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878
PIANO & CLAVIERS
Piano seul
387
Piano Facile
165
1 Piano, 4 mains
86
Piano, Voix
54
Instruments en Do
42
Orgue
36
Accompagnement Piano
30
2 Pianos, 4 mains
29
Piano, Voix et Guitare
26
2 Accordéons
5
Accordéon
4
Orgue, Piano (duo)
4
Orgue, Trompette (duo)
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
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2
2 Pianos, 8 mains
1
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GUITARES
Guitare notes et tablatures
149
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112
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53
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41
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27
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9
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9
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7
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7
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3
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3
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2
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2
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1
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1
Banjo
1
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VOIX
Chorale 2 parties
110
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81
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60
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25
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8
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7
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5
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5
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3
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2
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2
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2
Voix moyenne, Piano
2
Voix basse, Piano
2
Chorale SSAATTBB
1
Voix Tenor
1
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1
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1
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1
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VENTS
2 Saxophones (duo)
355
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215
Clarinette et Piano
199
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192
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146
Saxophone Tenor et Piano
145
2 Flûtes traversières (duo)
142
2 Clarinettes (duo)
140
2 Hautbois (duo)
91
Saxophone, Clarinette (duo)
67
2 Flûte à bec (duo)
55
Clarinette, Violon (duo)
45
Clarinette
35
Clarinette, Trompette (duo)
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Quatuor de Saxophones: 4 saxophones
31
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31
2 Flûtes traversières, Piano
27
Clarinette et Alto
24
Flûte traversière
23
Flûte, Violon
23
Hautbois (partie séparée)
23
Hautbois, Flûte
23
Hautbois, Clarinette (duo)
22
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19
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19
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19
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18
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17
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16
3 Clarinettes (trio)
14
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14
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14
Saxophone Alto
13
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12
Flûte à bec Soprano
12
3 Saxophones (trio)
10
Saxophone Tenor
9
Saxophone (partie séparée)
9
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8
Flûte à bec Soprano, Piano
8
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Clarinettes
6
Flûte à bec Tenor
5
Flûte à bec Alto, Piano
5
Clarinette Basse, Piano
5
Cor Anglais
4
Trio de Flûtes: 3 flûtes
4
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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5 Flûtes à bec
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1
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1
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1
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1
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1
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1
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1
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1
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CUIVRES
Trombone et Piano
161
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100
Trompette
94
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94
Trompette, Piano
76
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
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49
Trombone
25
Trompette, Trombone (duo)
25
Trompette (partie séparée)
19
2 Cors (duo)
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Cor anglais, Piano
14
2 Euphoniums (duo)
10
Euphonium, Piano (duo)
9
2 Tubas (duo)
9
Quatuor de cuivres: 4 trombones
5
Trombone (partie séparée)
4
Cor Anglais
4
Quatuor de Cuivres
4
Tuba et Piano
4
Tuba
3
Euphonium
3
Trombone basse et Piano
3
Quatuor de cuivres: 4 cors
3
Cor et Piano
3
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
Cor
2
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1
Tuba (partie séparée)
1
Trio de Cuivres
1
Trombone basse
1
3 Trombones (trio)
1
Trombone, Tuba (duo)
1
3 Tubas (trio)
1
3 Cors (trio)
1
Cor (partie séparée)
1
3 Euphoniums
1
Trompette et Guitare
1
Tuba et Orgue
1
Trompette, Violoncelle et Piano
1
4 Tubas
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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CORDES
Violon et Piano
192
Alto, Piano
187
Violoncelle, Piano
153
2 Violons (duo)
142
2 Harpes (duo)
117
2 Altos (duo)
117
2 Violoncelles (duo)
113
Trio à Cordes: 2 violons, violoncelle
68
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon
58
Violoncelle
43
Violon, Violoncelle (duo)
40
Violon, Alto (duo)
31
Alto seul
22
Harpe
22
Alto (partie séparée)
12
Trio à Cordes: violon, alto, violoncelle
8
2 Contrebasses (duo)
6
Contre Basse
6
Contrebasse, Piano (duo)
6
Violon (partie séparée)
6
Quatuor à cordes: 4 violons
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
3
4 Violoncelles
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Orgue
1
Harpe et Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Alto et Basson
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Violoncelle, Basse continue
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
3 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
184
Orchestre à Cordes
35
Orchestre
33
Ensemble Jazz
26
Cloches
22
Ensemble de cuivres
17
Orchestre de chambre
11
Jazz combo
6
Batterie
4
Percussion
4
Ensemble de Percussions
4
Xylophone, Piano
3
Fanfare
3
2 Xylophones
2
Ensemble d'École
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
2 Marimbas
1
Vibraphone
1
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AUTRES
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Two For Tea
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1
Arioso by Bach for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Level 2 - Digital Download SKU: A0.1124444 Composed by Johann Se…
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Trombone Quartet - Level 2 - Digital Download SKU: A0.1124444 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 7 pages. Woods Only, Arrangements #725190. Published by Woods Only, Arrangements (A0.1124444). This easy arrangement for trombone quartet was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$7.99
7.3 €
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Quatuor de cuivres: 4 trombones
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Trombone Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Three Studies for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced - Digital Download Composed by Vladislav Blazhevich (1881…
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Trombone Quartet - Advanced - Digital Download Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exercises, Technique Training. Score, Set of Parts. 39 pages. Published by Cherry Classics Music
The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.<br> <br> Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.<br> <br> Here is a description of the Three Studies by arranger Karl Lynden:<br> <br> "The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich’s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement “Five Etude”.<br> <br> Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.<br> <br> No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.<br> <br> Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.<br> <br> Here is a description of the Three Studies by arranger Karl Lynden:<br> <br> "The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich’s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement “Five Etude”.<br> <br> Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.<br> <br> No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."
