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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This way
Sheetmusicplus
Non classifié
7 348
Piano & claviers
Piano seul
4 561
Piano, Voix
3 115
Piano Facile
2 020
Piano, Voix et Guitare
1 696
Instruments en Do
949
Orgue
439
Piano grosses notes
203
1 Piano, 4 mains
145
Accompagnement Piano
107
Piano Trio: piano, violon, violoncelle
59
Accordéon
41
Piano (partie séparée)
39
2 Pianos, 4 mains
33
Piano Quatuor: piano, violon, alto, violoncelle
25
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Clavier
13
Orgue, Piano (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
7
1 Piano, 6 mains
3
Clavecin
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 353
Ligne De Mélodie, (Paroles) et Accords
1 336
Guitare
396
Ukulele
305
Basse electrique
142
Piano, Guitare (duo)
124
Guitare (partie séparée)
58
Paroles et Accords
33
Mandoline
32
2 Guitares (duo)
31
Dulcimer
29
Banjo
28
4 Guitares (Quatuor)
12
Ukulele Baryton
9
3 Guitares (trio)
6
Mandoline, Guitare (duo)
3
Ensemble de guitares
3
Dobro
3
Guitare, Flûte, Clarinette
2
Basse électrique (partie séparée)
2
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
Cithare
1
2 Ukuleles
1
Guitare, Orchestre
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
2 230
Pack Instrumental pour Chorale
899
Chorale 3 parties
820
Chorale 2 parties
469
Chorale TTBB
466
Chorale SSAA
299
Chorale Unison
229
Voix duo, Piano
73
Voix seule
64
Voix haute
63
Voix Soprano, Piano
54
Voix duo
44
Voix Baryton, Piano
24
Voix Tenor, Piano
17
Voix Alto, Piano
16
Voix Tenor
14
Voix basse, Piano
14
Voix Mezzo-Soprano, Piano
12
Chorale SSATB
9
Chorale
8
Chorale SSATTB
4
Chorale SSAATTBB
4
Voix basse
3
Chorale SSAB, Piano
3
Voix moyenne, Piano
3
Voix Soprano
2
Chorale SSAB a cappella
2
Chorale SATBB
1
Voix, Guitare
1
Chorale SSAATB
1
+ 25 instrumentations
Retracter
Vents
Flûte traversière et Piano
657
Clarinette et Piano
589
2 Saxophones (duo)
573
Saxophone (partie séparée)
558
Quatuor de Saxophones: 4 saxophones
549
Flûte traversière
528
Hautbois, Piano (duo)
509
Clarinette
489
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
435
Saxophone Alto et Piano
402
Saxophone Alto
397
Saxophone Tenor
346
Saxophone Tenor et Piano
336
Flûte, Hautbois, Clarinette, Basson
332
2 Flûtes traversières (duo)
311
2 Clarinettes (duo)
265
Quintette de Saxophone: 5 saxophones
237
Clarinette (partie séparée)
227
Quatuor de Clarinettes: 4 clarinettes
220
Hautbois (partie séparée)
215
Saxophone, Clarinette (duo)
161
Saxophone Soprano et Piano
135
Clarinette, Violon (duo)
134
Flute (partie séparée)
127
Quatuor de Flûtes : 4 flûtes
119
Flûte, Clarinette (duo)
116
Saxophone Baryton, Piano
104
2 Hautbois (duo)
98
Clarinette, Trompette (duo)
96
Hautbois, Basson (duo)
89
Ensemble de Flûtes
80
Flûte, Violon
78
Ensemble de Clarinettes
77
3 Saxophones (trio)
70
Hautbois, Clarinette (duo)
69
Clarinette et Alto
66
3 Clarinettes (trio)
63
Hautbois
60
Flûte, Alto (duo)
58
Ensemble de saxophones
58
Hautbois, Flûte
55
Flûte, Saxophone (duo)
50
Flûte à bec Soprano
49
Trio de Flûtes: 3 flûtes
49
Quintette de Clarinettes: 5 clarinettes
48
Flûte, Trompette (duo)
46
Cor anglais, Piano
41
Flûte à Bec
41
Flûte et Guitare
36
Flûte, Clarinette et Basson
35
Saxophone Soprano
33
Cor Anglais
32
Saxophone Baryton
32
2 Flûtes traversières, Piano
