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446
PIANO & CLAVIERS
Piano seul
462
Piano, Voix
180
Piano, Voix et Guitare
96
Piano Facile
57
Orgue
32
Instruments en Do
12
Accompagnement Piano
10
1 Piano, 4 mains
9
Piano grosses notes
7
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
Piano (partie séparée)
1
Ligne De Mélodie, Piano
1
Clavier
1
Orgue, Voix
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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1
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GUITARES
Guitare notes et tablatures
67
Guitare
58
Paroles et Accords
51
Ligne De Mélodie, (Paroles) et Accords
40
Ukulele
8
Basse electrique
6
Guitare (partie séparée)
2
4 Guitares (Quatuor)
2
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1
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1
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Chorale SATB
56
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28
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26
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11
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6
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4
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4
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3
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3
Voix Tenor, Piano
2
Voix Soprano, Piano
2
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2
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2
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1
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1
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1
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1
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Flûte traversière et Piano
35
2 Saxophones (duo)
24
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23
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18
Quatuor de Saxophones: 4 saxophones
18
Clarinette et Piano
16
Hautbois, Piano (duo)
13
Saxophone (partie séparée)
12
Quintette de Saxophone: 5 saxophones
10
Saxophone Alto et Piano
10
Quatuor de Clarinettes: 4 clarinettes
8
Quatuor de Flûtes : 4 flûtes
8
Ensemble de Clarinettes
7
2 Flûtes traversières (duo)
7
Flûte traversière
7
2 Clarinettes (duo)
7
Saxophone Tenor et Piano
7
Clarinette
6
Saxophone Tenor
6
Flute (partie séparée)
5
Flûte, Clarinette (duo)
5
Saxophone Soprano et Piano
5
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4
Clarinette (partie séparée)
4
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4
Flûte, Hautbois, Clarinette, Basson
4
3 Clarinettes (trio)
4
Cor anglais, Piano
4
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3
Hautbois, Clarinette (duo)
3
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3
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3
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3
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3
Saxophone, Clarinette (duo)
3
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3
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2
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2
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2
Clarinette, Violon (duo)
2
Clarinette et Alto
2
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2
Quatuor de Flûtes à bec
2
Clarinette, Trompette (duo)
2
Flûte, Violoncelle
2
Flûte traversière, Basse continue
2
Flûte, Violon
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Trombone (duo)
2
Trio de Flûtes: 3 flûtes
2
Hautbois (partie séparée)
2
Saxophone Soprano
1
Hautbois et Orchestre
1
2 Hautbois (duo)
1
Ensemble de saxophones
1
Flûte traversière, Orgue (duo)
1
Harmonica, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Trompette (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Alto (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Flûte
1
5 Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
3 Flûtes à bec (trio)
1
Hautbois, Guitare (duo)
1
3 Saxophones (trio)
1
Saxophone Baryton
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle (duo)
1
2 Flûtes à bec, Piano
1
Flûte, Basson et Piano
1
2 Flûte à bec (duo)
1
Hautbois, Basson (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trombone (partie séparée)
17
Trompette (partie séparée)
12
Trombone et Piano
11
Trompette, Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Tuba et Piano
6
Bass Clef Instruments
6
Trompette
6
2 Trombones (duo)
6
Cor (partie séparée)
5
Cor et Piano
5
Instruments en Sib
4
Euphonium, Piano (duo)
4
2 Cors (duo)
4
Trombone
4
Instruments en Fa
4
Cor anglais, Piano
4
Quatuor de Cuivres
3
4 Tubas
3
Tuba (partie séparée)
3
Tuba
3
Ensemble de Trombones
3
2 Trompettes (duo)
3
Cor
2
Ensemble de Trompettes
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
Instrumentations suivantes
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CORDES
Violon
68
Violon et Piano
55
Violoncelle, Piano
42
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon (partie séparée)
31
Alto (partie séparée)
18
Alto, Piano
18
Violoncelle (partie séparée)
14
Alto seul
11
Trio à Cordes: violon, alto, violoncelle
11
Violon, Violoncelle (duo)
10
Violoncelle
9
2 Violoncelles (duo)
7
2 Altos (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Contrebasse, Piano (duo)
