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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Scale
Non classifié
1 309
Piano & claviers
Piano seul
1 018
Piano Facile
327
Piano, Voix
106
Accompagnement Piano
49
Piano, Voix et Guitare
39
Instruments en Do
33
1 Piano, 4 mains
25
Orgue
20
Piano Trio: piano, violon, violoncelle
8
Accordéon
7
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
4
1 Piano, 6 mains
4
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Tous Les Instruments
1
Piano (partie séparée)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 207
Guitare
167
Basse electrique
119
Ukulele
23
Mandoline
16
2 Guitares (duo)
11
Banjo
8
Ensemble de guitares
5
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
4
Dulcimer
4
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
3
Guitare (partie séparée)
2
Dobro
1
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
95
Chorale Unison
24
Chorale 3 parties
12
Chorale TTBB
11
Chorale 2 parties
8
Pack Instrumental pour Chorale
5
Voix Alto, Piano
3
Chorale
3
Chorale SSAA
3
Voix seule
3
Voix basse, Piano
2
Voix haute
2
Chorale SSAATTBB
2
Voix duo, Piano
1
+ 9 instrumentations
Retracter
Vents
Clarinette
188
Flûte traversière
178
Flûte à Bec
135
Hautbois
132
Saxophone
103
Saxophone Alto
49
Flûte traversière et Piano
41
Saxophone Tenor
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quatuor de Clarinettes: 4 clarinettes
28
Clarinette et Piano
22
Quatuor de Saxophones: 4 saxophones
21
Harmonica
19
2 Flûtes traversières (duo)
19
Flûte, Hautbois, Clarinette, Basson
17
Clarinette, Trompette (duo)
15
Saxophone Alto et Piano
15
Hautbois, Piano (duo)
15
Saxophone (partie séparée)
14
2 Saxophones (duo)
14
Ensemble de Clarinettes
12
2 Clarinettes (duo)
11
3 Clarinettes (trio)
10
Quintette de Saxophone: 5 saxophones
9
3 Saxophones (trio)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor et Piano
8
Hautbois (partie séparée)
8
Saxophone Soprano et Piano
6
Flûte, Clarinette (duo)
5
Flûte à bec Soprano
5
Trio de Flûtes: 3 flûtes
5
2 Hautbois (duo)
5
2 Flûte à bec (duo)
4
Hautbois, Basson (duo)
4
Hautbois, Clarinette (duo)
4
Ensemble de Flûtes
4
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Quatuor de Flûtes à bec
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à bec Alto
3
Flûte, Saxophone (duo)
3
Flûte, Violon
3
Saxophone, Clarinette (duo)
3
Clarinette (partie séparée)
3
Clarinette, Violon (duo)
3
Ensemble à vent
3
Hautbois, Flûte
3
Flûte et Guitare
3
Clarinette, Violoncelle (duo)
3
Ensemble de saxophones
3
Flûte, Hautbois (duo)
2
Saxophone, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Clarinette Basse
2
Instruments en Mib
2
Flûte, Alto (duo)
2
Cor Anglais
2
Flûte, Trompette (duo)
2
Clarinette, Contrebasse (duo)
2
Piccolo
2
Clarinette Basse, Piano
2
Saxophone Soprano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte de Pan
1
Flute (partie séparée)
1
Flûte, Tuba (duo)
1
Clarinette et Alto
1
2 Clarinettes, Basson
1
Clarinette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte irlandaise
1
Hautbois, violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Cors Anglais Et Pianoforte
1
+ 75 instrumentations
Retracter
Cuivres
Trompette
58
Trombone
40
Cor
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette, Saxophone (duo)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone (partie séparée)
12
Trombone et Piano
12
Cor et Piano
10
Trompette (partie séparée)
10
Tuba
9
Trompette, Piano
9
Ensemble de Trombones
7
Ensemble de Trompettes
5
Bass Clef Instruments
5
2 Tubas (duo)
5
Quatuor de Cuivres
4
2 Cors (duo)
4
2 Trombones (duo)
4
Tuba et Piano
3
Euphonium, Tuba (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium
3
2 Trompettes (duo)
3
2 Euphoniums (duo)
2
Cor anglais, Piano
2
Trompette, Violoncelle (duo)
2
Cor Anglais
2
3 Trombones (trio)
2
Instruments en Sib
2
Cor (partie séparée)
2
Trompette, violon (duo)
2
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Trompette, Trombone (duo)
1
3 Trompettes (trio)
1
+ 39 instrumentations
Retracter
Cordes
Violon
427
Violoncelle
374
Alto seul
329
Violon et Piano
79
Quatuor à cordes: 2 violons, alto, violoncelle
77
Contre Basse
71
Harpe
63
Alto, Piano
21
Violoncelle, Piano
14
Violon (partie séparée)
14
Alto (partie séparée)
13
Trio à Cordes: violon, alto, violoncelle
13
2 Violons (duo)
11
Contrebasse (partie séparée)
7
Contrebasse, Piano (duo)
6
Violoncelle (partie séparée)
6
Violon, Violoncelle (duo)
6
2 Altos (duo)
5
2 Harpes (duo)
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
Flûte, Contrebasse (duo)
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Harpe, Voix
1
4 Contrebasses
1
2 Contrebasses (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
324
Orchestre à Cordes
123
Orchestre
73
Ensemble Jazz
67
Ensemble de cuivres
27
Orchestre de chambre
22
Cloches
12
Jazz combo
8
Ensemble de Percussions
8
Fanfare
5
Vibraphone
4
Percussion
3
Marimba
2
Ensemble d'École
2
Batterie (partie séparée)
2
Xylophone
2
Piano et Orchestre
1
2 Marimbas
1
Batterie
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
9
Formation musicale - Solfège
3
Instruments
ACCORDEON
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AUTRES INST…
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COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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GUITARE
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LIVRES
LUTH
MANDOLINE
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OCARINA
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Partitions à imprimer
4 partitions trouvées
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1
Invention in B Locrian from 9 Modal Inventions
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Clavecin
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INTERMÉDIAIRE
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Michael Bomier
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Invention in B Locrian from 9
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Michael Butkus-Bomier
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SheetMusicPlus
Harpsichord - Level 3 - SKU: A0.862503 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 2 pages. Michael Butkus-Bomier #2032023....
