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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We are First
Non classifié
421
Piano & claviers
Piano, Voix
1 296
Piano seul
138
Piano, Voix et Guitare
50
Piano Facile
45
Piano Trio: piano, violon, violoncelle
12
Orgue
11
Instruments en Do
11
1 Piano, 4 mains
9
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accompagnement Piano
2
Piano grosses notes
1
Piano (partie séparée)
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
41
Guitare
34
Ukulele
3
Basse electrique
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Paroles et Accords
1
Dulcimer
1
Ukulele Baryton
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
197
Chorale Unison
35
Chorale 3 parties
24
Chorale 2 parties
19
Chorale TTBB
10
Chorale SSAA
7
Voix duo, Piano
6
Voix duo
5
Voix Soprano, Piano
4
Voix haute
3
Voix Alto, Piano
2
Voix basse, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix Tenor, Piano
2
Voix seule
2
Chorale SSAB, Piano
1
Chorale SSATTB
1
Chorale
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Quintette de Saxophone: 5 saxophones
49
2 Saxophones (duo)
40
Flûte, Hautbois, Clarinette, Basson
19
2 Clarinettes (duo)
18
2 Flûtes traversières (duo)
18
Quatuor de Saxophones: 4 saxophones
16
Flûte traversière et Piano
15
Saxophone, Clarinette (duo)
14
Hautbois, Piano (duo)
14
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
12
Clarinette et Piano
10
Ensemble de Clarinettes
10
Clarinette, Trompette (duo)
9
Flûte, Clarinette (duo)
9
Clarinette, Violon (duo)
9
2 Hautbois (duo)
8
Saxophone Tenor et Piano
8
Flûte traversière
8
Flûte à bec Soprano
8
Clarinette
7
Saxophone Soprano et Piano
7
Hautbois (partie séparée)
6
Saxophone Alto
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
Ensemble de saxophones
6
Hautbois, Basson (duo)
6
Quatuor de Flûtes : 4 flûtes
6
3 Saxophones (trio)
5
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
5
Flûte, Saxophone (duo)
5
3 Clarinettes (trio)
4
Flûte, Violon
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Alto (duo)
4
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
Flûte, Trompette (duo)
4
Saxophone Baryton, Piano
4
Hautbois, Flûte
4
Saxophone Tenor
3
Hautbois, Guitare (duo)
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violoncelle (duo)
3
Cor anglais, Piano
3
Flûte, Violoncelle
3
Flûte, Violon, Piano
2
Ocarina
2
Clarinette, Basson (duo)
2
Saxophone (partie séparée)
2
2 Flûte à bec (duo)
2
Flûte à Bec
2
Clarinette, Harpe (duo)
2
Ensemble à vent
1
2 Clarinettes, Piano
1
Flûte à bec Alto
1
Flute (partie séparée)
1
Harmonica
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
+ 62 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
2 Trompettes (duo)
17
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trombone et Piano
13
Trompette
12
Trompette, Saxophone (duo)
11
Trompette, Piano
10
Cor et Piano
8
Trompette, Trombone (duo)
8
Tuba
7
Ensemble de Trompettes
6
2 Cors (duo)
5
Cor
5
Trombone
5
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
4
Trompette (partie séparée)
3
Cor anglais, Piano
3
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Tuba et Piano
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
35
2 Violons (duo)
25
Violoncelle, Piano
24
Violon, Violoncelle (duo)
21
Violon
18
2 Violoncelles (duo)
15
Harpe
15
Trio à Cordes: violon, alto, violoncelle
15
Alto, Piano
12
Violon, Alto (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
9
Violoncelle
9
2 Altos (duo)
8
Violoncelle, Contrebasse (duo)
6
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Trio à cordes: 3 violins
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Harpes (duo)
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Violon (partie séparée)
4
Harpe, Voix
3
2 Contrebasses (duo)
3
2 Violons, Piano
3
Contre Basse
2
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
109
Ensemble de cuivres
68
Orchestre à Cordes
37
Orchestre de chambre
22
Orchestre
19
Cloches
11
Ensemble Jazz
5
Ensemble de Percussions
5
Fanfare
3
Piano et Orchestre
1
2 Marimbas
1
Instrumentation Flexible
1
Orchestre, Violon
1
Vibraphone
1
Marimba
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Vous avez sélectionné:
We are First
Euphonium, Piano (duo)
Partitions à imprimer
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Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Noël
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium &am
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #...
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Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Handel: Largo from Xerxes for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
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We are First
