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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violi
Non classifié
29 234
Piano & claviers
Piano Trio: piano, violon, violoncelle
2 126
Piano seul
1 251
Instruments en Do
973
Accompagnement Piano
707
Piano Quatuor: piano, violon, alto, violoncelle
559
Piano Quintette: piano, 2 violons, alto, violoncelle
527
Piano Quatuor: piano, 2 violons, violoncelle
475
Piano, Voix
365
Piano Facile
308
Piano, Voix et Guitare
282
Orgue
53
1 Piano, 4 mains
28
2 Pianos, 4 mains
16
Piano grosses notes
16
Accordéon
7
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Clavecin
5
Orgue, Piano (duo)
5
Piano (partie séparée)
4
Accordéon, Corde(s)
3
Accordéon et Orchestre
3
Orgue, Trompette (duo)
2
2 Accordéons
2
Accordéon, Piano
1
Ensemble d'Accordéons
1
Piano Trio: Instruments de chambre mixtes
1
2 Pianos, 8 mains
1
+ 22 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
415
Guitare
122
Guitare notes et tablatures
110
Piano, Guitare (duo)
102
Guitare, Violon, Violoncelle (trio)
40
2 Guitares (duo)
31
Ukulele
27
Mandoline
18
Basse electrique
8
4 Guitares (Quatuor)
7
Guitare (partie séparée)
6
2 Mandolines (duo)
3
Guitare, Quatuor à cordes
3
Paroles et Accords
2
3 Guitares (trio)
2
Mandoline, Piano (duo)
2
Guitare, Flûte, Clarinette
1
Guitare, Orchestre
1
Ensemble de guitares
1
+ 14 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
2 466
Chorale SATB
941
Chorale 3 parties
230
Chorale 2 parties
209
Chorale Unison
81
Chorale TTBB
74
Voix duo, Piano
65
Voix duo
41
Chorale SSAA
24
Chorale
17
Voix Soprano, Piano
13
Voix haute
11
Voix Tenor, Piano
9
Voix seule
7
Voix moyenne, Piano
7
Voix Alto, Piano
4
Chorale SSAATTBB
4
Soli, choeur mixte et accompagnement
4
Voix Baryton, Piano
3
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Voix, Guitare
1
Chorale SSATB
1
Voix d'Enfants
1
+ 19 instrumentations
Retracter
Vents
Flûte, Violon
913
Clarinette, Violon (duo)
857
Flûte traversière et Piano
675
Flûte, Violon, Piano
654
Clarinette et Piano
340
Flûte, Violon et Violoncelle
313
Saxophone Alto et Piano
293
Hautbois, Piano (duo)
289
Saxophone Tenor et Piano
244
Flûte et Guitare
231
Hautbois, violon (duo)
219
2 Flûtes traversières (duo)
152
Flûte, Hautbois, Violon
124
Flûte, Hautbois, Clarinette, Basson
124
Flûte traversière
123
Saxophone Soprano et Piano
114
Flûte, Clarinette, Violon (trio)
113
Saxophone, Violon (duo)
110
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Clarinette
99
Quatuor de Saxophones: 4 saxophones
93
2 Saxophones (duo)
91
Saxophone Alto
83
2 Clarinettes (duo)
79
Flute, harpe et violon
78
3 Flûtes à bec (trio)
77
Flûte et Trio à cordes
67
Quatuor de Clarinettes: 4 clarinettes
66
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Flûte, Violon, Violoncelle et Piano
63
Quintette de Saxophone: 5 saxophones
42
3 Clarinettes (trio)
41
Saxophone Tenor
40
Saxophone (partie séparée)
38
Saxophone Baryton, Piano
38
2 Flûte à bec (duo)
38
Quatuor de Flûtes : 4 flûtes
37
Clarinette Basse, Piano
34
Hautbois (partie séparée)
32
Flûte, Violon, Guitare
29
3 Saxophones (trio)
29
Clarinette (partie séparée)
28
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
Flûte, Clarinette (duo)
26
Flûte et Quatuor à Cordes
25
Trio de Flûtes: 3 flûtes
25
2 Hautbois (duo)
25
Cor anglais, Piano
23
Ensemble de Clarinettes
23
Quatuor de Flûtes à bec
21
Hautbois, Violon, Piano
19
