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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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HARMONICA
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432
Piano & claviers
Piano seul
205
Piano, Voix
85
Orgue
70
Piano Facile
40
Piano, Voix et Guitare
37
Instruments en Do
23
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
6
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
Accordéon
1
Clavecin
1
+ 10 instrumentations
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Guitares
Guitare
31
Guitare notes et tablatures
9
Ligne De Mélodie, (Paroles) et Accords
9
2 Guitares (duo)
3
Basse electrique
3
4 Guitares (Quatuor)
2
Ukulele
2
Ensemble de guitares
2
Piano, Guitare (duo)
2
Paroles et Accords
2
Dulcimer
1
Ensemble de Ukulélés
1
2 Ukuleles
1
+ 8 instrumentations
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Voix
Chorale SATB
179
Chorale 3 parties
94
Chorale 2 parties
36
Chorale Unison
15
Chorale TTBB
9
Chorale SSAA
9
Voix Soprano, Piano
7
Voix Baryton, Piano
4
Voix seule
3
Voix Soprano
3
Voix haute
3
Voix Tenor
2
Voix duo, Piano
2
Chorale SSAATTBB
1
Voix Alto, Piano
1
Voix basse, Piano
1
+ 11 instrumentations
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Vents
Flûte traversière et Piano
57
Clarinette et Piano
50
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Quatuor de Flûtes : 4 flûtes
32
Quatuor de Saxophones: 4 saxophones
28
Flûte, Hautbois, Clarinette, Basson
26
2 Flûtes traversières (duo)
25
Saxophone Alto et Piano
23
Hautbois, Piano (duo)
21
2 Clarinettes (duo)
20
Clarinette
19
Saxophone Tenor et Piano
18
Flûte traversière
17
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Alto
15
Saxophone Soprano et Piano
15
Quintette de Saxophone: 5 saxophones
14
Trio de Flûtes: 3 flûtes
14
3 Saxophones (trio)
12
Saxophone Baryton, Piano
12
Quatuor de Flûtes à bec
10
Ensemble de Clarinettes
10
Ensemble de saxophones
10
Flûte, Clarinette (duo)
9
Cor anglais, Piano
8
3 Clarinettes (trio)
8
Clarinette Basse, Piano
8
2 Saxophones (duo)
7
Saxophone Tenor
7
2 Flûte à bec (duo)
6
Flûte à bec Soprano
6
Flûte et Guitare
6
Hautbois (partie séparée)
6
Flûte à Bec
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Ensemble De Flûte à bec
5
5 Flûtes à bec
4
Flûte, Hautbois, Clarinette (trio)
4
Saxophone Baryton
4
Flûte à bec Alto
4
Saxophone (partie séparée)
4
Ensemble de Flûtes
4
Flûte, Violoncelle, Guitare
3
Flûte, Clarinette et Basson
3
Clarinette, Basson (duo)
3
Hautbois
3
Saxophone Soprano
3
Ocarina
3
Hautbois, Clarinette (duo)
2
Flûte à bec Tenor
2
Quintette de Flûte : 5 flûtes
2
2 Saxophones, Piano
1
Piccolo
1
Hautbois, Basson (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Violon
1
Clarinette, Guitare (duo)
1
Cor Anglais
1
3 Flûtes à bec (trio)
1
2 Hautbois (duo)
1
Hautbois, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
+ 60 instrumentations
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Cuivres
Trombone et Piano
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette, Piano
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette
15
Cor et Piano
14
Euphonium, Piano (duo)
13
Trombone
10
Cor anglais, Piano
8
Cor
7
2 Euphoniums et 2 Tubas
5
Tuba
5
Tuba et Piano
4
Quatuor de cuivres: 4 trombones
3
2 Trombones (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de Cuivres
2
4 Tubas
2
Ensemble de Trombones
2
3 Trompettes (trio)
1
Euphonium
1
2 Cors (duo)
1
Trompette, Trombone (duo)
1
Cor, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba et Orgue
1
Trombone basse et Piano
1
Trombone, Cor (duo)
1
3 Trombones (trio)
1
2 Tubas (duo)
1
3 Tubas (trio)
1
Cor Anglais
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 cors
1
+ 31 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
105
Violon et Piano
56
Violoncelle, Piano
43
Violon
26
Violoncelle
26
Alto, Piano
25
2 Violons (duo)
19
Violon (partie séparée)
17
Violon, Violoncelle (duo)
17
Trio à Cordes: violon, alto, violoncelle
17
Alto seul
11
Alto (partie séparée)
8
2 Violoncelles (duo)
6
Harpe
6
4 Violoncelles
5
Contrebasse, Piano (duo)
4
Violoncelle (partie séparée)
4
Violon, Alto (duo)
4
Quatuor à cordes: 4 violons
4
Contre Basse
3
Contrebasse (partie séparée)
3
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 28 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
194
Orchestre à Cordes
87
Ensemble de cuivres
43
Orchestre
18
Orchestre de chambre
11
Cloches
9
Ensemble Jazz
8
Ensemble de Percussions
3
Batterie
3
Jazz combo
1
Piano et Orchestre
1
Xylophone, Piano
1
Percussion (partie séparée)
1
Orchestre, Violon
1
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--INSTRUMENTS--
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CORNET
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Quatuor de cuivres: 4 trombones
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'Promenade' from Pictures at an Exhibition - easy arrangement for trombone quartet/tuba
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Quatuor de cuivres: 4 trombones
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FACILE
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Classique
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Modest Petrovich Mussorgsky
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James Brady
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'Promenade' from Pictures at a
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James Brady Music
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.887012 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. Romantic Period,Stan...
