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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who Pop
Non classifié
489
Piano & claviers
Piano seul
666
Piano, Voix et Guitare
257
Piano, Voix
134
Instruments en Do
39
Piano Facile
20
1 Piano, 4 mains
16
Orgue
8
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
Fake Book
1
2 Pianos, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
223
Paroles et Accords
54
Guitare
43
Ligne De Mélodie, (Paroles) et Accords
40
Basse electrique
32
Ukulele
19
Piano, Guitare (duo)
5
2 Guitares (duo)
3
Guitare, Flûte, Clarinette
2
Ensemble de guitares
1
Dulcimer
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Banjo
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
120
Chorale TTBB
50
Chorale 3 parties
45
Voix Alto, Piano
29
Chorale SSAA
26
Voix Tenor
25
Voix Soprano
23
Voix Baryton, Piano
20
Chorale 2 parties
19
Voix duo, Piano
5
Chorale
4
Voix duo
3
Chorale Unison
3
Voix Soprano, Piano
3
Voix haute
2
Voix Tenor, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
77
Clarinette et Piano
67
Hautbois, Piano (duo)
65
Saxophone Alto et Piano
62
Clarinette
51
Flûte traversière
48
Saxophone (partie séparée)
42
Saxophone Tenor et Piano
41
Saxophone Alto
41
Saxophone Soprano et Piano
38
Saxophone Baryton, Piano
38
Hautbois (partie séparée)
31
Saxophone Tenor
28
2 Saxophones (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quatuor de Saxophones: 4 saxophones
21
2 Flûtes traversières (duo)
20
Cor anglais, Piano
20
Quatuor de Clarinettes: 4 clarinettes
18
Quintette de Saxophone: 5 saxophones
17
Cor Anglais
13
2 Clarinettes (duo)
13
Clarinette Basse, Piano
13
Saxophone
12
Ensemble de saxophones
10
2 Hautbois (duo)
10
Flûte, Hautbois, Clarinette, Basson
10
2 Flûte à bec (duo)
9
Ensemble de Clarinettes
9
Ensemble de Flûtes
7
Saxophone, Clarinette (duo)
6
3 Saxophones (trio)
6
Clarinette, Violon (duo)
5
Flûte, Clarinette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Quintette de Flûte : 5 flûtes
5
Clarinette, Trompette (duo)
5
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Flûte
4
Saxophone Soprano
4
Hautbois, Clarinette (duo)
3
Clarinette et Alto
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois
3
Quatuor de Flûtes à bec
3
Hautbois, Basson (duo)
3
2 Clarinettes, Piano
3
Flûte, Saxophone (duo)
3
2 Flûtes traversières, Piano
3
Flûte et Guitare
2
Flûte, Violon
2
Clarinette, Harpe (duo)
2
2 Hautbois, Piano
2
Saxophone et Harpe
2
Flûte à bec, Guitare (duo)
2
Clarinette, Basson (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Harpe
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Guitare (duo)
1
Clarinette Basse
1
Saxophone Baryton
1
Flûte, trombone et piano
1
Harmonica
1
Flûte à bec Soprano, Piano
1
Flûte à bec Alto
1
Flute (partie séparée)
1
3 Clarinettes (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Piano
1
Trio de Flûtes: 3 flûtes
1
Ensemble De Flûte à bec
1
+ 68 instrumentations
Retracter
Cuivres
Cor et Piano
52
Trombone et Piano
51
Trompette
46
Trompette, Piano
45
Trombone
42
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Tuba et Piano
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Cor
31
Tuba
24
Cor anglais, Piano
20
Euphonium, Piano (duo)
18
Trompette (partie séparée)
15
Cor Anglais
13
2 Cors (duo)
9
2 Trompettes (duo)
9
2 Trombones (duo)
7
Trombone (partie séparée)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Saxophone (duo)
5
4 Tubas
4
Ensemble de Trombones
4
Ensemble de Trompettes
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres
3
Quatuor de cuivres: 4 cors
3
2 Trompettes, Clavier (piano ou orgue)
2
2 Cors, Piano
2
Quatuor de cuivres: 4 trompettes
2
2 Tubas (duo)
2
3 Trombones (trio)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Tubas
1
Trompette, Violoncelle et Piano
1
Ensemble de Cors
1
Trio de Cuivres
1
Trompette, Trombone (duo)
1
Trompette, Harpe
1
2 Euphoniums (duo)
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
128
Violon et Piano
80
Alto, Piano
74
Violoncelle, Piano
71
Harpe
65
Violon
59
Violoncelle
42
Trio à Cordes: violon, alto, violoncelle
36
Contrebasse, Piano (duo)
34
Alto seul
29
Contre Basse
24
Trio à Cordes: 2 violons, violoncelle
19
Violon, Violoncelle (duo)
16
2 Violons (duo)
15
2 Violoncelles (duo)
14
Alto (partie séparée)
13
2 Altos (duo)
10
Violon, Alto (duo)
5
Violon (partie séparée)
4
Harpe, Voix
4
Ensemble de Violons
3
2 Violoncelles, Piano
2
4 Violoncelles
2
Violon, Guitare (duo)
2
2 Contrebasses (duo)
2
Violoncelle (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
2 Violons, Piano
2
Trio à cordes: 3 violins
1
Alto et Harpe
1
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble d'Altos
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Harpe, Trombone (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
62
Batterie
31
Fanfare
30
Orchestre
24
Orchestre à Cordes
23
Ensemble Jazz
20
Jazz combo
12
Ensemble de cuivres
11
Orchestre de chambre
7
Cloches
3
Ensemble de Percussions
3
Xylophone, Piano
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Vous avez sélectionné:
Who Pop
intermédiaire
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
17 partitions trouvées
<
1
When You're Smiling (the Whole World Smiles With You)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Jazz
#
Joe Goodwin, Larry Shay, and M
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Thomas Graf
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When You're Smiling
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.569281 Composed by Joe Goodw...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.569281 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Musical/Show,Pop. 19 pages. Thomas Graf - the-hit-factory.com #4332711. Published by Thomas Graf - the-hit-factory.com (A0.569281). This famous pop song from 1928 has become one of the most played jazz standards ever - it will make your audience smile! A must for your band book! Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Alto/Tenor), Part IV (Tenor), Part V(Baritone/Bass Sax) Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/ - no video.