Hautbois
17
Ensemble de saxophones
16
Quintette de Clarinettes: 5 clarinettes
15
Clarinette, Guitare (duo)
14
Ensemble à vent
14
Flûte, Hautbois, Clarinette (trio)
13
Hautbois, Basson (duo)
11
4 Hautbois
11
Quintette de Clarinette: Clarinette, Quatuor à Cordes
11
Flûte, Violoncelle
10
Flûte à bec Soprano
9
Flûte, Clarinette et Basson
9
Flûte, Violoncelle, Piano (trio)
9
Flûte à Bec
9
3 Hautbois
9
Flute (partie séparée)
9
Saxophone
8
Ensemble de Flûtes
7
Flûte traversière, Basse continue
7
Flûte, Hautbois, Basson
6
Hautbois, Harpe
6
Clarinette, Harpe (duo)
6
Quintette de Flûte : 5 flûtes
6
Flûte, Clarinette, Piano (trio)
6
5 Flûtes à bec
5
Flûte, Alto et Piano
5
Flûte à bec Alto, Basse continue
5
2 Saxophones, Piano
5
Flûte à bec Alto
4
Flûte, Basson et Piano
4
Flûte à bec Soprano, Piano
4
Hautbois, Violoncelle
4
Ensemble De Flûte à bec
4
Clarinette et Alto
4
Flûte, Hautbois, Piano (trio)
4
Clarinette, Trompette (duo)
3
Clarinette, Basson (duo)
3
Saxophone et Harpe
3
Saxophone, Clarinette (duo)
3
Clarinette, Quatuor à cordes et Piano
3
Cor anglais, Guitare (duo)
3
Flûte à bec Alto, Piano
3
Flûte, Violoncelle, Guitare
3
Hautbois, Flûte
3
2 Flûtes traversières, Piano
3
Piccolo, Piano
3
2 Clarinettes, Piano
3
Flûte traversière, Orchestre
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Clarinette (duo)
3
Clarinette Basse
2
Ocarina
2
Flûte, Alto (duo)
2
Saxophone et Orgue
2
Flûte traversière, Orgue (duo)
2
Saxophone et Guitare
2
Saxophone Soprano
2
Piccolo
2
Clarinette, Violoncelle (duo)
2
Cor anglais et Harpe (duo)
1
Flûte à bec, Guitare (duo)
1
Hautbois, Guitare (duo)
1
Harmonica
1
Flûte à bec Tenor
1
Flûte, alto et harpe
1
Flûte à bec Soprano, Basse continue
1
Clarinette, Orgue
1
Ensemble de Hautbois
1
Cornemuse
1
Saxophone et violoncelle
1
Saxophone Baryton
1
2 Clarinettes, Basson
1
Harmonica, Piano
1
Flûte, Trompette (duo)
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Basson et Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Hautbois (duo)
1
Hautbois, Orgue
1
Clarinette, Alto et Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte à Bec, Piano
1
+ 129 instrumentations
Retracter
Cuivres
Trombone et Piano
215
Trompette, Piano
178
Trompette, violon (duo)
134
Trompette
114
Cor et Piano
96
Trombone, Violon (duo)
93
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
68
2 Trompettes (duo)
51
Trombone
50
Euphonium, Piano (duo)
45
2 Trombones (duo)
36
Trompette (partie séparée)
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Tuba et Piano
34
Cor
31
Trombone (partie séparée)
28
2 Cors (duo)
25
Cor anglais, Piano
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
2 Tubas (duo)
17
Cor (partie séparée)
14
Tuba
14
Trompette, Trombone (duo)
12
Tuba (partie séparée)
9
Trompette, Cor (duo)
9
Euphonium
8
Ensemble de Trombones
7
Ensemble de Trompettes
7
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trombones
5
Ensemble de Cors
5
3 Trombones (trio)
5
Cor et Harpe
4
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
3
Trompette, Harpe
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
3
Trombone, Orgue
3
Trompette, Saxophone (duo)
2
Cor anglais et Harpe (duo)
1
3 Tubas (trio)
1
4 Tubas
1
Trombone basse
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
3 Cors (trio)
1
Bass Clef Instruments
1
2 Cors Anglais Et Pianoforte
1
Trombone et orchestre
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31 558
