Retracter
Vents
2 Saxophones (duo)
984
Flûte traversière et Piano
720
2 Clarinettes (duo)
473
Hautbois, Piano (duo)
458
Saxophone, Clarinette (duo)
439
2 Flûtes traversières (duo)
429
Clarinette et Piano
389
Saxophone (partie séparée)
338
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
332
Clarinette, Violon (duo)
316
Saxophone Alto et Piano
298
Flûte traversière
290
Quatuor de Saxophones: 4 saxophones
270
Clarinette, Trompette (duo)
264
Clarinette
252
Flûte, Clarinette (duo)
214
Flûte, Hautbois, Clarinette, Basson
211
Saxophone Alto
203
Saxophone Tenor et Piano
198
2 Hautbois (duo)
187
Quatuor de Clarinettes: 4 clarinettes
167
Flûte, Violon
167
Hautbois, Basson (duo)
166
Hautbois, Clarinette (duo)
165
Clarinette et Alto
161
Flûte, Saxophone (duo)
151
Quintette de Saxophone: 5 saxophones
150
Saxophone Tenor
143
Hautbois, Flûte
133
Flûte, Alto (duo)
131
Flûte, Trompette (duo)
122
Ensemble de Clarinettes
120
Saxophone Soprano et Piano
119
Cor anglais, Piano
113
Ensemble de Flûtes
110
Quatuor de Flûtes : 4 flûtes
110
Ensemble de saxophones
108
Flûte irlandaise
84
Flute (partie séparée)
78
Saxophone Baryton, Piano
75
Hautbois (partie séparée)
66
Quintette de Clarinettes: 5 clarinettes
59
Hautbois
59
Flûte, Violon, Piano
58
Flûte et Guitare
57
3 Clarinettes (trio)
54
Clarinette (partie séparée)
53
Quintette de Flûte : 5 flûtes
53
2 Flûte à bec (duo)
49
3 Saxophones (trio)
46
Flûte à Bec
44
Clarinette Basse, Piano
43
Flûte, Harpe et Violoncelle
42
2 Flûtes traversières, Piano
39
Trio de Flûtes: 3 flûtes
38
Saxophone
34
Saxophone Soprano
27
Flûte, Hautbois (duo)
26
Flûte à bec Soprano
25
Flûte, Clarinette, Piano (trio)
25
Clarinette, Guitare (duo)
24
Flûte, Hautbois, Clarinette (trio)
18
Quatuor de Flûtes à bec
18
Clarinette, Basson (duo)
17
Hautbois, violon (duo)
16
Hautbois, Clarinette, Basson (trio d'anches)
15
Clarinette, Harpe (duo)
14
Harmonica
14
Ocarina
13
Flûte, Violoncelle
13
2 Clarinettes, Piano
13
Flute, harpe et violon
13
3 Flûtes à bec (trio)
11
Flûte, Hautbois, Piano (trio)
11
Clarinette, Trombone (duo)
10
Flûte à bec Soprano, Piano
10
Flûte, Clarinette et Basson
9
Instruments en Mib
9
Flûte à bec Tenor
9
Clarinette, Violoncelle (duo)
9
Flûte à bec Alto
8
Flûte, Hautbois, Basson
8
Cor Anglais
8
Hautbois, Guitare (duo)
7
Flûte à bec Alto, Piano
7
Cor anglais, Guitare (duo)
7
2 Saxophones, Piano
6
Ensemble De Flûte à bec
6
Saxophone et Guitare
6
Flûte, Alto et Piano
5
Clarinette, Violoncelle, Piano (trio)
5
2 Hautbois, Piano
4
Flûte, Violon et Violoncelle
4
Flûte, trombone et piano
4
Saxophone Baryton
4
3 Hautbois
3
Saxophone et Harpe
3
Flûte, Violoncelle, Piano (trio)
3
Piccolo, Piano
3
Hautbois, Harpe
3
Flûte, Violoncelle, Guitare
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte à Bec, Piano
2
Hautbois, Basson et Piano
2
Saxophone et Orgue
2
2 Cors Anglais Et Pianoforte
2
Flûte, Basson et Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette Basse
2
Flûte, Clarinette, Violon (trio)
2
2 Clarinettes, Basson
2
Clarinette, Alto et Piano (trio)
1
Piccolo
1
Hautbois et alto (duo)
1
Clarinette, trompette et piano
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble de Hautbois
1
Ensemble à vent
1
Hautbois, Violon, Piano
1
Hautbois, Violoncelle
1
5 Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Violon
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûtes traversières, Harpe
1
+ 121 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
