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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
African-American Spiritual
Non classifié
482
Piano & claviers
Piano seul
346
Piano Facile
294
Piano, Voix
140
Piano, Voix et Guitare
78
Accompagnement Piano
23
Orgue
21
Piano grosses notes
11
1 Piano, 4 mains
10
2 Pianos, 4 mains
9
Piano Quatuor: piano, 2 violons, violoncelle
4
Accordéon
3
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Accordéon, Voix
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
31
Paroles et Accords
25
Ukulele
21
Ligne De Mélodie, (Paroles) et Accords
18
Guitare
4
2 Guitares (duo)
4
Mandoline
4
4 Guitares (Quatuor)
2
Guitare (partie séparée)
2
Banjo
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
244
Chorale 3 parties
78
Chorale 2 parties
72
Voix Alto, Piano
54
Voix Soprano, Piano
53
Voix Tenor, Piano
52
Voix duo, Piano
29
Chorale TTBB
22
Chorale Unison
19
Chorale SSAA
12
Voix haute
11
Chorale
11
Pack Instrumental pour Chorale
6
Voix basse, Piano
6
Voix moyenne, Piano
3
Voix Baryton, Piano
2
Chorale SSATTB
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
46
Flûte traversière et Piano
29
Clarinette et Piano
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
2 Saxophones (duo)
25
Quatuor de Clarinettes: 4 clarinettes
23
Saxophone Alto et Piano
21
Flûte, Hautbois, Clarinette, Basson
21
Hautbois, Piano (duo)
20
2 Clarinettes (duo)
19
Saxophone Soprano et Piano
17
Quintette de Saxophone: 5 saxophones
17
Flûte, Clarinette (duo)
16
Saxophone Tenor et Piano
15
Flûte traversière
13
2 Flûtes traversières (duo)
11
Saxophone, Clarinette (duo)
11
Clarinette
8
Clarinette, Violon (duo)
8
Cor anglais, Piano
8
Clarinette (partie séparée)
6
Ensemble de Flûtes
6
Clarinette, Trompette (duo)
5
Hautbois, Clarinette (duo)
5
Clarinette et Alto
5
Saxophone Alto
5
Hautbois, Basson (duo)
5
Ensemble de Clarinettes
5
Quatuor de Flûtes : 4 flûtes
4
Hautbois (partie séparée)
4
2 Hautbois (duo)
4
Saxophone Baryton, Piano
4
Saxophone (partie séparée)
4
Flûte, Violon
4
Flûte, Alto (duo)
4
Hautbois, Flûte
3
Ensemble de saxophones
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Harpe (duo)
2
Hautbois
2
Flûte, Saxophone (duo)
2
Quintette de Flûte : 5 flûtes
2
Clarinette Basse, Piano
2
3 Saxophones (trio)
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois et alto (duo)
1
Flûte, Violoncelle
1
Ocarina
1
Clarinette, Basson (duo)
1
3 Clarinettes (trio)
1
Flûte, Hautbois (duo)
1
Hautbois, violon (duo)
1
Flute (partie séparée)
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
+ 53 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trompette, Piano
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trompette
18
Trombone et Piano
17
2 Trombones (duo)
15
Cor et Piano
12
2 Trompettes (duo)
10
Trompette, Trombone (duo)
8
Cor anglais, Piano
8
Trompette, Cor (duo)
7
Trompette, Saxophone (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette (partie séparée)
6
Ensemble de Trombones
6
Trombone (partie séparée)
5
2 Cors (duo)
5
Trombone
5
Quatuor de Cuivres
5
Euphonium, Piano (duo)
4
Cor
3
Trio de Cuivres
2
4 Tubas
2
Cor (partie séparée)
2
Tuba
2
Ensemble de Trompettes
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trombones
1
Tuba et Piano
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
56
Violon et Piano
34
Violoncelle, Piano
33
Alto, Piano
29
Violon
16
2 Violoncelles (duo)
13
Violon, Violoncelle (duo)
11
Violon, Alto (duo)
9
2 Violons (duo)
9
2 Altos (duo)
7
Alto (partie séparée)
6
Piano Trio: Violon, Alto, Piano
5
Violon (partie séparée)
5
Violoncelle
5
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Harpe
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quatuor à cordes : 4 altos
2
Contre Basse
2
Harpe, Flûte (duo)
2
Ensemble de Violons
2
Alto seul
2
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Violon, Basson (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Cloches
44
Ensemble de cuivres
20
Orchestre à Cordes
19
Orchestre d'harmonie
19
Orchestre
8
Percussion (partie séparée)
2
Batterie
1
Percussion
1
Orchestre de chambre
1
Jazz combo
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
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Partitions Numériques
17
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
