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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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TROMPETTE
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What I Got
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50
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Piano seul
61
Piano, Voix et Guitare
37
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26
Orgue
8
Instruments en Do
4
Piano Facile
4
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1
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1
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1
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29
Ligne De Mélodie, (Paroles) et Accords
11
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8
Basse electrique
7
Ukulele
6
Guitare
4
Mandoline
3
+ 2 instrumentations
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11
Chorale 3 parties
4
Chorale SSAA
3
Voix duo, Piano
2
Chorale TTBB
2
Chorale SSAATTBB
1
Chorale 2 parties
1
Voix Alto, Piano
1
+ 3 instrumentations
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5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Saxophone Alto
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Alto et Piano
2
Clarinette, Guitare (duo)
2
Ensemble de Flûtes
2
Ocarina
1
Hautbois, Piano (duo)
1
2 Saxophones (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois (partie séparée)
1
Ensemble De Flûte à bec
1
Saxophone Alto et Piano
1
Flûte traversière
1
Flûte traversière et Piano
1
Cor Anglais
1
Saxophone Tenor
1
Clarinette et Piano
1
2 Flûtes traversières (duo)
1
Clarinette
1
Quintette de Saxophone: 5 saxophones
1
Saxophone (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Tenor et Piano
1
+ 21 instrumentations
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trombone
2
Trombone et Piano
1
Trompette, Piano
1
Euphonium, Piano (duo)
1
Tuba
1
Cor Anglais
1
Trombone basse et Piano
1
Trompette (partie séparée)
1
Cor
1
+ 6 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Trio à Cordes: violon, alto, violoncelle
7
Violon, Violoncelle (duo)
5
Violoncelle
3
Violon
3
Trio à Cordes: 2 violons, alto
3
Violon et Piano
2
2 Violoncelles (duo)
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
2 Violons (duo)
1
Harpe, Voix
1
+ 8 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
18
Orchestre à Cordes
8
Ensemble Jazz
7
Jazz combo
6
Orchestre
4
Ensemble de Percussions
2
Batterie (partie séparée)
2
Ensemble de cuivres
2
Batterie
2
Orchestre de chambre
1
Ensemble d'École
1
Piano et Orchestre
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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What I Got
Euphonium, Piano (duo)
Partitions à imprimer
1 partition trouvée
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
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