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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two Baroque
Sheetmusicplus
Non classifié
836
Piano & claviers
Piano seul
296
2 Pianos, 4 mains
35
Piano Facile
33
Orgue, Trompette (duo)
32
Orgue
31
Piano, Voix
16
1 Piano, 4 mains
10
Clavecin
7
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
3
Piano, Voix et Guitare
3
2 Accordéons
3
Accordéon
2
Fake Book
1
+ 12 instrumentations
Retracter
Guitares
2 Guitares (duo)
39
Guitare
36
Guitare notes et tablatures
29
Ukulele
13
Mandoline
5
4 Guitares (Quatuor)
3
Basse electrique
1
2 Mandolines (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
2 Dulcimers (duo)
1
Ensemble de guitares
1
2 Ukuleles
1
Dulcimer
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
26
Voix duo, Piano
12
Chorale 2 parties
12
Chorale 3 parties
11
Voix duo
9
Chorale Unison
6
Voix haute
5
Voix moyenne, Piano
4
Voix Soprano, Piano
4
Voix seule
4
Chorale TTBB
3
Chorale SSAA
2
+ 7 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
151
2 Clarinettes (duo)
118
2 Saxophones (duo)
74
Flûte traversière et Piano
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Flûte, Hautbois, Clarinette, Basson
34
Quatuor de Saxophones: 4 saxophones
34
Clarinette et Piano
33
3 Clarinettes (trio)
29
2 Hautbois (duo)
29
Hautbois, Piano (duo)
29
Quintette de Saxophone: 5 saxophones
27
2 Flûte à bec (duo)
20
Quatuor de Flûtes : 4 flûtes
20
3 Saxophones (trio)
18
2 Flûtes traversières, Piano
17
Hautbois, Basson (duo)
17
Saxophone Alto et Piano
16
Quatuor de Clarinettes: 4 clarinettes
16
Trio de Flûtes: 3 flûtes
15
Flûte, Clarinette (duo)
12
Saxophone Tenor et Piano
12
Flûte, Hautbois, Clarinette (trio)
11
Clarinette
11
Flûte traversière
11
Saxophone Soprano et Piano
11
Ensemble de Clarinettes
10
Quatuor de Flûtes à bec
9
Clarinette, Violon (duo)
9
Flûte, Violoncelle
9
Flûte, Violon
9
Hautbois, Violoncelle
9
Cor anglais, Piano
8
2 Cors Anglais Et Pianoforte
7
Saxophone, Clarinette (duo)
7
Ensemble De Flûte à bec
7
Clarinette, Violoncelle (duo)
7
Ensemble de Flûtes
7
Flûte, Clarinette et Basson
7
Clarinette, Basson (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
5
Hautbois, Clarinette (duo)
5
Flûte, Alto (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Clarinette, Piano (trio)
4
Clarinette, Trompette (duo)
4
Flûte, Saxophone (duo)
4
Ensemble de saxophones
4
Saxophone Alto
4
Hautbois (partie séparée)
4
Flûte, Hautbois, Basson
4
Flûte à bec Tenor
4
Flûte et Guitare
3
Clarinette Basse, Piano
3
Saxophone (partie séparée)
3
Saxophone Tenor
3
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Flûte, Violon et Violoncelle
3
Clarinette et Alto
2
5 Flûtes à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle, Guitare
2
2 Clarinettes, Basson
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Clarinette, Harpe (duo)
2
Flûte à bec Soprano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, trompette et piano
1
2 Hautbois et Cor anglais
1
Flûte et Trio à cordes
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Piccolo
1
2 Flûtes traversières, Harpe
1
Flûte, Violon, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
2 Hautbois et Basson
1
Melodica
1
Saxophone et violoncelle
1
Flûte, Alto et Piano
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone
1
4 Hautbois
1
Flûte, Hautbois, Violon
1
Flûte, Violon, Guitare
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Hautbois, Harpe
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
2 Trombones (duo)
39
2 Trompettes (duo)
38
Trompette, Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette
18
Trombone et Piano
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Ensemble de Trombones
15
Quatuor de cuivres: 4 trombones
12
2 Cors (duo)
12
2 Trompettes, Clavier (piano ou orgue)
9
Ensemble de Trompettes
9
Trompette, Trombone (duo)
9
Cor et Piano
8
2 Tubas (duo)
8
Cor anglais, Piano
8
2 Cors Anglais Et Pianoforte
7
3 Trombones (trio)
7
Trombone
7
Trompette, Basson (duo)
6
2 Euphoniums (duo)
6
Trompette, Saxophone (duo)
5
Euphonium, Piano (duo)
5
Tuba
4
Trompette, Violoncelle (duo)
4
Cor
4
Quatuor de cuivres: 4 cors
4
Cor, Violoncelle (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
3
Euphonium
2
3 Cors (trio)
2
Tuba et Orgue
2
3 Tubas (trio)
2
Cor et Harpe
2
Cor et Basson (duo)
2
Trompette, Cor (duo)
2
Ensemble de Cors
2
Trompette (partie séparée)
2
Tuba et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
3 Euphoniums
1
Trompette, Trombone, Piano
1
Cor, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
Trio de Cuivres
1
Euphonium, Tuba (duo)
1
Trompette, Harpe
1
Quatuor de Cuivres
1
4 Tubas
1
+ 49 instrumentations
Retracter
Cordes
2 Violons (duo)
147
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon, Violoncelle (duo)
106
2 Violoncelles (duo)
78
Trio à Cordes: violon, alto, violoncelle
55
Trio à Cordes: 2 violons, violoncelle
52
2 Altos (duo)
50
Violon et Piano
48
Violon
46
Violon, Alto (duo)
42
Harpe
30
Alto, Piano
29
Violoncelle, Piano
26
Trio à Cordes: 2 violons, alto
18
Violoncelle
17
2 Violons, Piano
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Harpes (duo)
14
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
7
4 Violoncelles
7
Alto seul
6
Harpe, Violon (duo)
6
Alto (partie séparée)
6
Violon (partie séparée)
6
Trio à cordes: 3 violins
6
Violon, Basson (duo)
5
Quatuor à cordes: 4 violons
5
Alto et Basson
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 3 violoncelles
4
2 Contrebasses (duo)
4
Trio à cordes
4
Ensemble de Violons
3
Ensemble d'Altos
3
Harpe et Piano
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Basse continue
2
Contre Basse
2
Violoncelle (partie séparée)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
83
Orchestre de chambre
65
Ensemble de cuivres
51
Orchestre
16
Orchestre d'harmonie
14
Cloches
4
Xylophone
2
Marimba
2
2 Xylophones
1
Ensemble Jazz
1
Xylophone, Piano
1
Ensemble de Percussions
1
+ 7 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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LIVRES
LUTH
MANDOLINE
MARIMBA
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POP ROCK - ROCK CLAS…
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PUNK
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SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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1
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. ...
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Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
ARIOSO, by J. S. Bach (sinfonia) - for Euphonium and accompaniment
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Euphonium, Piano (duo)
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.964413 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,...
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Euphonium,Piano - Level 1 - SKU: A0.964413 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323041. Published by Leyandder Trustworthy (A0.964413). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Euphonium along with a piano accompaniment that comes with the product.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for Euphonium (Treble Clef) and accompaniment
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Euphonium, Piano (duo)
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.964415 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,...
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Euphonium,Piano - Level 1 - SKU: A0.964415 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323043. Published by Leyandder Trustworthy (A0.964415). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Euphonium (Treble Clef) along with a piano accompaniment that comes with the product.
$4.99
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