Violon
23 441
Violon et Piano
19 120
Violon (partie séparée)
10 217
2 Violons (duo)
6 157
Violon, Violoncelle (duo)
5 829
Trio à Cordes: violon, alto, violoncelle
4 655
Violon, Alto (duo)
2 690
Quintette à cordes: 2 violons, alto, violoncelle, basse
2 045
Trio à Cordes: 2 violons, violoncelle
1 774
Trio à cordes: 3 violins
1 012
Violon, Guitare (duo)
907
Piano Trio: Violon, Alto, Piano
817
Alto, Piano
594
Quatuor à cordes: 4 violons
530
Violoncelle, Piano
474
Harpe, Violon (duo)
411
Alto seul
376
Trio à Cordes: 2 violons, alto
367
2 Violons, Piano
343
Trio à cordes
340
Violon, Basson (duo)
257
Violoncelle, Contrebasse (duo)
172
Violoncelle
169
Quintette à cordes: 2 violons, 2 altos, violoncelle
157
2 Altos (duo)
136
Alto (partie séparée)
107
Violon, Clarinette, Piano (trio)
105
2 Violoncelles (duo)
101
Quintette à cordes : 2 violons, alto et 2 violoncelles
95
Violon, Orgue
81
4 Violoncelles
79
Harpe
57
Violon, Basse continue
55
Ensemble de Violons
48
Alto, Violoncelle (duo)
48
Harpe, Violon, Violoncelle
48
2 Violons et Basse continue
39
Contre Basse
38
Harpe, Flûte (duo)
38
Contrebasse, Piano (duo)
37
Violon, Tuba (duo)
32
Violoncelle (partie séparée)
31
Contrebasse (partie séparée)
26
Trio à cordes: 3 altos
25
Violoncelle , Guitare (duo)
22
2 Contrebasses (duo)
20
Alto, Guitare (duo)
19
Alto et Harpe
19
Harpe, Violoncelle (duo)
18
Violon, Contrebasse (duo)
16
Violon, Violoncelle, Clarinette
16
Trio à Cordes: 3 violoncelles
15
Violon, Trompette et Piano
14
Flûte, Contrebasse (duo)
8
2 Harpes (duo)
6
Quatuor à cordes : 4 altos
6
Violoncelle, Orchestre
5
Ensemble d'Altos
4
Alto et orchestre
4
Harpe, Quatuor à cordes
4
Violoncelle, Orgue
4
Violoncelle, Basse continue
3
Alto, Orgue
3
Violon, Clarinette et Guitare
3
Harpe, Voix
2
2 Altos, Piano
1
Alto et Basson
1
Harpe, Trombone (duo)
1
2 Violoncelles, Piano
1
Harpe et mandoline
1
+ 66 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
4 158
Orchestre
2 152
Orchestre d'harmonie
1 115
Orchestre de chambre
707
Ensemble Jazz
158
Orchestre, Violon
71
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Ensemble de cuivres
53
Cloches
51
Vibraphone (partie séparée)
48
Jazz combo
40
Ensemble de Percussions
34
Vibraphone
20
Marimba
16
Percussion (partie séparée)
14
Piano et Orchestre
14
Ensemble d'École
12
Xylophone, Piano
11
Batterie
7
Batterie (partie séparée)
6
Fanfare
3
Xylophone
3
Big band
3
Marimba, Piano (duo)
1
Instrumentation Flexible
1
Percussion
1
+ 21 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BASSE
BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Violi
Euphonium, Piano (duo)
Partitions à imprimer
45 partitions trouvées
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1
26
Andante from Violin Concerto Op. 64
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
Gary Bricault
#
Andante from Violin Concerto O
#
Gary Bricault
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.825124 Composed by Felix Bartholdy Mendelssohn. Arranged by Gary Bricault. Romantic Period. Score and part. 5 pages....
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Euphonium,Piano - Level 3 - SKU: A0.825124 Composed by Felix Bartholdy Mendelssohn. Arranged by Gary Bricault. Romantic Period. Score and part. 5 pages. Gary Bricault #4320431. Published by Gary Bricault (A0.825124). Arrangement for Euphonium Solo and Piano. Performance time 2'40.
