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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Table for Two
Non classifié
318
Piano & claviers
Piano seul
43
Piano, Voix
20
Piano, Voix et Guitare
13
Orgue
11
1 Piano, 4 mains
7
Instruments en Do
4
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
3
Piano Facile
3
Orgue, Piano (duo)
1
+ 6 instrumentations
Retracter
Guitares
Dulcimer
15
Guitare
8
Guitare notes et tablatures
3
Paroles et Accords
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
2
2 Guitares (duo)
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
Basse electrique
1
2 Dulcimers (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
42
Chorale 2 parties
22
Chorale 3 parties
20
Voix duo, Piano
13
Chorale
8
Chorale SSAA
8
Chorale TTBB
5
Chorale Unison
3
Voix basse
1
Voix moyenne, Piano
1
Voix Soprano, Piano
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
220
2 Flûtes traversières (duo)
156
2 Clarinettes (duo)
111
2 Flûte à bec (duo)
81
2 Hautbois (duo)
56
Saxophone, Clarinette (duo)
49
Clarinette, Violon (duo)
35
Clarinette, Trompette (duo)
25
Flûte traversière et Piano
24
Flûte, Violon
20
Flûte, Clarinette (duo)
20
Hautbois, Piano (duo)
19
Quintette de Saxophone: 5 saxophones
19
Quatuor de Saxophones: 4 saxophones
18
Clarinette et Alto
18
Saxophone Alto et Piano
17
Hautbois, Clarinette (duo)
17
Hautbois, Basson (duo)
16
Flûte, Saxophone (duo)
16
Quatuor de Flûtes : 4 flûtes
16
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone Soprano et Piano
15
Flûte, Alto (duo)
14
Hautbois, Flûte
14
Flûte, Trompette (duo)
14
Clarinette et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Flûte, Hautbois, Clarinette, Basson
10
Ensemble de saxophones
9
Ensemble de Clarinettes
9
3 Saxophones (trio)
8
Flûte traversière
7
Saxophone Tenor et Piano
6
Trio de Flûtes: 3 flûtes
6
3 Clarinettes (trio)
6
Quintette de Flûte : 5 flûtes
6
Flûte, Violon, Piano
5
Saxophone Baryton, Piano
4
Cor anglais, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Flute, harpe et violon
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Hautbois (duo)
3
Saxophone Alto
3
Flûte, Clarinette, Piano (trio)
2
Ensemble de Flûtes
2
Clarinette Basse, Piano
2
Saxophone Tenor
2
Clarinette
2
Flûte, Violoncelle, Piano (trio)
2
3 Flûtes à bec (trio)
2
Saxophone (partie séparée)
1
2 Flûtes traversières, Piano
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon et Violoncelle
1
2 Clarinettes, Piano
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flute, Cor (duo)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois (partie séparée)
1
Saxophone
1
5 Flûtes à bec
1
Flûte, Clarinette et Basson
1
2 Flûtes traversières, Harpe
1
Flûte à bec Soprano
1
Hautbois, violon (duo)
1
+ 65 instrumentations
Retracter
Cuivres
2 Trombones (duo)
80
2 Trompettes (duo)
72
Trompette, Saxophone (duo)
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Trompette, Trombone (duo)
20
Trombone et Piano
12
Cor et Piano
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette, Piano
7
Trombone (partie séparée)
6
Trompette (partie séparée)
5
Euphonium, Piano (duo)
5
Trompette
5
Ensemble de Trombones
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
3 Trompettes (trio)
4
Quatuor de cuivres: 4 trombones
3
Cor anglais, Piano
3
Ensemble de Trompettes
3
Trompette, Violoncelle et Piano
2
Cor
2
Trombone
2
Tuba et Piano
2
4 Tubas
2
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
3 Cors (trio)
1
Clarinette, Cor (duo)
1
Tuba
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
+ 27 instrumentations
Retracter
Cordes
2 Violons (duo)
111
2 Violoncelles (duo)
83
2 Altos (duo)
56
Harpe
48
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
26
Violon, Violoncelle (duo)
22
Violon, Alto (duo)
21
Violoncelle, Piano
19
Alto, Piano
15
Trio à Cordes: 2 violons, violoncelle
13
2 Harpes (duo)
12
Violon
9
Trio à Cordes: violon, alto, violoncelle
7
Trio à cordes: 3 violins
4
Harpe, Voix
4
Ensemble de Violons
4
4 Violoncelles
3
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
2
Ensemble d'Altos
2
Violoncelle
2
Quatuor à cordes : 4 altos
1
Violon (partie séparée)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
19
Orchestre d'harmonie
15
Jazz combo
11
Orchestre
9
Cloches
8
Ensemble de cuivres
8
Orchestre à Cordes
5
Orchestre de chambre
4
Fanfare
2
2 Xylophones
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Crtitères actifs :
A Table for Two
intermédiaire
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
19 partitions trouvées
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1
Symphony No. 40 by Mozart for Sax Quintet
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Ander
#
Symphony No. 40 by Mozart for
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1267725 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 18 pages. Woo...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1267725 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 18 pages. Woods Only, Arrangements #860269. Published by Woods Only, Arrangements (A0.1267725). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Saxophone Quintet SAATB. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$9.99
Symphony No. 40 by Mozart for Tenor Sax Quintet
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Ander
#
Symphony No. 40 by Mozart for
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.1267723 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classica...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.1267723 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 18 pages. Woods Only, Arrangements #860267. Published by Woods Only, Arrangements (A0.1267723). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Tenor Saxophone Quintet. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$9.99
Symphony No. 40 by Mozart for Baritone Sax Quintet
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Ander
#
Symphony No. 40 by Mozart for
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Baritone Saxophone - Level 3 - SKU: A0.1267724 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Class...
