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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin Pieces
Non classifié
714
Piano & claviers
Piano seul
94
Piano Trio: piano, violon, violoncelle
24
Piano Facile
18
Piano Quatuor: piano, violon, alto, violoncelle
12
Piano, Voix
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano, Voix et Guitare
2
2 Pianos, 4 mains
2
Instruments en Do
1
+ 8 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
49
Guitare
29
Mandoline
4
2 Mandolines (duo)
3
Guitare, Violon, Violoncelle (trio)
1
Voix
Chorale 2 parties
3
Chorale Unison
3
Chorale SATB
3
Chorale 3 parties
2
Voix Soprano, Piano
2
Voix duo
1
Voix duo, Piano
1
Voix moyenne, Piano
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
96
Hautbois, Piano (duo)
77
Clarinette et Piano
75
Saxophone Alto et Piano
70
Saxophone Tenor et Piano
69
2 Saxophones (duo)
49
2 Clarinettes (duo)
35
Clarinette, Violon (duo)
31
Quatuor de Saxophones: 4 saxophones
25
2 Flûtes traversières (duo)
25
Flûte, Violon
23
Quatuor de Clarinettes: 4 clarinettes
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
3 Saxophones (trio)
16
2 Hautbois (duo)
15
3 Clarinettes (trio)
14
Flûte, Hautbois, Clarinette, Basson
14
Clarinette
13
Quintette de Saxophone: 5 saxophones
11
Flûte, Violon et Violoncelle
10
Trio de Flûtes: 3 flûtes
9
Quatuor de Flûtes : 4 flûtes
9
Flûte traversière
8
Flûte, Violon, Piano
8
Saxophone Soprano et Piano
8
3 Hautbois
7
4 Hautbois
7
Saxophone Baryton, Piano
5
Hautbois (partie séparée)
5
Hautbois, violon (duo)
5
Flûte et Trio à cordes
5
Saxophone Tenor
4
Saxophone (partie séparée)
4
Saxophone Alto
4
Flûte et Guitare
4
Cor anglais, Piano
4
Flute, harpe et violon
3
Ensemble de Clarinettes
3
Clarinette Basse, Piano
3
2 Flûte à bec (duo)
3
Flûte à bec Soprano
2
Flûte à bec Alto, Piano
2
Flûte à bec Soprano, Piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, Hautbois, Clarinette (trio)
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de Flûtes
1
Cor anglais et Harpe (duo)
1
Ensemble de saxophones
1
Ensemble de Hautbois
1
Flûte traversière, Basse continue
1
Clarinette, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 56 instrumentations
Retracter
Cuivres
Trombone et Piano
61
Trompette, Piano
32
Trompette
24
2 Trompettes (duo)
19
2 Trombones (duo)
17
2 Cors (duo)
16
2 Tubas (duo)
15
Trombone
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Euphonium, Piano (duo)
6
Cor et Piano
5
Euphonium
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor
4
Cor anglais, Piano
4
Tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais et Harpe (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
Ensemble de Trombones
1
+ 17 instrumentations
Retracter
Cordes
Violon et Piano
938
Quatuor à cordes: 2 violons, alto, violoncelle
782
Violon
399
Trio à Cordes: violon, alto, violoncelle
140
Violon, Violoncelle (duo)
122
Violoncelle, Piano
101
Alto, Piano
95
2 Violons (duo)
95
Violon, Alto (duo)
67
Trio à Cordes: 2 violons, violoncelle
63
Violon (partie séparée)
59
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Trio à cordes: 3 violins
29
2 Altos (duo)
26
Violon, Guitare (duo)
25
2 Violoncelles (duo)
23
2 Contrebasses (duo)
16
2 Violons, Piano
16
Alto seul
15
Violoncelle
13
Quatuor à cordes: 4 violons
12
Trio à Cordes: 2 violons, alto
10
Piano Trio: Violon, Alto, Piano
9
Harpe, Violon (duo)
9
Trio à Cordes: 3 violoncelles
7
Trio à cordes: 3 altos
6
Contre Basse
6
Harpe
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon, Basse continue
4
Violon, Orgue
4
Alto (partie séparée)
4
4 Violoncelles
3
Harpe, Flûte (duo)
3
Violon, Basson (duo)
3
Alto, Violoncelle (duo)
3
Ensemble de Violons
2
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
Violon, Violoncelle, Clarinette
1
2 Violons et Basse continue
1
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
Trio à cordes
1
Quatuor à cordes : 4 altos
1
Flûte, Contrebasse (duo)
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
143
Orchestre
52
Orchestre d'harmonie
18
Ensemble de Percussions
17
Orchestre de chambre
10
Ensemble d'École
8
Ensemble de cuivres
4
Batterie
2
Ensemble Jazz
2
Cloches
1
Orchestre, Violon
1
+ 6 instrumentations
Retracter
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ACCORDEON
ALTO
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BASSE
BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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PERCU. ORCH…
PERCUSSION
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VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Violin Pieces
Euphonium, Piano (duo)
Partitions à imprimer
6 partitions trouvées
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1
Three Pieces for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
#
Vincent d'Indy
#
Ralph Sauer
#
Three Pieces for Euphonium and
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Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792533 Composed by Vincent d'Indy. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 19 pages. ...
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Euphonium,Piano - Level 5 - SKU: A0.792533 Composed by Vincent d'Indy. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 19 pages. Gordon Cherry #5008365. Published by Gordon Cherry (A0.792533). Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer. His main influence was Cesar Franck. These three pieces were some of his many works for Piano.Opus 33 was inspired by a trip to Bayreuth, the musical home of Wagner and the Black Forest region. Opus 33 no. 1 from 1889 is titled ? with no explanation of itself. Opus 33 no. 10 is titled Lermoos, which is a delightful skiing village in Austria right on the border with Germany. Germany's largest mountain is in perfect view, possibly giving the movement its spirit. Opus 28 is a Serenade for Violin and Piano published in 1900. It is lithe, subtle and lyrical.
$20.00
Two Pieces for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
#
Lalo, Edouard
#
Sauer, Ralph
#
Two Pieces for Euphonium &
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and par...
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Euphonium,Piano - Level 5 - SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820069. Published by Gordon Cherry (A0.792382). Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy François Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
$20.00
Three Pieces for Euphonium & Piano
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Euphonium, Piano (duo)
#
AVANCÉ
#
Classique
#
Edward Elgar
#
Sauer, Ralph
#
Three Pieces for Euphonium &am
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Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry ...
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Euphonium,Piano - Level 5 - SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820413. Published by Gordon Cherry (A0.792165). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite for Euphonium of about 12 minutes in length for advanced performers.
$15.00
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Pachelbel: Canon for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
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