$4.99
Violin Sonata in F Min, Op. 4
#
Euphonium, Piano (duo)
#
Felix Bartholdy Mendelssohn
#
Robert Madeson
#
Violin Sonata in F Min, Op. 4
#
Cimarron Music Press
#
SheetMusicPlus
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Robert Madeson. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimar...
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By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Robert Madeson. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$17.00
Romance No. 2 in F, Op. 50 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Cherry, Gordon
#
Romance No. 2 in F, Op. 50 for
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.810882 Composed by Ludwig van Beethoven. Arranged by Cherry, Gordon. Romantic Period. Score and part. 13 pages. Gord...
(+)
Euphonium,Piano - Level 5 - SKU: A0.810882 Composed by Ludwig van Beethoven. Arranged by Cherry, Gordon. Romantic Period. Score and part. 13 pages. Gordon Cherry #3667959. Published by Gordon Cherry (A0.810882). Beethoven's Romance in F Opus 50 has been a staple of Violinists for over 210 years, having been written in 1798. The F-major Romance is a tender, adagio cantabile movement full of beauty, requiring grace, poise and elegance to perform properly. It has been said that it could have been titled Song Without Words, the music being so lyrical of character. 'Romance' may have been written as a slow movement to a Violin Concerto that was never completed. This arrangement by Gordon Cherry is a wonderful addition to the Euphonium repertoire.Almost 10 minutes in length, this work for advanced performers will be a great addition to any recital.
$15.00
Vivaldi: Sonata No. 1 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 1 for Euph
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550411 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 3...
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Euphonium,Piano - Level 3 - SKU: A0.550411 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4629963. Published by jmsgu3 (A0.550411). Sonata da Chiesa in Bb for Euphonium & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Bari
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550487 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.550487 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641597. Published by jmsgu3 (A0.550487). Sonata da Chiesa No. 4 in Bb Major for Baritone Horn (treble clef) & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 3 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Bari
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550460 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.550460 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638475. Published by jmsgu3 (A0.550460). Sonata da Chiesa No. 3 in A Minor for Baritone Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures. Baritone Horn in treble clef.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Euph
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550437 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.550437 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4634167. Published by jmsgu3 (A0.550437). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Scene de Ballet for Euphonium
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Euphonium, Piano (duo)
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AVANCÉ
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Charles Auguste de Beriot
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Sean Brennan
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Scene de Ballet for Euphonium
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bl_music
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.842572 Composed by Charles Auguste de Beriot. Arranged by Sean Brennan. Concert,Graduation,Romantic Period,Standards...
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Euphonium,Piano - Level 5 - SKU: A0.842572 Composed by Charles Auguste de Beriot. Arranged by Sean Brennan. Concert,Graduation,Romantic Period,Standards. Score and part. 30 pages. Bl_music #6644121. Published by bl_music (A0.842572). Charles-Auguste de Bériot, (born Feb. 20, 1802, Leuven, Belg.-died April 8, 1870, Brussels), Belgian violinist and composer known for establishing a particular performance style (the Franco-Belgian school) that combined classical elegance with technical virtuosity. Scene de Ballet, arrangement for euphonium and piano by Sean Brennan, first performed 1993 on ophicleide, then published in 1994 Solo part in bass and treble clef
$19.99
Vivaldi: Sonata No. 5 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Bari
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550511 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.550511 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717273. Published by jmsgu3 (A0.550511). Sonata da Chiesa No. 5 in E Minor for Baritone Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Bari
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550436 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part...