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Vous avez sélectionné:
African-American Spiritual
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
17 partitions trouvées
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1
This Little light of Mine (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Gospel Spirituel
#
African American Spiritual
#
Kenneth Abeling
#
This Little light of Mine
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.515035 Composed by African American Spiritual. Arranged by Kenneth Abeling. Jazz,Spiritual. 26 p...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.515035 Composed by African American Spiritual. Arranged by Kenneth Abeling. Jazz,Spiritual. 26 pages. LINCOLN MUSIC PUBLICATIONS #4605883. Published by LINCOLN MUSIC PUBLICATIONS (A0.515035). This Little Light of Mine, African American Spiritual arranged for Saxophone Quintet by Kenneth Abeling. This is an advanced Intermediate level arrangement of this very popular spiritual in a Jazz/Blues style and is appropriate for all most religious services and general performance. Playing time: 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.
$13.99
Nobody Knows the Trouble I’ve Seen (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Gospel Spirituel
#
African American Spiritual
#
Kenneth Abeling
#
Nobody Knows the Trouble I&rsq
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.514878 Composed by African American Spiritual. Arranged by Kenneth Abeling. Contemporary,Folk,Sp...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.514878 Composed by African American Spiritual. Arranged by Kenneth Abeling. Contemporary,Folk,Spiritual. 10 pages. LINCOLN MUSIC PUBLICATIONS #3859501. Published by LINCOLN MUSIC PUBLICATIONS (A0.514878). “Nobody Knows the Trouble I’ve Seen†arranged for Saxophone Quintet by Kenneth Abeling. This is a more contemporary arrangement of yet another ageless African American Spiritual. It is an Intermediate level arrangement and is appropriate for all religious services and Black History events. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 2:50
$11.99
Down in the River to Pray (for Saxophone Quintet SATTB or AATTB)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Gospel Spirituel
#
Musique Sacrée
#
African-American Spiritual
#
Kenneth Abeling
#
Down in the River to Pray
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1205452 Composed by African-American Spiritual. Arranged by Kenneth Abeling. 19th Century,Spirit...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1205452 Composed by African-American Spiritual. Arranged by Kenneth Abeling. 19th Century,Spiritual,Traditional. 12 pages. LINCOLN MUSIC PUBLICATIONS #803645. Published by LINCOLN MUSIC PUBLICATIONS (A0.1205452). “Down in the River to Pray†also known as “Down to the River to Prayâ€, “Down in the Valley to Pray†“The Good Old Way†and “Come, Let Us All Go Down†arranged for Saxophone Quintet. This is an intermediate level arrangement, and contemporary setting of the African-American Spiritual/Christian Folk Hymn. The playing time is approximately 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$12.99
Swing Low, Sweet Chariot (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Gospel Spirituel
#
African American Spiritual
#
Kenneth Abeling
#
Swing Low, Sweet Chariot
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514895 Composed by African American Spiritual. Arranged by Kenneth Abeling. Sacred,Spiritual. 17...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514895 Composed by African American Spiritual. Arranged by Kenneth Abeling. Sacred,Spiritual. 17 pages. LINCOLN MUSIC PUBLICATIONS #3879973. Published by LINCOLN MUSIC PUBLICATIONS (A0.514895). “Swing Low, Sweet Chariot†arranged for Saxophone Quintet by Kenneth Abeling. This is yet another in a series of timeless African American Spirituals. It is an Intermediate level arrangement and is appropriate for all religious services and Black History events. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:00
$11.99
Joshua Fought the Battle of Jericho (for Saxophone Quintet SATTB or AATTB)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Gospel Spirituel