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Harpsichord - Level 3 - SKU: A0.862503 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 2 pages. Michael Butkus-Bomier #2032023. Published by Michael Butkus-Bomier (A0.862503). Thirds, seven-note scalar runs, and syncopation characterize this final entry in the series of Modal Inventions. The Locrian mode was not a true church mode. It was given that name by jazz musicians, who wanted a modal designation for each of the seven modes for every major scale. This piece uses cut-time, and a half-note figure as its subject. The countersubject is a scale. Each exposition and its reverse end with a syncopated series of thirds, like the E Major Invention of Bach. These elements mix and match themselves through the piece, which ends on a B7 chord without a 3rd or 5th degree, giving the finale its ambiguous, Locrian sound. All nine inventions make a nice program for the opening of a three-element recital. They also make an excellent introduction into the world of modern music, since the two-part invention format is familiar, and the scalar aspect is also a musical staple throughout the eras, even though the modal derivatives rather than the parent major scales are used. MBB.
$1.99
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
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Clavecin
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Classique
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Arturo Escorza
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Arturo Escorza
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Mozart effect - Sonata in D fo
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Arturo Escorza
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SheetMusicPlus
Harpsichord - SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Artu...
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Harpsichord - SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Arturo Escorza #711337. Published by Arturo Escorza (A0.1108689). In 1993, Frances Rauscher, et al, published a study in which they attributed a temporary improvement (of around 15 minutes) in mental tasks such as those found in IQ tests... Now, my criticism goes further: the piece in question is the Allegro con spirito from Sonata for two pianos in D minor KV. 448 by Mozart, so far so good. If we look at the original score, Mozart does not mention pianos, nor their ancestor, the fortepiano, but clavicembalos, i.e. harpsichords. In modern music, the A4 is tuned to 440 Hz and the scale is divided into 12 semitones of identical distance between each of them, causing that the only pure interval between them is the octave and that the others are impure and cause unpleasant interferences. In past centuries, other temperaments were used to tune the scales, with more pure, harmonic intervals, without interferences, although the intervals between semitones were some larger than others, which is why there are compositions in different tones, because according to the temperament it provoked different sensations, but with the modern equal temperament that's part of the past... the equal temperament killed the harmony and the colors of the music as its composers imagined it, as they heard it. What's this all about? to which I have recorded the piece of the supposed Mozart Effect approaching what Mozart had in mind: with two harpsichords, both with the A4 tuned to 421.6 hz, according to the Steiner tuning fork, used at the time of composition of the piece in Vienna, (note: it's not enough to tune the A4 but also to tune the intervals), and tuned in the Kirnberger III temperament. Some intervals may seem out of tune to modern ears, but it is one of so many historical temperaments used in those times.
$4.00
Invention in A# Locrian, from 9 Modal Inventions
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Clavecin
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Invention in A# Locrian, from
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Michael Butkus-Bomier
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SheetMusicPlus
Harpsichord - Level 4 - SKU: A0.862494 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 2 pages. Michael Butkus-Bomier #2031747....
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Harpsichord - Level 4 - SKU: A0.862494 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 2 pages. Michael Butkus-Bomier #2031747. Published by Michael Butkus-Bomier (A0.862494). Wow, A# Locrian, kind of intimidating, eh? Fear not, as one of the subjects trills throughout, between the two white keys in the scale, and their upper and lower adjacent black keys. The piece is in 12/8 and the melodic theme has a three-2/8 note turn feel to it, with staccato notes sprinkled in. More playable and readable than might it might seem upon reading the title! I'd be foolish to write a piece in this mode without making it something do-able! MBB.
$1.99
2 Easy Classical Dances- harpsichord solos
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Clavecin
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FACILE
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Classique
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Phil Beaman
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2 Easy Classical Dances- harps
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Phil Beaman
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SheetMusicPlus
Harpsichord - Level 2 - SKU: A0.1135406 Composed by Phil Beaman. Classical. Score. 8 pages. Phil Beaman #735451. Published by Phil Beaman (A0.1135406). ...
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Harpsichord - Level 2 - SKU: A0.1135406 Composed by Phil Beaman. Classical. Score. 8 pages. Phil Beaman #735451. Published by Phil Beaman (A0.1135406). 2 Easy Classical Dances are great Harpsichord Solos for lesson learning as well as recitals. Both pieces are in the Key of C, both are binary, and both are written in a style reminiscent of Mozart. They both have an upbeat, happy feel and are fun to play. One is a Minuet and the other is a Gavot. The Gavot introduces Alberti bass, triplets, mordents, and different phrasing between the hands. Repeated sections alternate loud-soft, detached-slurred, major-minor. The Minuet has an easy fanfare theme of repeated notes, scales, and arpeggios, then 6 variations which introduce neighbouring notes, tonic minor, inversions, light syncopation, mordents, staccato, and octave. Minuet - 5 pages, 2 minutes Gavot - 2 pages, 1:30 minutes with cover, 8 page booklet.
$6.95
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