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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
BLUEGRASS
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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COUNTRY
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RAGTIME
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Note4Piano
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Non classifié
3467
PIANO & CLAVIERS
Piano seul
1958
Piano, Voix
966
Piano, Voix et Guitare
296
Piano Facile
276
Instruments en Do
126
Orgue
120
Accompagnement Piano
77
Piano Trio: piano, violon, violoncelle
34
1 Piano, 4 mains
31
Piano Quatuor: piano, violon, alto, violoncelle
17
2 Pianos, 4 mains
13
Piano Quatuor: piano, 2 violons, violoncelle
11
Clavecin
7
Piano (partie séparée)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano grosses notes
3
Orgue, Trompette (duo)
3
Accordéon
3
2 Pianos, 8 mains
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
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GUITARES
Guitare
143
Guitare notes et tablatures
111
Ligne De Mélodie, (Paroles) et Accords
96
Mandoline
38
Ukulele
27
2 Guitares (duo)
25
Guitare (partie séparée)
12
Paroles et Accords
12
Piano, Guitare (duo)
11
Basse electrique
8
Mandoline, Guitare (duo)
7
Banjo
5
3 Guitares (trio)
3
4 Guitares (Quatuor)
3
Ensemble de guitares
2
Guitare, Violon, Violoncelle (trio)
2
Guitare, Orchestre
1
Mandoline, Piano (duo)
1
2 Mandolines (duo)
1
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VOIX
Chorale SATB
715
Chorale 3 parties
210
Chorale 2 parties
165
Chorale TTBB
94
Voix duo, Piano
75
Chorale SSAA
73
Chorale Unison
73
Voix duo
29
Voix Tenor, Piano
22
Voix Soprano, Piano
14
Voix seule
13
Voix Alto, Piano
12
Voix moyenne, Piano
8
Voix Tenor
6
Chorale SSAATTBB
4
Voix Baryton, Piano
4
Voix haute
3
Voix basse
1
Voix basse, Piano
1
Voix Soprano
1
Chorale SSAATB
1
Chorale
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
523
Flûte traversière et Piano
328
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
328
Quatuor de Saxophones: 4 saxophones
252
Saxophone, Clarinette (duo)
250
Clarinette et Piano
229
Flûte, Hautbois, Clarinette, Basson
221
2 Clarinettes (duo)
216
Quintette de Saxophone: 5 saxophones
212
Saxophone Alto et Piano
177
2 Flûtes traversières (duo)
176
Hautbois, Piano (duo)
172
Clarinette, Violon (duo)
165
Saxophone (partie séparée)
164
Quatuor de Clarinettes: 4 clarinettes
159
Saxophone Soprano et Piano
141
Clarinette, Trompette (duo)
138
Clarinette
128
Saxophone Tenor et Piano
127
Flûte, Clarinette (duo)
108
Flûte traversière
103
2 Hautbois (duo)
97
Saxophone Alto
91
Hautbois, Basson (duo)
89
Flûte, Violon
87
Clarinette et Alto
85
Ensemble de saxophones
85
Flûte, Saxophone (duo)
82
Hautbois, Clarinette (duo)
82
Hautbois, Flûte
80
Cor anglais, Piano
73
Saxophone Baryton, Piano
72
Ensemble de Clarinettes
71
Flûte, Trompette (duo)
65
Quatuor de Flûtes : 4 flûtes
62
Flûte, Alto (duo)
60
Hautbois (partie séparée)
53
Clarinette Basse, Piano
41
Ensemble de Flûtes
41
Flûte à bec Soprano
34
3 Saxophones (trio)
31
Quintette de Clarinettes: 5 clarinettes
28
3 Clarinettes (trio)
26
Quintette de Flûte : 5 flûtes
25
2 Flûte à bec (duo)
25
Flûte et Guitare
25
Ensemble De Flûte à bec
23
Clarinette (partie séparée)
17
Trio de Flûtes: 3 flûtes
17
Quatuor de Flûtes à bec
16
Clarinette, Guitare (duo)
15
Cor Anglais
14
Clarinette, Basson (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
10
Flute (partie séparée)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte à Bec
8
Flûte, Hautbois, Clarinette (trio)
8
Flûte à bec Alto
8
Clarinette, Violoncelle (duo)
7
3 Flûtes à bec (trio)
7
Piccolo, Piano
7
Flûte à bec Soprano, Piano
7
5 Flûtes à bec
6
Flûte, Violoncelle
6
Harmonica
5
Flûte à bec Alto, Piano
5
Flûte, Violoncelle, Piano (trio)
5
Saxophone Tenor
5
Flûte, Hautbois (duo)
4
Saxophone Soprano
4
Hautbois, Guitare (duo)
4
2 Cors Anglais Et Pianoforte
4
Flûte à bec Tenor
3
Cor anglais, Guitare (duo)
3
Flûte, Clarinette et Basson
3
Saxophone et Guitare
3
2 Clarinettes, Piano
3
Flûte traversière, Basse continue
2
Clarinette, Trombone (duo)
2
Saxophone Baryton
2
Hautbois
2
Clarinette Basse
2
Saxophone et Orgue
2
2 Flûtes traversières, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte irlandaise
2
Piccolo
2
Flûte à Bec, Piano
2
Hautbois, Violoncelle
1
Cor anglais et Harpe (duo)
1
Flûte, Alto et Piano
1
