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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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SAXOPHONE
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PIANO & CLAVIERS
Piano, Voix
603
Piano seul
442
Piano, Voix et Guitare
163
Piano Facile
148
Orgue
37
Accompagnement Piano
29
Instruments en Do
26
Piano grosses notes
19
1 Piano, 4 mains
11
Piano (partie séparée)
3
Accordéon
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Trompette (duo)
2
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
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GUITARES
Guitare notes et tablatures
60
Ligne De Mélodie, (Paroles) et Accords
55
Guitare
51
Ukulele
30
Basse electrique
16
Paroles et Accords
13
2 Guitares (duo)
5
3 Guitares (trio)
2
Ensemble de guitares
2
4 Guitares (Quatuor)
2
Basse électrique (partie séparée)
1
Mandoline
1
Guitare (partie séparée)
1
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
295
Chorale 3 parties
188
Chorale TTBB
105
Chorale 2 parties
22
Voix Alto, Piano
20
Chorale SSAA
20
Voix Soprano, Piano
19
Voix Tenor, Piano
18
Voix Baryton, Piano
16
Chorale Unison
15
Voix seule
10
Voix haute
4
Chorale
3
Voix duo, Piano
3
Voix duo
2
Voix basse, Piano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
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VENTS
Flûte traversière
53
Flûte, Hautbois, Clarinette, Basson
42
Flûte à Bec
32
Flûte traversière et Piano
30
Saxophone
28
Quatuor de Saxophones: 4 saxophones
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Saxophone (partie séparée)
21
Hautbois (partie séparée)
18
Hautbois
18
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Alto
17
Clarinette et Piano
16
Clarinette
15
Saxophone Tenor
14
Flûte et Guitare
14
Hautbois, Piano (duo)
14
Saxophone Alto et Piano
14
2 Flûtes traversières (duo)
13
2 Saxophones (duo)
10
Quintette de Saxophone: 5 saxophones
9
Saxophone Tenor et Piano
8
2 Clarinettes (duo)
7
Clarinette (partie séparée)
7
Quatuor de Flûtes : 4 flûtes
6
Saxophone Soprano et Piano
6
Clarinette, Guitare (duo)
6
Trio de Flûtes: 3 flûtes
5
Flute (partie séparée)
5
Flûte, Clarinette (duo)
4
Clarinette, Basson (duo)
4
Saxophone Baryton, Piano
4
Hautbois, Basson (duo)
4
Quintette de Flûte : 5 flûtes
4
Ensemble de Clarinettes
3
Saxophone et Guitare
3
Ensemble de Flûtes
3
Flûte, Trompette (duo)
3
3 Clarinettes (trio)
3
Saxophone Soprano
3
Clarinette, Violon (duo)
3
Ensemble de saxophones
2
Saxophone, Clarinette (duo)
2
2 Saxophones, Piano
2
Clarinette, Harpe (duo)
2
Cor anglais, Guitare (duo)
2
3 Saxophones (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Soprano
2
Flûte, Violon et Violoncelle
2
Flûte à bec Alto
2
Saxophone Baryton
2
Clarinette et Alto
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Clarinette (duo)
1
Flûte, trombone et piano
1
Flûte, Violon
1
Clarinette Basse, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Basson et Piano
1
Clarinette, Alto et Piano (trio)
1
Cor anglais et Harpe (duo)
1
4 Hautbois
1
Cor anglais, Piano
1
Flûte, Violon, Piano
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Alto et Piano
1
Flûte, Clarinette, Violon (trio)
1
5 Flûtes à bec
1
Flûte, Hautbois, Violon
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Ensemble de Trompettes
34
Trompette
29
Trombone et Piano
19
Trombone
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
12
Trompette, Piano
9
Trompette (partie séparée)
8
Cor
7
Quatuor de cuivres: 4 trombones
7
Trombone (partie séparée)
7
Quatuor de Cuivres
6
2 Cors (duo)
5
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trompettes
4
2 Trompettes (duo)
4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trombones (duo)
3
Trio de Cuivres
2
Ensemble de Trombones
2
Euphonium
2
Cor anglais, Guitare (duo)
2
3 Trompettes (trio)
2
Cor (partie séparée)
2
Tuba
2
4 Euphoniums
1
2 Cors Anglais Et Pianoforte
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
Tuba (partie séparée)
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais, Piano
1
Trombone basse
1
Euphonium, Piano (duo)
1
Trompette, violon (duo)
1
Bass Clef Instruments
1
Tuba et Piano
1
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CORDES
Violon
76
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violon et Piano
41