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Euphonium,Piano - Level 3 - SKU: A0.550436 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4634163. Published by jmsgu3 (A0.550436). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages. Baritone Horn in Treble Clef.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Euph
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550537 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.550537 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727285. Published by jmsgu3 (A0.550537). Sonata da Chiesa No. 6 in Bb Major for Euphonium & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Bari
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550536 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.550536 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727273. Published by jmsgu3 (A0.550536). Sonata da Chiesa No. 6 in Bb Major for Baritone Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Baritone Horn in treble clef.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Euph
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550512 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.550512 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717587. Published by jmsgu3 (A0.550512). Sonata da Chiesa No. 5 in E Minor for Euphonium & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.  Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 3 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Euph
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550461 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.550461 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638479. Published by jmsgu3 (A0.550461). Sonata da Chiesa No. 3 in A Minor for Euphonium & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Baritone
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Canon - Johann Pachebel - 2 Euphoniums and Piano - Intermediate/Advanced Intermediate level
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Johann Pachebel
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Raymond Fenech
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Canon - Johann Pachebel - 2 Eu
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.760345 Composed by Johann Pachebel. Arranged by Raymond Fenech. Baroque,Ch...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.760345 Composed by Johann Pachebel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Wedding. Score and parts. 26 pages. Raymond Fenech #3578135. Published by Raymond Fenech (A0.760345). The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. This piece could be played during Christmas; Easter and also during school events.The duration is 6.05 minutes and it is an Intermediate/Advanced Intermediate level.
$5.50
Canon - Johann Pachelbel - 2 Euphoniums and Piano - Intermediate/Advanced Intermediate level
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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Raymond Fenech
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Canon - Johann Pachelbel - 2 E
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.760369 Composed by Johann Pachelbel. Arranged by Raymond Fenech. Baroque,C...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.760369 Composed by Johann Pachelbel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Wedding. Score and parts. 26 pages. Raymond Fenech #3593977. Published by Raymond Fenech (A0.760369). The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. This piece could be played during Christmas; Easter and also during school events. The duration is 6.05 minutes and it is an Intermediate/Advanced Intermediate level.
$5.50
Beau Soir (Debussy) for Euphonium B.C. and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1501200 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romant...
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Euphonium,Piano - Level 3 - SKU: A0.1501200 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077158. Published by SCORE EDITIONS (A0.1501200). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Euphonium B.C. and Piano by Harry Walker.
$5.99
Tchaikovsky: March from Nutcracker Suite for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: March from Nutcra
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549672 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period...
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Euphonium,Piano - Level 3 - SKU: A0.549672 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 20 pages. Jmsgu3 #3519151. Published by jmsgu3 (A0.549672). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is a classic Christmas program favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Five Songs Without Words for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Sergei Prokofiev
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Sauer, Ralph
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Five Songs Without Words for E
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.811056 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 3...
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Euphonium,Piano - Level 5 - SKU: A0.811056 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 32 pages. Gordon Cherry #4820307. Published by Gordon Cherry (A0.811056). The Prokofiev Five Songs Without Words, Opus 35 were written in December 1920 during a tour of the USA. The musical format of songs without words is not unusual, as Mendelssohn composed a number of very beautiful ones for the Piano and of course Rachmaninoff’s Vocalise is one of the most famous works in the musical repertoire. The Five Songs Without Words were premiered in New York City in 1921 by the soprano Nina Koshetz. In 1925, while living in Paris the composer arranged the five brief songs for Violin and Piano. Their haunting, bittersweet and lyrical style is typical of Prokofiev and the advanced performer will find these wonderful miniatures totaling 12 minutes in length a perfect vehicle for a major work on a recital. Mr. Sauer has scored these songs beautifully for the Euphonium and Piano.
$22.50
Gypsy Song and Dance for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Coleridge-Taylor, S
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Sauer, Ralph
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Gypsy Song and Dance for Eupho
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792318 Composed by Coleridge-Taylor, S. Arranged by Sauer, Ralph. 20th Century,Folk,Romantic Period,World. Score and...
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Euphonium,Piano - Level 5 - SKU: A0.792318 Composed by Coleridge-Taylor, S. Arranged by Sauer, Ralph. 20th Century,Folk,Romantic Period,World. Score and part. 15 pages. Gordon Cherry #4804547. Published by Gordon Cherry (A0.792318). Samuel Coleridge-Taylor's Gypsy Song and Dance, arranged beautifully by Mr. Sauer for Euphonium and Piano is taken from his four-movement Gypsy Suite Opus 20, originally published in 1898 for Violin and Piano, a very prolific year for the composer. Eventually this work and others were orchestrated by a colleague. The two movements of nine minutes in length are suitable for advanced performers.
$20.00
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549832 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period...
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Euphonium,Piano - Level 3 - SKU: A0.549832 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550627. Published by jmsgu3 (A0.549832). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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