Clarinette, Harpe (duo)
1
Ensemble à vent
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette, Violon (trio)
1
Ensemble de Hautbois
1
Cornemuse
1
Flûte traversière, Orgue (duo)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Basson
1
Flûte à bec, Guitare (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
380
Quatuor de Cuivres : 2 trompettes, trombone, tuba
221
Trompette, Saxophone (duo)
174
Trombone et Piano
171
Trompette, Piano
133
Trompette
110
2 Trombones (duo)
103
Quatuor de Cuivres
98
Trompette, Trombone (duo)
94
2 Trompettes (duo)
91
Cor et Piano
90
Euphonium, Piano (duo)
79
Cor anglais, Piano
73
Trombone
63
Quatuor de Cuivres: 2 trompettes, Cor, trombone
58
Trompette (partie séparée)
40
Ensemble de Trombones
38
Trombone (partie séparée)
37
Tuba et Piano
36
Ensemble de Trompettes
36
Cor
29
Quatuor de cuivres: 4 trombones
26
Tuba
19
Quatuor de cuivres: 4 cors
18
2 Cors (duo)
17
2 Euphoniums et 2 Tubas
16
Cor Anglais
14
Cor (partie séparée)
13
Ensemble de Cors
12
Tuba (partie séparée)
11
Trio de Cuivres
7
Euphonium
6
4 Tubas
6
Trompette, Cor (duo)
5
2 Tubas (duo)
5
Quatuor de cuivres: 4 trompettes
5
Tuba et Orgue
4
2 Cors Anglais Et Pianoforte
4
3 Trombones (trio)
3
Cor anglais, Guitare (duo)
3
Trombone basse et Piano
3
Euphonium, Tuba (duo)
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Tubas (trio)
2
Trombone, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Trompettes (trio)
2
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
4 Euphoniums
1
Trombone, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Ensemble de Tubas
1
3 Cors (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
539
Violon et Piano
329
Alto, Piano
245
Violoncelle, Piano
244
Violon
166
Violon, Violoncelle (duo)
163
2 Violons (duo)
116
2 Altos (duo)
105
Violon, Alto (duo)
104
2 Violoncelles (duo)
102
Harpe
101
Trio à Cordes: violon, alto, violoncelle
89
Quintette à cordes: 2 violons, alto, violoncelle, basse
83
Violoncelle (partie séparée)
80
2 Harpes (duo)
50
Alto seul
48
Trio à Cordes: 2 violons, violoncelle
33
Violoncelle
32
Contrebasse, Piano (duo)
28
Alto (partie séparée)
24
Violon, Guitare (duo)
17
Contre Basse
17
4 Violoncelles
17
Violon (partie séparée)
15
Ensemble de Violons
15
Ensemble d'Altos
13
Trio à Cordes: 3 violoncelles
12
Violoncelle , Guitare (duo)
11
Harpe, Flûte (duo)
11
Alto, Violoncelle (duo)
10
Contrebasse (partie séparée)
10
Trio à cordes: 3 violins
9
Piano Trio: Violon, Alto, Piano
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quatuor à cordes : 4 altos
6
Quatuor à cordes: 4 violons
6
Trio à cordes: 3 altos
6
Violoncelle, Orchestre
4
Alto, Guitare (duo)
4
Trio à Cordes: 2 violons, alto
3
2 Contrebasses (duo)
3
Harpe, Voix
3
Violoncelle, Basse continue
3
Violoncelle, Contrebasse (duo)
3
Harpe, Violon, Violoncelle
2
Ensemble de Violoncelles
2
Violoncelle, Orgue
2
4 Contrebasses
2
4 Harpes
1
Harpe et mandoline
1
Alto, Orgue
1
Alto et Harpe
1
3 Harpes
1
Harpe, Trombone (duo)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
768
Orchestre à Cordes
224
Orchestre
205
Ensemble de cuivres
158
Ensemble Jazz
102
Orchestre de chambre
89
Cloches
49
Jazz combo
30
Ensemble de Percussions
21
Percussion (partie séparée)
13
Fanfare
12
Batterie
10
Batterie (partie séparée)
6
Vibraphone
4
Marimba
3
Quintette de Cuivres: autres combinaisons
2
Percussion
2
Piano et Orchestre
2
2 Marimbas
1
Ensemble d'École
1
Timbales (partie séparée)
1
Orchestre, Violon
1
Xylophone
1
Voix Mezzo-Soprano, Orchestre
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Time Was
Euphonium, Piano (duo)
Partitions à imprimer
79 partitions trouvées
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Twas in the Moon of Wintertime/The Huron Carol (euphonium/piano), arr. Brenda Portman
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.753119 Composed by Traditional…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.753119 Composed by Traditional. Arranged by Brenda Portman. Christian,Christmas,Classical,Religious,Sacred. Score and part. 10 pages. Brenda Portman #3885065. Published by Brenda Portman (A0.753119). This setting of the Huron Carol (Twas in the Moon of Wintertime), for euphonium and piano, was originally a vocal solo but works very nicely as an instrumental solo. Recording is of the vocal version. A beautiful arrangement of a lesser-known Christmas carol, which is a French Canadian melody and is the earliest Christmas carol from North America.Composer website: http://brendaportman.com