31
Flûte, Hautbois, Clarinette (trio)
30
Quintette de Flûte : 5 flûtes
29
Clarinette Basse, Piano
28
2 Flûte à bec (duo)
26
Clarinette, Violoncelle (duo)
26
Flûte, Hautbois (duo)
25
Clarinette, Basson (duo)
25
Flûte, Violon, Piano
24
Saxophone
23
Flûte, Violoncelle
23
Ocarina
20
Hautbois, Violoncelle
20
Harmonica
20
Hautbois, violon (duo)
17
Clarinette, Guitare (duo)
15
Hautbois et alto (duo)
13
Quatuor de Flûtes à bec
12
Clarinette, Harpe (duo)
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte, Clarinette, Piano (trio)
11
Flûte, Basson et Piano
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flute, harpe et violon
9
Flûte, Clarinette, Violon (trio)
9
Flûte irlandaise
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Harpe et Violoncelle
8
Flûte, Hautbois, Basson
7
Saxophone et Guitare
7
Flûte, Alto et Piano
6
Flûte, Violon et Violoncelle
6
Flûte à bec Alto
6
Clarinette, Trombone (duo)
6
Flûte, Hautbois, Violon
6
Hautbois, Guitare (duo)
6
5 Flûtes à bec
6
Flûte à bec Tenor
5
Flûte, Hautbois, Piano (trio)
5
Clarinette, Violoncelle, Piano (trio)
5
Cor anglais, Guitare (duo)
4
Hautbois, Basson et Piano
4
Flûte à bec Alto, Piano
4
Ensemble à vent
4
Hautbois, trombone (duo)
4
2 Saxophones, Piano
4
Clarinette Basse
4
3 Flûtes à bec (trio)
4
Flûte, Tuba (duo)
4
Hautbois, Violon, Piano
3
4 Hautbois
3
2 Clarinettes, Basson
3
Flûte, Trombone (duo)
3
Flûte et Trio à cordes
3
2 Clarinettes, Piano
3
Clarinette, trompette et piano
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Tuba
3
Piccolo
2
Piccolo, Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte à bec Soprano, Piano
2
Flûte, Violon, Guitare
2
Ensemble De Flûte à bec
2
Clarinette, Alto et Piano (trio)
2
Clarinette, Contrebasse (duo)
2
Cor anglais et Harpe (duo)
2
Flûte traversière, Basse continue
1
Flûte, trombone et piano
1
Saxophone et Orgue
1
Hautbois, Trompette (duo)
1
Saxophone et Piano
1
2 Flûtes traversières, Harpe
1
Ensemble de Hautbois
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Basson, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte et Quatuor à Cordes
1
Hautbois, Violoncelle et Piano
1
Flûte à bec, Harpe
1
Flûte, Violoncelle, Guitare
1
+ 129 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
559
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
472
Trompette
464
Trombone
408
Trombone (partie séparée)
397
Trompette, Piano
378
Trombone et Piano
358
Cor
332
Cor et Piano
213
Quatuor de Cuivres : 2 trompettes, trombone, tuba
199
2 Trompettes (duo)
155
2 Trombones (duo)
151
Tuba
143
Cor (partie séparée)
124
Quatuor de Cuivres
120
Trompette, Saxophone (duo)
118
Tuba et Piano
112
Quatuor de Cuivres: 2 trompettes, Cor, trombone
93
Trompette, Trombone (duo)
87
Tuba (partie séparée)
74
2 Cors (duo)
49
Euphonium
48
Euphonium, Piano (duo)
43
Cor anglais, Piano
41
Quatuor de cuivres: 4 trombones
39
Cor Anglais
32
2 Euphoniums et 2 Tubas
28
2 Tubas (duo)
25
Quatuor de cuivres: 4 cors
23
Trompette, Cor (duo)
18
Tuba et Orgue
17
Trio de Cuivres
15
3 Trombones (trio)
14
Ensemble de Cors
13
Quatuor de cuivres: 4 trompettes
13
Ensemble de Trompettes
10
Ensemble de Trombones
10
Trompette, Tuba (duo)
8
Trompette, Violoncelle (duo)
7
Trompette, Basson (duo)
7
Trombone, Tuba (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Cor anglais, Guitare (duo)
4
Trombone, Violon (duo)
