Partitions Numériques de HELP pour Vibraphone

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Sarabande in E-Flat Major #Vibraphone #INTERMÉDIAIRE #Jerod Nunley #Sarabande in E-Flat Major #Jerod Nunley #SheetMusicPlus

Vibraphone Solo - Level 3 - SKU: A0.1011453 Composed by Jerod Nunley. 20th Century,Baroque,Contemporary. Individual part. 2 pages. Jerod Nunley #3537259...(+)

Vibraphone Solo - Level 3 - SKU: A0.1011453 Composed by Jerod Nunley. 20th Century,Baroque,Contemporary. Individual part. 2 pages. Jerod Nunley #3537259. Published by Jerod Nunley (A0.1011453). This piece is based off of the sarabande, a dance with traditions in 16th century Spain. It was also adopted in the Baroque-era as a movement in a suite (namely dance suites). Many composers added a sarabande to their works, including Bach and Handel. Another detail important to the sarabande is the emphasis on beat 2, with the piece in 3/4 time. The emphasis relates more to how the part would fit if accompanying a dancer. The piece is a 4-mallet vibraphone solo in E-Flat. It is primarily tonal with a some chromatic harmonies, however the chords are not written in functional order. It is a good piece for performers on vibraphone that are used to four-mallet technique but are not yet ready to approach higher level literature. The work helps prepare players for independence between hands. Pedaling and dampening are on the discretion of the performer, where they feel it is right in the music. Though it is a good piece to help students work on technique, it was not written as an educational work, but as my own attempt at a Baroque style with my harmonic language.

Intermediate Progressive Etudes - Vibraphone Method Book for 2 and 4 Mallets (Learn to Improvise) #Vibraphone #INTERMÉDIAIRE #David Kovins #Intermediate Progressive Etude #David Kovins #SheetMusicPlus

Vibraphone Solo - Level 3 - SKU: A0.1127702 By David Kovins. By David Kovins. Contemporary,Instructional,Jazz,Latin,Pop. Individual part. 64 pages. Davi...(+)

Vibraphone Solo - Level 3 - SKU: A0.1127702 By David Kovins. By David Kovins. Contemporary,Instructional,Jazz,Latin,Pop. Individual part. 64 pages. David Kovins #728305. Published by David Kovins (A0.1127702). Intermediate Progressive Etudes By David Kovins - Vibraphone Method Book for 2 and 4 Mallets The Vibraphone Virtuosity Series features material that will help develop a contemporary vibist's technique and musicianship. The volume includes: -33 multi-stylistic etudes -Chromatic exercises -Whole-tone scales -Studies in perfect fourths Among the techniques covered in the etudes are: -2 mallet playing -4-mallet playing -Mallet dampening -Pedaling -Musical Phrasing Suggested stickings are provided, as well as the author's commentary about each exercise and etude. In addition, selected etudes contain chord symbols to allow for improvisational opportunities. David Kovins founded the School for Musical Performance in Brooklyn, New York in 1980, where he teaches mallet-keyboard percussion, drumset, and piano. He has performed with the Jerome Robbins Dance Company, the Manhattan Percussion Ensemble, cabaret performers Anita Morris and Wayland Flowers., and Keyboardist Jordan Rudess, and Kovins leads his own Vibraphone-based group that records and performs in the New York area.

Let There Be Peace #Vibraphone #INTERMÉDIAIRE #Contemporain #Jerod Nunley #Let There Be Peace #Jerod Nunley #SheetMusicPlus

Vibraphone Solo - Level 3 - SKU: A0.1011450 Composed by Jerod Nunley. Contemporary. Individual part. 1 pages. Jerod Nunley #3371255. Published by Jerod ...(+)

Vibraphone Solo - Level 3 - SKU: A0.1011450 Composed by Jerod Nunley. Contemporary. Individual part. 1 pages. Jerod Nunley #3371255. Published by Jerod Nunley (A0.1011450). There has been a lot of tragedy in this world. One thing that I wish to ask for is peace in the world. I choose to approach helping towards it in the way I know how, by music. I wrote a Vibraphone solo, utilizing a slight amount of spoken text and quartal harmonies, to emphasize the need for peace our world today. It is a short piece that is in free time, allowing the performer to interpret the speed their own way. All spoken text are the words underneath the staff.Commissioned by John Zazo - Percussion Performance student at the University of Akron.