Partitions Numériques de Army pour Quatuor de cuivres: 4 trombones

Army

Seven Nation Army / Sweet Dreams Mash Up

#Seven Nation Army / Sweet Drea

Seven Nation Army / Sweet Dreams Mash Up #Quatuor de cuivres: 4 trombones #INTERMÉDIAIRE/AVANCÉ #Pop musique #Annie Lennox, David Allan Stew #Phil Thrift #Seven Nation Army / Sweet Drea #Phil Thrift #SheetMusicPlus

Trombone Quartet Bass Trombone - Level 4 - SKU: A0.1362930 Composed by Annie Lennox, David Allan Stewart, and John Anthony White. Arranged by Phil Thrif...(+)

Trombone Quartet Bass Trombone - Level 4 - SKU: A0.1362930 Composed by Annie Lennox, David Allan Stewart, and John Anthony White. Arranged by Phil Thrift. Pop. 12 pages. Phil Thrift #947314. Published by Phil Thrift (A0.1362930). These two iconic songs were brilliantly brought together by Pomplamoose. The simple format lends itself to a treatment with just four instruments. While not technically difficult, all players will have to work hard to get this piece just right. Your first trombone player will need some stamina for the final section. And there are two contra Cs in the bass trombone part - difficult but doable. The solo guitar section of the original has been extended here to provide space for solos, and could be extended further ad lib. You can hear a recording of the piece here: Seven Nation Army / Sweet Dreams Mash Up - Southtown Trombones

Psalm 1 for Trombone Quartet or Organ and Brass #Quatuor de cuivres: 4 trombones #INTERMÉDIAIRE/AVANCÉ #Musique Sacrée #Heinrich Schutz #Fetter, David #Psalm 1 for Trombone Quartet o #Gordon Cherry #SheetMusicPlus

Brass Ensemble Trombone - Level 4 - SKU: A0.792222 Composed by Heinrich Schutz. Arranged by Fetter, David. Baroque,Classical,Renaissance. Score and part...(+)

Brass Ensemble Trombone - Level 4 - SKU: A0.792222 Composed by Heinrich Schutz. Arranged by Fetter, David. Baroque,Classical,Renaissance. Score and parts. 40 pages. Gordon Cherry #4728855. Published by Gordon Cherry (A0.792222). Psalm 1 by Heinrich SchÃ¼tz (1585-1672), is taken from his collection of choral settings of several of the biblical Psalms of David, in which SchÃ¼tz continued the polychoral tradition he had absorbed in Venice as a student of Giovanni Gabrieli. SchÃ¼tz indicated in his preface to the Psalms, published in 1619, that due to limits on performance during the Thirty Years War, alternate instruments or voices could be employed as available. As Psalm 1 was composed for two choirs of voices, it might be an attractive option to double the parts in this version for brass. Also, the choirs might be placed some distance apart. The original version of Psalm I is for two four-part choirs, one of mixed voices and one of tenors and basses. (The original also calls for continuo accompaniment, but, as in similar works of Gabrieli, the choral parts sound complete in themselves.) Composer/arranger David Fetter (b. 1938) is a Trombone faculty member at the Peabody Conservatory of the Johns Hopkins University in Baltimore, Maryland. Also a conductor, his works are performed in concert, at festivals, and in educational settings in the U.S. and Europe and they have been recorded by leading soloists. Mr. Fetter is a former member of the Cleveland Orchestra, the Baltimore Symphony Orchestra, the Radio/Telefis Symphony Orchestra of Ireland, the U.S. Army Band, and other ensembles, where he performed for conductors who included George Szell, Leonard Bernstein, Seiji Ozawa, James Levine, Sergiu Comissiona, and David Zinman. At the Eastman School of Music he was a trombone student of Emory Remington and a member of the Eastman Wind Ensemble under Frederick Fennell. He holds a Masterâ€™s in Musicology from The American University. See www.peabody.jhu.edu/David Fetter.