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Instruments en Do
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Piano Trio: piano, violon, violoncelle
50
1 Piano, 4 mains
43
Accompagnement Piano
39
2 Pianos, 4 mains
30
Piano Quatuor: piano, violon, alto, violoncelle
9
Clavecin
8
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7
1 Piano, 6 mains
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7
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3
Piano Quatuor: piano, 2 violons, violoncelle
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234
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70
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22
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15
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15
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14
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11
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7
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6
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3
3 Guitares (trio)
3
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Clarinette, Violon (duo)
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Flûte, Violon
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21
Quatuor de Flûtes à bec
21
Hautbois, Flûte
19
Clarinette (partie séparée)
18
Cor anglais, Piano
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Cor anglais, Piano
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Cor anglais, Guitare (duo)
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Tuba (partie séparée)
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Ensemble de Cors
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4 Tubas
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Trombone basse
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Euphonium, Tuba (duo)
5
Quatuor de cuivres: 4 trompettes
5
3 Trombones (trio)
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Bass Clef Instruments
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Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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2 Trompettes, Clavier (piano ou orgue)
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Quatuor de cuivres: 2 trompettes, 2 trombones
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2 Euphoniums (duo)
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Tuba et Orgue
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Cor anglais et Harpe (duo)
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2 Cors Anglais Et Pianoforte
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Violoncelle
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Alto seul
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Harpe
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Alto, Piano
100
Trio à Cordes: 2 violons, violoncelle
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Violoncelle, Piano
94
Violon, Violoncelle (duo)
85
Trio à Cordes: 3 violoncelles
64
Violoncelle (partie séparée)
64
2 Violons (duo)
62
Violon, Alto (duo)
52
2 Violoncelles (duo)
44
2 Altos (duo)
40
Quatuor à cordes: 4 violons
32
Contre Basse
31
4 Violoncelles
28
Violon (partie séparée)
27
Contrebasse, Piano (duo)
17
Trio à Cordes: 2 violons, alto
16
Quatuor à cordes : 4 altos
16
Alto (partie séparée)
15
Trio à cordes
14
Contrebasse (partie séparée)
14
Violon, Guitare (duo)
14
2 Harpes (duo)
13
Trio à cordes: 3 altos
13
Violoncelle, Contrebasse (duo)
11
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
10
Harpe et Piano
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
2 Contrebasses (duo)
8
Ensemble de Violons
8
Piano Trio: Violon, Alto, Piano
7
Ensemble d'Altos
6
Violoncelle , Guitare (duo)
6
Harpe, Voix
5
Violon, Clarinette, Piano (trio)
5
Flûte, Contrebasse (duo)
4
4 Contrebasses
4
Alto, Guitare (duo)
4
Harpe, Violoncelle (duo)
3
Harpe et mandoline
2
Violon, Violoncelle, Clarinette
2
2 Violoncelles, Piano
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Alto et Basson
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Quintette à cordes : 2 violons, alto et 2 violoncelles
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Violon, Basson (duo)
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Harpe, Violon (duo)
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4 Harpes
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Harpe, Quatuor à cordes
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Autoharp
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Ensemble de Violoncelles
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2 Violons, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
1020
Orchestre d'harmonie
772
Batterie
378
Orchestre
329
Ensemble Jazz
117
Ensemble de cuivres
117
Cloches
91
Jazz combo
60
Orchestre de chambre
49
Ensemble de Percussions
36
Fanfare
17
Percussion (partie séparée)
11
Percussion
10
Marimba
9
Batterie (partie séparée)
8
Vibraphone
4
Orchestre, Violon
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Xylophone, Piano
1
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AUTRES
Formation musicale - Solfège
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O Christmas Tree (G) (Alto Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813938 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 8 pages. Regis Bookshar #6631075. Published by Regis Bookshar (A0.813938). Alto Saxophone Quintet - Intermediate - Digital Download. This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for an Alto Saxophone Quintet, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
4.61 €
#
Quintette de Saxophone: 5 saxophones
#
German Folk Song
#
Regis Bookshar
#
O Christmas Tree
#
Regis Bookshar
#
SheetMusicPlus
O Christmas Tree (G) (Saxophone Quintet - 2 Alto, 3 Tenor)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Dow…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813949 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 8 pages. Regis Bookshar #6632149. Published by Regis Bookshar (A0.813949). Saxophone Quintet - Intermediate - Digital Download. This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
4.61 €
#
Quintette de Saxophone: 5 saxophones
#
German Folk Song
#
Regis Bookshar
#
O Christmas Tree
#
Regis Bookshar
#
SheetMusicPlus
Burgundian Air/March of the Three Kings (F min) (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A…
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A0.813073 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 22 pages. Regis Bookshar #6097379. Published by Regis Bookshar (A0.813073). Tenor Saxophone Quintet - Intermediate - Digital Download. This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Tenor Saxophones, by Regis Bookshar. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (21 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
16.58 €
#
Quintette de Saxophone: 5 saxophones
#
Traditional French Melodies
#
Regis Bookshar
#
Burgundian Air/March of the Three Kings
#
Regis Bookshar
#
SheetMusicPlus