390
Trompette, Saxophone (duo)
313
Trompette
285
Trombone (partie séparée)
275
Trombone et Piano
255
Quatuor de Cuivres : 2 trompettes, trombone, tuba
252
Trompette (partie séparée)
234
Trompette, Piano
227
2 Trombones (duo)
203
Trombone
202
Cor et Piano
201
2 Trompettes (duo)
194
Trompette, Trombone (duo)
188
Cor
121
Cor anglais, Piano
113
Tuba et Piano
78
Quatuor de Cuivres
77
Euphonium, Piano (duo)
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
69
Tuba
60
Ensemble de Trombones
59
Ensemble de Trompettes
52
Quatuor de cuivres: 4 trombones
49
Cor (partie séparée)
46
2 Cors (duo)
40
Tuba (partie séparée)
37
Quatuor de cuivres: 4 cors
26
Bass Clef Instruments
17
3 Trompettes (trio)
16
2 Tubas (duo)
14
3 Trombones (trio)
14
Trio de Cuivres
13
Instruments en Sib
12
Quatuor de cuivres: 4 trompettes
11
2 Euphoniums et 2 Tubas
11
Ensemble de Cors
10
Trompette, Cor (duo)
9
2 Euphoniums (duo)
8
4 Tubas
8
Cor Anglais
8
Euphonium
7
2 Trompettes, Clavier (piano ou orgue)
7
Cor anglais, Guitare (duo)
7
Trompette, Tuba (duo)
6
Trombone, Cor (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
3 Cors (trio)
4
2 Cors, Piano
4
Cor, Tuba (duo)
4
Trombone, Tuba (duo)
4
Cor et Harpe
3
Euphonium, Tuba (duo)
3
Trompette, Trombone, Piano
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Harpe
2
Trombone, Orgue
2
2 Cors Anglais Et Pianoforte
2
Trombone basse
2
3 Euphoniums
2
3 Tubas (trio)
2
Tuba et Orgue
2
Trompette, Euphonium (duo)
1
Trombone, Violon (duo)
1
Clarinette, Cor (duo)
1
Trombone basse et Piano
1
Trompette, Violoncelle et Piano
1
+ 61 instrumentations
Retracter
Cordes
Harpe
1 231
Quatuor à cordes: 2 violons, alto, violoncelle
996
Violon et Piano
879
Violon, Violoncelle (duo)
438
Violon
424
Violoncelle, Piano
370
Alto, Piano
332
2 Violons (duo)
300
Trio à Cordes: violon, alto, violoncelle
285
Violoncelle
255
Violon, Alto (duo)
242
2 Violoncelles (duo)
230
2 Altos (duo)
227
Alto seul
165
Quintette à cordes: 2 violons, alto, violoncelle, basse
105
Contrebasse (partie séparée)
79
2 Harpes (duo)
62
Violon (partie séparée)
60
Trio à Cordes: 2 violons, violoncelle
58
Contrebasse, Piano (duo)
45
Harpe, Flûte (duo)
44
Contre Basse
44
Alto, Violoncelle (duo)
42
Alto (partie séparée)
38
Harpe, Violon (duo)
33
Trio à cordes: 3 violins
28
4 Violoncelles
21
Violoncelle (partie séparée)
18
Piano Trio: Violon, Alto, Piano
18
Ensemble de Violons
17
Violon, Guitare (duo)
16
Ensemble d'Altos
16
Violoncelle, Contrebasse (duo)
13
Violoncelle , Guitare (duo)
13
2 Violons, Piano
12
Trio à Cordes: 3 violoncelles
11
Harpe, Voix
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Quatuor à cordes: 4 violons
8
Trio à Cordes: 2 violons, alto
8
2 Contrebasses (duo)
7
Trio à cordes: 3 altos
7
Quatuor à cordes : 4 altos
6
Flûte, Contrebasse (duo)
5
Alto et Harpe
4
Violon, Clarinette, Piano (trio)
4
Violoncelle, Orgue
3
Ensemble de Violoncelles
3
4 Contrebasses
3
Harpe, Violoncelle (duo)
3
2 Altos, Piano
3
2 Violoncelles, Piano
3
Trio à cordes
3
Alto, Guitare (duo)
2
3 Contrebasses
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
3 Harpes
1
Violon, Basson (duo)
1
Violon, Orgue
1
Alto et Basson
1
Harpe, Trombone (duo)
1
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
Harpe et Piano
1
Violoncelle, Orchestre
1
+ 60 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 759
Orchestre à Cordes
645
Ensemble Jazz
560
Orchestre
512
Cloches
317
Ensemble de cuivres
277
