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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
AST Publications
Non classifié
851
Piano & claviers
Piano, Voix
4 687
Piano seul
553
Piano, Voix et Guitare
55
Piano Facile
43
Orgue
33
2 Pianos, 4 mains
10
Accordéon
10
Instruments en Do
10
Orgue, Piano (duo)
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Accompagnement Piano
3
1 Piano, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 6 mains
2
Clavier
1
Clavecin
1
Orgue, Trompette (duo)
1
Piano grosses notes
1
+ 14 instrumentations
Retracter
Guitares
Guitare
231
Guitare notes et tablatures
151
Piano, Guitare (duo)
113
2 Guitares (duo)
41
Mandoline
24
Basse electrique
19
Banjo
17
Ukulele
17
Dulcimer
7
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
2
Ensemble de guitares
1
Guitare Pedal Steel
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
205
Voix seule
166
Chorale 3 parties
67
Voix duo, Piano
46
Chorale 2 parties
14
Chorale Unison
12
Voix haute
11
Chorale TTBB
7
Voix Soprano, Piano
4
Voix basse, Piano
3
Voix Baryton, Piano
3
Voix basse
3
Chorale SSAA
3
Voix Tenor, Piano
2
Voix duo
2
Voix, Guitare
1
Voix Alto, Piano
1
+ 12 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
208
Flûte traversière et Piano
208
Clarinette et Piano
195
Saxophone Alto et Piano
157
Saxophone Tenor et Piano
133
Flûte et Guitare
116
Quatuor de Saxophones: 4 saxophones
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
64
2 Saxophones (duo)
53
Flûte, Hautbois, Clarinette, Basson
47
Quatuor de Clarinettes: 4 clarinettes
46
Quintette de Saxophone: 5 saxophones
45
Flûte traversière
30
Clarinette
26
2 Clarinettes (duo)
24
2 Flûtes traversières (duo)
24
Harmonica
15
Hautbois (partie séparée)
14
Flûte, Hautbois, Clarinette (trio)
13
Saxophone Soprano et Piano
13
Quatuor de Flûtes : 4 flûtes
11
2 Flûte à bec (duo)
9
Saxophone Baryton, Piano
9
Ensemble de Clarinettes
9
Saxophone Alto
7
Cor anglais, Piano
7
Trio de Flûtes: 3 flûtes
7
Flûte à bec Soprano
5
3 Saxophones (trio)
5
Flûte, Hautbois, Basson
4
Quatuor de Flûtes à bec
4
Ensemble de saxophones
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Clarinette Basse, Piano
3
2 Clarinettes, Basson
3
Ensemble de Flûtes
3
Quintette de Flûte : 5 flûtes
3
Saxophone Tenor
2
Flûte à bec Alto
2
Saxophone
2
5 Flûtes à bec
2
Flûte à bec Soprano, Piano
2
Flûte, Violon et Violoncelle
2
4 Hautbois
1
Saxophone (partie séparée)
1
Flûte, Violon, Piano
1
Flûte irlandaise
1
Flûte à Bec
1
Flûte, Violoncelle
1
3 Flûtes à bec (trio)
1
Clarinette, Harpe (duo)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois, Guitare (duo)
1
Flûte, Violon
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de Hautbois
1
+ 60 instrumentations
Retracter
Cuivres
Trombone et Piano
155
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Trompette
93
Trompette, Piano
73
Ensemble de Trompettes
47
2 Trompettes (duo)
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trombone
20
Trompette (partie séparée)
17
Cor et Piano
16
Euphonium, Piano (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor anglais, Piano
7
Trombone (partie séparée)
6
Ensemble de Cors
5
Quatuor de cuivres: 4 trombones
5
Tuba et Piano
5
Ensemble de Trombones
4
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 cors
3
3 Trompettes (trio)
2
2 Cors (duo)
2
Trompette, Trombone (duo)
2
Cor
2
2 Trombones (duo)
2
3 Tubas (trio)
1
3 Cors (trio)
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Quatuor de Cuivres
1
Trombone, Cor (duo)
1
4 Tubas
1
+ 29 instrumentations
Retracter
Cordes
Alto, Piano
185
Violon et Piano
172
Violoncelle, Piano
154
Quatuor à cordes: 2 violons, alto, violoncelle
111
Violon
49
2 Violons (duo)
27
Violoncelle
24
Trio à Cordes: violon, alto, violoncelle
16
Harpe
15
Violon, Violoncelle (duo)
12
Alto (partie séparée)
11
Alto seul
10
2 Altos (duo)
5
Violon, Alto (duo)
4
Contrebasse, Piano (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
2 Violoncelles (duo)
2
Quatuor à cordes: 4 violons
2
Trio à cordes
2
Trio à cordes: 3 altos
1
Violon (partie séparée)
1
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Harpe et Piano
1
Alto, Guitare (duo)
1
Violon, Basse continue
1
Contre Basse
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Violon, Guitare (duo)
1
Autoharp
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
192
Ensemble de cuivres
50
Orchestre
48
Orchestre à Cordes
39
Batterie
33
Ensemble Jazz
26
Orchestre de chambre
20
Cloches
15
Ensemble de Percussions
8
Fanfare
7
Percussion
5
Jazz combo
4
Cajon
2
Bodhran
1
Marimba
1
Caisse Claire
1
Bongos
1
Quatuor à Vent : 4 instruments à vents
1
+ 13 instrumentations
Retracter
Autres
Théorie de la musique
2
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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FLUTE A BEC
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
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VIOLONCELLE
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AST Publications
Basson, Piano (duo)
Partitions à imprimer
9 partitions trouvées
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Bach: Wachet auf for Bassoon & Piano
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Basson, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bassoon &
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Bar...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555069. Published by jmsgu3 (A0.549851). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Handel: Largo (from Xerxes) for bassoon and piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.1311222 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 8...
