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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Wake, Awake
Non classifié
446
Piano & claviers
Piano seul
568
Piano, Voix et Guitare
118
Piano Facile
108
Orgue
91
Piano, Voix
80
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
9
Piano (partie séparée)
6
Orgue, Trompette (duo)
5
Piano grosses notes
5
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
65
Guitare
20
Ligne De Mélodie, (Paroles) et Accords
15
Ukulele
11
Basse electrique
9
Paroles et Accords
8
Banjo
3
Dulcimer
2
Basse électrique (partie séparée)
2
2 Guitares (duo)
1
Ensemble de guitares
1
3 Guitares (trio)
1
Partitions De Groupes
1
Mandoline
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
131
Chorale 3 parties
54
Pack Instrumental pour Chorale
25
Chorale SSAA
16
Chorale
16
Chorale 2 parties
14
Chorale Unison
14
Chorale TTBB
13
Voix seule
7
Voix haute
4
Chorale SSAATTBB
3
Voix Soprano, Piano
3
Voix duo, Piano
2
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Voix basse, Piano
1
Chorale SSATB
1
Voix Alto, Piano
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 15 instrumentations
Retracter
Vents
Saxophone (partie séparée)
60
Clarinette (partie séparée)
52
Flûte traversière et Piano
41
Clarinette et Piano
39
Flûte traversière
30
2 Saxophones (duo)
29
Clarinette
27
Hautbois, Piano (duo)
27
Saxophone Alto et Piano
27
Quatuor de Saxophones: 4 saxophones
26
Hautbois (partie séparée)
25
Flute (partie séparée)
23
Saxophone Alto
22
Saxophone Tenor
20
Flûte, Hautbois, Clarinette, Basson
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Saxophone Tenor et Piano
14
2 Flûtes traversières (duo)
11
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Soprano et Piano
9
Hautbois
9
Quintette de Saxophone: 5 saxophones
7
Saxophone Baryton, Piano
7
3 Saxophones (trio)
7
2 Clarinettes (duo)
7
2 Hautbois (duo)
6
Flûte, Clarinette (duo)
4
Saxophone Soprano
4
Trio de Flûtes: 3 flûtes
4
Flûte, Violon, Piano
3
Flûte et Guitare
3
3 Clarinettes (trio)
3
Clarinette, Guitare (duo)
3
Flûte à Bec
3
2 Saxophones, Piano
3
Ensemble de Flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Instruments en Mib
2
Saxophone Baryton
2
Cor anglais, Piano
2
Quatuor de Flûtes à bec
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Harpe (duo)
1
3 Hautbois
1
Quintette de Flûte : 5 flûtes
1
4 Hautbois
1
Flûte, Hautbois, Piano (trio)
1
5 Flûtes à bec
1
Piccolo, Piano
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle
1
Hautbois, Violoncelle
1
Flûte, Alto (duo)
1
Clarinette, Violon (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Basson et Piano
1
Hautbois, Harpe
1
2 Flûtes traversières, Piano
1
Clarinette, Violoncelle (duo)
1
+ 56 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
61
Trombone (partie séparée)
41
Trompette, Piano
33
Cor (partie séparée)
28
Cor et Piano
27
Cor
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette
20
Trombone
20
Tuba (partie séparée)
17
2 Trompettes (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trombone et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Tuba et Piano
8
Trompette, Trombone (duo)
8
Tuba
7
Quatuor de Cuivres
5
2 Trombones (duo)
5
2 Trompettes, Clavier (piano ou orgue)
5
2 Cors (duo)
4
Euphonium (partie séparée)
3
Instruments en Sib
2
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
2 Tubas (duo)
2
Bass Clef Instruments
2
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
3 Tubas (trio)
1
Ensemble de Cors
1
3 Trombones (trio)
1
Instruments en Fa
1
Trio de Cuivres
1
Trompette, Trombone, Piano
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums et 2 Tubas
1
+ 33 instrumentations
Retracter
Cordes
Violon et Piano
53
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon
42
Alto, Piano
37
Violoncelle, Piano
34
Violoncelle
28
Violon (partie séparée)
27
Alto seul
26
Contre Basse
12
2 Violons (duo)
12
Harpe
12
Alto (partie séparée)
12
Violoncelle (partie séparée)
12
Violon, Violoncelle (duo)
12
2 Violoncelles (duo)
11
Contrebasse (partie séparée)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Contrebasse, Piano (duo)
8
2 Altos (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
Harpe, Flûte (duo)
7
Violon, Alto (duo)
4
Trio à cordes
2
2 Contrebasses (duo)
2
2 Violons, Piano
2
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 violins
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
132
Orchestre
65
Fanfare
51
Percussion (partie séparée)
47
Ensemble de cuivres
14
Orchestre de chambre
12
Orchestre à Cordes
11
Timbales (partie séparée)
10
Batterie
7
Cloches
7
Percussion
7
Batterie (partie séparée)
6
Ensemble de Percussions
2
Marimba
2
3 Percussions
1
Ensemble Jazz
1
+ 11 instrumentations
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Instruments
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ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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METHODE : TECHNIQUES
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POLKA
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POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
Wake, Awake
Euphonium, Piano (duo)
Partitions à imprimer
2 partitions trouvées
<
1
Bach: Wachet auf for Euphonium & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
(+)
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
(+)
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
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1
Wake, Awake