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Saxophone Quintet,Woodwind Ensemble Baritone Saxophone - Level 3 - SKU: A0.1267724 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 20 pages. Woods Only, Arrangements #860268. Published by Woods Only, Arrangements (A0.1267724). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Baritone Saxophone Quintet. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$9.99
Zacatecas March (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Genaro Codina
#
Kenneth Abeling
#
Zacatecas March
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.515064 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,Wor...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.515064 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 18 pages. LINCOLN MUSIC PUBLICATIONS #4635429. Published by LINCOLN MUSIC PUBLICATIONS (A0.515064). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Saxophone Quintet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$13.99
A Virgin Most Pure (Alto Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Noël
#
Traditional English Christmas
#
Regis Bookshar
#
A Virgin Most Pure
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813027 Composed by Traditional English Christmas Carol. Arranged by Regis Booksha...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813027 Composed by Traditional English Christmas Carol. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Sacred,Standards. 10 pages. Regis Bookshar #6057233. Published by Regis Bookshar (A0.813027). Alto Saxophone Quintet - Intermediate - . This Traditional English Christmas Carol has been arranged for an Alto Saxophone Quintet by Regis Bookshar. It is perfect for Christmas concerts and church services and is suitable for high school and college students. Included is a score, with two Verses and a short Interlude, and a complete set of parts (10 pages). Also available are other settings of this Traditional English Christmas Carol for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$10.00
(Everything I Do) I Do It For You
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Rock
#
Bryan Adams
#
Diego Marani
#
(Everything I Do) I Do It For
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.527784 By Bryan Adams. By Bry...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.527784 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Pop,Standards. 13 pages. Diego Marani #3458647. Published by Diego Marani (A0.527784). (Everything I Do) I Do It for You is a song by Canadian singer-songwriter Bryan Adams. Written by Adams, Michael Kamen and Robert John Mutt Lange, featured on two albums simultaneously on its release, the soundtrack album from the 1991 film Robin Hood: Prince of Thieves and on Adams' sixth album Waking Up the Neighbours (1991). The song was an enormous chart success internationally, particularly in the United Kingdom, where it spent sixteen consecutive weeks at number one on the UK Singles Chart (the longest in British chart history). It went on to sell more than 15 million copies worldwide, making it Adams' most successful song and one of the best-selling singles of all time. Subsequently, the song has been covered by hundreds of singers and artists around the world.This arrangement for sax quintet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor 1 or Eb Alto 2, Bb Tenor 2, Eb Baritone.It is suitable for repertoire, classroom, recital and wedding.
$22.99
Burgundian Air/March of the Three Kings (F min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Traditional French Melodies
#
Regis Bookshar
#
Burgundian Air/March of the Th
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813071 Composed by Traditional French Melodies...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813071 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 27 pages. Regis Bookshar #6097373. Published by Regis Bookshar (A0.813071). Saxophone Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, by Regis Bookshar. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Burgundian Air/March of the Three Kings (F min) (Tenor Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Traditional French Melodies
#
Regis Bookshar
#
Burgundian Air/March of the Th
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813073 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Chri...
(+)
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813073 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 22 pages. Regis Bookshar #6097379. Published by Regis Bookshar (A0.813073). Tenor Saxophone Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Tenor Saxophones, by Regis Bookshar. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (21 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Burgundian Air/March of the Three Kings (F min) (Alto Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Traditional French Melodies
#
Regis Bookshar
#
Burgundian Air/March of the Th
#
Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813062 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Chris...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813062 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 22 pages. Regis Bookshar #6095931. Published by Regis Bookshar (A0.813062). Alto Saxophone Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Alto Saxophones by Regis Bookshar. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 3 Tenor)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813971 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813971 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635861. Published by Regis Bookshar (A0.813971). Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813973 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Ins...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813973 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635871. Published by Regis Bookshar (A0.813973). Tenor Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Tenor Saxophone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813969 Composed by Franz Xaver Gruber. Arrange...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813969 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635859. Published by Regis Bookshar (A0.813969). Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813959 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Inst...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813959 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632957. Published by Regis Bookshar (A0.813959). Alto Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for an Alto Saxophone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
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