Burgundian Air/March of the Three Kings (F min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813071 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 27 pages. Regis Bookshar #6097373. Published by Regis Bookshar (A0.813071). Saxophone Quintet - Intermediate - Digital Download. This selection, Burgundian Air/March of the Three Kings, has been arranged for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, by Regis Bookshar. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
16.58 €
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Quintette de Saxophone: 5 saxophones
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Three Kings
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Regis Bookshar
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SheetMusicPlus
Burgundian Air/March of the Three Kings (F min) (Alto Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813062 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 22 pages. Regis Bookshar #6095931. Published by Regis Bookshar (A0.813062). Alto Saxophone Quintet - Intermediate - Digital Download. This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Alto Saxophones by Regis Bookshar. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
16.58 €
#
Quintette de Saxophone: 5 saxophones
#
Traditional French Melodies
#
Regis Bookshar
#
Burgundian Air/March of the Three Kings
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Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 1 Alto, ...)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254343 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847423. Published by Regis Bookshar (A0.1254343). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (1 Sop, 1 Alto, 2 Tenors, 1 Bari) - Adavanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 2 Tenor Saxophones and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.63 €
#
Quintette de Saxophone: 5 saxophones
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Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A…
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A0.1257387 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #850718. Published by Regis Bookshar (A0.1257387). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Tenor Saxophone Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. This first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Tenor Saxophone Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. Ithink you will be pleased with what you may find.
$30.00
27.63 €
#
Quintette de Saxophone: 5 saxophones
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Alto Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - Digital Download SKU: A0…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - Digital Download SKU: A0.1245666 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #840503. Published by Regis Bookshar (A0.1245666). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Alto Saxophone Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one.. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for an Alto Saxophone Quintet. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.63 €
#
Quintette de Saxophone: 5 saxophones
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254358 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847925. Published by Regis Bookshar (A0.1254358). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 2 Tenors, 1 Bari) - Adsvanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 6215. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.63 €
#
Quintette de Saxophone: 5 saxophones
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 3 Alto, 2 Tenor)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Dow…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1255318 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848835. Published by Regis Bookshar (A0.1255318). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 2 Tenors) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1718 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones and 2 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.63 €
#
Quintette de Saxophone: 5 saxophones
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 3 Tenor)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Dow…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254362 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847934. Published by Regis Bookshar (A0.1254362). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 3 Tenors) - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and the music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straighforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.63 €
#
Quintette de Saxophone: 5 saxophones
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 2 Alto, ...)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254344 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #847633. Published by Regis Bookshar (A0.1254344). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian bach - Saxophone Quintet (1 Sop, 2 Alto, 1 Tenor, 1 Bari) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bond) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.63 €
#
Quintette de Saxophone: 5 saxophones
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 3 Alto, 1 Tenor, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1255304 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848817. Published by Regis Bookshar (A0.1255304). Three selections based on Christ lag in Todsesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 1 Tenor, 1 Baritone) - Advanced /Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trology is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 Pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.63 €
#
Quintette de Saxophone: 5 saxophones
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Jesu, joy of man's desiring by Bach for Saxophone Choir Quintet
Quintette de Saxophone: 5 saxophones
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.957238 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 11 pages. Woods Only, Arrangements #6744921. Published by Woods Only, Arrangements (A0.957238). This easy arrangement for saxophone choir quintet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$9.99
9.2 €
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Quintette de Saxophone: 5 saxophones
#
Johann Sebastian Bach
#
Ander
#
Jesu, joy of man's desiring by Bach for Saxophone Choir Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
Jesu, joy of man's desiring by Bach for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.957237 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 11 pages. Woods Only, Arrangements #6744919. Published by Woods Only, Arrangements (A0.957237). This easy arrangement for saxophone quintet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$9.99
9.2 €
#
Quintette de Saxophone: 5 saxophones
#
Johann Sebastian Bach
#
Ander
#
Jesu, joy of man's desiring by Bach for Saxophone Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
Jesu, joy of man's desiring by Bach for Alto Sax Quintet
Quintette de Saxophone: 5 saxophones
Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 1 - Digital Download SKU: A0.…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 1 - Digital Download SKU: A0.957235 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 11 pages. Woods Only, Arrangements #6744907. Published by Woods Only, Arrangements (A0.957235). This easy arrangement for alto sax quintet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$9.99