$15.00
Funiculi, Funicula
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Contemporain
#
Luigi Denza
#
Funiculi, Funicula
#
Bronze:FX
#
SheetMusicPlus
Composed by Luigi Denza (1846- 1922). Arranged by Cheryl Woldseth – Bronze:FX. Folk, Pop. 15 pages. Bronze:FX #644294. Published by Bronze:FX ...
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Composed by Luigi Denza (1846- 1922). Arranged by Cheryl Woldseth – Bronze:FX. Folk, Pop. 15 pages. Bronze:FX #644294. Published by Bronze:FX
This catchy and very familiar Neapolitan song is sure to be a favorite with any audience. The listener will need to keep their eyes on the players, as the spotlight bounces quickly between players.
This SSATB arrangement features two Soprano saxophones, who banter the melody between them. The supportive Alto, Tenor, and Baritone parts playfully interject their own phrases too.
? Bb Soprano 1
? Bb Soprano 2
? Eb Alto
? BbTenor
? Eb Baritone.
$20.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
RONDEAU (Mouret) - Saxophone Quintet (SATTB) - Intermediate Level
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Traditional
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Dennis Ruello
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RONDEAU
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Chicory Music
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1440127 By Traditional. By Jean - Joseph Mouret. Arranged by Dennis Ruello. Baroque,Chamber,Film...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1440127 By Traditional. By Jean - Joseph Mouret. Arranged by Dennis Ruello. Baroque,Chamber,Film/TV,Wedding. 8 pages. Chicory Music #1020075. Published by Chicory Music (A0.1440127).
$7.99
Moonlight Sonata by Beethoven for Tenor Sax Quintet
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Tenor Saxophone - Level 3 - SKU: A0.1129503 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,...
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Woodwind Ensemble,Woodwind Quintet Tenor Saxophone - Level 3 - SKU: A0.1129503 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 16 pages. Woods Only, Arrangements #729951. Published by Woods Only, Arrangements (A0.1129503). This arrangement adapted for tenor sax quintet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99
Moonlight Sonata by Beethoven for Sax Quintet
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1127723 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,M...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1127723 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 16 pages. Woods Only, Arrangements #728330. Published by Woods Only, Arrangements (A0.1127723). This arrangement adapted for woodwind quintet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 3 Tenor)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813971 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813971 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635861. Published by Regis Bookshar (A0.813971). Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813973 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Ins...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813973 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635871. Published by Regis Bookshar (A0.813973). Tenor Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Tenor Saxophone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813959 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Inst...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813959 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632957. Published by Regis Bookshar (A0.813959). Alto Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for an Alto Saxophone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
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Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813969 Composed by Franz Xaver Gruber. Arrange...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813969 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635859. Published by Regis Bookshar (A0.813969). Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
I Love Lucy
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Contemporain
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.734626 Composed by Eliot Daniel. Arranged by De...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.734626 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 11 pages. Chicory Music #6704253. Published by Chicory Music (A0.734626). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This Intermediate Level arrangement for Saxophone Quintet / Choir plus optional Acoustic Bass and Drum Set parts is arranged in a slow ballad style.Performance Time: Approx. 1 minute 40 seconds
$12.99
Unstoppable
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Sia
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Jonatas Paz
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Unstoppable
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Jonatas Paz
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1157284 By Sia. By Christoph...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1157284 By Sia. By Christopher Braide and Sia. Arranged by Jonatas Paz. Contemporary,Film/TV,Pop. 14 pages. Jonatas Paz #757608. Published by Jonatas Paz (A0.1157284). Unstoppable narrates about a person who keeps moving forward despite whatever obstacles await them. All music has exactly that energy: the motivation you need to keep fighting and winning. For this reason we have a great arrangement that unites the spirit of this song with the power of a saxophone quintet. A great addition to your group's repertoire. Instrumentation 1 - Conductor 1 – Soprano Sax 1 – Alto Sax 1 1 – Alto Sax 2 1 – Tenor Sax 1 – Baritone Sax.
$14.99
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