4
Trompette, Trombone, Piano
4
2 Trompettes, Clavier (piano ou orgue)
4
Cor, Violoncelle (duo)
4
3 Cors (trio)
3
Trompette, violon (duo)
3
Trombone basse
2
Trombone basse et Piano
2
Bass Clef Instruments
2
Tuba ou Euphonium ou Saxhorn
2
Trompette, Violoncelle et Piano
2
2 Euphoniums (duo)
2
3 Tubas (trio)
2
Cor anglais et Harpe (duo)
2
3 Trompettes (trio)
2
Cor et Basson (duo)
1
Cor, Trompette, Trombone (trio)
1
2 Cors, Piano
1
Euphonium, Tuba (duo)
1
2 Trombones, Piano
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
4 Tubas
1
Cor, Violoncelle et Piano
1
Trombone, violoncelle (duo)
1
Trompette et Guitare
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 127
Violon et Piano
742
Violon
602
Violoncelle, Piano
560
Alto, Piano
513
Violoncelle
483
Alto seul
371
2 Violons (duo)
256
Harpe
227
Violon, Violoncelle (duo)
224
2 Violoncelles (duo)
180
Violon (partie séparée)
179
Trio à Cordes: violon, alto, violoncelle
171
Quintette à cordes: 2 violons, alto, violoncelle, basse
167
Violon, Alto (duo)
150
2 Altos (duo)
133
Contrebasse, Piano (duo)
128
Trio à Cordes: 2 violons, violoncelle
98
Contrebasse (partie séparée)
95
Contre Basse
94
Alto (partie séparée)
88
Alto, Violoncelle (duo)
35
2 Harpes (duo)
30
2 Contrebasses (duo)
26
Violoncelle (partie séparée)
24
Violon, Guitare (duo)
24
Trio à cordes: 3 violins
21
4 Violoncelles
20
Trio à Cordes: 2 violons, alto
18
Violon, Basson (duo)
16
Piano Trio: Violon, Alto, Piano
15
Harpe, Flûte (duo)
13
Violoncelle, Contrebasse (duo)
13
Violoncelle , Guitare (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Trio à Cordes: 3 violoncelles
11
Quatuor à cordes: 4 violons
11
Harpe, Violon (duo)
10
2 Violons, Piano
8
Alto et Basson
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
6
Alto, Guitare (duo)
5
Quatuor à cordes : 4 altos
5
Violon, Tuba (duo)
4
Ensemble de Violoncelles
3
Harpe, Violoncelle (duo)
3
Harpe et Piano
3
Harpe, Violon, Violoncelle
3
Violoncelle, Orgue
2
Trio à cordes: 3 altos
2
Flûte, Contrebasse (duo)
2
Alto, Orgue
2
Alto et Harpe
2
Ensemble d'Altos
1
Ensemble de Violons
1
Violoncelle, Orchestre
1
Violon, Trompette et Piano
1
Harpe, Trombone (duo)
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 205
Fanfare
1 517
Orchestre à Cordes
597
Orchestre
585
Ensemble Jazz
577
Ensemble de cuivres
247
Cloches
245
Percussion (partie séparée)
193
Orchestre de chambre
119
Jazz combo
115
Batterie
91
Batterie (partie séparée)
57
Ensemble de Percussions
55
Caisse Claire
52
Timbales (partie séparée)
31
Percussion
22
Marimba
20
Xylophone, Piano
15
Vibraphone
13
Xylophone
9
Ensemble d'École
6
Instrumentation Flexible
5
2 Xylophones
5
Quintette de Cuivres: autres combinaisons
2
Big band
2
2 Marimbas
1
Timbales
1
Voix et Orchestre
1
Piano et Orchestre
1
Orchestre, Violon
1
Bodhran
1
Vibraphone (partie séparée)
1
Vibraphone et Marimba
1
+ 28 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Note4Piano
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SheetMusicPlus
Partitions à imprimer
43 partitions trouvées
<
1
26
Always On My Mind
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Elvis Presley
#
Kevin P Holdgate
#
UK pop Top Ten)
#
Always On My Mind
#
Kevin P Holdgate
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1332793 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Kevin P Holdgate. 20th ...