Orchestre de chambre
163
Fanfare
152
Jazz combo
102
Batterie
91
Ensemble de Percussions
61
Batterie (partie séparée)
57
Percussion (partie séparée)
34
Marimba
10
Vibraphone
8
Percussion
7
2 Xylophones
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone
3
Timbales
2
Quintette à Vent
1
Xylophone, Piano
1
Orchestre, Violon
1
Instrumentation Flexible
1
Conga
1
Bongos
1
Vibraphone et Marimba
1
Big band
1
Bodhran
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Ensemble d'École
1
Timbales (partie séparée)
1
2 Marimbas
1
+ 29 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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FLUTE DE PAN
FLUTE TRAVERSI…
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Vous avez sélectionné:
There
Euphonium, Piano (duo)
Partitions à imprimer
77 partitions trouvées
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Sicilienne (Maria-Theresia von Paradis) for Euphonium BC and Piano
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Euphonium, Piano (duo)
#
Maria Theresia von Paradis
#
Harry Walker
#
Sicilienne
#
SCORE EDITIONS
#
SheetMusicPlus
Euphonium,Piano - SKU: A0.1502749 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. ...
(+)
Euphonium,Piano - SKU: A0.1502749 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078420. Published by SCORE EDITIONS (A0.1502749). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Euphonium BC and Piano by Harry Walker.
$5.99
Were You There, Gospel Hymn for Euphonium and Piano
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Euphonium, Piano (duo)
#
FACILE
#
Musique Sacrée
#
Gospel Spirituel
#
Traditional
#
David McKeown
#
Were You There, Gospel Hymn fo
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David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.593414 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score...
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Euphonium,Piano - Level 2 - SKU: A0.593414 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6419025. Published by David McKeown (A0.593414). Were You There is a beautiful spiritual arranged here for Solo Euphonium and Piano.Were You There was first published in 1899 but its origins stretch back into the nineteenth century. Like many spirituals there are coded references to the Afro- American experience. The mention of crucifixion in such songs was often associated with the lynchings that were a common occurrence right into the late twentieth century.
$2.49
There is Power in the Blood, Gospel Hymn for Euphonium and Piano
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Euphonium, Piano (duo)
#
FACILE
#
Musique Sacrée
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Gospel Spirituel
#
Lewis Edgar Jones
#
David McKeown
#
There is Power in the Blood, G
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David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.593340 Composed by Lewis Edgar Jones. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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Euphonium,Piano - Level 2 - SKU: A0.593340 Composed by Lewis Edgar Jones. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418423. Published by David McKeown (A0.593340). There is Power in the Blood is a beautiful hymn arranged here for Solo Euphonium and Piano.There is Power in the Blood was written by Lewis Edgar Jones in 1899, one of 200 published hymns by this prolific writer.