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Bassoon,Piano - Level 3 - SKU: A0.1311222 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 8 pages. Colin Kirkpatrick Publications #900214. Published by Colin Kirkpatrick Publications (A0.1311222). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for bassoon is in E flat major. In the solo part, the lowest note is the B flat on the second line of the bass clef and the highest note is the E flat just above the bass staff. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
Suo Gan for Bassoon & Piano
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Basson, Piano (duo)
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Traditional
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Keith Terrett
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Suo Gan for Bassoon & Pian
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Keith Terrett
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SheetMusicPlus
Bassoon,Piano - SKU: A0.746765 Composed by Traditional. Arranged by Keith Terrett. Children,World. Score and part. 4 pages. Keith Terrett #3490023. Publ...
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Bassoon,Piano - SKU: A0.746765 Composed by Traditional. Arranged by Keith Terrett. Children,World. Score and part. 4 pages. Keith Terrett #3490023. Published by Keith Terrett (A0.746765). An arrangement for Bassoon & Piano of the Welsh lullaby Suo Gan. Suo Gân (Welsh pronunciation: [sɨɔ É¡É‘Ën]) is a traditional Welsh lullaby written by an anonymous composer. It was first recorded in print around 1800 and the lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). The song's title simply means lullaby (suo = lull; cân = song). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$5.99
Lullaby for a Bassoonist, Keyboard & Double Bass
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Basson, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Keith Terrett
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Lullaby for a Bassoonist, Keyb
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Keith Terrett
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SheetMusicPlus
Bassoon,Piano - Level 4 - SKU: A0.746719 Composed by Keith Terrett. Children,Contemporary,Multicultural,World. Score and part. 5 pages. Keith Terrett #2...
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Bassoon,Piano - Level 4 - SKU: A0.746719 Composed by Keith Terrett. Children,Contemporary,Multicultural,World. Score and part. 5 pages. Keith Terrett #2917473. Published by Keith Terrett (A0.746719). An original ''Lullaby'' for solo Bassoon, Keyboard & Bass Guitar/String Bass, a great chart if you wish to slow down the pace of your concert, and have a moment of reflection! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$10.00
Amazing Grace for Bassoon & Piano
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Basson, Piano (duo)
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FACILE
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John Newton
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Morakot Cherdchoo-ngarm
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Piano.
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Amazing Grace for Bassoon &
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Emerald Music Publications
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.810508 Composed by John Newton. Arranged by Morakot Cherdchoo-ngarm. Easter,Gospel,Holiday,Sacred,Wedding. Score and p...
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Bassoon,Piano - Level 2 - SKU: A0.810508 Composed by John Newton. Arranged by Morakot Cherdchoo-ngarm. Easter,Gospel,Holiday,Sacred,Wedding. Score and part. 5 pages. Emerald Music Publications #6671771. Published by Emerald Music Publications (A0.810508). Amazing Grace for Bassoon & Piano.
$12.00
Bach-Gounod: Ave Maria for Bassoon and Piano
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Basson, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bas
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Co...
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Bassoon,Piano - Level 2 - SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899560. Published by Colin Kirkpatrick Publications (A0.1310502). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate bassoon player. It is in concert C and range is from G on the lowest line of the bass clef to the E just above the staff. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
Adagio from BWV 974 for Bassoon and Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Bassoo
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Diego Marani
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.1206929 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding...
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Bassoon,Piano - Level 3 - SKU: A0.1206929 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #805112. Published by Diego Marani (A0.1206929). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for bassoon with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
Minuet in G major by Bach for Bassoon and Piano
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Basson, Piano (duo)
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DÉBUTANT
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Christian Petzold and Johann S
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Ander
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Minuet in G major by Bach for
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Woods Only, Arrangements
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SheetMusicPlus
Bassoon,Piano - Level 1 - SKU: A0.1050870 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Renaissance,Traditional,We...
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Bassoon,Piano - Level 1 - SKU: A0.1050870 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Renaissance,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #655207. Published by Woods Only, Arrangements (A0.1050870). This easy arrangement for bassoon and piano has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$1.99
Gregory Sullivan Isaacs: Song Without Words for bassoon and piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.533373 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Mus...
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Bassoon,Piano - Level 3 - SKU: A0.533373 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618659. Published by Musik Fabrik Music Publishing (A0.533373). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
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