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Euphonium,Piano - Level 3 - SKU: A0.1332793 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Kevin P Holdgate. 20th Century,Broadway,Country,Musical/Show,Pop,Standards. Score and part. 9 pages. Kevin P Holdgate #919221. Published by Kevin P Holdgate (A0.1332793). Always on My Mind is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee and first released by Gwen McCrae (as You Were Always on My Mind) in March 1972. Lee's version was released three months later in June 1972. The song has been a crossover hit, charting in both the country and western and pop categories. Elvis Presley's recording was the first commercially successful version of the song.AllMusic lists more than 300 recorded releases of the song in versions by dozens of performers.[1] While Lee's version reached no. 45 on the US country chart in 1972, other performers reached the Top 20 on the country and/or pop charts in the United States and elsewhere with their own versions: Elvis Presley (1972, US country; UK pop Top Ten); John Wesley Ryles (1979, US country) and Willie Nelson's Grammy Award-winning version (1982, US/Canada country number one; US/Canada pop Top Ten); and the Pet Shop Boys' 1987 hi-NRG/synth-pop interpretation (UK number one; US Top Ten).This arrangement of what is a beautiful song is suitable for players of around Grade 4 ABRSM or equivalent.
$5.99
Away in a Manger - Euphonium Solo w/ Piano
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Euphonium, Piano (duo)
#
FACILE
#
William J
#
Ygor Nunes
#
Away in a Manger - Euphonium S
#
Ygor Nunes
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1516812 Composed by William J. Kirkpatrick. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday,Standards. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.1516812 Composed by William J. Kirkpatrick. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday,Standards. Score and part. 3 pages. Ygor Nunes #1090990. Published by Ygor Nunes (A0.1516812). Away in a Manger is a timeless Christmas carol that brings the magic of the holiday season to life. With its soft, melodic tune and heartwarming lyrics, it captures the humble birth of Jesus in a simple manger, evoking feelings of peace, joy, and wonder. This beloved song is perfect for creating a cozy, festive atmosphere, reminding us of the true spirit of Christmas—love, hope, and the gift of family.Imagine the gentle sound of a Euphonium solo setting the mood, as the melody flows through your home, filling it with the warmth and beauty of the holiday season!
$5.99
Away in a Manger for Euphonium and Piano
#
Euphonium, Piano (duo)
#
DÉBUTANT
#
Noël
#
William Kirkpatrick
#
David Burndrett
#
Away in a Manger for Euphonium
#
David Burndrett
#
SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Piano - Level 1 - SKU: A0.557815 Composed by William Kirkpatrick. Arranged by David Burndrett. Christmas. ...
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Instrumental Duet Euphonium,Instrumental Duet,Piano - Level 1 - SKU: A0.557815 Composed by William Kirkpatrick. Arranged by David Burndrett. Christmas. Score and parts. 6 pages. David Burndrett #493109. Published by David Burndrett (A0.557815). This works well as a concert piece or just for fun. Download includes the score and both of the parts.
$3.99
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. ...
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Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
O Salutaris (Pessard arr. for Euphonium Solo)
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Emile Pessard
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Andrew Lamb
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O Salutaris
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Andrew Lamb
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1317702 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Romantic ...
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Euphonium,Piano - Level 3 - SKU: A0.1317702 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Romantic Period,Sacred. Score and part. 26 pages. Andrew Lamb #906382. Published by Andrew Lamb (A0.1317702). 🎺 Immerse yourself in the divine sounds of Émile Pessard's sacred hymn O Salutaris with our exquisite Brass Solo adaptation! 🎶 Crafted for Euphonium (both Bass Clef and Treble Clef), this arrangement resonates with the soulful essence of the original composition. 🇫🇷✨🌈 Experience versatility as the Euphonium part effortlessly transitions to Trombone or Baritone. 🎺 The inclusion of a Trumpet transposition and a Soprano Cornet substitution adds a harmonious twist, providing you with unmatched flexibility. 🎼🤔 Curious about the difficulty level? This arrangement sits comfortably at a Medium level, making it accessible for intermediate musicians seeking a captivating challenge. 🎵👠Whether you're planning a concert that leaves a lasting impression or aiming to elevate a religious service, this arrangement is your key to a harmonious experience. ðŸ™ðŸ”¥ Unleash the power of Pessard's hymn with this arrangement, designed to captivate audiences and create an unforgettable musical journey. 🌟👉 This arrangement, your way to blend tradition and innovation! 🎺✨🌟 Level of Difficulty: Medium🎠Potential Uses: Ideal for concerts and religious services📌 Please like and subscribe for more videos and music arrangements. 🎶✨.