Violoncelle, Piano
26
Violoncelle
26
Alto, Piano
15
Violon, Violoncelle (duo)
12
Trio à Cordes: violon, alto, violoncelle
10
Alto seul
10
Violon, Alto (duo)
7
2 Violons (duo)
7
Violon (partie séparée)
6
Alto, Violoncelle (duo)
6
Harpe
6
Alto (partie séparée)
5
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violoncelle (partie séparée)
4
Violon, Guitare (duo)
4
Alto, Guitare (duo)
3
2 Altos (duo)
3
Ensemble de Violons
3
Trio à cordes: 3 violins
3
Contrebasse, Piano (duo)
3
Harpe (partie séparée)
2
Contrebasse (partie séparée)
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 altos
1
Contre Basse
1
2 Violons, Piano
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes
1
Harpe, Violon (duo)
1
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PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
47
Orchestre d'harmonie
36
Orchestre
31
Orchestre à Cordes
25
Ensemble Jazz
23
Cloches
18
Fanfare
14
Batterie
11
Orchestre de chambre
10
Jazz combo
9
Percussion (partie séparée)
6
Batterie (partie séparée)
5
Ensemble de Percussions
3
Marimba
1
Xylophone, Piano
1
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
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Quintette de Saxophone: 5 saxophones
Partitions à imprimer
9 partitions trouvées
<
1
Dido's Lament (Sax Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1280787 Composed by Henry Purcell. Arranged by B. C. Dockery. Baroque,Classical,Film/TV,Opera. 9 pages. Ben Dockery #872129. Published by Ben Dockery (A0.1280787). From Henry Purcell's opera Dido and Aeneas, this is When I am laid in earth arranged for saxophone quintet: SAATB. Great for lessons, recitals, and performances of all kinds. Intermediate level. Includes score and parts.
$8.99
8.06 €
#
Quintette de Saxophone: 5 saxophones
#
Henry Purcell
#
B
#
Dido's Lament
#
Ben Dockery
#
SheetMusicPlus
In the Bleak Midwinter (Sax Quintet: AATTB)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1144501 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. 20 pages. John A. Dempsey #744829. Published by John A. Dempsey (A0.1144501). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant sax quintet for two alto saxes, two tenor saxes and baritone sax, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Concert Key: F major. 16 pages of music (that includes the score and separate two-page parts for alto sax 1, alto sax 2, tenor sax 1, tenor sax 2 and baritone sax)What can I give Him, poor as I am? If I were a shepherd, I would give a lamb. If I were a wise man, I would do my part But what can I give Him?  Give Him my heart.
$14.00
12.55 €
#
Quintette de Saxophone: 5 saxophones
#
Gustav Holst, Christina Rossetti
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John A
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In the Bleak Midwinter
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John A. Dempsey
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.44 €
#
Quintette de Saxophone: 5 saxophones
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A…
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
13.44 €
#
Quintette de Saxophone: 5 saxophones
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
13.44 €
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Quintette de Saxophone: 5 saxophones
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
In the Bleak Midwinter (Sax Quintet: SATTB)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1143131 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. 20 pages. John A. Dempsey #743493. Published by John A. Dempsey (A0.1143131). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant sax quintet for SATTB, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Concert Key: F major. 16 pages of music (that includes the score and separate two-page parts for soprano sax, alto sax, tenor sax 1, tenor sax 2 and baritone sax)   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$14.00
12.55 €
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Quintette de Saxophone: 5 saxophones
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Gustav Holst, Christina Rossetti
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John A
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
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