#
African American Spiritual
#
Kenneth Abeling
#
Joshua Fought the Battle of Je
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514885 Composed by African American Spiritual. Arranged by Kenneth Abeling. Jazz,Spiritual. 19 p...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514885 Composed by African American Spiritual. Arranged by Kenneth Abeling. Jazz,Spiritual. 19 pages. LINCOLN MUSIC PUBLICATIONS #3877293. Published by LINCOLN MUSIC PUBLICATIONS (A0.514885). “Joshua Fought the Battle of Jericho†arranged for Saxophone Quintet by Kenneth Abeling. This is the final installment in a series of popular African American Spirituals. It is an Intermediate level arrangement and is appropriate for all religious services and Black History events. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 2:15
$13.99
Were You There (When They Crucified My Lord) (for Saxophone Quintet SATTB or AATTB)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
African American Spiritual
#
Kenneth Abeling
#
Were You There
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514585 Composed by African American Spiritual. Arranged by Kenneth Abeling. Easter,Sacred. 18 pa...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514585 Composed by African American Spiritual. Arranged by Kenneth Abeling. Easter,Sacred. 18 pages. LINCOLN MUSIC PUBLICATIONS #3445003. Published by LINCOLN MUSIC PUBLICATIONS (A0.514585). Were You There (When They Crucified My Lord) arranged for Saxophone Quintet. This is a contemporary arrangement of timeless African American Spiritual. It is an Intermediate Advanced to easier advanced arrangement and is appropriate for all contemporary religious services, many traditional services and of course general performance. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:40
$14.99
Down by the Riverside - Sax Quintet arranged in Trad. New Orleans Brass Band Style
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
African - American Spiritual
#
Dennis Ruello
#
Down by the Riverside - Sax Qu
#
Chicory Music
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1226523 By African - America...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1226523 By African - American Spiritual. By Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,March,Spiritual. 23 pages. Chicory Music #822527. Published by Chicory Music (A0.1226523). Gospel music has infiltated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Sax Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).Performance Time: Approx. 2 minutes 40 seconds
$15.99
Goin' Home - Largo from New World Symphony (Sax Quintet)
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Quintette de Saxophone: 5 saxophones
#
FACILE
#
Classique
#
Antonin Dvorak
#
B
#
Goin' Home - Largo from New Wo
#
Ben Dockery
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1259275 Composed by Antonin ...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1259275 Composed by Antonin Dvorak. Arranged by B. C. Dockery. 19th Century,Classical,Folk,Romantic Period,Spiritual. 8 pages. Ben Dockery #852547. Published by Ben Dockery (A0.1259275). First known as the African American spiritual Goin' Home, this is Largo from Antonin Dvorak's New World Symphony No. 9 in E Minor, Op. 95, Mvmt. II. Arranged for saxophone quintet: SAATB. Great for lessons, recitals, and performances of all kinds. Easy intermediate level. Includes score and parts.
$8.99
Wade in the Water (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Gospel Spirituel
#
Jazz
#
African American Spiritual
#
Kenneth Abeling
#
Wade in the Water
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Composed by African American Spiritual. Arranged by Kenneth Abeling. Jazz, Spiritual. 26 pages. LINCOLN MUSIC PUBLICATIONS #3886429. Published by LINC...
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Composed by African American Spiritual. Arranged by Kenneth Abeling. Jazz, Spiritual. 26 pages. LINCOLN MUSIC PUBLICATIONS #3886429. Published by LINCOLN MUSIC PUBLICATIONS
$11.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
#
Musique Sacrée
#
Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
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African-American Spiritual