5
2 Violons (duo)
5
Violon, Guitare (duo)
5
Violon, Alto (duo)
4
Contrebasse (partie séparée)
4
2 Contrebasses (duo)
3
Harpe
3
4 Violoncelles
3
Ensemble de Violons
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle, Orchestre
2
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons, Piano
1
Quatuor à cordes: 4 violons
1
2 Altos, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
292
Orchestre
21
Orchestre à Cordes
17
Ensemble Jazz
10
Orchestre de chambre
8
Percussion (partie séparée)
7
Jazz combo
6
Cloches
3
Ensemble de cuivres
3
Percussion
2
Batterie
2
Batterie (partie séparée)
2
Fanfare
2
Xylophone
1
Timbales (partie séparée)
1
Orchestre, Violon
1
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AUTRES
Vous avez sélectionné:
1922
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
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1
Easy Driving
Quintette de Saxophone: 5 saxophones
5 saxophones (S/AAATBar) - intermediate - Digital Download Composed by Rupert Heche…
(+)
5 saxophones (S/AAATBar) - intermediate - Digital Download Composed by Rupert Hechensteiner. This edition: score and parts. Downloadable. Advance Music #Q41636. Published by Advance Music
$18.99
17.08 €
#
Quintette de Saxophone: 5 saxophones
#
Rupert Hechensteiner
#
Easy Driving
#
Advance Music
#
SheetMusicPlus
Graf Zeppelin Marsch - The Conqueror - Saxophone Quintet - Eb
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1291898 By Thomas Graf. By Carl Albert Hermann Teike (5 February 1864 – 28 May 1922). Arranged by Thomas Graf. Classical,Folk,Multicultural,Pop,Traditional,World. 27 pages. Thomas Graf - the-hit-factory.com #882508. Published by Thomas Graf - the-hit-factory.com (A0.1291898). German military march, written by military music composer Carl Teike. The name refers to Count Ferdinand von Zeppelin. It was originally composed in 1903 under the title March of the Teutons (March of the Teutons). The march was published by Carl Fischer Music in the United States under the name The Conqueror in 1912.It was sometimes called March of the Air Fleet. It was once used as the Swedish navy's parade march.About this arrangement: Composed by: Carl Albert Hermann Teike (5 February 1864 – 28 May 1922)Arranged by: Thomas H. Graf for Saxophone QuintetInstrumentation: Full Score and Parts as listed below:Part I Soprano SaxophonePart I Alto SaxophonePart II Alto SaxophonePart III Alto SaxophonePart III Tenor SaxophonePart IV Tenor SaxophonePart V Baritone SaxophonePart V Bass SaxophoneAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$19.99
17.98 €
#
Quintette de Saxophone: 5 saxophones
#
Thomas Graf
#
Thomas Graf
#
Graf Zeppelin Marsch - The Conqueror - Saxophone Quintet - Eb
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.49 €
#
Quintette de Saxophone: 5 saxophones
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A…
(+)
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
13.49 €
#
Quintette de Saxophone: 5 saxophones
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
13.49 €
#
Quintette de Saxophone: 5 saxophones
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
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Regis Bookshar
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SheetMusicPlus
A Day In The Life Of A Fool (manha De Carnaval)
Quintette de Saxophone: 5 saxophones
Composed by Luiz Bonfa (1922-). Arranged by Thomas Graf. Jazz, Latin. 58 pages. Thom…
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Composed by Luiz Bonfa (1922-). Arranged by Thomas Graf. Jazz, Latin. 58 pages. Thomas Graf - the-hit- factory.com #6410639. Published by Thomas Graf - the-hit-factory.com
$22.00
19.78 €
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Quintette de Saxophone: 5 saxophones
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Luiz Bonfa (1922-)
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Thomas Graf
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A Day In The Life Of A Fool
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Funiculi, Funicula
Quintette de Saxophone: 5 saxophones
Composed by Luigi Denza (1846- 1922). Arranged by Cheryl Woldseth – Bronze:FX. Folk, …
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Composed by Luigi Denza (1846- 1922). Arranged by Cheryl Woldseth – Bronze:FX. Folk, Pop. 15 pages. Bronze:FX #644294. Published by Bronze:FX
This catchy and very familiar Neapolitan song is sure to be a favorite with any audience. The listener will need to keep their eyes on the players, as the spotlight bounces quickly between players.<br> <br> This SSATB arrangement features two Soprano saxophones, who banter the melody between them. The supportive Alto, Tenor, and Baritone parts playfully interject their own phrases too.<br> <br> • Bb Soprano 1<br> • Bb Soprano 2<br> • Eb Alto<br> • BbTenor<br> • Eb Baritone.
$20.00
17.98 €
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Quintette de Saxophone: 5 saxophones
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Luigi Denza
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Funiculi, Funicula
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Bronze:FX
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SheetMusicPlus
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