$32.50
29.71 €
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Quatuor de cuivres: 4 trombones
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Vladislav Blazhevich
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Karl Lyden
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Three Studies for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
First TROMBONANZA Suite for 4-part Trombone Ensemble (Quartet)
Quatuor de cuivres: 4 trombones
Trombone Ensemble - Intermediate - Digital Download Composed by Frith, John. Rock. …
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Trombone Ensemble - Intermediate - Digital Download Composed by Frith, John. Rock. 14 pages. Published by Cherry Classics Music
These TWO SUITES were composed in response to a request form Heini Schneebeli, the musical director of ‘TROMBONANZA 2017’. Santa Fe in Argentina is the backdrop for this exciting annual event involving many hundreds of student and professional players.<br> <br> The FIRST SUITE has three movements and is intended for a trio of younger tenor trombonists working with a teacher on bass trombone who will add richness and depth to the ensemble sound.<br> <br> It is my hope that this piece will encourage, entertain and challenge student players and provide useful concert material for use in the promotion of this unique and versatile instrument.<br> <br> John Frith - 2017<br> <br> This work is appropriate for younger performers at an intermediate level all in bass clef. The three movements total about 5 1/2 minutes in length and have the following titles:<br> <br> 1. Totem Tango<br> <br> 2. Full Steam Ahead<br> <br> 3. Clowning AroundThese TWO SUITES were composed in response to a request form Heini Schneebeli, the musical director of ‘TROMBONANZA 2017’. Santa Fe in Argentina is the backdrop for this exciting annual event involving many hundreds of student and professional players.<br> <br> The FIRST SUITE has three movements and is intended for a trio of younger tenor trombonists working with a teacher on bass trombone who will add richness and depth to the ensemble sound.<br> <br> It is my hope that this piece will encourage, entertain and challenge student players and provide useful concert material for use in the promotion of this unique and versatile instrument.<br> <br> John Frith - 2017<br> <br> This work is appropriate for younger performers at an intermediate level all in bass clef. The three movements total about 5 1/2 minutes in length and have the following titles:<br> <br> 1. Totem Tango<br> <br> 2. Full Steam Ahead<br> <br> 3. Clowning Around
$20.00
18.28 €
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Quatuor de cuivres: 4 trombones
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Frith, John
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First TROMBONANZA Suite for 4-part Trombone Ensemble
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Cherry Classics Music
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SheetMusicPlus
Kyrie (Durante) (Trombone Quartet)
Quatuor de cuivres: 4 trombones
Brass Ensemble,Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.1092487
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Brass Ensemble,Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.1092487 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696578. Published by Regis Bookshar (A0.1092487). Kyrie - by Francesco Durante; Trombone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Trombone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Trombone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.14 €
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Quatuor de cuivres: 4 trombones
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
95@500
Quatuor de cuivres: 4 trombones
Trombone quartet - Digital Download SKU: IZ.IMF178 Composed by Willard Zirk. Score …
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Trombone quartet - Digital Download SKU: IZ.IMF178 Composed by Willard Zirk. Score and Parts. 23 pages. Imagine Music - Digital #IMF178. Published by Imagine Music - Digital (IZ.IMF178). 9 x 12 in inches.This set of variations on Ein Feste Burg was originally written for a trombone quartet. It was commissioned by the students of my colleague and friend, trombone professor, Donald Babcock. They are Daniel Larson, Manuel Smith, Jack Porath, and Kyle Wickham. These fine trombonists gave the premiere of 95@500 during the 2017 EMU Music Now Fest, February 16, 2017. When I received the request to write something for them, I took the opportunity to fulfill my wish to write a piece to commemorate the 500th anniversary of the beginning of the Reformation. The title refers to Martin Luther's nailing 95 theses on the door of the Castle Church in Wittenberg, October 31, 1517. This act began a revolution in the Christian church that had great consequences. One major change was the creation of more simple music that could be sung by the congregation instead of a trained choir. Hence, the Lutheran chorale was born. It is not known exactly when Martin Luther wrote Ein feste Burg ist unser Gott, but it is thought to have been written between 1527-1529. A copy exists with his signature that can be viewed on the Internet. Luther wrote the melody with no harmony, but many composers have since harmonized it. About two hundred years after Ein feste Burg was written, Bach used it in his Chorale Cantata, BWV 80, to be sung on Reformation Day. Luther had set it with irregular rhythms and that gave rise to the unique rhythms in this set of variations. However, the last variation follows the well-known regular meter.
$18.00
16.46 €
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Quatuor de cuivres: 4 trombones
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Willard Zirk
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95@500
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Imagine Music - Digital
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SheetMusicPlus
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