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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
Weber
Non classifié
131
Piano & claviers
Piano seul
155
Piano, Voix
118
Orgue
26
1 Piano, 4 mains
18
Piano Facile
18
Piano, Voix et Guitare
6
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
2
2 Pianos, 4 mains
1
1 Piano, 6 mains
1
Accordéon
1
+ 7 instrumentations
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Guitares
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
3
Guitare notes et tablatures
3
Ukulele
2
Mandoline
2
Voix
Chorale SATB
60
Chorale TTBB
23
Chorale 3 parties
9
Voix Soprano, Piano
6
Voix Tenor, Piano
5
Chorale Unison
3
Voix haute
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Chorale 2 parties
1
Voix Mezzo-Soprano, Piano
1
Voix, Guitare
1
+ 7 instrumentations
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Vents
Clarinette
39
Clarinette et Piano
26
Flûte traversière et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Flûte traversière
10
Saxophone Alto et Piano
9
Saxophone Soprano et Piano
6
Quatuor de Saxophones: 4 saxophones
5
Hautbois, Piano (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Ensemble de Clarinettes
4
Quintette de Saxophone: 5 saxophones
4
2 Clarinettes (duo)
3
Clarinette, Orchestre
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Quintette de Clarinettes: 5 clarinettes
3
Flute (partie séparée)
3
Saxophone Tenor et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone (partie séparée)
2
Saxophone et Guitare
2
Saxophone Baryton, Piano
2
Saxophone Alto
2
3 Clarinettes (trio)
2
2 Flûte à bec (duo)
1
Piccolo, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette (duo)
1
Ensemble de Flûtes
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
2 Flûtes traversières (duo)
1
Saxophone Tenor
1
Saxophone
1
Ensemble de saxophones
1
Flûte et Guitare
1
+ 33 instrumentations
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Cuivres
Trombone
7
Trombone et Piano
6
Euphonium, Piano (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Tuba et Piano
4
Quatuor de cuivres: 4 trombones
4
Trompette
4
Quatuor de cuivres: 4 cors
4
Trompette, Piano
2
Cor
2
Cor et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Ensemble de Cors
1
Cornet et Piano
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
Trompette et Guitare
1
Cor anglais, Piano
1
Quatuor de Cuivres
1
Ensemble de Trompettes
1
4 Tubas
1
+ 17 instrumentations
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Cordes
Violon et Piano
21
Violon
21
Violoncelle
18
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violoncelle, Piano
12
Alto seul
11
Alto, Piano
5
Violon (partie séparée)
5
4 Violoncelles
4
2 Violoncelles (duo)
3
Violoncelle (partie séparée)
3
Harpe
2
Contrebasse, Piano (duo)
2
2 Violons (duo)
2
Alto (partie séparée)
2
2 Altos (duo)
2
Violoncelle , Guitare (duo)
2
Alto et orchestre
1
Contrebasse (partie séparée)
1
Harpe et Piano
1
Contre Basse
1
Alto, Guitare (duo)
1
Violoncelle, Orchestre
1
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre
37
Orchestre d'harmonie
35
Orchestre à Cordes
11
Piano et Orchestre
3
Ensemble Jazz
2
Ensemble de cuivres
1
Xylophone, Piano
1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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Vous avez sélectionné:
Weber
Euphonium, Piano (duo)
Partitions à imprimer
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1
Andante and Hungarian Rondo
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Euphonium, Piano (duo)
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Carl Maria von Weber
#
David Werden
#
Andante and Hungarian Rondo
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Cimarron Music Press
#
SheetMusicPlus
By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arranged by David Werden. For Euphonium Solo with Piano. Solo music. Solo part and pia...
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By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arranged by David Werden. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$20.00
Concertino Bb Minor
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Euphonium, Piano (duo)
#
Carl Maria von Weber
#
Mikhail Nakariakov
#
Concertino Bb Minor
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Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 6 - SKU: R0.54101 Op. 45. Composed by Carl Maria von Weber. Arranged by Mikhail Nakariakov. Euphonium & Piano. Score an...
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Euphonium & Piano - Grade 6 - SKU: R0.54101 Op. 45. Composed by Carl Maria von Weber. Arranged by Mikhail Nakariakov. Euphonium & Piano. Score and parts. 26 pages. Duration 13'55. Editions Marc Reift - Digital #54101. Published by Editions Marc Reift - Digital (R0.54101).
$24.95
Concertino
#
Euphonium, Piano (duo)
#
Carl Maria von Weber
#
Ifor James
#
Concertino
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 6 - SKU: R0.53344 Op. 45. Composed by Carl Maria von Weber. Arranged by Ifor James. Euphonium & Piano. Score and parts....
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Euphonium & Piano - Grade 6 - SKU: R0.53344 Op. 45. Composed by Carl Maria von Weber. Arranged by Ifor James. Euphonium & Piano. Score and parts. 26 pages. Duration 13'48. Editions Marc Reift - Digital #53344. Published by Editions Marc Reift - Digital (R0.53344).
$22.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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