$4.25
3.92 €
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Euphonium, Piano (duo)
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Traditional
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Brenda Portman
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Twas in the Moon of Wintertime/The Huron Carol
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Brenda Portman
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SheetMusicPlus
Five Ragtime Solos by Scott Joplin for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1118306 Composed by Scott Jopl…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719824. Published by David McKeown (A0.1118306). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Euphonium with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.22 €
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Euphonium, Piano (duo)
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Joplin for Euphonium and Piano
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.592533 Composed by Jule Styne.…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366335. Published by David McKeown (A0.592533). It’s Been a Long Long Time is arranged as a solo for one Euphonium with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.53 €
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Euphonium, Piano (duo)
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
A Christmas Ragtime! for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1408754 Composed by David Burn…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1408754 Composed by David Burndrett. Christmas,Ragtime. Score and part. 13 pages. David Burndrett #991353. Published by David Burndrett (A0.1408754). I have dedicated this to my amazing Dad Jeff Burndrett!I have lovely memories of listening to ragtime music in the car with him when I was a boy and us both enjoying it!I have added an optional drum part!Download includes the score and all of the parts.
$4.95
4.57 €
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Euphonium, Piano (duo)
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David Burndrett
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A Christmas Ragtime! for Euphonium and Piano
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David Burndrett
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SheetMusicPlus
A Christmas Ragtime for Euphonium and Piano
Euphonium, Piano (duo)
Small Ensemble Drums,Euphonium,Piano Accompaniment - Level 2 - Digital Download SKU: A0…
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Small Ensemble Drums,Euphonium,Piano Accompaniment - Level 2 - Digital Download SKU: A0.559014 Composed by David Burndrett. Christmas,Ragtime. Score and parts. 13 pages. David Burndrett #6139651. Published by David Burndrett (A0.559014). I have dedicated this to my amazing Dad Jeff Burndrett!I have lovely memories of listening to ragtime music in the car with him when I was a boy and us both enjoying it!Download includes the score and the parts.
$4.95
4.57 €
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Euphonium, Piano (duo)
#
David Burndrett
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A Christmas Ragtime for Euphonium and Piano
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David Burndrett
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SheetMusicPlus
Christmas Time
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.760060 By Bryan Adams. By Brya…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.760060 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Raymond Fenech. Christmas,Contemporary,Holiday,Pop,Rock. Score and part. 16 pages. Raymond Fenech #3492213. Published by Raymond Fenech (A0.760060). Christmas Time is a song by Canadian rock singer-songwriter Bryan Adams. It was written by Adams and Jim Vallance and became Adams' most popular Christmas song. It was originally released on clear, green vinyl with a picture sleeve. It was written and recorded in Vancouver, British Columbia, Canada. No music video was shot for the song. Over thirty years after it was first recorded, the song still receives significant radio airplay each year during the Christmas season. This song is arranged for Euphonium and Piano . The Duration is approx. 3.56 minutes and the level is Intermediate.