$5.00
The Easy Winners, for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709311. Published by David McKeown (A0.1106197). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Favorite for solo Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1092660 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages...
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Euphonium,Piano - Level 3 - SKU: A0.1092660 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696762. Published by David McKeown (A0.1092660). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Gymnopedie No. 1
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Euphonium, Piano (duo)
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FACILE
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Classique
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Contemporain
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel...
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Euphonium,Piano - Level 2 - SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840169. Published by Samuel Sequeira (A0.1245299). Gymnopedie No. 1 - Erik Satie - Euphonium/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Euphonium and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the euphonium takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the euphonium enters, it carries the iconic melody, infusing it with its rich and velvety tones. The euphonium's warm and expressive qualities add an extra layer of depth to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the euphonium and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the euphonium's melodic lines and adding depth to the arrangement. The euphonium, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the euphonium and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for euphonium and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
The Swan - Le Cygne
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Jason Groon
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The Swan - Le Cygne
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Jason Groon
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.823061 Composed by Camille Saint-Saens. Arranged by Jason Groon. Children,Classical,Romantic Period,Standards. Score...
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Euphonium,Piano - Level 3 - SKU: A0.823061 Composed by Camille Saint-Saens. Arranged by Jason Groon. Children,Classical,Romantic Period,Standards. Score and part. 7 pages. Jason Groon #3519455. Published by Jason Groon (A0.823061). Check out this arrangement of Camille Saint-Saens' Le Cygne (The Swan). The final movement from The Carnival of the Animals, this piece is a great way to present classic literature to your developing euphonium players.
$4.99
Deck The Halls - Euphonium w/ Piano
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Euphonium, Piano (duo)
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FACILE
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Thomas Oliphant
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Ygor Nunes
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Deck The Halls - Euphonium w/
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Ygor Nunes
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1509473 By Thomas Oliphant. By Thomas Oliphant. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday,Standards...
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Euphonium,Piano - Level 2 - SKU: A0.1509473 By Thomas Oliphant. By Thomas Oliphant. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday,Standards. Score and part. 2 pages. Ygor Nunes #1084711. Published by Ygor Nunes (A0.1509473). **Bring the Christmas Spirit with Deck the Halls**Deck the Halls is a Christmas favorite that never fails to spread joy and cheer.Every note brings new warmth and vibrancy to the familiar tune. Rediscover the festive charm of Deck the Halls in a fresh and exciting way.Let the euphonium solo version of this song brighten your Christmas with timeless holiday spirit!
$5.99
Five Ragtime Solos by Scott Joplin for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. Da...
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Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719824. Published by David McKeown (A0.1118306). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Euphonium with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
SeÌreÌnade, Op. 98 for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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FaureÌ, Gabriel
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Sauer, Ralph
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SeÌreÌnade, Op. 98 for E
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792374 Composed by FaureÌ, Gabriel. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 16 pa...
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Euphonium,Piano - Level 5 - SKU: A0.792374 Composed by FaureÌ, Gabriel. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820043. Published by Gordon Cherry (A0.792374). FaureÌ is well known for his lyricism and haunting harmonies. In a way, he was the father of French Impressionist music. The SeÌreÌnade, Opus 98 was originally written for the great 20th century Cellist, Pablo Casals. Mr. Ralph Sauer has kept the arrangement in the same key as the Cello. The work is playable by advanced performers. This arrangement is another example of Mr. Sauer’s excellent feel for the subtleties of the composer’s style.
$17.50
Stacy's Mom
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Fountains Of Wayne
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Lawrence H Underwood
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Stacy's Mom
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1091239 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Contempo...
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Euphonium,Piano - Level 3 - SKU: A0.1091239 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Contemporary,Pop,Rock. Score and part. 11 pages. Lawrence H Underwood #695404. Published by Lawrence H Underwood (A0.1091239). “Stacy’s mom has got it goin’ on. . .†This 2003 hit from Fountains of Wayne has it all: It’s clever, distinctive, and incredibly catchy. And now it’s playable as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306299. Published by jmsgu3 (A0.551497). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,St...
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Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508187. Published by jmsgu3 (A0.549568). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Peer Gynt Suite Complete for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306329. Published by jmsgu3 (A0.551502). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
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