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Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.887012 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. Romantic Period,Standards. Score and parts. 7 pages. James Brady Music #5312711. Published by James Brady Music (A0.887012). This arrangement of the opening of Mussorgsky's best-known work is ideally suited as an opening or closing statement piece for a group of 4 early-intermediate trombones (1 bass trombone or tuba) or other bass clef instruments. It stays true to the original piece with adaptations in range for developing players and an adapted ending better suited for standalone performance. The estimated duration of the performance is 1m 30s.Pictures at an Exhibition is a suite of pieces for piano based on pictures by Mussorgsky's friend Viktor Hartmann, who died suddenly in 1873, aged 39. A memorial exhibition of Hartmann's works was staged in St. Petersburg the following year, and Mussorgsky's suite depicts walk around it, viewing 10 pictures in total. In addition to the pieces inspired by individual pictures, the suite contains several variations of the 'Promenade' theme, which depicts Mussorgsky roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend. (Vladimir Stasov). This arrangement presents the opening version of the 'Promenade', adapted to suit a group of 4 trombones (1 bass trombone or tuba) or similar group of bass clef instruments. The ranges have been reduced to accommodate young or developing players. The 1st part goes no higher than F4, and the bass part no lower than Bb1 (optionally A1). The melody is mainly in the 1st part, with passages in the 2nd and 3rd parts from time to time, but as the texture of Mussorgksy's composition is almost exclusively homophonic, all parts have equal importance. I have inserted additional dynamics and accents to aid phrasing, and adapted the ending to suit a standalone performance.
$7.99
Kyrie (Durante) (Trombone Quartet)
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble,Trombone Quartet Trombone - Level 3 - SKU: A0.1092487 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sa...
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Brass Ensemble,Trombone Quartet Trombone - Level 3 - SKU: A0.1092487 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696578. Published by Regis Bookshar (A0.1092487). Kyrie - by Francesco Durante; Trombone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Trombone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Trombone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Psalm 1 for Trombone Quartet or Organ and Brass
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Heinrich Schutz
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Fetter, David
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Psalm 1 for Trombone Quartet o
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.792222 Composed by Heinrich Schutz. Arranged by Fetter, David. Baroque,Classical,Renaissance. Score and part...
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Brass Ensemble Trombone - Level 4 - SKU: A0.792222 Composed by Heinrich Schutz. Arranged by Fetter, David. Baroque,Classical,Renaissance. Score and parts. 40 pages. Gordon Cherry #4728855. Published by Gordon Cherry (A0.792222). Psalm 1 by Heinrich Schütz (1585-1672), is taken from his collection of choral settings of several of the biblical Psalms of David, in which Schütz continued the polychoral tradition he had absorbed in Venice as a student of Giovanni Gabrieli. Schütz indicated in his preface to the Psalms, published in 1619, that due to limits on performance during the Thirty Years War, alternate instruments or voices could be employed as available. As Psalm 1 was composed for two choirs of voices, it might be an attractive option to double the parts in this version for brass. Also, the choirs might be placed some distance apart. The original version of Psalm I is for two four-part choirs, one of mixed voices and one of tenors and basses. (The original also calls for continuo accompaniment, but, as in similar works of Gabrieli, the choral parts sound complete in themselves.) Composer/arranger David Fetter (b. 1938) is a Trombone faculty member at the Peabody Conservatory of the Johns Hopkins University in Baltimore, Maryland. Also a conductor, his works are performed in concert, at festivals, and in educational settings in the U.S. and Europe and they have been recorded by leading soloists. Mr. Fetter is a former member of the Cleveland Orchestra, the Baltimore Symphony Orchestra, the Radio/Telefis Symphony Orchestra of Ireland, the U.S. Army Band, and other ensembles, where he performed for conductors who included George Szell, Leonard Bernstein, Seiji Ozawa, James Levine, Sergiu Comissiona, and David Zinman. At the Eastman School of Music he was a trombone student of Emory Remington and a member of the Eastman Wind Ensemble under Frederick Fennell. He holds a Master’s in Musicology from The American University. See www.peabody.jhu.edu/David Fetter.
$22.50
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