$4.99
4.61 €
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Euphonium, Piano (duo)
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Bryan Adams
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Raymond Fenech
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and Piano
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Christmas Time
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Raymond Fenech
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SheetMusicPlus
Christmas Time
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download …
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760059 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Raymond Fenech. Christmas,Contemporary,Holiday,Pop,Rock. Score and parts. 21 pages. Raymond Fenech #3492191. Published by Raymond Fenech (A0.760059). Christmas Time is a song by Canadian rock singer-songwriter Bryan Adams. It was written by Adams and Jim Vallance and became Adams' most popular Christmas song. It was originally released on clear, green vinyl with a picture sleeve. It was written and recorded in Vancouver, British Columbia, Canada. No music video was shot for the song. Over thirty years after it was first recorded, the song still receives significant radio airplay each year during the Christmas season. This song is arranged for 2 Euphoniums and Piano . The Duration is approx. 3.56 minutes and the level is Intermediate.
$5.99
5.53 €
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Euphonium, Piano (duo)
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Bryan Adams
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Raymond Fenech
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Christmas Time
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Raymond Fenech
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SheetMusicPlus
Old Time Religion, Gospel Song for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.593115 Composed by Traditional…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.593115 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416383. Published by David McKeown (A0.593115). Old Time Religion is a beautiful gospel song arranged here for Solo Euphonium and Piano.Old Time Religion was first published in 1873 but probably dates from many years earlier, with possible roots in English folk song
$2.49
2.3 €
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Euphonium, Piano (duo)
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Traditional
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David McKeown
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Old Time Religion, Gospel Song for Euphonium and Piano
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David McKeown
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Intermezzo and Tarantella for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792508 Composed by Reinhold Mo…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792508 Composed by Reinhold Moritzovich Gliere. Arranged by Ralph Sauer. 20th Century,Multicultural,Romantic Period,World. Score and part. 36 pages. Gordon Cherry #4988439. Published by Gordon Cherry (A0.792508). Gliere's Two Pieces, Op. 9 is an early work, originally written for double bass with the two movements having been beautifully arranged for Euphonium and Piano by Ralph Sauer. The Intermezzo is lyrical, sensual and Eastern sounding. The Tarantella is a sprightly folk dance of southern Italy. The curious name comes from the wolf spider or Tarantula whose bite is highly poisonous and in earlier times was believed to cause the victims to engage in a frenzied dance. The two movements are about 9.5 minutes in length and are appropriate for advanced performers.
$22.50
20.78 €
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Euphonium, Piano (duo)
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Reinhold Moritzovich Gliere
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Ralph Sauer
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Intermezzo and Tarantella for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1112417 Composed by Scott Jopl…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.68 €
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Euphonium, Piano (duo)
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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David McKeown
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.42 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bohm: Calm as the Night for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549416 Composed by Carl Bohm. …
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549416 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493731. Published by jmsgu3 (A0.549416). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular. His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be! Contact www.jamesguthrie.com to register for free lifetime upgrades and revisions of this product.
$26.95
24.88 €
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Euphonium, Piano (duo)
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Carl Bohm
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James M
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Bohm: Calm as the Night for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23.04 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23.04 €
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Euphonium, Piano (duo)
#
Johann Sebastian Bach
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James M
#
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.42 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Jingle Bells for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierp…
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.04 €
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Euphonium, Piano (duo)
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Onward Christian Soldiers, Gospel Hymn for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.593140 Composed by Sabine Bari…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.593140 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416469. Published by David McKeown (A0.593140). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Euphonium and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
2.3 €
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Euphonium, Piano (duo)
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gospel Hymn for Euphonium and Piano
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David McKeown
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SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549789 Composed by Peter Ilyic…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549789 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3536985. Published by jmsgu3 (A0.549789). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous since the 1960s. It is now performed all over the world particularly during the Christmas season. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$32.95
30.42 €
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Euphonium, Piano (duo)
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance from Nutcracker Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.42 €
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Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.42 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549547 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.04 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
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