$2.49
There is a Fountain Filled with Blood, Gospel Hymn for Euphonium and Piano
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Euphonium, Piano (duo)
#
FACILE
#
Musique Sacrée
#
Gospel Spirituel
#
William Cowper
#
David McKeown
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There is a Fountain Filled wit
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.593315 Composed by William Cowper. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.593315 Composed by William Cowper. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418317. Published by David McKeown (A0.593315). There is a Fountain Filled with Blood is a beautiful hymn arranged here for Solo Euphonium and Piano.The words of There is a Fountain Filled with Blood were written by William Cowper in 1772 after a major bout of depression.
$2.49
Therefore I Am
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Euphonium, Piano (duo)
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FACILE
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Pop musique
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Billie Eilish
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Willem Aarts
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Therefore I Am
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Willem Aarts
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.822089 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Willem Aarts. Pop. Score and ...
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Euphonium,Piano - Level 2 - SKU: A0.822089 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Willem Aarts. Pop. Score and part. 11 pages. Willem Aarts #6139395. Published by Willem Aarts (A0.822089). Therefore I Am - Billie Eilish | Euphonium and PianoWebsite: www.wa-music.nlE-mail: info@wa-music.nlSheetMusicPlus: https://www.sheetmusicplus.com/publishers/willem-aarts-sheet-music/3004231YouTube: https://www.youtube.com/channel/UCNmXzZjD-NTFr9QQ22t0SkQ
$4.99
Over There
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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George M
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Dominic Meccia
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Over There
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Dominic Meccia
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.704376 Composed by George M. Cohan. Arranged by Dominic Meccia. Contemporary. Score and part. 9 pages. Dominic Mecci...
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Euphonium,Piano - Level 3 - SKU: A0.704376 Composed by George M. Cohan. Arranged by Dominic Meccia. Contemporary. Score and part. 9 pages. Dominic Meccia #5314715. Published by Dominic Meccia (A0.704376).
$4.99
Were You There?
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Vernon Taranto Jr
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Vernon Taranto Jr
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Were You There?
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Vernon Taranto
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SheetMusicPlus
Composed by Vernon Taranto Jr. Arranged by Vernon Taranto Jr. Easter, Spiritual. Score and part. 8 pages. Vernon Taranto #3052965. Published by Vernon ...
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Composed by Vernon Taranto Jr. Arranged by Vernon Taranto Jr. Easter, Spiritual. Score and part. 8 pages. Vernon Taranto #3052965. Published by Vernon Taranto
$4.95
Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306299. Published by jmsgu3 (A0.551497). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,St...
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Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508187. Published by jmsgu3 (A0.549568). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Peer Gynt Suite Complete for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306329. Published by jmsgu3 (A0.551502). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
16 Favourite Easter Hymns for Solo Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.587890 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKe...
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Euphonium,Piano - Level 2 - SKU: A0.587890 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037731. Published by David McKeown (A0.587890). 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Euphonium part are included in the single PDF file.16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$7.60
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Wade in the Water, Gospel Song for Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Wade in the Water, Gospel Song
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.593390 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score...
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Euphonium,Piano - Level 2 - SKU: A0.593390 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418733. Published by David McKeown (A0.593390). Wade in the Water is a beautiful spiritual arranged here for Solo Euphonium and Piano.Wade in the Water was first published in 1901 but its origins stretch back into the nineteenth century. It is often associated with the Underground Railway. It is said that the song made a coded reference to the advice escaped slaves received to wade in the water, thereby putting the slavers’ dogs off their scent.
$2.49
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