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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin by Sam
Non classifié
1 625
Piano & claviers
Piano Trio: piano, violon, violoncelle
85
Piano seul
81
Piano Quatuor: piano, violon, alto, violoncelle
68
Accompagnement Piano
41
Piano, Voix
23
Instruments en Do
19
Piano, Voix et Guitare
19
Piano Facile
17
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
2
Orgue
2
1 Piano, 4 mains
2
Accordéon et Orchestre
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
4
Guitare, Violon, Violoncelle (trio)
4
Guitare notes et tablatures
3
Mandoline
3
Piano, Guitare (duo)
3
Guitare, Orchestre
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
54
Chorale 3 parties
11
Chorale 2 parties
9
Pack Instrumental pour Chorale
7
Chorale TTBB
3
Chorale Unison
3
Chorale SSAA
2
Voix duo, Piano
1
Voix seule
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
Clarinette, Violon (duo)
141
Flûte, Violon
93
Flûte, Violon, Piano
54
Flûte traversière et Piano
51
Clarinette et Piano
33
Saxophone Alto et Piano
27
Flûte, Violon et Violoncelle
26
Hautbois, Piano (duo)
24
Saxophone Soprano et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Ensemble de saxophones
10
Flûte et Guitare
10
Clarinette
9
Saxophone Tenor et Piano
9
Flûte traversière
7
2 Flûtes traversières (duo)
7
2 Saxophones (duo)
6
Clarinette, Guitare (duo)
6
Quintette de Saxophone: 5 saxophones
5
Cor anglais, Piano
5
Flûte, Clarinette, Violon (trio)
5
Flûte, Clarinette (duo)
5
Ensemble de Clarinettes
4
Hautbois
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois, Clarinette, Basson
4
Flute, harpe et violon
4
Hautbois, violon (duo)
4
Flûte, Hautbois, Violon
4
Ensemble de Flûtes
3
3 Saxophones (trio)
3
2 Flûte à bec (duo)
3
Saxophone Baryton, Piano
3
Cor anglais, Guitare (duo)
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
2 Clarinettes (duo)
2
Flûte, Clarinette et Basson
2
Flûte et Trio à cordes
2
Saxophone Alto
2
Clarinette Basse, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone et Guitare
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois (partie séparée)
2
Clarinette Basse
1
Flûte, Hautbois, Clarinette (trio)
1
3 Flûtes à bec (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette et Alto
1
Hautbois, Harpe
1
Harmonica, Piano
1
Piccolo
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Basson (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Quintette de Flûte : 5 flûtes
1
+ 53 instrumentations
Retracter
Cuivres
Trompette, Piano
27
Trompette
15
Trombone et Piano
12
Cor et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Tuba et Piano
7
Cor
6
Trombone
5
Cor anglais, Piano
5
Tuba
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
3
Cor anglais, Guitare (duo)
3
Ensemble de Trompettes
2
Ensemble de Cors
2
Trompette, Cor (duo)
1
2 Trombones (duo)
1
3 Tubas (trio)
1
2 Trompettes (duo)
1
3 Cors (trio)
1
3 Trombones (trio)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone (duo)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 216
Violon
784
Violon et Piano
611
Violon, Violoncelle (duo)
385
Trio à Cordes: violon, alto, violoncelle
282
2 Violons (duo)
231
Violon, Alto (duo)
165
Violon (partie séparée)
97
Quintette à cordes: 2 violons, alto, violoncelle, basse
91
Trio à Cordes: 2 violons, violoncelle
66
Trio à cordes: 3 violins
47
Alto, Piano
42
Violoncelle, Piano
39
Violon, Guitare (duo)
28
Alto seul
19
Piano Trio: Violon, Alto, Piano
18
Quatuor à cordes: 4 violons
14
Violoncelle
12
Harpe, Violon (duo)
12
Trio à Cordes: 2 violons, alto
12
2 Violoncelles (duo)
10
2 Altos (duo)
9
Contre Basse
8
2 Violons, Piano
6
Contrebasse, Piano (duo)
6
Violoncelle (partie séparée)
5
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Alto, Guitare (duo)
4
Violoncelle, Contrebasse (duo)
4
Alto (partie séparée)
4
Violon, Basson (duo)
4
Harpe
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble de Violons
3
Trio à cordes
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
Quatuor à cordes : 4 altos
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
271
Orchestre
99
Orchestre d'harmonie
50
Orchestre de chambre
34
Vibraphone
18
Marimba
15
Ensemble Jazz
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble de cuivres
5
Ensemble de Percussions
3
Xylophone
2
Xylophone, Piano
1
Jazz combo
1
Piano et Orchestre
1
Cloches
1
Ensemble d'École
1
+ 11 instrumentations
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COR ANGLAIS
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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POP ROCK - ROCK CLAS…
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PUNK
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SOUL - R&B - HIP HOP…
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Violin by Sam
Euphonium, Piano (duo)
Partitions à imprimer
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Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Gypsy Song and Dance for Euphonium and Piano
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Euphonium, Piano (duo)
#
AVANCÉ
#
Coleridge-Taylor, S
#
Sauer, Ralph
#
Gypsy Song and Dance for Eupho
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792318 Composed by Coleridge-Taylor, S. Arranged by Sauer, Ralph. 20th Century,Folk,Romantic Period,World. Score and...
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Euphonium,Piano - Level 5 - SKU: A0.792318 Composed by Coleridge-Taylor, S. Arranged by Sauer, Ralph. 20th Century,Folk,Romantic Period,World. Score and part. 15 pages. Gordon Cherry #4804547. Published by Gordon Cherry (A0.792318). Samuel Coleridge-Taylor's Gypsy Song and Dance, arranged beautifully by Mr. Sauer for Euphonium and Piano is taken from his four-movement Gypsy Suite Opus 20, originally published in 1898 for Violin and Piano, a very prolific year for the composer. Eventually this work and others were orchestrated by a colleague. The two movements of nine minutes in length are suitable for advanced performers.
$20.00
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