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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mazurka in A Minor
Non classifié
11
Piano & claviers
Piano seul
58
Piano Facile
5
Guitares
Guitare
1
Guitare notes et tablatures
1
2 Guitares (duo)
1
Voix
Vents
Flûte traversière et Piano
4
Saxophone Alto et Piano
4
Hautbois, Piano (duo)
3
Saxophone Soprano et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Tenor et Piano
2
Flûte et Guitare
2
Cor anglais, Piano
2
Quatuor de Saxophones: 4 saxophones
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette Basse, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Baryton, Piano
1
3 Flûtes à bec (trio)
1
+ 11 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
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1
Trompette, Piano
1
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8
Violoncelle, Piano
4
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto, Piano
1
2 Altos (duo)
1
Violon, Violoncelle (duo)
1
Violon
1
Alto, Violoncelle (duo)
1
2 Violons (duo)
1
+ 4 instrumentations
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LUTH, THEOR…
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Mazurka in A Minor
Basson, Piano (duo)
Partitions à imprimer
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Mazurka in G Minor - Bassoon & Piano
Basson, Piano (duo)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.735942 Composed by Fredric Chopi…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.735942 Composed by Fredric Chopin. Arranged by Andrew Middleton. Romantic Period. Score and part. 5 pages. Andrew Middleton #5867689. Published by Andrew Middleton (A0.735942). Chopin's Mazurka in G Minor, Op. 67, No. 2 arranged for solo bassoon with piano accompaniment. This arrangement would also be suitable for cello and trombone too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.6 €
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Basson, Piano (duo)
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Fredric Chopin
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Andrew Middleton
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Mazurka in G Minor - Bassoon & Piano
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Andrew Middleton
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SheetMusicPlus
Ten Romantic Solos for Bassoon and Piano
Basson, Piano (duo)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.735672 Composed by Various. Arra…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.735672 Composed by Various. Arranged by Andrew Middleton. Romantic Period. Score and part. 58 pages. Andrew Middleton #5318591. Published by Andrew Middleton (A0.735672). Ten solos of varying difficulty from the Romantic Period arranged for tenor saxophone and piano accompaniment. All pieces are sold separately but buying all 10 together means each piece only costs $1! The collection includes:Anitra’s Dance from Peer Gynt by Edvard GriegChanson nuit by Edward ElgarDanse Macabre by Camille Saint-SaensVoices of Spring by Johann Strauss Jr.Gnossienne No. 1 by Erik SatieMazurka in F Minor by Anatoly LyadovPavane Op. 50 by Gabriel FaurePrelude in E Minor by Fredric ChopinRomance Op. 17 by Carl ReineckeValse Impromtu by Edvard GreigThis collection of pieces is also available for: flute, oboe, cor anglais clarinet, soprano sax, alto sax and tenor sax.A backing track for this arrangement can be found at https://youtu.be/_LqM0nHZCEkFor more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.00
7.38 €
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Basson, Piano (duo)
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Various
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Andrew Middleton
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Ten Romantic Solos for Bassoon and Piano
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Andrew Middleton
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
Basson, Piano (duo)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Basson, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
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Mazurka in A Minor