9.2 €
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Quintette de Saxophone: 5 saxophones
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by Bach for Alto Sax Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Jesu, joy of man's desiring by Bach for Baritone Sax Quintet
Quintette de Saxophone: 5 saxophones
Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 1 - Digital Download SKU:…
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Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 1 - Digital Download SKU: A0.957236 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 11 pages. Woods Only, Arrangements #6744915. Published by Woods Only, Arrangements (A0.957236). This easy arrangement for baritone sax quintet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$9.99
9.2 €
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Quintette de Saxophone: 5 saxophones
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by Bach for Baritone Sax Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Chopin - Three Preludes Op. 28 Nos. 4, 7 and 22 (for Saxophone Quintet SATTB)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1293529 Co…
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Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1293529 Composed by Frederic Chopin. Arranged by Kenneth Abeling. 19th Century,Classical,Romantic Period. 10 pages. LINCOLN MUSIC PUBLICATIONS #884018. Published by LINCOLN MUSIC PUBLICATIONS (A0.1293529). Three Preludes Op. 28 Nos. 4,7 and 22 by Frédéric Chopin arranged for Saxophone Quintet. These are three of Chopin’s easier and more melodic preludes playable one after another as one piece, or individually. The original Keys are listed in the titles. The total plating time is approximately 4:15. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$13.99
12.89 €
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Quintette de Saxophone: 5 saxophones
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Frederic Chopin
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Kenneth Abeling
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Chopin - Three Preludes Op. 28 Nos. 4, 7 and 22
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
We Three Kings (Sax Quintet: SATTB)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1139651 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 22 pages. John A. Dempsey #739921. Published by John A. Dempsey (A0.1139651). Arranged as a festive sax quintet (SATTB), the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested uses: prelude, postlude, offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  18 pages of music (that includes the score and separate two-page parts for soprano sax, alto sax, tenor sax 1, tenor sax 2 and baritone sax).  Concert Key: F minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$14.00
12.89 €
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Quintette de Saxophone: 5 saxophones
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Fantasia In F, K. 594
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1420092 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Stevens. Chamber,Classical. 40 pages. SAXpress.com #1001523. Published by SAXpress.com (A0.1420092). Fantasia In F, K. 594 by Mozart, arranged for Saxophone Quintet SAATB or SSATB. Although originally intended for clockwork organ, this piece is also well known in arrangements for duo pianos, string quartet, orchestra, and woodwind quintet. This arrangment is for SAATB or SSATB saxophone quintet.This amazing work was composed in the last year of Mozart's life to fulfil an unusual commission. A wealthy Viennese aristocrat, Joseph Deym von Strzitez, owned several mechanical organs (also called musical clocks). One of these was in a public exhibit dedicated to the memory of a military hero. Deym wanted new music every week for his exhibit. This Fantasia In F, K. 594 is the first of three works Mozart composed especially for it.Mozart's original title is Adagio and Allegro for Mechanical Organ. Although dissatisfied with the timbre of the instrument, Mozart was plesed to have Deym's money. The music itself exceeded all expectations. One newspaper reported: Every hour one hears a suitable music which the unforgettable composer Mozart wrote especially for it. It surpasses in precision and clarity everything which was ever attempted or designed for this kind of artistic product. Fantasia In F begins and concludes with an adagio in F minor with slow moving chords and a gently descending, weeping melody line. The middle section is in F major and features trumpet calls and flashy counterpoint. All players will be well occupied with this piece.This arrangement for saxophone quintet is in the original keys of F minor and F major. The Alto Sax 1 part has long sections of 16th note passage work and requires great flexibility on the palm keys. The Soprano Sax 2 (Alto 1 sub) makes those sections much easier. An ideal solution would be to have the alto 1 player switch to soprano sax for the middle section.T.
$24.95
22.98 €
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Quintette de Saxophone: 5 saxophones
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Wolfgang Amadeus Mozart
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Robert Stevens
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Fantasia In F, K. 594
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SAXpress.com
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SheetMusicPlus
King Of The Road
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.734488 By …
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Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.734488 By Randy Travis. By Roger Miller. Arranged by Dennis Ruello. Contemporary. 20 pages. Chicory Music #6011301. Published by Chicory Music (A0.734488). King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a vagabond hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. This Saxophone Quintet arrangement is written in a Country Swing Style and features Tenor Sax 2 and jazzy sax ensemble playing. It also includes optional Acoustic Bass and Drum Set parts. The MP3 sample starts in measure 5.Performance time is approx. 2 minutes 30 seconds.
$19.99
18.41 €
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Quintette de Saxophone: 5 saxophones
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Randy Travis
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Dennis Ruello
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King Of The Road
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Chicory Music
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.82 €
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Quintette de Saxophone: 5 saxophones
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A…
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
13.82 €
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Quintette de Saxophone: 5 saxophones
#
Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
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